@c -*- coding: utf-8; mode: texinfo; documentlanguage: de -*-
@ignore
- Translation of GIT committish: 06f227dd80f3a30cbf33c879b7c125079dfaf5c3
+ Translation of GIT committish: e5a609e373eae846857f9a6d70a402a3d42b7d94
When revising a translation, copy the HEAD committish of the
version that you are working on. For details, see the Contributors'
Guide, node Updating translation committishes.
@end ignore
-@c \version "2.17.5"
+@c \version "2.19.2"
@c Translators: Till Paala
werden. Ein Befehl heißt also @emph{nicht}:
@example
-\override Score.LyricText #'font-shape = #'italic
+\override Score.LyricText.font-shape = #'italic
@end example
@noindent
sondern
@example
-\override Score . LyricText #'font-shape = #'italic
+\override Score.LyricText.font-shape = #'italic
@end example
Punkte, Gesangstext mit Akzenten, verschiedene lateinische und nicht-lateinische
\new Voice = "melody" {
\time 3/4
f4 g2 ~ |
- g4 e2 ~ |
- e8
+ 4 e2 ~ |
+ 8
}
\new Lyrics \lyricsto "melody" {
Ky -- ri -- e __
>>
@end lilypond
+Dabei ist zu beachten, dass Phrasierungsbogen die Erstellung eines
+Melsima nicht beeinflussen.
+
@item
Noten werden als ein Melisma betrachtet, wenn sie manuell mit einem Balken
versehen werden, vorausgesetzt, dass die automatische Bebalkung ausgeschaltet
>>
@end lilypond
-Mit dieser Methode können allerdings nicht zwei Melismen notiert werden,
-wenn sie direkt aufeinander folgen.
-
@item
Ein Melisma kann auch ausschließlich im Gesangstext notiert werden, indem man
einzlene Unterstriche (@code{_}) für jede Note eingibt, die zum Melisma
\time 3/4
\set melismaBusyProperties = #'()
c4 d ( e )
- g8 [ f ] f4 ~ f
+ g8 [ f ] f4 ~ 4
}
\new Lyrics \lyricsto "melody" {
Ky -- ri -- e e -- le -- i -- son
\time 3/4
\set melismaBusyProperties = #'()
c4 d ( e )
- g8 [ f ] ~ f4 ~ f
+ g8 [ f ] ~ 4 ~ f
}
\new Lyrics \lyricsto "melody" {
Ky -- ri -- _ e __ _ _ _
<<
\new Lyrics = "lyrics" \with {
% lyrics above a staff should have this override
- \override VerticalAxisGroup #'staff-affinity = #DOWN
+ \override VerticalAxisGroup.staff-affinity = #DOWN
}
\new Staff {
\new Voice = "melody" {
\new Lyrics = "sopranos"
\new Lyrics = "contraltos" \with {
% lyrics above a staff should have this override
- \override VerticalAxisGroup #'staff-affinity = #DOWN
+ \override VerticalAxisGroup.staff-affinity = #DOWN
}
\new Staff {
\new Voice = "contraltos" {
@lilypond[relative=1,verbatim,quote,ragged-right]
{
c c c c
- \override Lyrics.LyricSpace #'minimum-distance = #1.0
+ \override Lyrics.LyricSpace.minimum-distance = #1.0
c c c c
}
\addlyrics {
\layout {
\context {
\Lyrics
- \override LyricSpace #'minimum-distance = #1.0
+ \override LyricSpace.minimum-distance = #1.0
}
}
}
Notensatz etwas zu beschleunigen, kann die Überprüfung abgestellt werden:
@example
-\override Score.PaperColumn #'keep-inside-line = ##f
+\override Score.PaperColumn.keep-inside-line = ##f
@end example
Damit Gesangstext auch nicht mit Taktlinien
\Lyrics
\consists "Bar_engraver"
\consists "Separating_line_group_engraver"
- \override BarLine #'transparent = ##t
+ \hide BarLine
@}
@}
@end example
-@c TODO Create and add lsr example of lyricMelismaAlignment
-@c It's used like this to center-align all lyric syllables,
-@c even when notes are tied. -td
-
-@ignore
-\layout
-{
- \context { \Score lyricMelismaAlignment = #0 }
-}
-@end ignore
-
@node Gesangstext und Wiederholungen
}
@end lilypond
+@cindex alignBelowContext
+@funindex alignBelowContext
+
+Wenn diese Konstruktion jedoch innerhalb eines Mehrsystemkontexts
+eingebettet ist, wie etwa ein @code{ChoirStaff}, werden die Texte
+der zweiten und dritten Strophe unter dem untersten System ausgegeben
+werden.
+
+Um sie richtig zu positionieren, kann @code{alignBelowContext}
+eingesetzt werden:
+
+@lilypond[verbatim,quote]
+\score {
+ <<
+ \new Staff {
+ \new Voice = "melody" {
+ \relative c'' {
+ a4 a a a
+ \repeat volta 3 { b4 b b b }
+ c4 c c c
+ }
+ }
+ }
+ \new Lyrics = "firstVerse" \lyricsto "melody" {
+ Not re -- peat -- ed.
+ <<
+ { The first time words. }
+ \new Lyrics = "secondVerse"
+ \with { alignBelowContext = #"firstVerse" } {
+ \set associatedVoice = "melody"
+ Sec -- ond time words.
+ }
+ \new Lyrics = "thirdVerse"
+ \with { alignBelowContext = #"secondVerse" } {
+ \set associatedVoice = "melody"
+ The third time words.
