-@c -*- coding: utf-8; mode: texinfo; documentlanguage: de -*-
+@c -*- coding: utf-8; mode: texinfo; -*-
@c This file is part of lilypond.tely
@ignore
- Translation of GIT committish: 3121682025660b6c85fbf3f22bb9cd8396699ad1
-
+ Translation of GIT committish: 2ae5726ea4fcbcd40e42678db32d7da3227ef44a
When revising a translation, copy the HEAD committish of the
version that you are working on. See TRANSLATION for details.
@end ignore
+@c \version "2.11.51"
@node Templates
@appendix Templates
-UNTRANSLATED NODE: IGNORE ME
-
-@menu
-* Single staff::
-* Piano templates::
-* String quartet::
-* Vocal ensembles::
-* Ancient notation templates::
-* Jazz combo::
-* Lilypond-book templates::
-@end menu
+Dieser Abschnitt des Handbuches enthält Vorlagen, in denen die
+LilyPond-Partitur schon eingerichtet ist. Sie müssen nur noch Ihre
+Noten einfügen, die Datei mit LilyPond übersetzen und sich an dem
+schönen Notenbild erfreuen!
+
+@c bad node name for ancient notation to avoid confict
+@menu
+* Single staff::
+* Piano templates::
+* String quartet::
+* Vocal ensembles::
+* Ancient notation templates::
+* Jazz combo::
+* Lilypond-book templates::
+@end menu
+
+
@node Single staff
@appendixsec Single staff
+@appendixsubsec Notes only
-UNTRANSLATED NODE: IGNORE ME
+Das erste Beispiel zeigt ein Notensystem mit Noten, passend für ein
+Soloinstrument oder ein Melodiefragment. Kopieren Sie es und fügen
+Sie es in Ihre Datei ein, schreiben Sie die Noten hinzu, und Sie haben
+eine vollständige Notationsdatei.
+
+@lilypond[quote,verbatim,ragged-right]
+\version "2.11.51"
+melody = \relative c' {
+ \clef treble
+ \key c \major
+ \time 4/4
+
+ a4 b c d
+}
+
+\score {
+ \new Staff \melody
+ \layout { }
+ \midi {}
+}
+@end lilypond
-@appendixsubsec Notes only
@appendixsubsec Notes and lyrics
+
+Das nächste Beispiel zeigt eine einfache Melodie mit Text. Kopieren
+Sie es in Ihre Datei, fügen Sie Noten und Text hinzu und übersetzen
+Sie es mit LilyPond. In dem Beispiel wird die automatische
+Balkenverbindung ausgeschaltet (mit dem Befehl @code{\autoBeamOff}),
+wie es für Vokalmusik üblich ist.
+Wenn Sie die Balken wieder einschalten wollen, müssen Sie die
+entsprechende Zeile entweder ändern oder auskommentieren.
+
+@lilypond[quote,verbatim,ragged-right]
+\version "2.11.51"
+melody = \relative c' {
+ \clef treble
+ \key c \major
+ \time 4/4
+
+ a4 b c d
+}
+
+text = \lyricmode {
+ Aaa Bee Cee Dee
+}
+
+\score{
+ <<
+ \new Voice = "one" {
+ \autoBeamOff
+ \melody
+ }
+ \new Lyrics \lyricsto "one" \text
+ >>
+ \layout { }
+ \midi { }
+}
+@end lilypond
+
@appendixsubsec Notes and chords
+
+Wollen Sie ein Liedblatt mit Melodie und Akkorden schreiben? Hier ist
+das richtige Beispiel für Sie!
+
+@lilypond[quote,verbatim,ragged-right]
+\version "2.11.51"
+melody = \relative c' {
+ \clef treble
+ \key c \major
+ \time 4/4
+
+ f4 e8[ c] d4 g |
+ a2 ~ a2 |
+}
+
+harmonies = \chordmode {
+ c4:m f:min7 g:maj c:aug d2:dim b:sus
+}
+
+\score {
+ <<
+ \new ChordNames {
+ \set chordChanges = ##t
+ \harmonies
+ }
+ \new Staff \melody
+ >>
+
+ \layout{ }
+ \midi { }
+}
+@end lilypond
+
@appendixsubsec Notes, lyrics, and chords.
+
+Mit diesem Beispiel können Sie einen Song mit Melodie,
+Text und Akkorden schreiben.
+
+@lilypond[quote,verbatim,ragged-right]
+\version "2.11.51"
+melody = \relative c' {
+ \clef treble
+ \key c \major
+ \time 4/4
+
+ a b c d
+}
+
+text = \lyricmode {
+ Aaa Bee Cee Dee
+}
+
+harmonies = \chordmode {
+ a2 c2
+}
+
+\score {
+ <<
+ \new ChordNames {
+ \set chordChanges = ##t
+ \harmonies
+ }
+ \new Voice = "one" {
+ \autoBeamOff
+ \melody
+ }
+ \new Lyrics \lyricsto "one" \text
+ >>
+ \layout { }
+ \midi { }
+}
+@end lilypond
+
@node Piano templates
@appendixsec Piano templates
+@appendixsubsec Solo piano
-UNTRANSLATED NODE: IGNORE ME
+Hier kommt ein einfaches Klaviersystem.
