--- /dev/null
+%
+% title =The music notation with computer bibliography
+% author =Han-Wen Nienhuys
+%
+
+@String{CitH = {Computing and the Humanities}}
+@String{CMJ = {Computer Music Journal}}
+
+@Book{smith73,
+ year = {1973},
+ title = {Editing and Printing Music by Computer},
+ author = {Leland Smith},
+ totalentry = {Journal of Music Theory},
+ volume = {17},
+ pages = {292-309},
+ note = {Gourlay [gourlay86] writes: A discussion of Smith's
+music-printing system SCORE}
+}
+
+@Article{byrd74,
+ year = {1974},
+ title = {A System for Music Printing by Computer},
+ author = {Donald Byrd},
+ journal = {Computers and the Humanities},
+ volume = {8},
+ pages = {161-72},
+}
+
+@Article{ericson75,
+ author = {R. F. Ericson},
+ title = {The DARMS Project: A status report},
+ journal = {Computing in the humanities},
+ year = 1975,
+ volume = 9,
+ number = 6,
+ pages = {291--298},
+ note = {Gourlay [gourlay86] writes: A discussion of the design
+ and potential uses of the DARMS music-description language.}
+}
+
+% Gomberg
+@PhdThesis{gomberg75,
+ year = {1975},
+ title = {A Computer-Oriented System for Music Printing},
+ author = {David A. Gomberg},
+ school = {Washington University},
+}
+
+@Book{gomberg77,
+ title = {A Computer-oriented System for Music Printing},
+ author = {David A. Gomberg},
+ journal = CitH,
+ volume = {11},
+ month = {march},
+ year = {1977},
+ pages = {63-80},
+ note = {Gourlay [gourlay86] writes: "A discussion of the
+ problems of representing the conventions of musical notation in
+ computer algorithms."}
+}
+
+@TechReport{ornstein83,
+ author = {Ornstein, Severo M. and John Turner Maxwell III},
+ title = {Mockingbird: A Composer's Amanuensis},
+ institution = {Xerox Palo Alto Research Center},
+ address = {3333 Coyote Hill Road, Palo Alto, CA, 94304},
+ number = {CSL-83-2},
+ month = {January},
+ year = {1983}
+}
+
+@Article{ornstein84,
+ author = {Ornstein, Severo M. and John Turner Maxwell III},
+ title = {Mockingbird: A Composer's Amanuensis},
+ journal = {Byte},
+ volume = 9,
+ month = {January},
+ year = { 1984},
+ note = {A discussion of an interactive and graphical computer system
+for music composition}
+}
+
+% byrd
+@PhdThesis{byrd85,
+ year = {1985},
+ title = {Music Notation by Computer},
+ author = {Donald Byrd},
+ school = {Indiana University},
+ note = {Describes the SMUT (sic) system for automated music printout.}
+}
+
+@InProceedings{assayaag86,
+ author = {G. Assayaag and D. Timis},
+ title = {A Toolbox for music notation},
+ booktitle = {Proceedings of the 1986 International Computer Music Conference},
+ year = 1986
+}
+
+@TechReport{roush88,
+ year = {1988},
+ title = {Music Formatting Guidelines},
+ author = {D. Roush},
+ number = {OSU-CISRC-3/88-TR10},
+ institution = {Department of Computer and Information Science, The Ohio State University},
+ note = {Rules on formatting music formulated for use in
+ computers. Mainly distilled from [Ross] HWN},
+}
+
+@Article{byrd94,
+ author = {Donald Byrd},
+ title = {Music Notation Software and Intelligence},
+ journal = {Computer Music Journal},
+ year = 1994,
+ pages = {17--20},
+ volume = 18,
+ number = 1,
+ note = {Byrd (author of Nightingale) shows four problematic
+fragments of notation, and rants about notation programs that try to
+exhibit intelligent behaviour. HWN}
+}
+
+@Article{field-richards93,
+ author = {H.S. Field-Richards},
+ title = {Cadenza: A Music Description Language},
+ journal = CMJ,
+ year = 1993,
+ volume = 17,
+ number = 4,
+ note = {A description through examples of a music entry language.
