@c -*- coding: utf-8; mode: texinfo; documentlanguage: es -*-
@ignore
- Translation of GIT committish: 45945bd973aa9161b10e3f517902afb7ef4b4a56
+ Translation of GIT committish: ed748ad93c3b4aebee28dbc078d3f8c388db5cce
When revising a translation, copy the HEAD committish of the
version that you are working on. For details, see the Contributors'
\clef bass
% stems may overlap the other staff
\override Stem #'cross-staff = ##t
- % extend the stems to reach other other staff
+ % extend the stems to reach the other staff
\override Stem #'length = #12
% do not print extra flags
\override Stem #'flag-style = #'no-flag
@item El glissando es la técnica más característica del arpa,
@ref{Glissando}.
-@item El @notation{bisbigliando} se escribe como un trémolo, @ref{Repeticiones de trémolo}
+@item El @notation{bisbigliando} se escribe como un trémolo, @ref{Repeticiones de trémolo}.
@item Los armónicos naturales se estudian bajo el epígrafe @ref{Armónicos}.
@lilypond[quote,verbatim,relative=2]
\textLengthOn
cis1_\markup \concat \vcenter { [D \flat C \sharp B|E \sharp F \sharp G A \flat] }
-c!1_\markup \concat \vcenter {[ C \natural ]}
+c!1_\markup \concat \vcenter {
+ [ C \natural ] }
@end lilypond
o mediante diagramas de pedal: