Merge remote-tracking branch 'origin/translation'

[lilypond.git] / Documentation / cs / learning / fundamental.itely

diff --git a/Documentation/cs/learning/fundamental.itely b/Documentation/cs/learning/fundamental.itely
index a09c282f083dd3f69d3a1b023556fd2a8645dc56..ea58f708d4c39262c58bd724d46f7f851eb58fc3 100644 (file)
--- a/Documentation/cs/learning/fundamental.itely
+++ b/Documentation/cs/learning/fundamental.itely
@@ -8,7 +8,7 @@
     Guide, node Updating translation committishes.
 @end ignore
 
-@c \version "2.16.0"
+@c \version "2.19.2"
 @c Translators: Pavel Fric
 
 @node Základní pojmy
@@ -619,10 +619,10 @@ oblouček, který začíná u trioly (řádky 3 a 4).
 
 @lilypond[quote,verbatim,ragged-right]
 {
-r16[ g \times 2/3 { r16 e'8] }
-g16( a \times 2/3 { b16 d) e' }
-g8[( a \times 2/3 { b8 d') e'~] } |
-\times 4/5 { e'32\( a b d' e' } a'4.\)
+r16[ g \tuplet 3/2 { r16 e'8] }
+g16( a \tuplet 3/2 { b16 d) e' }
+g8[( a \tuplet 3/2 { b8 d') e'~] } |
+\tuplet 5/4 { e'32\( a b d' e' } a'4.\)
 }
 @end lilypond
 
@@ -767,7 +767,7 @@ ligatur, značek pro dynamiku atd. tak, jak se patří.
   c16 d e f
   %    Voice "1"     Voice "2"                Voice "3"
   << { g4 f e } \\ { r8 e4 d c8~ } >> |
-  << { d2 e }   \\ { c8 b16 a b8 g~ g2 } \\ { s4 b c2 } >> |
+  << { d2 e }   \\ { c8 b16 a b8 g~ 2 } \\ { s4 b c2 } >> |
 }
 @end lilypond
 
@@ -805,7 +805,7 @@ do dvou staveb, jak je to ukázáno zde na modrém trojúhelníkovém hlase.
     { d2 e }
   \\
      % Voice 2 continues
-    { c8 b16 a b8 g~ g2 }
+    { c8 b16 a b8 g~ 2 }
   \\
     {
       \voiceThreeStyle
@@ -888,9 +888,9 @@ a hlasy.  Složitější věci budou vysvětleny v pozdějších částech.
   \\  % Voice four
     {
       % Ignore these for now - they are explained in Ch 4
-      \once \override NoteColumn #'force-hshift = #0
+      \once \override NoteColumn.force-hshift = #0
       <ees c>2
-      \once \override NoteColumn #'force-hshift = #0.5
+      \once \override NoteColumn.force-hshift = #0.5
       des2
     }
   >> |
@@ -937,9 +937,9 @@ porozumět.
   \\  % Voice four
     { \voiceThreeStyle
       % Ignore these for now - they are explained in Ch 4
-      \once \override NoteColumn #'force-hshift = #0
+      \once \override NoteColumn.force-hshift = #0
       <ees c>2
-      \once \override NoteColumn #'force-hshift = #0.5
+      \once \override NoteColumn.force-hshift = #0.5
       des2
     }
   >>
@@ -1088,25 +1088,25 @@ mají příkazy @code{\oneVoice}, @code{\voiceOne} a @code{voiceTwo}
 @lilypond[quote,ragged-right,verbatim]
 \relative c' {
   % Default behavior or behavior after \oneVoice
-  c4 d8~ d e4( f | g4 a) b-> c |
+  c4 d8~ 8 e4( f | g4 a) b-> c |
 }
 @end lilypond
 
 @lilypond[quote,ragged-right,verbatim]
 \relative c' {
   \voiceOne
-  c4 d8~ d e4( f | g4 a) b-> c |
+  c4 d8~ 8 e4( f | g4 a) b-> c |
   \oneVoice
-  c,4 d8~ d e4( f | g4 a) b-> c |
+  c,4 d8~ 8 e4( f | g4 a) b-> c |
 }
 @end lilypond
 
 @lilypond[quote,ragged-right,verbatim]
 \relative c' {
   \voiceTwo
-  c4 d8~ d e4( f | g4 a) b-> c |
+  c4 d8~ 8 e4( f | g4 a) b-> c |
   \oneVoice
-  c,4 d8~ d e4( f | g4 a) b-> c |
+  c,4 d8~ 8 e4( f | g4 a) b-> c |
 }
 @end lilypond
 
@@ -1134,7 +1134,7 @@ jednotlivého hlasu. Tím se může frázovací oblouček malovat nad ně.
     \new Voice {
       % Set stems, etc., down
       \voiceTwo
-      r8 e4 d c8~ | c8 b16 a b8 g~ g2 |
+      r8 e4 d c8~ | 8 b16 a b8 g~ 2 |
     }
     % Initiate third voice
     \new Voice {
@@ -1167,7 +1167,7 @@ sázení not:
       \voiceTwo
       r8 e4 d c8~
       <<
-        { c8 b16 a b8 g~ g2 | }
+        { c8 b16 a b8 g~ 2 | }
         \new Voice {
           \voiceThree
           s4 b4 c2 |
@@ -1199,7 +1199,7 @@ jako je tomu zde:
   \new Voice {
     % Set stems, etc, down
     \voiceTwo
-    s4 r8 e4 d c8~ | c8 b16 a b8 g~ g2 |
+    s4 r8 e4 d c8~ | 8 b16 a b8 g~ 2 |
   }
   % Initiate third voice
   \new Voice {
@@ -1335,7 +1335,7 @@ ne jako noty.
 global = { \key f \major \time 6/8 \partial 8 }
 