+Apparently it has no formal semantics. There is also no
+implementation of notation convertor. HWN}
+}
+
+@Article{bielawa93,
+ author = {Herbert Bielawa},
+ title = {Review of Sibelius 7},
+ journal = CMJ,
+ year = {1993?},
+ note = {A raving review/tutorial of Sibelius 7 for Acorn. (And did
+they seriously program a RISC chip in ... assembler ?!) HWN}
+}
+
+@Article{sloan93,
+ author = {Donald Sloan},
+ title = {Aspects of Music Representation in HyTime/SMDL},
+ journal = CMJ,
+ year = 1993,
+ volume = 17,
+ number = 4,
+ note = {An introduction into HyTime and its score description variant
+SMDL. With a short example that is quite lengthy in SMDL}
+}
+
+@Article{wiggins93,
+ author = {Geraint Wiggins and Eduardo Miranda and Alaaaan Smaill and Mitch Harris},
+ title = {A Framework for the evaluation of music representation systems},
+ journal = CMJ,
+ year = 1993,
+ volume = 17,
+ number = 3,
+ note = {A categorisation of music representation systems (languages,
+OO systems etc) splitted into high level and low level expressiveness.
+The discussion of Charm and parallel processing for music
+representation is rather vague. HWN}
+}
+
+@Article{dannenberg93,
+ author = {Roger B. Dannenberg},
+ title = {Music Representation: Issues, Techniques, and Systems},
+ journal = CMJ,
+ year = 1993,
+ volume = 17,
+ number = 3,
+ url = {http://citeseerx.ist.psu.edu/viewdoc/summary?doi=10.1.1.44.6067},
+ note = {This article points to some problems and solutions with music
+representation. HWN},
+}
+
+@Article{rothstein93,
+ author = {Joseph Rothstein},
+ title = {Review of Passport Designs' Encore Music Notation Software},
+ journal = CMJ,
+ year = {?},
+}
+
+@Article{belkin94,
+ author = {Alan Belkin},
+ title = {Macintosh Notation Software: Present and Future},
+ journal = CMJ,
+ year = 1994,
+ volume = 18,
+ number = 1,
+ note = {Some music notation systems are analysed for ease of use,
+ MIDI handling. The article ends with a plea for a standard notation
+ format. HWN},
+}
+
+@InProceedings{montel97,
+ author = {Dominique Montel},
+ title = {La gravure de la musique, lisibilité esthétique, respect de l'oevre},
+ booktitle = {Musique \& Notations},
+ year = 1997,
+ address= {Lyon},
+ editors = {Genevois \& Orlarey}
+}
+
+@Book{casr,
+ note = {Annual editions since 1985, many containing surveys of music typesetting technology. SP},
+ title = {Directory of Computer Assisted Research in Musicology},
+ author = {Walter B Hewlett and Eleanor Selfridge-Field},
+ totalentry = {Menlo Park, CA: Center for Computer Assisted Research in the Humanities},
+}
+
+@Book{selfridge-field97,
+ title = {Beyond MIDI: the handbook of musical codes},
+ editor = {Eleanor Selfridge-Field},
+ publisher = {MIT Press},
+ year = 1997,
+ note = {A description of various music interchange formats.}
+}
+
+@InProceedings{hoos98,
+ title = {The GUIDO Music Notation Format---A Novel Approach
+for Adequately Representing Score-level Music},
+ author = {H. H. Hoos and K. A. Hamel and K. Renz and J. Kilian},
+ booktitle = {Proceedings of International Computer Music Conference},
+ year = 1998,
+ pages = {451--454},
+}
+
+@Article{blostein91,
+ note = {This paper provides a overview of the algorithm used in LIME
+ for spacing individual lines. HWN},
+ year = {1991},
+ title = {Justification of Printed Music},
+ author = {Dorothea Blostein and Lippold Haken},
+ journal = {Communications of the ACM},
+ volume = {J34},
+ number = {3},
+ month = {March},
+ pages = {88-99},
+}
+
+@Article{haken93,
+ year = {1993},
+ title = {The Tilia Music Representation: Extensibility, Abstraction, and Notation Contexts for the Lime Music Editor},