+
+@lilypond[quote,verbatim,ragged-right]
+\version "2.11.51"
+upper = \relative c'' {
+ \clef treble
+ \key c \major
+ \time 4/4
+
+ a b c d
+}
+
+lower = \relative c {
+ \clef bass
+ \key c \major
+ \time 4/4
+
+ a2 c
+}
+
+\score {
+ \new PianoStaff <<
+ \set PianoStaff.instrumentName = "Piano "
+ \new Staff = "upper" \upper
+ \new Staff = "lower" \lower
+ >>
+ \layout { }
+ \midi { }
+}
+@end lilypond
-@appendixsubsec Solo piano
@appendixsubsec Piano and melody with lyrics
+
+Das nächste Beispiel ist typisch für ein Lied: Im oberen System die
+Melodie mit Text, darunter Klavierbegleitung.
+
+@lilypond[quote,verbatim,ragged-right]
+\version "2.11.51"
+melody = \relative c'' {
+ \clef treble
+ \key c \major
+ \time 4/4
+
+ a b c d
+}
+
+text = \lyricmode {
+ Aaa Bee Cee Dee
+}
+
+upper = \relative c'' {
+ \clef treble
+ \key c \major
+ \time 4/4
+
+ a b c d
+}
+
+lower = \relative c {
+ \clef bass
+ \key c \major
+ \time 4/4
+
+ a2 c
+}
+
+\score {
+ <<
+ \new Voice = "mel" {
+ \autoBeamOff
+ \melody
+ }
+ \new Lyrics \lyricsto mel \text
+
+ \new PianoStaff <<
+ \new Staff = "upper" \upper
+ \new Staff = "lower" \lower
+ >>
+ >>
+ \layout {
+ \context { \RemoveEmptyStaffContext }
+ }
+ \midi { }
+}
+@end lilypond
+
+
@appendixsubsec Piano centered lyrics
+
+Anstatt ein eigenes System für Melodie und Text zu schreiben, können
+Sie den Text auch zwischen die beiden Klaviersysteme schreiben
+(und damit das zusätzliche System für die Gesangstimme auslassen).
+
+@lilypond[quote,verbatim,ragged-right]
+\version "2.11.51"
+upper = \relative c'' {
+ \clef treble
+ \key c \major
+ \time 4/4
+
+ a b c d
+}
+
+lower = \relative c {
+ \clef bass
+ \key c \major
+ \time 4/4
+
+ a2 c
+}
+
+text = \lyricmode {
+ Aaa Bee Cee Dee
+}
+
+\score {
+ \new GrandStaff <<
+ \new Staff = upper { \new Voice = "singer" \upper }
+ \new Lyrics \lyricsto "singer" \text
+ \new Staff = lower {
+ \clef bass
+ \lower
+ }
+ >>
+ \layout {
+ \context { \GrandStaff \accepts "Lyrics" }
+ \context { \Lyrics \consists "Bar_engraver" }
+ }
+ \midi { }
+}
+@end lilypond
+
+
@appendixsubsec Piano centered dynamics
+
+In der meisten Klaviernotation werden die Dynamikzeichen zwischen
+den beiden Systemen zentriert. Für LilyPond muss man die Einstellungen
+etwas anpassen, aber Sie können ja das angepasste Beispiel von hier
+kopieren.
+
+@lilypond[quote,verbatim,ragged-right]
+\version "2.11.51"
+upper = \relative c'' {
+ \clef treble
+ \key c \major
+ \time 4/4
+
+ a b c d
+}
+
+lower = \relative c {
+ \clef bass
+ \key c \major
+ \time 4/4
+
+ a2 c
+}
+
+dynamics = {
+ s2\fff\> s4
+ s\!\pp
+}
+
+pedal = {
+ s2\sustainDown s2\sustainUp
+}
+
+\score {
+ \new PianoStaff <<
+ \new Staff = "upper" \upper
+ \new Dynamics = "dynamics" \dynamics
+ \new Staff = "lower" <<
+ \clef bass
+ \lower
+ >>
+ \new Dynamics = "pedal" \pedal
+ >>
+ \layout {
+ \context {
+ \type "Engraver_group"
+ \name Dynamics
+ \alias Voice % So that \cresc works, for example.
+ \consists "Output_property_engraver"
+
+ \override VerticalAxisGroup #'minimum-Y-extent = #'(-1 . 1)
+ \override DynamicLineSpanner #'Y-offset = #0
+ pedalSustainStrings = #'("Ped." "*Ped." "*")
+ pedalUnaCordaStrings = #'("una corda" "" "tre corde")
+
+ \consists "Piano_pedal_engraver"
+ \consists "Script_engraver"
+ \consists "Dynamic_engraver"
+ \consists "Text_engraver"
+
+ \override TextScript #'font-size = #2
+ \override TextScript #'font-shape = #'italic
+
+ \consists "Skip_event_swallow_translator"
+
+ \consists "Axis_group_engraver"
+ }
+ \context {
+ \PianoStaff
+ \accepts Dynamics
+ }
+ }
+}
+\score {
+ \new PianoStaff <<
+ \new Staff = "upper" << \upper \dynamics >>
+ \new Staff = "lower" << \lower \dynamics >>
+ \new Dynamics = "pedal" \pedal
+ >>
+ \midi {
+ \context {
+ \type "Performer_group"
+ \name Dynamics
+ \consists "Piano_pedal_performer"
+ }
+ \context {
+ \PianoStaff
+ \accepts Dynamics
+ }
+ }
+}
+@end lilypond
+
+
@node String quartet
@appendixsec String quartet
+@appendixsubsec String quartet
-UNTRANSLATED NODE: IGNORE ME
+Dieses Beispiel demonstriert die Partitur für ein Streichquartett. Hier
+wird auch eine @qq{@code{\global}}-Variable für Taktart und
+Vorzeichen benutzt.
