Merge branch 'lilypond/translation' of ssh://git.sv.gnu.org/srv/git/lilypond into...

[lilypond.git] / Documentation / es / notation / ancient.itely

diff --git a/Documentation/es/notation/ancient.itely b/Documentation/es/notation/ancient.itely
index 280e6a71bac3fde62b7b66411cf97070010a3500..076b670eb3d697b2c161eb46cf575c4b42402381 100644 (file)
--- a/Documentation/es/notation/ancient.itely
+++ b/Documentation/es/notation/ancient.itely
@@ -1,14 +1,14 @@
 @c -*- coding: utf-8; mode: texinfo; documentlanguage: es -*-
 @c vim: foldmethod=marker
 @ignore
-    Translation of GIT committish: 9d08c00b64ba60eb2f59d7d88ba430b16865c01f
+    Translation of GIT committish: 2055f35c47a045a50a01ff4dba8524322cfc3b48
 
     When revising a translation, copy the HEAD committish of the
     version that you are working on.  For details, see the Contributors'
     Guide, node Updating translation committishes..
 @end ignore
 
-@c \version "2.13.36"
+@c \version "2.14.0"
 
 @node Notación antigua
 @section Notación antigua
@@ -759,7 +759,7 @@ Aparte del estilo de corchete por defecto @code{default}, sólo está
 contemplado el estilo @code{mensural}
 
 @lilypond[quote,fragment,ragged-right,verbatim]
-\override Stem #'flag-style = #'mensural
+\override Flag #'style = #'mensural
 \override Stem #'thickness = #1.0
 \override NoteHead #'style = #'mensural
 \autoBeamOff
@@ -2512,7 +2512,7 @@ compás, y al mismo tiempo ofrecer la ayuda orientativa que
 proporcionan las barras de compás.
 
 
-@lilypondfile[verbatim,lilyquote,texidoc]
+@lilypondfile[verbatim,quote,texidoc]
 {mensurstriche-layout-bar-lines-between-the-staves.ly}
 
 
@@ -2704,18 +2704,36 @@ spirLyr = \lyricmode {
 @unnumberedsubsubsec Antigua y moderna desde la misma fuente
 @translationof Ancient and modern from one source
 
+@c TODO Add text
+@c Here among others the snippets about reducing note length
 Continuará...
 
-
 @c @seealso
 @c ... and reference to other sections ...
 
 
-
 @node Marcado editorial
 @unnumberedsubsubsec Marcado editorial
 @translationof Editorial markings
 
+
+@c @node Baroque rhythmic notation
+@c @unnumberedsubsubsec Baroque rhythmic notation
+
+@c TODO Add text
+@c try Till Rettig
+@c Add example of white note heads:
+@c In the french baroque some composers used white note heads in slow pieces,
+@c mainly in 3/2-time.  A quarter looks there like a eighth with a white
+@c note head.  (Franz-Rudolf Kuhnen)
+
+@c TODO Add example of this:
+@c I was referring to e.g. notated a8. a16, which should, if I
+@c remember correctly, be interpreted more like a8.. a32 (in the french
+@c style).  The editor might want to show that rythmic figure above the
+@c staff as an hint to performers.  (Karl Hammer)
+
+
 Continuará...