@c -*- coding: utf-8; mode: texinfo; documentlanguage: es -*-
@ignore
- Translation of GIT committish: a001627a9609221f05631aaf0366795ce28f8437
+ Translation of GIT committish: 844e5387a003bde2c10389ad863184defe893b6c
When revising a translation, copy the HEAD committish of the
version that you are working on. For details, see the Contributors'
Guide, node Updating translation committishes..
@end ignore
-@c \version "2.15.17"
+@c \version "2.16.0"
@node Tablas del manual sobre notación
@appendix Tablas del manual sobre notación
@end menu
+
@node Cuadro de nombres de acordes
@appendixsec Cuadro de nombres de acordes
@translationof Chord name chart
La siguiente tabla muestra dos sistemas estándar para imprimir los
nombres de los acordes, junto a las notas que representan.
-@lilypondfile{chord-names-jazz.ly}
-
+@c The line width is a hack to allow space for instrument names
+@lilypondfile[quote,line-width=15\cm]{chord-names-jazz.ly}
@node Modificadores de acorde más usuales
@appendixsec Modificadores de acorde más usuales
@tab
@code{5} o nada
@tab
-@lilypond[line-width=3\cm,noragged-right, notime]
+@lilypond[line-width=2.8\cm,noragged-right, notime]
\chordmode {
c1:5
}
@tab
@code{m} o @code{m5}
@tab
-@lilypond[line-width=3\cm,noragged-right, notime]
+@lilypond[line-width=2.8\cm,noragged-right, notime]
\chordmode {
c1:m
}
@tab
@code{aug}
@tab
-@lilypond[line-width=3\cm,noragged-right, notime]
+@lilypond[line-width=2.8\cm,noragged-right, notime]
\chordmode {
c1:aug
}
@tab
@code{dim}
@tab
-@lilypond[line-width=3\cm,noragged-right, notime]
+@lilypond[line-width=2.8\cm,noragged-right, notime]
\chordmode {
c1:dim
}
@tab
@code{7}
@tab
-@lilypond[line-width=3\cm,noragged-right, notime]
+@lilypond[line-width=2.8\cm,noragged-right, notime]
\chordmode {
c1:7
}
@tab
@code{maj7} ó @code{maj}
@tab
-@lilypond[line-width=3\cm,noragged-right, notime]
+@lilypond[line-width=2.8\cm,noragged-right, notime]
\chordmode {
c1:maj7
}
@tab
@code{m7}
@tab
-@lilypond[line-width=3\cm,noragged-right, notime]
+@lilypond[line-width=2.8\cm,noragged-right, notime]
\chordmode {
c1:m7
}
@tab
@code{dim7}
@tab
-@lilypond[line-width=3\cm,noragged-right, notime]
+@lilypond[line-width=2.8\cm,noragged-right, notime]
\chordmode {
c1:dim7
}
@tab
@code{aug7}
@tab
-@lilypond[line-width=3\cm,noragged-right, notime]
+@lilypond[line-width=2.8\cm,noragged-right, notime]
\chordmode {
c1:aug7
}
@tab
@code{m7.5-}
@tab
-@lilypond[line-width=3\cm,noragged-right, notime]
+@lilypond[line-width=2.8\cm,noragged-right, notime]
\chordmode {
c1:m7.5-
}
@tab
@code{m7+}
@tab
-@lilypond[line-width=3\cm,noragged-right, notime]
+@lilypond[line-width=2.8\cm,noragged-right, notime]
\chordmode {
c1:m7+
}
@tab
@code{6}
@tab
-@lilypond[line-width=3\cm,noragged-right, notime]
+@lilypond[line-width=2.8\cm,noragged-right, notime]
\chordmode {
c1:6
}
@tab
@code{m6}
@tab
-@lilypond[line-width=3\cm,noragged-right, notime]