+
+@lilypond[quote,verbatim,ragged-right]
+\version "2.11.51"
+
+global= {
+ \time 4/4
+ \key c \major
+}
+
+violinOne = \new Voice { \relative c''{
+ \set Staff.instrumentName = "Violin 1 "
+
+ c2 d e1
+
+\bar "|." }}
+violinTwo = \new Voice { \relative c''{
+ \set Staff.instrumentName = "Violin 2 "
+
+ g2 f e1
+
+\bar "|." }}
+viola = \new Voice { \relative c' {
+ \set Staff.instrumentName = "Viola "
+ \clef alto
+
+ e2 d c1
+
+\bar "|." }}
+cello = \new Voice { \relative c' {
+ \set Staff.instrumentName = "Cello "
+ \clef bass
+
+ c2 b a1
+
+\bar "|."}}
+
+\score {
+ \new StaffGroup <<
+ \new Staff << \global \violinOne >>
+ \new Staff << \global \violinTwo >>
+ \new Staff << \global \viola >>
+ \new Staff << \global \cello >>
+ >>
+ \layout { }
+ \midi { }
+}
+@end lilypond
-@appendixsubsec String quartet
@appendixsubsec String quartet parts
+
+Mit diesem Beispiel können Sie ein schönes Streichquartett notieren,
+aber wie gehen Sie vor, wenn Sie Stimmen brauchen? Das Beispiel
+oben hat gezeigt, wie Sie mit Variablen einzelne Abschnitte getrennt
+voneinander notieren können. Im nächsten Beispiel wird nun
+gezeigt, wie Sie mit diesen Variablen einzelne Stimmen erstellen.
+
+Sie müssen das Beispiel in einzelne Dateien aufteilen; die Dateinamen
+sind in den Kommentaren am Anfang jeder Datei enthalten. @code{piece.ly}
+enthält die Noten. Die anderen Dateien -- @code{score.ly},
+@code{vn1.ly}, @code{vn2.ly}, @code{vla.ly} und
+@code{vlc.ly} -- erstellen daraus die entsprechenden Stimmen bzw. die
+Partitur (@code{score.ly}). Mit @code{\tag} wird den Stimmen ein Name
+zugewiesen, auf den zurückgegriffen werden kann.
+
+@verbatim
+%%%%% piece.ly
+\version "2.11.51"
+
+global= {
+ \time 4/4
+ \key c \major
+}
+
+Violinone = \new Voice { \relative c''{
+ \set Staff.instrumentName = "Violin 1 "
+
+ c2 d e1
+
+\bar "|." }} %*********************************
+Violintwo = \new Voice { \relative c''{
+ \set Staff.instrumentName = "Violin 2 "
+
+ g2 f e1
+
+\bar "|." }} %*********************************
+Viola = \new Voice { \relative c' {
+ \set Staff.instrumentName = "Viola "
+ \clef alto
+
+ e2 d c1
+
+\bar "|." }} %*********************************
+Cello = \new Voice { \relative c' {
+ \set Staff.instrumentName = "Cello "
+ \clef bass
+
+ c2 b a1
+
+\bar "|."}} %**********************************
+
+music = {
+ <<
+ \tag #'score \tag #'vn1 \new Staff { << \global \Violinone >> }
+ \tag #'score \tag #'vn2 \new Staff { << \global \Violintwo>> }
+ \tag #'score \tag #'vla \new Staff { << \global \Viola>> }
+ \tag #'score \tag #'vlc \new Staff { << \global \Cello>> }
+ >>
+}
+
+
+
+%%%%% score.ly
+\version "2.11.51"
+\include "piece.ly"
+#(set-global-staff-size 14)
+\score {
+ \new StaffGroup \keepWithTag #'score \music
+ \layout { }
+ \midi { }
+}
+
+
+%%%%% vn1.ly
+\version "2.11.51"
+\include "piece.ly"
+\score {
+ \keepWithTag #'vn1 \music
+ \layout { }
+}
+
+
+%%%%% vn2.ly
+\version "2.11.51"
+\include "piece.ly"
+\score {
+ \keepWithTag #'vn2 \music
+ \layout { }
+}
+
+
+%%%%% vla.ly
+\version "2.11.51"
+\include "piece.ly"
+\score {
+ \keepWithTag #'vla \music
+ \layout { }
+}
+
+
+%%%%% vlc.ly
+\version "2.11.51"
+\include "piece.ly"
+\score {
+ \keepWithTag #'vlc \music
+ \layout { }
+}
+@end verbatim
+
+
@node Vocal ensembles
@appendixsec Vocal ensembles
-UNTRANSLATED NODE: IGNORE ME
-
@appendixsubsec SATB vocal score
+
+Dieses Beispiel ist für vierstimmigen Gesang (SATB). Bei größeren
+Stücken ist es oft sinnvoll, eine allgemeine Variable zu bestimmen,
+die in allen Stimmen eingefügt wird. Taktart und Vorzeichen etwa
+sind fast immer gleich in allen Stimmen.
