-@c -*- coding: utf-8; mode: texinfo; -*-
+@c -*- coding: utf-8; mode: texinfo; documentlanguage: de -*-
@ignore
- Translation of GIT committish: 6bf3e9149eb97e66b4c813e41dc7625f06c501aa
+ Translation of GIT committish: d96023d8792c8af202c7cb8508010c0d3648899d
When revising a translation, copy the HEAD committish of the
version that you are working on. See TRANSLATION for details.
@lilypond[quote,verbatim,relative=2]
\new Voice { % explicit single voice
- << {a4 b g2} {d4 g c,2} >>
+ << { a4 b g2 } { d4 g c,2 } >>
}
@end lilypond
@lilypond[quote,verbatim,relative=2]
% single first note
-a << {a4 b g} {d4 g c,} >>
+a << { a4 b g } { d4 g c, } >>
@end lilypond
Dass kann benutzt werden, wenn die simultanen Abschnitte einen
@lilypond[quote,verbatim,relative=2]
% no single first note
-<< {a4 b g2} {d4 g2 c,4} >>
+<< { a4 b g2 } { d4 g2 c,4 } >>
@end lilypond
In diesem Fall stellt der unterschiedliche Rhythmus kein Problem dar.