Merge branch 'master' into translation

[lilypond.git] / Documentation / changes.tely

diff --git a/Documentation/changes.tely b/Documentation/changes.tely
index c943a1a64e89ae2e66522bca1a364b91fa6e1e5d..f8dd50a2e429b7129af277ac5f814efcdbe59352 100644 (file)
--- a/Documentation/changes.tely
+++ b/Documentation/changes.tely
@@ -61,6 +61,71 @@ which scares away people.
 
 @end ignore
 
+@item
+Additional bass strings (for lute tablature) are supported.
+@lilypond[quote,verbatim]
+m = { f'4 d' a f d a, g, fis, e, d, c,  \bar "|." }
+
+\score {
+  \new TabStaff \m
+  \layout {
+    \context {
+      \Score
+      tablatureFormat = #fret-letter-tablature-format
+    }
+    \context {
+      \TabStaff
+      stringTunings = \stringTuning <a, d f a d' f'>
+      additionalBassStrings = \stringTuning <c, d, e, fis, g,>
+      fretLabels = #'("a" "b" "r" "d" "e" "f" "g" "h" "i" "k")
+    }
+  }
+}
+@end lilypond
+
+@item
+The markup-list-command @code{\table} is now available.
+Each column may be aligned differently.
+@lilypond[quote,verbatim]
+\markuplist {
+    \override #'(padding . 2)
+    \table
+      #'(0 1 0 -1)
+      {
+        \underline { center-aligned right-aligned center-aligned left-aligned }
+        one "1" thousandth "0.001"
+        eleven "11" hundredth "0.01"
+        twenty "20" tenth "0.1"
+        thousand "1000" one "1.0"
+      }
+}
+@end lilypond
+
+@item
+A new markup-command, @code{\with-dimensions-from}, makes
+@code{\with-dimensions} easier to use by taking the new
+dimensions from a markup object, given as first argument.
+@lilypond[quote,verbatim]
+\markup {
+  \pattern #5 #Y #0 "x"
+  \pattern #5 #Y #0 \with-dimensions-from "x" "f"
+  \pattern #5 #Y #0 \with-dimensions-from "x" "g"
+  \override #'(baseline-skip . 2)
+  \column {
+    \pattern #5 #X #0 "n"
+    \pattern #5 #X #0 \with-dimensions-from "n" "m"
+    \pattern #5 #X #0 \with-dimensions-from "n" "!"
+  }
+}
+@end lilypond
+
+@item
+A new page breaking function @code{ly:one-line-auto-height-breaking}
+places a whole score on a single line and changes the page width
+to match, just like @code{ly:one-line-breaking}.  The difference is that
+it also automatically modifies the height of the page to fit the height
+of the music.
+
 @item
 Markup-command @code{\draw-squiggle-line} is now available.
 Customizing is possible with overrides of @code{thickness}, @code{angularity},
@@ -86,9 +151,14 @@ Customizing is possible with overrides of @code{thickness}, @code{angularity},
   }
 @end lilypond
 
+@item
+A new command, @code{\RemoveAllEmptyStaves}, has been made available, which
+acts exactly like @code{\RemoveEmptyStaves}, except for also removing empty
+staves on the first system in a score.
+
 @item
 Markup-commands @code{\undertie} and @code{\overtie} are now available, as well
-the generic markup-command @code{\tie}.
+as the generic markup-command @code{\tie}.
 @lilypond[quote,verbatim]
 \markup {
   \undertie "undertied"
@@ -528,7 +598,7 @@ improved.  Previously, tuplet numbers were placed according to the
 position of the tuplet bracket, even if it was not printed.  This could
 lead to stranded tuplet numbers.  Now they are now positioned
 closer to the kneed-beam when an appropriate beam segment exists for its
-placement and when the the bracket is not drawn.
+placement and when the bracket is not drawn.
 
 Collision detection is also added, offsetting horizontally if too close
 to an adjoining note column but preserving the number's vertical
@@ -689,7 +759,7 @@ Four new Clef glyphs have been added @emph{Double G}, @emph{Tenor G},
   \clef "varC" c c c c
   \clef "altovarC" c c c c
   \clef "tenorvarC" c c c c
-  \clef "baritonevarC" c c c
+  \clef "baritonevarC" c c c c
   \clef "varpercussion" c c c c
 @end lilypond