+
+@lilypond[quote,verbatim,ragged-right]
+\version "2.11.51"
+global = {
+ \key c \major
+ \time 4/4
+}
+
+sopMusic = \relative c'' {
+ c4 c c8[( b)] c4
+}
+sopWords = \lyricmode {
+ hi hi hi hi
+}
+
+altoMusic = \relative c' {
+ e4 f d e
+}
+altoWords =\lyricmode {
+ ha ha ha ha
+}
+
+tenorMusic = \relative c' {
+ g4 a f g
+}
+tenorWords = \lyricmode {
+ hu hu hu hu
+}
+
+bassMusic = \relative c {
+ c4 c g c
+}
+bassWords = \lyricmode {
+ ho ho ho ho
+}
+
+\score {
+ \new ChoirStaff <<
+ \new Lyrics = sopranos { s1 }
+ \new Staff = women <<
+ \new Voice =
+ "sopranos" { \voiceOne << \global \sopMusic >> }
+ \new Voice =
+ "altos" { \voiceTwo << \global \altoMusic >> }
+ >>
+ \new Lyrics = "altos" { s1 }
+ \new Lyrics = "tenors" { s1 }
+ \new Staff = men <<
+ \clef bass
+ \new Voice =
+ "tenors" { \voiceOne <<\global \tenorMusic >> }
+ \new Voice =
+ "basses" { \voiceTwo <<\global \bassMusic >> }
+ >>
+ \new Lyrics = basses { s1 }
+
+ \context Lyrics = sopranos \lyricsto sopranos \sopWords
+ \context Lyrics = altos \lyricsto altos \altoWords
+ \context Lyrics = tenors \lyricsto tenors \tenorWords
+ \context Lyrics = basses \lyricsto basses \bassWords
+ >>
+
+ \layout {
+ \context {
+ % a little smaller so lyrics
+ % can be closer to the staff
+ \Staff
+ \override VerticalAxisGroup #'minimum-Y-extent = #'(-3 . 3)
+ }
+ }
+}
+@end lilypond
+
+
@appendixsubsec SATB vocal score and automatic piano reduction
+
+In diesem Beispiel wird ein automatischer Klavierauszug zu der
+Chorpartitur hinzugefügt. Das zeigt eine der Stärken von LilyPond
+-- man kann eine Variable mehr als einmal benutzen. Wenn Sie
+irgendeine Änderung an einer Chorstimme vornehmen, (etwa
+tenorMusic), verändert sich auch der Klavierauszug entsprechend.
+
+@lilypond[quote,verbatim,ragged-right]
+\version "2.11.51"
+global = {
+ \key c \major
+ \time 4/4
+}
+
+sopMusic = \relative c'' {
+ c4 c c8[( b)] c4
+}
+sopWords = \lyricmode {
+ hi hi hi hi
+}
+
+altoMusic = \relative c' {
+ e4 f d e
+}
+altoWords =\lyricmode {
+ ha ha ha ha
+}
+
+tenorMusic = \relative c' {
+ g4 a f g
+}
+tenorWords = \lyricmode {
+ hu hu hu hu
+}
+
+bassMusic = \relative c {
+ c4 c g c
+}
+bassWords = \lyricmode {
+ ho ho ho ho
+}
+
+\score {
+ <<
+ \new ChoirStaff <<
+ \new Lyrics = sopranos { s1 }
+ \new Staff = women <<
+ \new Voice =
+ "sopranos" { \voiceOne << \global \sopMusic >> }
+ \new Voice =
+ "altos" { \voiceTwo << \global \altoMusic >> }
+ >>
+ \new Lyrics = "altos" { s1 }
+ \new Lyrics = "tenors" { s1 }
+ \new Staff = men <<
+ \clef bass
+ \new Voice =
+ "tenors" { \voiceOne <<\global \tenorMusic >> }
+ \new Voice =
+ "basses" { \voiceTwo <<\global \bassMusic >> }
+ >>
+ \new Lyrics = basses { s1 }
+
+ \context Lyrics = sopranos \lyricsto sopranos \sopWords
+ \context Lyrics = altos \lyricsto altos \altoWords
+ \context Lyrics = tenors \lyricsto tenors \tenorWords
+ \context Lyrics = basses \lyricsto basses \bassWords
+ >>
+ \new PianoStaff <<
+ \new Staff <<
+ \set Staff.printPartCombineTexts = ##f
+ \partcombine
+ << \global \sopMusic >>
+ << \global \altoMusic >>
+ >>
+ \new Staff <<
+ \clef bass
+ \set Staff.printPartCombineTexts = ##f
+ \partcombine
+ << \global \tenorMusic >>
+ << \global \bassMusic >>
+ >>
+ >>
+ >>
+ \layout {
+ \context {
+ % a little smaller so lyrics
+ % can be closer to the staff
+ \Staff
+ \override VerticalAxisGroup #'minimum-Y-extent = #'(-3 . 3)
+ }
+ }
+}
+@end lilypond
+
@appendixsubsec SATB with aligned contexts
+
+In diesem Beispiel werden die Texte mit den Befehlen
+@code{alignAboveContext} und @code{alignBelowContext}
+über und unter dem System angeordnet.
+
+@lilypond[quote,verbatim,ragged-right]
+\version "2.11.51"
+global = {
+ \key c \major
+ \time 4/4
+}
+
+sopMusic = \relative c'' {
+ c4 c c8[( b)] c4
+}
+sopWords = \lyricmode {
+ hi hi hi hi
+}
+
+altoMusic = \relative c' {
+ e4 f d e
+}
+altoWords =\lyricmode {
+ ha ha ha ha
+}
+
+tenorMusic = \relative c' {
+ g4 a f g
+}
+tenorWords = \lyricmode {
+ hu hu hu hu
+}
+
+bassMusic = \relative c {
+ c4 c g c
+}
+bassWords = \lyricmode {
+ ho ho ho ho
+}
+
+\score {
+ \new ChoirStaff <<
+ \new Staff = women <<
+ \new Voice =
+ "sopranos" { \voiceOne << \global \sopMusic >> }
+ \new Voice =
+ "altos" { \voiceTwo << \global \altoMusic >> }
+ >>
+ \new Lyrics \with {alignAboveContext=women} \lyricsto sopranos \sopWords
+ \new Lyrics \with {alignBelowContext=women} \lyricsto altos \altoWords
+% we could remove the line about this with the line below, since we want
+% the alto lyrics to be below the alto Voice anyway.