+ author = {Lippold Haken and Dorothea Blostein},
+ journal = {Computer Music Journal},
+ volume = {17},
+ number = {3},
+ pages = {43--58},
+}
+
+@Article{blostein94,
+ author = {Dorothea Blostein and Lippold Haken},
+ title = {The Lime Music Editor: A Diagram Editor Involving Complex
+ Translations},
+ journal = {Software Practice and Experience},
+ year = {1994},
+ volume = {24},
+ number = {3},
+ month = {march},
+ pages = {289--306},
+ note = {A description of various conversions, decisions and issues
+relating to this interactive editor HWN},
+}
+
+@InProceedings{haken95,
+ year = {1995},
+ title = {A New Algorithm for Horizontal Spacing of Printed Music},
+ author = {Lippold Haken and Dorothea Blostein},
+ booktitle = {International Computer Music Conference},
+ address = {Banff},
+ month= {Sept},
+ pages = {118-119},
+ note = {This describes an algorithm which uses springs between
+adjacent columns.},
+}
+
+@InProceedings{bouzaiene98,
+ author = {Nabil Bouzaiene and Loïc Le Gall and Emmanuel Saint-James},
+ title = {Une bibliothèque pour la notation musicale baroque},
+ booktitle = {EP '98},
+ year = 1998,
+ series = {LNCS},
+ note = {Describes ATYS, an extension to Berlioz, that can mimick
+ handwritten baroque style beams}
+}
+
+@InProceedings{balaban88,
+ author = {M. Balaban},
+ title = {A Music Workstation Based on Multiple Hierarchical Views of Music},
+ booktitle = {Proceedings of the 1988 International Computer Music Conference},
+ year = 1988,
+ address = {San Francisco},
+ organization = {International Computer Music Association}
+}
+
+%
+% MusiCopy
+%
+@TechReport{gourlay87-spacing,
+annote = {Algorithm for generating spacing in one line of (polyphonic) music, tailored for use with MusiCopy. LilyPond uses a variant of it.},
+ year = {1987},
+ title = {Spacing a Line of Music,},
+ author = {John S. Gourlay},
+ number = {OSU-CISRC-10/87-TR35},
+ institution = {Department of Computer and Information Science, The Ohio State University},
+}
+
+@TechReport{parish87,
+ annote = {A brief overview of MusiCopy},
+ year = {1987},
+ title = {MusiCopy: An automated Music Formatting System},
+ author = {Allen Parish and Wael A. Hegazy and John S. Gourlay and Dean K. Roush and F. Javier Sola},
+ totalentry = {OSU-CISRC-10/87-TR29},
+ institution = {Department of Computer and Information Science, The Ohio State University},
+}
+
+@TechReport{gourlay87-formatting,
+ note = {This paper discusses the development of algorithms for the
+formatting of musical scores (from abstract). It also appeared at
+PROTEXT III, Ireland 1986},
+ year = {1987},
+ title = {Computer Formatting of Music},
+ author = {John S. Gourlay and A. Parrish
+and D. Roush and F. Sola and Y. Tien},
+ number = {OSU-CISRC-2/87-TR3},
+ institution = {Department of Computer and Information Science,
+The Ohio State University},
+}
+
+@TechReport{hegazy87,
+ year = {1987},
+ title = {On the Implementation of the MusiCopy Language Processor,},
+ author = {Wael A. Hegazy},
+ number = {OSU-CISRC-10/87-TR34},
+ institution= {Department of Computer and Information Science, The Ohio State University},
+ note = {Describes the "parser" which converts MusiCopy MDL to
+ MusiCopy Simultaneities and columns.
+
+MDL is short for Music Description Language [gourlay86]. It
+accepts music descriptions that are organised into measures filled
+with voices, which are filled with notes. The measures can be arranged
+simultaneously or sequentially. To address the 2-dimensionality,
+almost all constructs in MDL must be labeled.