+@lilypond[line-width=2.8\cm,noragged-right, notime]
\chordmode {
c1:m6
}
@tab
@code{9}
@tab
-@lilypond[line-width=3\cm,noragged-right, notime]
+@lilypond[line-width=2.8\cm,noragged-right, notime]
\chordmode {
c1:9
}
@tab
@code{maj9}
@tab
-@lilypond[line-width=3\cm,noragged-right, notime]
+@lilypond[line-width=2.8\cm,noragged-right, notime]
\chordmode {
c1:maj9
}
@tab
@code{m9}
@tab
-@lilypond[line-width=3\cm,noragged-right, notime]
+@lilypond[line-width=2.8\cm,noragged-right, notime]
\chordmode {
c1:m9
}
@tab
@code{11}
@tab
-@lilypond[line-width=3\cm,noragged-right, notime]
+@lilypond[line-width=2.8\cm,noragged-right, notime]
\chordmode {
c1:11
}
@tab
@code{maj11}
@tab
-@lilypond[line-width=3\cm,noragged-right, notime]
+@lilypond[line-width=2.8\cm,noragged-right, notime]
\chordmode {
c1:maj11
}
@tab
@code{m11}
@tab
-@lilypond[line-width=3\cm,noragged-right, notime]
+@lilypond[line-width=2.8\cm,noragged-right, notime]
\chordmode {
c1:m11
}
@tab
@code{13}
@tab
-@lilypond[line-width=3\cm,noragged-right, notime]
+@lilypond[line-width=2.8\cm,noragged-right, notime]
\chordmode {
c1:13
}
@tab
@code{13.11}
@tab
-@lilypond[line-width=3\cm,noragged-right, notime]
+@lilypond[line-width=2.8\cm,noragged-right, notime]
\chordmode {
c1:13.11
}
@tab
@code{maj13.11}
@tab
-@lilypond[line-width=3\cm,noragged-right, notime]
+@lilypond[line-width=2.8\cm,noragged-right, notime]
\chordmode {
c1:maj13.11
}
@tab
@code{m13.11}
@tab
-@lilypond[line-width=3\cm,noragged-right, notime]
+@lilypond[line-width=2.8\cm,noragged-right, notime]
\chordmode {
c1:m13.11
}
@tab
@code{sus2}
@tab
-@lilypond[line-width=3\cm,noragged-right, notime]
+@lilypond[line-width=2.8\cm,noragged-right, notime]
\chordmode {
c1:sus2
}
@tab
@code{sus4}
@tab
-@lilypond[line-width=3\cm,noragged-right, notime]
+@lilypond[line-width=2.8\cm,noragged-right, notime]
\chordmode {
c1:sus4
}
@tab
@code{1.5}
@tab
-@lilypond[line-width=3\cm,noragged-right, notime]
+@lilypond[line-width=2.8\cm,noragged-right, notime]
\chordmode {
\powerChords
c1:1.5
@tab
@code{1.5.8}
@tab
-@lilypond[line-width=3\cm,noragged-right, notime]
+@lilypond[line-width=2.8\cm,noragged-right, notime]
\chordmode {
\powerChords
c1:1.5.8
El cuadro siguiente presenta los diagramas de posiciones de acordes
predefinidos para guitarra.
-@lilypondfile{display-predefined-fretboards.ly}
+@lilypondfile[line-width=15.5\cm]{display-predefined-fretboards.ly}
El cuadro siguiente presenta los diagramas de traste predefinidos para ukelele.
-@lilypondfile{display-predefined-ukulele-fretboards.ly}
+@lilypondfile[line-width=15.5\cm]{display-predefined-ukulele-fretboards.ly}
El siguiente cuadro presenta los diagramas de posiciones predefinidas
para la mandolina.
-@lilypondfile{display-predefined-mandolin-fretboards.ly}
+@lilypondfile[line-width=15.5\cm]{display-predefined-mandolin-fretboards.ly}
@node Tamaños de página predefinidos