+% \new Lyrics \lyricsto altos \altoWords
+
+ \new Staff = men <<
+ \clef bass
+ \new Voice =
+ "tenors" { \voiceOne <<\global \tenorMusic >> }
+ \new Voice =
+ "basses" { \voiceTwo <<\global \bassMusic >> }
+ >>
+
+ \new Lyrics \with {alignAboveContext=men} \lyricsto tenors \tenorWords
+ \new Lyrics \with {alignBelowContext=men} \lyricsto basses \bassWords
+% again, we could replace the line above this with the line below.
+% \new Lyrics \lyricsto basses \bassWords
+ >>
+
+ \layout {
+ \context {
+ % a little smaller so lyrics
+ % can be closer to the staff
+ \Staff
+ \override VerticalAxisGroup #'minimum-Y-extent = #'(-3 . 3)
+ }
+ }
+}
+
+
+\score {
+ \new ChoirStaff <<
+ \new Staff = women <<
+ \new Voice =
+ "sopranos" { \voiceOne << \global \sopMusic >> }
+ \new Voice =
+ "altos" { \voiceTwo << \global \altoMusic >> }
+ >>
+
+ \new Lyrics \with {alignAboveContext=women} \lyricsto sopranos \sopWords
+ \new Lyrics \lyricsto altos \altoWords
+
+ \new Staff = men <<
+ \clef bass
+ \new Voice =
+ "tenors" { \voiceOne <<\global \tenorMusic >> }
+ \new Voice =
+ "basses" { \voiceTwo <<\global \bassMusic >> }
+ >>
+
+ \new Lyrics \with {alignAboveContext=men} \lyricsto tenors \tenorWords
+ \new Lyrics \lyricsto basses \bassWords
+ >>
+
+ \layout {
+ \context {
+ % a little smaller so lyrics
+ % can be closer to the staff
+ \Staff
+ \override VerticalAxisGroup #'minimum-Y-extent = #'(-3 . 3)
+ }
+ }
+}
+@end lilypond
+
+
+@c bad node name to avoid node name confict
@node Ancient notation templates
@appendixsec Ancient notation templates
-UNTRANSLATED NODE: IGNORE ME
-
@appendixsubsec Transcription of mensural music
+
+Bei der Transkription von Mensuralmusik ist es oft erwünscht, ein
+Incipit an den Anfang des Stückes zu stellen, damit klar ist, wie
+Tempo und Schlüssel in der Originalnotation gesetzt waren. Während
+heutzutage Musiker an Taktlinien gewöhnt sind, um Rhythmen schneller
+zu erkennen, wurden diese in der Mensuralmusik nicht verwendet.
+Tatsächlich ändern sich die Rhythmen auch oft alle paar Noten. Als
+ein Kompromiss werden die Notenlinien nicht auf dem System, sondern
+zwischen den Systemen geschrieben.
+
+@lilypond[quote,verbatim,line-width=11.0\cm]
+\version "2.11.51"
+
+global = {
+ \set Score.skipBars = ##t
+
+ % incipit
+ \once \override Score.SystemStartBracket #'transparent = ##t
+ \override Score.SpacingSpanner #'spacing-increment = #1.0 % tight spacing
+ \key f \major
+ \time 2/2
+ \once \override Staff.TimeSignature #'style = #'neomensural
+ \override Voice.NoteHead #'style = #'neomensural
+ \override Voice.Rest #'style = #'neomensural
+ \set Staff.printKeyCancellation = ##f
+ \cadenzaOn % turn off bar lines
+ \skip 1*10
+ \once \override Staff.BarLine #'transparent = ##f
+ \bar "||"
+ \skip 1*1 % need this extra \skip such that clef change comes
+ % after bar line
+ \bar ""
+
+ % main
+ \revert Score.SpacingSpanner #'spacing-increment % CHECK: no effect?
+ \cadenzaOff % turn bar lines on again
+ \once \override Staff.Clef #'full-size-change = ##t
+ \set Staff.forceClef = ##t
+ \key g \major
+ \time 4/4
+ \override Voice.NoteHead #'style = #'default
+ \override Voice.Rest #'style = #'default
+
+ % FIXME: setting printKeyCancellation back to #t must not
+ % occur in the first bar after the incipit. Dto. for forceClef.
+ % Therefore, we need an extra \skip.
+ \skip 1*1
+ \set Staff.printKeyCancellation = ##t
+ \set Staff.forceClef = ##f
+
+ \skip 1*7 % the actual music
+
+ % let finis bar go through all staves
+ \override Staff.BarLine #'transparent = ##f
+
+ % finis bar
+ \bar "|."
