Run scripts/auxiliar/update-with-convert-ly.sh -f 2.19.20

[lilypond.git] / Documentation / cs / learning / fundamental.itely

diff --git a/Documentation/cs/learning/fundamental.itely b/Documentation/cs/learning/fundamental.itely
index c2320850744bbe840b92793d296c6422b040293e..4b99b1f9e25b8c2ee6457750b82dc8c639d6e039 100644 (file)
--- a/Documentation/cs/learning/fundamental.itely
+++ b/Documentation/cs/learning/fundamental.itely
@@ -922,12 +922,12 @@ porozumět.
 @c The following should appear as music without code
 @c The three voice styles should be defined in -init
 @lilypond[quote,ragged-right]
-\new Staff \relative c'' {
+\new Staff \relative {
   \key aes \major
   <<
     {  % Voice one
       \voiceOneStyle
-      c2 aes4. bes8
+      c''2 aes4. bes8
     }
   \\  % Voice two
     { \voiceTwoStyle
@@ -1093,18 +1093,18 @@ mají příkazy @code{\oneVoice}, @code{\voiceOne} a @code{voiceTwo}
 @end lilypond
 
 @lilypond[quote,ragged-right,verbatim]
-\relative c' {
+\relative {
   \voiceOne
-  c4 d8~ 8 e4( f | g4 a) b-> c |
+  c'4 d8~ 8 e4( f | g4 a) b-> c |
   \oneVoice
   c,4 d8~ 8 e4( f | g4 a) b-> c |
 }
 @end lilypond
 
 @lilypond[quote,ragged-right,verbatim]
-\relative c' {
+\relative {
   \voiceTwo
-  c4 d8~ 8 e4( f | g4 a) b-> c |
+  c'4 d8~ 8 e4( f | g4 a) b-> c |
   \oneVoice
   c,4 d8~ 8 e4( f | g4 a) b-> c |
 }
@@ -1122,10 +1122,10 @@ tvaru červeného diamantu ukazují, že se hlavní hlas nachází v prostředí
 jednotlivého hlasu. Tím se může frázovací oblouček malovat nad ně.
 
 @lilypond[quote,ragged-right,verbatim]
-\new Staff \relative c' {
+\new Staff \relative {
   \voiceOneStyle
   % The following notes are monophonic
-  c16^( d e f
+  c'16^( d e f
   % Start simultaneous section of three voices
   <<
     % Continue the main voice in parallel
@@ -1189,11 +1189,11 @@ se dají místa, kde se hlas nevyskytuje, přeskočit pomocí neviditelných not
 jako je tomu zde:
 
 @lilypond[quote,ragged-right,verbatim]
-\new Staff \relative c' <<
+\new Staff \relative <<
   % Initiate first voice
   \new Voice {
     \voiceOne
-    c16^( d e f g4 f e | d2 e) |
+    c'16^( d e f g4 f e | d2 e) |
   }
   % Initiate second voice
   \new Voice {
@@ -1287,10 +1287,10 @@ se použije označení přiřazené hlasu.
 @lilypond[quote,verbatim]
 <<
   \new Voice = "one" {
-    \relative c'' {
+    \relative {
       \autoBeamOff
       \time 2/4
-      c4 b8. a16 | g4. f8 | e4 d | c2 |
+      c''4 b8. a16 | g4. f8 | e4 d | c2 |
     }
   }
   \new Lyrics \lyricsto "one" {
@@ -1866,13 +1866,13 @@ nicht, weil der Kontext ausgelassen wurde.
 
