Guide, node Updating translation committishes..
@end ignore
-@c \version "2.19.2"
+@c \version "2.19.22"
@node Entrada y salida generales
@chapter Entrada y salida generales
}
\score {
- \new Staff \relative g, {
+ \new Staff \relative {
\clef bass
\key g \major
- \repeat unfold 2 { g16( d' b') a b d, b' d, } |
+ \repeat unfold 2 { g,16( d' b') a b d, b' d, } |
\repeat unfold 2 { g,16( e' c') b c e, c' e, } |
}
\header {
}
\score {
- \new Staff \relative b {
+ \new Staff \relative {
\clef bass
\key g \major
\partial 16 b16 |
tagline = "... music notation for Everyone"
}
\score {
- \relative c' {
- c4 d e f
+ \relative {
+ c'4 d e f
}
}
}
@lilypond[quote,verbatim,papersize=a8landscape]
\book {
\header { tagline = ##f }
- \relative c'' {
- a4_\footnote #'(0 . -1) "Ligadura forzada hacia abajo" (
+ \relative {
+ a'4_\footnote #'(0 . -1) "Ligadura forzada hacia abajo" (
b8^\footnote #'(1 . 0.5) "Barra manual forzada hacia arriba" [
b8 ]
c4 )
\auto-footnote "recent" \italic " Aug 2012"
"composition."
}
- \relative c' {
+ \relative {
a'4 b8 e c4 d
}
}
}
"composition."
}
- \relative c' {
+ \relative {
a'4 b8 e c4 d
}
}
}
"composition."
}
- \relative c' {
+ \relative {
a'4 b8 e c4 d
}
}
}
tocAct =
-#(define-music-function (parser location text) (markup?)
+#(define-music-function (text) (markup?)
(add-toc-item! 'tocActMarkup text))
@end verbatim
}
tocAct =
-#(define-music-function (parser location text) (markup?)
+#(define-music-function (text) (markup?)
(add-toc-item! 'tocActMarkup text))
\book {
véase @ref{Combinación automática de las partes}. He aquí un ejemplo:
@lilypond[verbatim,quote]
-sopranoMusic = \relative c'' { a4 b c b8( a) }
-altoMusic = \relative g' { e4 e e f }
-tenorMusic = \relative c' { c4 b e d8( c) }
-bassMusic = \relative c' { a4 gis a d, }
+sopranoMusic = \relative { a'4 b c b8( a) }
+altoMusic = \relative { e'4 e e f }
+tenorMusic = \relative { c'4 b e d8( c) }
+bassMusic = \relative { a4 gis a d, }
allLyrics = \lyricmode {King of glo -- ry }
<<
\new Staff = "Soprano" \sopranoMusic
expandidos explícitamente:
@lilypond[verbatim,quote]
-music = \relative g' {
- g8. c32 d
+music = \relative {
+ g'8. c32 d
\tag #'trills { d8.\trill }
\tag #'expand { \repeat unfold 3 { e32 d } }
c32 d
De forma alternativa, a veces es más fácil excluir secciones de música:
@lilypond[verbatim,quote]
-music = \relative g' {
- g8. c32 d
+music = \relative {
+ g'8. c32 d
\tag #'trills { d8.\trill }
\tag #'expand {\repeat unfold 3 { e32 d } }
c32 d
@lilypond[quote]
%c No verbatim here as the code does not display correctly in PDF
+% Font settings for Cyrillic and Hebrew
+% Linux Libertine fonts contain Cyrillic and Hebrew glyphs.
+\paper {
+ #(define fonts
+ (set-global-fonts
+ #:roman "Linux Libertine O,serif"
+ #:sans "Linux Biolinum O,sans-serif"
+ #:typewriter "Linux Libertine Mono O,monospace"
+ ))
+}
+
% Cyrillic
bulgarian = \lyricmode {
Жълтата дюля беше щастлива, че пухът, който цъфна, замръзна като гьон.
à vo -- cê uma can -- ção legal
}
-\relative c' {
- c2 d e f g f e
+\relative {
+ c'2 d e f g f e
}
\addlyrics { \bulgarian }
\addlyrics { \hebrew }
@lilypond[quote,verbatim]
\score {
- \relative c'' {
- c1 \mark \markup { \char ##x03EE }
+ \relative {
+ c''1 \mark \markup { \char ##x03EE }
c1_\markup { \tiny { \char ##x03B1 " to " \char ##x03C9 } }
}
\addlyrics { O \markup { \concat { Ph \char ##x0153 be! } } }
MIDI. Observe que pasa por alto todos los eventos, incluidos el tempo
y los cambios de instrumento. Está usted advertido.
-@lilypond[quote,relative=2,ragged-right,verbatim]
-c8 d
-\set Score.skipTypesetting = ##t
-e8 e e e e e e e
-\set Score.skipTypesetting = ##f
-c8 d b bes a g c2
+@lilypond[quote,ragged-right,verbatim]
+\relative {
+ c''8 d
+ \set Score.skipTypesetting = ##t
+ e8 e e e e e e e
+ \set Score.skipTypesetting = ##f
+ c8 d b bes a g c2
+}
@end lilypond
En música polifónica, @code{Score.skipTypesetting} afecta a todas las
\set Staff.midiInstrument = #"cello"
\set Score.dynamicAbsoluteVolumeFunction = #myDynamics
\new Voice {
- \relative c'' {
- a4\pp b c-\rfz
+ \relative {
+ a'4\pp b c-\rfz
}
}
}
\key g \major
\time 2/2
\set Staff.midiInstrument = #"flute"
- \new Voice \relative c''' {
- r2 g\mp g fis~
+ \new Voice \relative {
+ r2 g''\mp g fis~
4 g8 fis e2~
4 d8 cis d2
}
\new Staff {
\key g \major
\set Staff.midiInstrument = #"clarinet"
- \new Voice \relative c'' {
- b1\p a2. b8 a
+ \new Voice \relative {
+ b'1\p a2. b8 a
g2. fis8 e
fis2 r
}
\set Staff.midiInstrument = #"flute"
\set Staff.midiMinimumVolume = #0.7
\set Staff.midiMaximumVolume = #0.9
- \new Voice \relative c''' {
- r2 g\mp g fis~
+ \new Voice \relative {
+ r2 g''\mp g fis~
4 g8 fis e2~
4 d8 cis d2
}
\set Staff.midiInstrument = #"clarinet"
\set Staff.midiMinimumVolume = #0.3
\set Staff.midiMaximumVolume = #0.6
- \new Voice \relative c'' {
- b1\p a2. b8 a
+ \new Voice \relative {
+ b'1\p a2. b8 a
g2. fis8 e
fis2 r
}
\time 2/2
\set Score.instrumentEqualizer = #my-instrument-equalizer
\set Staff.midiInstrument = #"flute"
- \new Voice \relative c''' {
- r2 g\mp g fis~
+ \new Voice \relative {
+ r2 g''\mp g fis~
4 g8 fis e2~
4 d8 cis d2
}
\new Staff {
\key g \major
\set Staff.midiInstrument = #"clarinet"
- \new Voice \relative c'' {
- b1\p a2. b8 a
+ \new Voice \relative {
+ b'1\p a2. b8 a
g2. fis8 e
fis2 r
}
@lilypond[verbatim,quote]
\score {
- \relative c' {
- c4 cih cis cisih
+ \relative {
+ c'4 cih cis cisih
d4 dih ees eeh
e4 eih f fih
fis4 fisih g gih