+}
+
+discantusNotes = {
+ \transpose c' c'' {
+ \set Staff.instrumentName = "Discantus "
+
+ % incipit
+ \clef "neomensural-c1"
+ c'1. s2 % two bars
+ \skip 1*8 % eight bars
+ \skip 1*1 % one bar
+
+ % main
+ \clef "treble"
+ d'2. d'4 |
+ b e' d'2 |
+ c'4 e'4.( d'8 c' b |
+ a4) b a2 |
+ b4.( c'8 d'4) c'4 |
+ \once \override NoteHead #'transparent = ##t c'1 |
+ b\breve |
+ }
+}
+
+discantusLyrics = \lyricmode {
+ % incipit
+ IV-
+
+ % main
+ Ju -- bi -- |
+ la -- te De -- |
+ o, om --
+ nis ter -- |
+ ra, __ om- |
+ "..." |
+ -us. |
+}
+
+altusNotes = {
+ \transpose c' c'' {
+ \set Staff.instrumentName = "Altus "
+
+ % incipit
+ \clef "neomensural-c3"
+ r1 % one bar
+ f1. s2 % two bars
+ \skip 1*7 % seven bars
+ \skip 1*1 % one bar
+
+ % main
+ \clef "treble"
+ r2 g2. e4 fis g | % two bars
+ a2 g4 e |
+ fis g4.( fis16 e fis4) |
+ g1 |
+ \once \override NoteHead #'transparent = ##t g1 |
+ g\breve |
+ }
+}
+
+altusLyrics = \lyricmode {
+ % incipit
+ IV-
+
+ % main
+ Ju -- bi -- la -- te | % two bars
+ De -- o, om -- |
+ nis ter -- ra, |
+ "..." |
+ -us. |
+}
+
+tenorNotes = {
+ \transpose c' c' {
+ \set Staff.instrumentName = "Tenor "
+
+ % incipit
+ \clef "neomensural-c4"
+ r\longa % four bars
+ r\breve % two bars
+ r1 % one bar
+ c'1. s2 % two bars
+ \skip 1*1 % one bar
+ \skip 1*1 % one bar
+
+ % main
+ \clef "treble_8"
+ R1 |
+ R1 |
+ R1 |
+ r2 d'2. d'4 b e' | % two bars
+ \once \override NoteHead #'transparent = ##t e'1 |
+ d'\breve |
+ }
+}
+
+tenorLyrics = \lyricmode {
+ % incipit
+ IV-
+
+ % main
+ Ju -- bi -- la -- te | % two bars
+ "..." |
+ -us. |
+}
+
+bassusNotes = {
+ \transpose c' c' {
+ \set Staff.instrumentName = "Bassus "
+
+ % incipit
+ \clef "bass"
+ r\maxima % eight bars
+ f1. s2 % two bars
+ \skip 1*1 % one bar
+
+ % main
+ \clef "bass"
+ R1 |
+ R1 |
+ R1 |
+ R1 |
+ g2. e4 |
+ \once \override NoteHead #'transparent = ##t e1 |
+ g\breve |
+ }
+}
+
+bassusLyrics = \lyricmode {
+ % incipit
+ IV-
+
+ % main
+ Ju -- bi- |
+ "..." |
+ -us. |
+}
+
+\score {
+ \new StaffGroup = choirStaff <<
+ \new Voice =
+ "discantusNotes" << \global \discantusNotes >>
+ \new Lyrics =
+ "discantusLyrics" \lyricsto discantusNotes { \discantusLyrics }
+ \new Voice =
+ "altusNotes" << \global \altusNotes >>
+ \new Lyrics =
+ "altusLyrics" \lyricsto altusNotes { \altusLyrics }
+ \new Voice =
+ "tenorNotes" << \global \tenorNotes >>
+ \new Lyrics =
+ "tenorLyrics" \lyricsto tenorNotes { \tenorLyrics }
+ \new Voice =
+ "bassusNotes" << \global \bassusNotes >>
+ \new Lyrics =
+ "bassusLyrics" \lyricsto bassusNotes { \bassusLyrics }
+ >>
+ \layout {
+ \context {
+ \Score
+
+ % no bars in staves
+ \override BarLine #'transparent = ##t
+
+ % incipit should not start with a start delimiter
+ \remove "System_start_delimiter_engraver"
+ }
+ \context {
+ \Voice
+
+ % no slurs
+ \override Slur #'transparent = ##t
+
+ % Comment in the below "\remove" command to allow line
+ % breaking also at those barlines where a note overlaps
+ % into the next bar. The command is commented out in this
+ % short example score, but especially for large scores, you
+ % will typically yield better line breaking and thus improve
+ % overall spacing if you comment in the following command.
+ %\remove "Forbid_line_break_engraver"
+ }
+ }
+}
+@end lilypond
+
+
@appendixsubsec Gregorian transcription template
+
+Dieses Beispiel zeigt eine moderne Transkription des Gregorianischen
+Chorals. Hier gibt es keine Takte, keine Notenhälse und es werden nur
+halbe und Viertelnoten verwendet. Zusätzliche Zeichen zeigen die
+Länge von Pausen an.
+
+@lilypond[quote,verbatim,ragged-right]
+\include "gregorian-init.ly"
+\version "2.11.51"
+
+chant = \relative c' {
+ \set Score.timing = ##f
+ f4 a2 \divisioMinima
+ g4 b a2 f2 \divisioMaior
+ g4( f) f( g) a2 \finalis
+}
+
+verba = \lyricmode {
+ Lo -- rem ip -- sum do -- lor sit a -- met
+}
+
+\score {
+ \new Staff <<
+ \new Voice = "melody" {
+ \chant
+ }
+ \new Lyrics = "one" \lyricsto melody \verba
+ >>
+
+ \layout {
+ \context {
+ \Staff
+ \remove "Time_signature_engraver"
+ \remove "Bar_engraver"
+ \override Stem #'transparent = ##t
+ }
+ \context {
+ \Voice
+ \override Stem #'length = #0
+ }
+ \context {
+ \Score
+ barAlways = ##t
+ }
+ }
+}
+@end lilypond
+
+
@node Jazz combo
@appendixsec Jazz combo
-UNTRANSLATED NODE: IGNORE ME
+Hier ist ein ziemlich kompliziertes Beispiel für ein Jazz-Ensemble. Achtung:
+Alle Instrumente sind in @code{\key c \major} (C-Dur) notiert. Das bezieht sich
+auf die klingende Musik: LilyPond transponiert die Tonart automatisch, wenn
+sich die Noten innerhalb eines @code{\transpose}-Abschnitts befinden.