+
+MDL uses begin/end markers for attribute values and spanners.
+Rightfully the author concludes that MusiCopy must administrate a
+"state" variable containing both properties and current spanning symbols.
+
+MusiCopy attaches graphic information to the objects constructed in
+the input: the elements of the input are partially complete graphic
+objects.},
+}
+
+@TechReport{hegazy87-breaking-tr,
+ annote = {This generalizes \TeX's breaking algorithm to music. It also
+appeared in Document Manipulation and Typography, J.C. van Vliet (ed)
+1988},
+ year = {1987},
+ title = {Optimal line breaking in music},
+ author = {Wael A. Hegazy and John S. Gourlay},
+ number = {OSU-CISRC-8/87-TR33},
+ institution= {Department of Computer and Information Science, The Ohio State University,},
+}
+
+@InProceedings{hegazy88,
+ author = {Wael A. Hegazy and John S. Gourlay},
+ booktitle = {Proceedings of the International Conference on
+Electronic Publishing, Document Manipulation and Typography. Nice (France)},
+ month = {April},
+ year = 1988,
+ editor = {J. C. van Vliet},
+ publisher = {Cambridge University Press},
+ ISBN = {0-521-36294-6},
+ title = {Optimal line breaking in music},
+}
+
+@TechReport{roush87,
+ note = {User manual of MusiCopy.},
+ year = {1987},
+ title = {Using MusiCopy},
+ author = {Dean K. Roush},
+ number = {OSU-CISRC-18/87-TR31},
+ institution= {Department of Computer and Information Science, The Ohio State University},
+}
+
+@TechReport{parrish87-simultaneities,
+ note = {This note discusses
+ placement of balls, stems, dots which occur at the same moment
+ ("Simultaneity")},
+ year = {1987},
+ title = {Computer Formatting of Musical Simultaneities,},
+ author = {A. Parrish and John S. Gourlay},
+ institution= {Department of Computer and Information Science, The Ohio State University},
+ number = {OSU-CISRC-10/87-TR28},
+}
+
+@TechReport{sola87,
+ note = {Overview of a procedure for generating slurs},
+ year = {1987},
+ title = {Computer Design of Musical Slurs, Ties and Phrase Marks,},
+ author = {F. Sola},
+ institution= {Department of Computer and Information Science, The Ohio State University},
+ number = {OSU-CISRC-10/87-TR32},
+}
+
+@Article{gourlay86,
+ note = {This paper describes the MusiCopy musicsetting system and an input language to go with it.},
+ year = {1986},
+ title = {A language for music printing},
+ author = {John. S. Gourlay},
+ journal = {Communications of the ACM},
+ volume = {29},
+ number = {5},
+ pages = {388--401},
+}
+
+@TechReport{sola87-beams,
+ institution= {Department of Computer and Information Science, The Ohio
+State University},
+ note = {Calculating beam slopes HWN},
+ year = {1987},
+ title = {Design of Musical Beams,},
+ author = {F. Sola and D. Roush},
+ number = {OSU-CISRC-10/87-TR30},
+}
+
+@PhdThesis{page88,
+ note = {Don't ask Stephen for a copy. Write to the Bodleian Library, Oxford, or to the British Library, instead. SP},
+ year = {1988},
+ title = {Computer Tools for Music Information Retrieval},
+ author = {Stephen Dowland Page},
+ school = {Dissertation University of Oxford},
+}
+
+%
+% three part study by John Grøver
+@TechReport{grover89-symbols,
+ author = {John Grøver},
+ title = {A computer-oriented description of Music Notation. Part I. The Symbol Inventory},
+ institution = {Department of informatics, University of Oslo},
+ year = 1989,
+ number = 133,
+ note = {The goal of this series of reports is a full description of
+music formatting. As these largely depend on parameters of fonts, it
+starts with a verbose description of music symbols.
+
+The subject is treated backwards: from general rules of typesetting
+the author tries to extract dimensions for characters, whereas the
+rules of typesetting (in a particular font) follow from the dimensions
+of the symbols. His symbols do not match (the stringent) constraints
+formulated by eg. [wanske]},
+}
+
+@TechReport{grover89-twovoices,
+ author = {John Grøver},
+ title = {A computer-oriented description of Music Notation. Part II: Two Voice Sharing a Staff, Leger Line Rules, Dot Positioning},
+ institution = {Department of informatics, University of Oslo},
+ year = 1989,
+ number = 134,
+ note = {A lot rules for what is in the title are formulated. The
+descriptions are long and verbose. The verbosity shows that
+formulating specific rules is not the proper way to approach the
+problem. Instead, the formulated rules should follow from more
+general rules, similar to [parrish87-simultaneities]},
+}
+
+@TechReport{grover89-accidentals,
+ author = {John Grøver},
+ title = {A computer-oriented description of Music Notation. Part III: Accidental Positioning},
+ institution = {Department of informatics, University of Oslo},
+ year = 1989,
+ number = 135,
+ note = {Placement of accidentals crystallised in an enormous set of
+rules. Same remarks as for [grover89-twovoices] applies},
+}
+
+@PhdThesis{mueller90,
+ author = {Giovanni Müller},
+ title = {Interaktive Bearbeitung konventioneller Musiknotation},
+ school = {Eidgenössische Technische Hochschule Zürich},
+ year = 1990,
+ note = {This is about engraver-quality typesetting with computers. It
+accepts the axiom that notation is too difficult to generate
+automatically. The result is that a notation program should be a
+WYSIWYG editor that allows one to tweak everything.},
+}
+
+@MastersThesis{roelofs91,
+ note = {This dutch thesis describes a monophonic typesetting system,
+ and focuses on the breaking algorithm, which is taken from Hegazy &
+ Gourlay},
+ year = {1991},
+ title = {Een Geautomatiseerd Systeem voor het Afdrukken van Muziek},
+ author = {René Roelofs},
+ school= {Erasmus Universiteit Rotterdam},
+ number= {45327},
+ translation = {``An automated system for printing music'' Master's Thesis Managerial Computer Science.},
+}
+
+@Article{filgueiras93,
+ year = {1993},
+ title = {Representation and manipulation of music documents in SceX},
+ author = {Miguel Filgueiras and José Paulo Leal},
+ journal = {Electronic Publishing},
+ volume = {6},
+ number= {4}, pages = {507--518},
+ url= {http://citeseerx.ist.psu.edu/viewdoc/summary?doi=10.1.1.17.1480},
+}
+
+@Article{foxley87,
+ note = {A paper on a simple TROFF preprocessor to typeset music.},
+ year = {1987},
+ title = {Music --- A language for typesetting music scores},
+ author = {Eric Foxley},
+ journal = {Software --- Practice and Experience},
+ volume = {17},
+ number = {8},
+ pages = {485-502},
+}
+
+@Article{langston90,
+ note = {This paper deals with some command-line
+ tools for music editing and playback.},
+ year = {1990},
+ title = {Unix music tools at Bellcore},
+ author = {Peter S. Langston},
+ journal = {Software --- Practice and Experience},
+ volume = {20},
+ number= {S1},
+ pages = {47--61},
+}
+
+@Book{filgueiras96,
+ year = {1996},
+ title = {Implementing a Symbolic Music Processing System},
+ author = {Miguel Filgueiras},
+ totalentry = {LIACC, Universidade do Porto, 1996; submitted},
+}
+
+@Book{filgueiras,
+ title = {Some Music Typesetting Algorithms},
+ author = {Miguel Filgueiras},
+ totalentry = {Miguel Filgueiras. ``Some Music Typesetting Algorithms''. LIACC, Universidade do Porto, forthcoming},