 @lilypond[quote,verbatim,ragged-right]
 <<
-  \new Staff \relative c'' {
+  \new Staff \relative {
     \set Staff.instrumentName = #"Soprano"
-    c2 c
+    c''2 c
  }
-  \new Staff \relative c' {
+  \new Staff \relative {
     \set instrumentName = #"Alto"  % Wrong!
-    d2 d
+    d'2 d
  }
 >>
 @end lilypond
@@ -1917,9 +1917,9 @@ ausgeschaltet sind:
   \new Staff \relative {
     ais'2 aes
   }
-  \new Staff \relative c'' {
+  \new Staff \relative {
     \set Staff.extraNatural = ##f
-    ais2 aes
+    ais'2 aes
   }
 >>
 @end lilypond
@@ -1932,9 +1932,9 @@ während das dazu dient, sie in allen Systemen auszuschalten:
   \new Staff \relative {
     ais'2 aes
   }
-  \new Staff \relative c'' {
+  \new Staff \relative {
     \set Score.extraNatural = ##f
-    ais2 aes
+    ais'2 aes
   }
 >>
 @end lilypond
@@ -2187,15 +2187,15 @@ und zeigt ihn an:
   \new Voice \with {
     \consists "Ambitus_engraver"
   } {
-    \relative c'' {
+    \relative {
       \voiceOne
-      c4 a b g
+      c''4 a b g
     }
   }
   \new Voice {
-    \relative c' {
+    \relative {
       \voiceTwo
-      c4 e d f
+      c'4 e d f
     }
   }
 >>
@@ -2212,15 +2212,15 @@ Stimmen in diesem Notensystem errechnet:
 }
 <<
   \new Voice {
-    \relative c'' {
+    \relative {
       \voiceOne
-      c4 a b g
+      c''4 a b g
     }
   }
   \new Voice {
-    \relative c' {
+    \relative {
       \voiceTwo
-      c4 e d f
+      c'4 e d f
     }
   }
 >>
@@ -2561,17 +2561,17 @@ bassMusic = \relative {
   r4 d'2 cis4 | b4. b8 fis2 | e4 d a'2 |
 }
 bassWords = \sopranoWords
-upper = \relative a' {
+upper = \relative {
   \clef "treble"
   \global
-  r4 <a d fis>2 <a e' a>4
+  r4 <a' d fis>2 <a e' a>4
   <d fis d'>4. <d fis d'>8 <a d a'>2
   <g cis g'>4 <a d fis> <a cis e>2
 }
-lower = \relative c, {
+lower = \relative {
   \clef "bass"
   \global
-  <d d'>4 <d d'>2 <cis cis'>4
+  <d, d'>4 <d d'>2 <cis cis'>4
   <b b'>4. <b' b'>8 <fis fis'>2
   <e e'>4 <d d'> <a' a'>2
 }
@@ -2799,17 +2799,17 @@ bassMusic = \relative {
   r4 d'2 cis4 | b4. b8 fis2 | e4 d a'2 |
 }
 bassWords = \sopranoWords
-upper = \relative a' {
+upper = \relative {
   \clef "treble"
   \global
-  r4 <a d fis>2 <a e' a>4
+  r4 <a' d fis>2 <a e' a>4
   <d fis d'>4. <d fis d'>8 <a d a'>2
   <g cis g'>4 <a d fis> <a cis e>2
 }
-lower = \relative c, {
+lower = \relative {
   \clef "bass"
   \global
-  <d d'>4 <d d'>2 <cis cis'>4
+  <d, d'>4 <d d'>2 <cis cis'>4
   <b b'>4. <b' b'>8 <fis fis'>2
   <e e'>4 <d d'> <a' a'>2
 }
@@ -3238,9 +3238,9 @@ fthenp=_\markup {
     \dynamic f \italic \small { 2nd } \hspace #0.1 dynamic p
 }
 
-violin = \relative c'' {
+violin = \relative {
   \repeat volta 2 {
-    c4._\dolce b8 a8 g a b
+    c''4._\dolce b8 a8 g a b
     \padText
     c4.^"hi there!" d8 e' f g d
     c,4.\fthenp b8 c4 c-.
@@ -3262,9 +3262,9 @@ vorige Beispiel ohne jede Benutzung von Variablen.  Es ist
 sehr viel schwerer lesbar, besonders die letzte Zeile.
 
 @example
-violin = \relative c'' @{
+violin = \relative @{
   \repeat volta 2 @{
-    c4._\markup @{ \italic \bold dolce @} b8 a8 g a b
+    c''4._\markup @{ \italic \bold dolce @} b8 a8 g a b
     \once \override TextScript.padding = #5.0
     c4.^"hi there!" d8 e' f g d
     c,4.\markup @{
@@ -3398,7 +3398,7 @@ Dieser Befehl setzt die Eigenschaft @code{skipBars} im
 Beispiel:
 
 @lilypond[quote,ragged-right]
-\transpose f c' \relative c {
+\transpose f c' \relative {
   \time 2/4
   \set Score.skipBars = ##t
   R2*3 |