 SopOneMusic = \relative c'' {
-  c8 | c8([ bes)] a a([ g)] f | f'4. b, | c4.~ c4
+  c8 | c8([ bes)] a a([ g)] f | f'4. b, | c4.~ 4
 }
 SopOneLyrics = \lyricmode {
   Let | flee -- cy flocks the | hills a -- dorn, __
@@ -1735,8 +1735,7 @@ abzuleiten.
   @tab Erstellt Notenschlüssel.
 @item Completion_heads_engraver
   @tab Teilt Noten in kleiner Werte, wenn sie über die Taktlinie reichen.
-@c The old Dynamic_engraver is deprecated. -jm
-@item New_dynamic_engraver
+@item Dynamic_engraver
   @tab Erstellt Dynamik-Klammern und Dynamik-Texte.
 @item Forbid_line_break_engraver
   @tab Verbietet Zeilenumbrüche, solange ein musikalisches Element aktiv ist.
@@ -1940,7 +1939,7 @@ während das dazu dient, sie in allen Systemen auszuschalten:
 >>
 @end lilypond
 
-Ein anderes Beispiel ist die Eigenschaft @code{clefOctavation}:
+Ein anderes Beispiel ist die Eigenschaft @code{clefTransposition}:
 wenn sie im @code{Score}-Kontext gesetzt wird, ändert sich sofort
 der Wert der Oktavierung in allen aktuellen Systemen und wird
 auf einen neuen Wert gesetzt, der sich auf alle Systeme auswirkt.
@@ -3101,8 +3100,7 @@ sind.
         @}
       >>  % end ManualOne Staff context
       \new Staff = "ManualTwo" \with @{
-        \override VerticalAxisGroup
-          #'staff-staff-spacing #'stretchability = 5
+        \override VerticalAxisGroup.staff-staff-spacing.stretchability = 5
       @} <<
         \keyTime
         \clef "bass"
@@ -3139,15 +3137,15 @@ ManualOneVoiceOneMusic = \relative g' {
   d2 c2 |
 }
 ManualOneVoiceTwoMusic = \relative c' {
-  ees16 d ees8~ ees16 f ees d c8 d~ d c~ |
-  c8 c4 b8 c8. g16 c b c d |
+  ees16 d ees8~ 16 f ees d c8 d~ d c~ |
+  8 c4 b8 c8. g16 c b c d |
 }
 ManualTwoMusic = \relative c' {
-  c16 b c8~ c16 b c g a8 g~ g16 g aes ees |
-  f16 ees f d g aes g f ees d e8~ ees16 f ees d |
+  c16 b c8~ 16 b c g a8 g~ 16 g aes ees |
+  f16 ees f d g aes g f ees d e8~ 8es16 f ees d |
 }
 PedalOrganMusic = \relative c {
-  r8 c16 d ees d ees8~ ees16 a, b g c b c8 |
+  r8 c16 d ees d ees8~ 16 a, b g c b c8 |
   r16 g ees f g f g8 c,2 |
 }
 
@@ -3167,8 +3165,7 @@ PedalOrganMusic = \relative c {
         }
       >>  % end ManualOne Staff context
       \new Staff = "ManualTwo" \with {
-        \override VerticalAxisGroup
-          #'staff-staff-spacing #'stretchability = 5
+        \override VerticalAxisGroup.staff-staff-spacing.stretchability = 5
       } <<
         \keyTime
         \clef "bass"
@@ -3236,7 +3233,7 @@ werden:
 @c TODO Avoid padtext - not needed with skylining
 @lilypond[quote,verbatim,ragged-right]
 dolce = \markup { \italic \bold dolce }
-padText = { \once \override TextScript #'padding = #5.0 }
+padText = { \once \override TextScript.padding = #5.0 }
 fthenp=_\markup {
     \dynamic f \italic \small { 2nd } \hspace #0.1 dynamic p
 }
@@ -3268,7 +3265,7 @@ sehr viel schwerer lesbar, besonders die letzte Zeile.
 violin = \relative c'' @{
   \repeat volta 2 @{
     c4._\markup @{ \italic \bold dolce @} b8 a8 g a b
-    \once \override TextScript #'padding = #5.0
+    \once \override TextScript.padding = #5.0
     c4.^"hi there!" d8 e' f g d
     c,4.\markup @{
       \dynamic f \italic \small @{ 2nd @} \hspace #0.1 \dynamic p
@@ -3295,7 +3292,7 @@ padText =
      (parser location padding)
      (number?)
    #{
-     \once \override TextScript #'padding = $padding
+     \once \override TextScript.padding = $padding
    #})
 
 \relative c''' {