+}
+
+@Article{colorado-web,
+ author = {Alyssa Lamb},
+ note = {Webpages about engraving (designed with finale
+users in mind) (sic) HWN},
+ institution = {The University of Colorado},
+ title = {The University of Colorado Music Engraving page},
+ HTML= {http://www.cc.colorado.edu/Dept/MU/Musicpress/},
+ year = {1996}
+}
+
+@Article{tablature-web,
+ note = {FAQ (with answers) about TAB, the ASCII variant of Tablature. HWN},
+ title = {how to read and write tab: a guide to tab notation},
+ author = {Howard Wright},
+ email= {Howard.Wright@ed.ac.uk},
+ url= {http://www.guitartabs.cc/tabfaq.shtml},
+}
+
+@Article{niff-web,
+ note = {Specs for NIFF, a reasonably comprehensive but binary
+ format for notation HWN},
+ year = {1995},
+ title = {NIFF6a Notation Interchange File Format},
+ author = {Cindy Grande},
+ publisher= {Grande Software Inc.},
+ HTML= {http://www.jtauber.com/music/encoding/niff/},
+ ftp = {ftp://blackbox.cartah.washington.edu}
+}
+
+@Article{smdl-web,
+ author = {International Organization for Standardization (ISO)},
+ title = {Information Technology - Document Description and Processing Languages - Standard Music Description Language (SMDL)},
+ pdf = {ftp://ftp.ornl.gov/pub/sgml/wg8/smdl/10743.pdf},
+ number = {ISO/IEC DIS 10743},
+ year = {1992},
+ annote = {SGML instance for describing music. Very comprehensive in music
+definition, but no support for notation / performance whatsoever (They
+basically say: "You can embed a NIFF or MIDI file")},
+}
+
+@Article{rader96,
+ note = {Describes a system called MusicEase, and explains that it
+ uses "constraints" (which go unexplained) to automatically position
+ various elements.},
+ html = {http://mesastate.edu/~grader/ieeeme.pdf},
+ year = {1996},
+ title = {Creating Printed Music Automatically},
+ author = {Gary M. Rader},
+ journal = {Computer},
+ volume = {29},
+ number= {6},
+ month= {June},
+ pages = {61--69},
+}
+
+@MastersThesis{gall97,
+ author = {Loïc Le Gall},
+ title = {Création d'une police adaptée à la notation musicale baroque},
+ school = {École Estienne},
+ year = 1997,
+}
+
+@TechReport{droettboom00,
+ author = {Michael Droettboom},
+ title = {Study of music Notation Description Languages},
+ year = 2000,
+ url = {http://www.music.mcgill.ca/~ich/research/omr/levy/format.pdf},
+ note = {GUIDO and lilypond compared. LilyPond wins on practical
+issues as usability and availability of tools, GUIDO wins on
+implementation simplicity.},
+}
+
+@PhdThesis{gieseking01,
+ author = {Martin Gieseking},
+ title = {Code-basierte Generierung interaktiver Notengraphik},
+ school = {Universität Osnabrück},
+ year = 2001,
+ isbn = {ISBN 3-923486-30-8}
+}
+
+@Book{hewlett01,
+ editor = {Walter B. Hewlett and Eleanor Selfridge-Field},
+ title = {The Virtual Score; representation, retrieval and restoration},
+ publisher = {MIT Press},
+ series = {Computing in Musicology},
+ year = 2001
+}
+
+@PhdThesis{renz02,
+ author = {Kai Renz},
+ title = {Algorithms and data structures for a music notation system based on GUIDO music notation},
+ school = {Universität Darmstadt},
+ year = 2002
+}
+
+@InBook{powell02,
+ author = {Steven Powell},
+ title = {Music engraving today},
+ publisher = {Brichtmark},
+ year = 2002,
+ note = {A "How Steven uses Finale" manual.}
+}
+
+@InProceedings{nienhuys03,
+ author = {Han-Wen Nienhuys and Jan Nieuwenhuizen},
+ title = {LilyPond, a system for automated music engraving},
+ booktitle = {XIV Colloquium on Musical Informatics},
+ year = 2003,
+ pages = {167--172},
+ address = {Firenze},
+ month = {May}
+}
projects / lilypond.git / blobdiff