+
+@c TODO must clean up this jazz combo example
+@c - transpositions stated in names (ie "trumpet in Bb" or whatever)
+@c - one global section, instead of "global" (time) and "key"
+@c - does it need those wierd macros? sl, nsl, etc.
+@c - maybe ask Amelie Zapf to clean it up, or whether I should just
+@c make whatever changes I feel like.
+
+@c FIXME: produces a warning ; key change merge.
+@c The `line-width' argument is for the \header.
+
+@lilypond[quote,verbatim,ragged-right,line-width]
+\version "2.11.51"
+\header {
+ title = "Song"
+ subtitle = "(tune)"
+ composer = "Me"
+ meter = "moderato"
+ piece = "Swing"
+ tagline = \markup {
+ \column {
+ "LilyPond example file by Amelie Zapf,"
+ "Berlin 07/07/2003"
+ }
+ }
+ texidoc = "Jazz tune for combo
+ (horns, guitar, piano, bass, drums)."
+}
+
+#(set-global-staff-size 16)
+\include "english.ly"
+
+%%%%%%%%%%%% Some macros %%%%%%%%%%%%%%%%%%%
+
+sl = {
+ \override NoteHead #'style = #'slash
+ \override Stem #'transparent = ##t
+}
+nsl = {
+ \revert NoteHead #'style
+ \revert Stem #'transparent
+}
+cr = \override NoteHead #'style = #'cross
+ncr = \revert NoteHead #'style
+
+%% insert chord name style stuff here.
+
+jzchords = { }
+
+
+%%%%%%%%%%%% Keys'n'thangs %%%%%%%%%%%%%%%%%
+
+global = {
+ \time 4/4
+}
+
+Key = { \key c \major }
+
+% ############ Horns ############
+
+% ------ Trumpet ------
+trpt = \transpose c d \relative c'' {
+ \Key
+ c1 c c
+}
+trpharmony = \transpose c' d {
+ \jzchords
+}
+trumpet = {
+ \global
+ \set Staff.instrumentName = #"Trumpet"
+ \clef treble
+ <<
+ \trpt
+ >>
+}
+
+% ------ Alto Saxophone ------
+alto = \transpose c a \relative c' {
+ \Key
+ c1 c c
+}
+altoharmony = \transpose c' a {
+ \jzchords
+}
+altosax = {
+ \global
+ \set Staff.instrumentName = #"Alto Sax"
+ \clef treble
+ <<
+ \alto
+ >>
+}
+
+% ------ Baritone Saxophone ------
+bari = \transpose c a' \relative c {
+ \Key
+ c1 c \sl d4^"Solo" d d d \nsl
+}
+bariharmony = \transpose c' a \chordmode {
+ \jzchords s1 s d2:maj e:m7
+}
+barisax = {
+ \global
+ \set Staff.instrumentName = #"Bari Sax"
+ \clef treble
+ <<
+ \bari
+ >>
+}
+
+% ------ Trombone ------
+tbone = \relative c {
+ \Key
+ c1 c c
+}
+tboneharmony = \chordmode {
+ \jzchords
+}
+trombone = {
+ \global
+ \set Staff.instrumentName = #"Trombone"
+ \clef bass
+ <<
+ \tbone
+ >>
+}
+
+% ############ Rhythm Section #############
+
+% ------ Guitar ------
+gtr = \relative c'' {
+ \Key
+ c1 \sl b4 b b b \nsl c1
+}
+gtrharmony = \chordmode {
+ \jzchords
+ s1 c2:min7+ d2:maj9
+}
+guitar = {
+ \global
+ \set Staff.instrumentName = #"Guitar"
+ \clef treble
+ <<
+ \gtr
+ >>
+}
+
+%% ------ Piano ------
+rhUpper = \relative c'' {
+ \voiceOne
+ \Key
+ c1 c c
+}
+rhLower = \relative c' {
+ \voiceTwo
+ \Key
+ e1 e e
+}
+
+lhUpper = \relative c' {
+ \voiceOne
+ \Key
+ g1 g g
+}
+lhLower = \relative c {
+ \voiceTwo
+ \Key
+ c1 c c
+}
+
+PianoRH = {
+ \clef treble
+ \global
+ \set Staff.midiInstrument = "acoustic grand"
+ <<
+ \new Voice = "one" \rhUpper
+ \new Voice = "two" \rhLower
+ >>
+}
+PianoLH = {
+ \clef bass
+ \global
+ \set Staff.midiInstrument = "acoustic grand"
+ <<
+ \new Voice = "one" \lhUpper
+ \new Voice = "two" \lhLower
+ >>
+}
+
+piano = {
+ <<
+ \set PianoStaff.instrumentName = #"Piano"
+ \new Staff = "upper" \PianoRH
+ \new Staff = "lower" \PianoLH
+ >>
+}
+
+% ------ Bass Guitar ------
+Bass = \relative c {
+ \Key
+ c1 c c
+}
+bass = {
+ \global
+ \set Staff.instrumentName = #"Bass"
+ \clef bass
+ <<
+ \Bass
+ >>
+}
+
+% ------ Drums ------
+up = \drummode {
+ hh4 <hh sn>4 hh <hh sn> hh <hh sn>4
+ hh4 <hh sn>4
+ hh4 <hh sn>4
+ hh4 <hh sn>4
+}
+
+down = \drummode {
+ bd4 s bd s bd s bd s bd s bd s
+}
+
+drumContents = {
+ \global
+ <<
