@end ignore
+@item
+Additional bass strings (for lute tablature) are supported.
+@lilypond[quote,verbatim]
+m = { f'4 d' a f d a, g, fis, e, d, c, \bar "|." }
+
+\score {
+ \new TabStaff \m
+ \layout {
+ \context {
+ \Score
+ tablatureFormat = #fret-letter-tablature-format
+ }
+ \context {
+ \TabStaff
+ stringTunings = \stringTuning <a, d f a d' f'>
+ additionalBassStrings = \stringTuning <c, d, e, fis, g,>
+ fretLabels = #'("a" "b" "r" "d" "e" "f" "g" "h" "i" "k")
+ }
+ }
+}
+@end lilypond
+
+@item
+The markup-list-command @code{\table} is now available.
+Each column may be aligned differently.
+@lilypond[quote,verbatim]
+\markuplist {
+ \override #'(padding . 2)
+ \table
+ #'(0 1 0 -1)
+ {
+ \underline { center-aligned right-aligned center-aligned left-aligned }
+ one "1" thousandth "0.001"
+ eleven "11" hundredth "0.01"
+ twenty "20" tenth "0.1"
+ thousand "1000" one "1.0"
+ }
+}
+@end lilypond
+
+@item
+A new markup-command, @code{\with-dimensions-from}, makes
+@code{\with-dimensions} easier to use by taking the new
+dimensions from a markup object, given as first argument.
+@lilypond[quote,verbatim]
+\markup {
+ \pattern #5 #Y #0 "x"
+ \pattern #5 #Y #0 \with-dimensions-from "x" "f"
+ \pattern #5 #Y #0 \with-dimensions-from "x" "g"
+ \override #'(baseline-skip . 2)
+ \column {
+ \pattern #5 #X #0 "n"
+ \pattern #5 #X #0 \with-dimensions-from "n" "m"
+ \pattern #5 #X #0 \with-dimensions-from "n" "!"
+ }
+}
+@end lilypond
+
+@item
+A new page breaking function @code{ly:one-line-auto-height-breaking}
+places a whole score on a single line and changes the page width
+to match, just like @code{ly:one-line-breaking}. The difference is that
+it also automatically modifies the height of the page to fit the height
+of the music.
+
+@item
+Markup-command @code{\draw-squiggle-line} is now available.
+Customizing is possible with overrides of @code{thickness}, @code{angularity},
+@code{height} and @code{orientation}
+@lilypond[quote,verbatim]
+\markup
+ \overlay {
+ \draw-squiggle-line #0.5 #'(3 . 3) ##t
+
+ \translate #'(3 . 3)
+ \override #'(thickness . 4)
+ \draw-squiggle-line #0.5 #'(3 . -3) ##t
+
+ \translate #'(6 . 0)
+ \override #'(angularity . -5)
+ \draw-squiggle-line #0.5 #'(-3 . -3) ##t
+
+ \translate #'(3 . -3)
+ \override #'(angularity . 2)
+ \override #'(height . 0.3)
+ \override #'(orientation . -1)
+ \draw-squiggle-line #0.2 #'(-3 . 3) ##t
+ }
+@end lilypond
+
+@item
+A new command, @code{\RemoveAllEmptyStaves}, has been made available, which
+acts exactly like @code{\RemoveEmptyStaves}, except for also removing empty
+staves on the first system in a score.
+
+@item
+Markup-commands @code{\undertie} and @code{\overtie} are now available, as well
+as the generic markup-command @code{\tie}.
+@lilypond[quote,verbatim]
+\markup {
+ \undertie "undertied"
+ \overtie "overtied"
+}
+
+m = {
+ c''1 \prall -\tweak text \markup \tie "131" -1
+}
+
+{ \voiceOne \m \voiceTwo \m }
+@end lilypond
+
+@item
+@code{TabStaff} is now able to print micro-tones for bendings etc.
+@lilypond[quote,verbatim]
+\layout {
+ \context {
+ \Score
+ supportNonIntegerFret = ##t
+ }
+}
+
+mus = \relative { c'4 cih d dih }
+
+<<
+ \new Staff << \clef "G_8" \mus >>
+ \new TabStaff \mus
+>>
+@end lilypond
+
+@item
+Two new styles of whiteout are now available. The @code{outline} style
+approximates the contours of a glyph's outline, and its shape is
+produced from multiple displaced copies of the glyph. The
+@code{rounded-box} style produces a rounded rectangle shape. For all
+three styles, including the default @code{box} style, the whiteout
+shape's @code{thickness}, as a multiple of staff-line thickness, can be
+customized.
+
+@lilypond[verbatim,quote]
+\markup {
+ \combine
+ \filled-box #'(-1 . 15) #'(-3 . 4) #1
+ \override #'(thickness . 3)
+ \whiteout whiteout-box
+}
+\markup {
+ \combine
+ \filled-box #'(-1 . 24) #'(-3 . 4) #1
+ \override #'(style . rounded-box)
+ \override #'(thickness . 3)
+ \whiteout whiteout-rounded-box
+}
+\markup {
+ \combine
+ \filled-box #'(-1 . 18) #'(-3 . 4) #1
+ \override #'(style . outline)
+ \override #'(thickness . 3)
+ \whiteout whiteout-outline
+}
+\relative {
+ \override Staff.Clef.whiteout-style = #'outline
+ \override Staff.Clef.whiteout = 3
+ g'1
+}
+@end lilypond
+
@item
All of @code{\override}, @code{\revert}, @code{\set}, and
@code{\unset} now work with the @code{\once} prefix for making
legacy use of @code{parser} and @code{location} arguments,
providing backwards-compatible semantics for some time.
-@item
-The @code{whiteout} grob property and @code{\whiteout} markup command
-now create a white background built from multiple displaced copies of
-the glyph in order to approximate the contours of its outline.
-The previous rounded box white background can be achieved with the
-new @code{whiteout-box} grob property and @code{\whiteout-box} markup
-command. Setting the @code{whiteout} property to a number now sets
-the thickness of the white outline as a multiple of staff-line
-thickness. Similarly, overriding the @code{thickness} property of
-the @code{\whiteout} markup command sets the thickness of the white
-outline it produces.
-
@item
In the "english" notename language, the long notenames for pitches
with accidentals now contain a hyphen for better readability. You
declares a list of @q{tags} that belong to a single @q{tag group}.
@example
-\keepwithTag#'violinI
+\keepWithTag #'violinI
@end example
Is now only concerned with @q{tags} from @q{violinI}’s tag group.
position of the tuplet bracket, even if it was not printed. This could
lead to stranded tuplet numbers. Now they are now positioned
closer to the kneed-beam when an appropriate beam segment exists for its
-placement and when the the bracket is not drawn.
+placement and when the bracket is not drawn.
Collision detection is also added, offsetting horizontally if too close
to an adjoining note column but preserving the number's vertical
\clef "varC" c c c c
\clef "altovarC" c c c c
\clef "tenorvarC" c c c c
- \clef "baritonevarC" c c c
+ \clef "baritonevarC" c c c c
\clef "varpercussion" c c c c
@end lilypond
projects / lilypond.git / blobdiff