+ }
+ >>
+ The end sec -- tion.
+ }
+ \new Voice = "harmony" {
+ \relative c' {
+ f4 f f f \repeat volta 2 { g8 g g4 g2 } a4 a8. a16 a2
+ }
+ }
+ >>
+}
+@end lilypond
+
@c TODO positioning a common line of lyrics
<<
\new Voice = melody \relative c' {
f4 \appoggiatura a32 b4
- \grace { f16[ a16] } b2
+ \grace { f16 a16 } b2
\afterGrace b2 { f16[ a16] }
\appoggiatura a32 b4
\acciaccatura a8 b4
@lilypond[verbatim,ragged-right,quote]
<<
\new Voice = melody \relative c' {
- \grace { c16[( d e f] }
+ \grace { c16( d e f }
g1) f
}
\new Lyrics \with { includeGraceNotes = ##t }
<<
\new Voice = "alternative" {
\voiceOne
- \times 2/3 {
+ \tuplet 3/2 {
% show associations clearly.
- \override NoteColumn #'force-hshift = #-3
+ \override NoteColumn.force-hshift = #-3
f8 f g
}
}
"It has two lines."
}
}
- \vspace #0.1 % adds vertical spacing between verses
+ \combine \null \vspace #0.1 % adds vertical spacing between verses
\line { \bold "3."
\column {
"This is verse three."
"It has two lines."
}
}
- \vspace #0.1 % adds vertical spacing between verses
+ \combine \null \vspace #0.1 % adds vertical spacing between verses
\line { \bold "5."
\column {
"This is verse five."
\layout {
\context {
\Score
- \override DynamicText #'direction = #UP
- \override DynamicLineSpanner #'direction = #UP
+ \override DynamicText.direction = #UP
+ \override DynamicLineSpanner.direction = #UP
}
}
}
#`((instrumentTransposition . ,(ly:make-pitch -1 0 0))
(shortInstrumentName . "Kas.")
(clefGlyph . "clefs.G")
- (clefOctavation . -7)
+ (clefTransposition . -7)
(middleCPosition . 1)
(clefPosition . -2)
(instrumentCueName . ,(markup #:fontsize 1 #:smallCaps "Kaspar"))
#`((instrumentTransposition . ,(ly:make-pitch 0 0 0))
(shortInstrumentName . "Mel.")
(clefGlyph . "clefs.F")
- (clefOctavation . 0)
+ (clefTransposition . 0)
(middleCPosition . 6)
(clefPosition . 2)
(instrumentCueName . ,(markup #:fontsize 1 #:smallCaps "Melchior"))
c4. g8
% position name of cue-ing instrument just before the cue notes,
% and above the staff
- s1*0^\markup { \right-align { \tiny "Flute" } }
+ \new CueVoice {
+ \override InstrumentSwitch.self-alignment-X = #RIGHT
+ \set instrumentCueName = "Flute"
+ }
\cueDuring "flute" #UP { g4 bes4 }
}
pianoLH = \relative c { c4 <c' e> e, <g c> }
pianoRH = \relative c'' {
\transposition c'
% position name of cue-ing instrument below the staff
- s1*0_\markup { \right-align { \tiny "Clar." } }
+ \new CueVoice {
+ \override InstrumentSwitch.self-alignment-X = #RIGHT
+ \override InstrumentSwitch.direction = #DOWN
+ \set instrumentCueName = "Clar."
+ }
\cueDuring "clarinet" #DOWN { c4. g8 }
g4 bes4
}
\score {
<<
\new Lyrics \with {
- \override LyricText #'font-shape = #'italic
- \override LyricText #'self-alignment-X = #LEFT
+ \override LyricText.font-shape = #'italic
+ \override LyricText.self-alignment-X = #LEFT
}
{ \dialogue }
\new Staff {
der gesprochenen Worte orientiert.
@lilypond[verbatim,quote]
-stemOff = { \override Staff.Stem #'transparent = ##t }
+stemOff = { \hide Staff.Stem }
\relative c' {
\stemOff
@lilypond[verbatim,quote]
divisioMinima = {
- \once \override BreathingSign #'stencil = #ly:breathing-sign::divisio-minima
- \once \override BreathingSign #'Y-offset = #0
+ \once \override BreathingSign.stencil = #ly:breathing-sign::divisio-minima
+ \once \override BreathingSign.Y-offset = #0
\breathe
}
divisioMaior = {
- \once \override BreathingSign #'stencil = #ly:breathing-sign::divisio-maior
- \once \override BreathingSign #'Y-offset = #0
+ \once \override BreathingSign.stencil = #ly:breathing-sign::divisio-maior
+ \once \override BreathingSign.Y-offset = #0
\breathe
}
divisioMaxima = {
- \once \override BreathingSign #'stencil = #ly:breathing-sign::divisio-maxima
- \once \override BreathingSign #'Y-offset = #0
+ \once \override BreathingSign.stencil = #ly:breathing-sign::divisio-maxima
+ \once \override BreathingSign.Y-offset = #0
\breathe
}
finalis = {
- \once \override BreathingSign #'stencil = #ly:breathing-sign::finalis
- \once \override BreathingSign #'Y-offset = #0
+ \once \override BreathingSign.stencil = #ly:breathing-sign::finalis
+ \once \override BreathingSign.Y-offset = #0
\breathe
}
\layout {
\context {
\Score
- \override SpacingSpanner
- #'base-shortest-duration = #(ly:make-moment 1 2)
+ \override SpacingSpanner.base-shortest-duration = #(ly:make-moment 1/2)
}
\context {
\Staff