Rerun scripts/auxiliar/update-with-convert-ly.sh

[lilypond.git] / Documentation / de / notation / rhythms.itely

diff --git a/Documentation/de/notation/rhythms.itely b/Documentation/de/notation/rhythms.itely
index 932a21782133e0e795e77c6e77ae622cf0e0eb66..9efc3fac99ab627671225bf9d37a5005f4d1c451 100644 (file)
--- a/Documentation/de/notation/rhythms.itely
+++ b/Documentation/de/notation/rhythms.itely
@@ -7,7 +7,7 @@
     Guide, node Updating translation committishes.
 @end ignore
 
-@c \version "2.17.5"
+@c \version "2.17.6"
 
 @c Translators: Till Paala
 
@@ -569,11 +569,11 @@ Durch Veränderung der Eigenschaften @var{whiteout} (weiß malen) und
 Objekten im Notensystem zusammenstoßen.
 
 @lilypond[verbatim,quote,ragged-right,relative=2]
-\override Tie #'layer = #-2
-\override Staff.TimeSignature #'layer = #-1
-\override Staff.KeySignature #'layer = #-1
-\override Staff.TimeSignature #'whiteout = ##t
-\override Staff.KeySignature #'whiteout = ##t
+\override Tie.layer = #-2
+\override Staff.TimeSignature.layer = #-1
+\override Staff.KeySignature.layer = #-1
+\override Staff.TimeSignature.whiteout = ##t
+\override Staff.KeySignature.whiteout = ##t
 b2 b~
 \time 3/4
 \key a \major
@@ -671,7 +671,7 @@ vordefinierten Befehle:
 \new Staff {
   % These two lines are just to prettify this example
   \time 16/1
-  \override Staff.TimeSignature #'stencil = ##f
+  \override Staff.TimeSignature.stencil = ##f
   % Print a maxima rest, equal to four breves
   r\maxima
   % Print a longa rest, equal to two breves
@@ -941,10 +941,10 @@ nicht ignoriert werden.  Siehe auch das folgende Beispiel.
 
 @lilypond[quote,verbatim,relative=2]
 % This fails, as the wrong object name is specified
-\override TextScript #'padding = #5
+\override TextScript.padding = #5
 R1^"wrong"
 % This is the correct object name to be specified
-\override MultiMeasureRestText #'padding = #5
+\override MultiMeasureRestText.padding = #5
 R1^"right"
 @end lilypond
 
@@ -1519,7 +1519,7 @@ Taktnummerierung wird am Ende der Kadenz wieder aufgenommen:
 
 @lilypond[verbatim,relative=2,fragment]
 % Show all bar numbers
-\override Score.BarNumber #'break-visibility = #all-visible
+\override Score.BarNumber.break-visibility = #all-visible
 c4 d e d
 \cadenzaOn
 c4 c d8[ d d] f4 g4.
@@ -2605,14 +2605,14 @@ das Tempo, während die darauffolgenden vier 32-Noten ein
 gleichmäßiges Tempo haben.
 
 @lilypond[relative=1,verbatim,quote]
-\override Beam #'grow-direction = #LEFT
+\override Beam.grow-direction = #LEFT
 \featherDurations #(ly:make-moment 2 1)
 { c16[ c c c c c c c] }
-\override Beam #'grow-direction = #RIGHT
+\override Beam.grow-direction = #RIGHT
 \featherDurations #(ly:make-moment 2 3)
 { c32[ d e f] }
 % revert to non-feathered beams
-\override Beam #'grow-direction = #'()
+\override Beam.grow-direction = #'()
 { g32[ a b c] }
 @end lilypond
 
@@ -2959,7 +2959,7 @@ der Zeile} und @var{Beginn der Zeile}.  Im folgenden
 Beispiel werden die Taktlinien überall ausgegeben:
 
 @lilypond[verbatim,quote,relative=1]
-\override Score.BarNumber #'break-visibility = #'#(#t #t #t)
+\override Score.BarNumber.break-visibility = #'#(#t #t #t)
 \set Score.currentBarNumber = #11
 % Permit first bar number to be printed
 \bar ""