+ \set DrumStaff.instrumentName = #"Drums"
+ \new DrumVoice { \voiceOne \up }
+ \new DrumVoice { \voiceTwo \down }
+ >>
+}
+
+%%%%%%%%% It All Goes Together Here %%%%%%%%%%%%%%%%%%%%%%
+
+\score {
+ <<
+ \new StaffGroup = "horns" <<
+ \new Staff = "trumpet" \trumpet
+ \new Staff = "altosax" \altosax
+ \new ChordNames = "barichords" \bariharmony
+ \new Staff = "barisax" \barisax
+ \new Staff = "trombone" \trombone
+ >>
+
+ \new StaffGroup = "rhythm" <<
+ \new ChordNames = "chords" \gtrharmony
+ \new Staff = "guitar" \guitar
+ \new PianoStaff = "piano" \piano
+ \new Staff = "bass" \bass
+ \new DrumStaff { \drumContents }
+ >>
+ >>
+
+ \layout {
+ \context { \RemoveEmptyStaffContext }
+ \context {
+ \Score
+ \override BarNumber #'padding = #3
+ \override RehearsalMark #'padding = #2
+ skipBars = ##t
+ }
+ }
+
+ \midi { }
+}
+@end lilypond
+
+@ignore
+
+This isn't very useful, and only duplicates material in
+"global issues". And if this info changes, this section often
+gets forgotten.
+
+@no de Other templates
+@se ction Other templates
+@su bsection All headers
+
+This template displays all available headers. Some of them are only
+used in the Mutopia project; they don't affect the printed output at
+all. They are used if you want the piece to be listed with different
+information in the Mutopia database than you wish to have printed on the
+music. For example, Mutopia lists the composer of the famous D major
+violin concerto as TchaikovskyPI, whereas perhaps you wish to print
+"Petr Tchaikowski" on your music.
+
+@ The `line-width' is for \header.
+@li lypond[quote,verbatim,ragged-right,line-width]
+\version "2.11.51"
+\header {
+ dedication = "dedication"
+ title = "Title"
+ subtitle = "Subtitle"
+ subsubtitle = "Subsubtitle"
+ composer = "Composer (xxxx-yyyy)"
+ opus = "Opus 0"
+ piece = "Piece I"
+ meter = "meter"
+ instrument = "Instrument"
+ arranger = "Arranger"
+ poet = "Poet"
+ texttranslator = "Translator"
+ copyright = "public domain"
+
+ % These are headers used by the Mutopia Project
+ % http://www.mutopiaproject.org/
+ mutopiatitle = ""
+ mutopiacomposer = ""
+ mutopiapoet = ""
+ mutopiainstrument = ""
+ date = "composer's dates"
+ source = "urtext "
+ maintainer = "your name here"
+ maintainerEmail = "your email here"
+ maintainerWeb = "your home page"
+ lastupdated = "2004/Aug/26"
+}
+
+\score {
+ { c'4 }
+ \header {
+ piece = "piece1"
+ opus = "opus1"
+ }
+}
+
+\score {
+ { c'4 }
+ \header {
+ piece = "piece2"
+ opus = "opus2"
+ }
+}
+@end lilypond
+@end ignore
+
@node Lilypond-book templates
@appendixsec Lilypond-book templates
-UNTRANSLATED NODE: IGNORE ME
+Diese Vorlagen können mit @code{lilypond-book} benutzt werden. Wenn
+Sie dieses Programm noch nicht kennen, lesen Sie bitte den Abschnitt
+@rprogram{LilyPond-book}.
@appendixsubsec LaTeX
+
+LilyPond-Noten können in LaTeX-Dokumente eingefügt werden.
+
+@example
+\documentclass[]@{article@}
+
+\begin@{document@}
+
+Normaler LaTeX-Ttext.
+
+\begin@{lilypond@}
+\relative c'' @{
+a4 b c d
+@}
+\end@{lilypond@}
+
+Weiterer LaTeX-Text.
+
+\begin@{lilypond@}
+\relative c'' @{
+d4 c b a
+@}
+\end@{lilypond@}
+\end@{document@}
+@end example
+
@appendixsubsec Texinfo
--- SKELETON FILE --
-When you actually translate this file, please remove these lines as
-well as all `UNTRANSLATED NODE: IGNORE ME' lines.
+LilyPond-Noten können auch in Texinfo eingefügt werden -- dieses
+gesamte Handbuch ist in Texinfo geschrieben.
+
+@example
+\input texinfo
+@@node Top
+
+Texinfo-Text
+
+@@lilypond[verbatim,fragment,ragged-right]
+a4 b c d
+@@end lilypond
+
+Weiterer Texinfo-Text
+
+@@lilypond[verbatim,fragment,ragged-right]
+d4 c b a
+@@end lilypond
+
+@@bye
+@end example
projects / lilypond.git / blobdiff