-slurdash 0 normal slurs
-slurdash 1 dotted slurs
-slurdash >1 dashed slurs
-
-slurydirection -1 force stem down \slurdown
-slurydirection 0 stem direction free \slurboth
-slurydirection 1 force stem up \slurup
-
-slurydirection -1 force stem down \slurdown
-slurydirection 0 stem direction free \slurboth
-slurydirection 1 force stem up \slurup
-
-textalignment -1 left alignment of text
-textalignment 0 center alignment of text
-textalignment 1 right alignment of text
-
-[Score?]
-beamslopedamping 0 no damping \beamslopeproportional
-beamslopedamping 1 damping1) \beamslopedamped
-beamslopedamping 100000 zero slope \beamslopezero
-
-[Score?]
-beamquantisation 0 no quantisations \beamposfree
-beamquantisation 1 quantise pos and slope \beamposnormal
-beamquantisation 2 quantise avoide wedge2) \beampostraditional
-
-[Staff]
-keyoctaviation 0 Key signature only for specified octave \specialkey
-keyoctaviation 1 Key signature for all octaves \normalkey
-
-[Staff]
-barAlways 0 none
-barAlways 1 generate bar at every moment
-
-[Staff]
-barAuto 0 none
-barAuto 1 auto-generate bar every measure
-barAtLineStart 0/1 generate bar at beginning of line
-
-[Staff]
-beamAuto 0/1 auto-beam on/off
-beamAutoEnd "num/den" end auto-beam
-beamAutoEnd_8 "num/den" end auto-beam of 8ths
-beamAutoEnd_16 "num/den" end auto-beam of 16ths
-
-timeSignatureStyle C Use C and stroked C for 4/4,2/2
-timeSignatureStyle old Use old style mensuration marks
-timeSignatureStyle 1 Use single number
-timeSignatureStyle "" Use normal two-digit time signature
-timeSignatureStyle Cn/m Set symbol explicitly, n/m=2/2 or 4/4
-timeSignatureStyle oldn/m Set symbol explicitly,
- n/m=2/2,3/2,3/4,4/4,6/4 or 9/4.
-[Staff]
-voltaVisibility 0/1 on/off
-voltaSpannerDuration Rat. Coda kludge: set length of volta-spanner,
- typically set to one measure: "1"
-
-[Staff]
-clefStyle "fullSizeChanges" Clef changes typeset in full size
-clefStyle "transparent" No clef typeset
-
-[Staff?]
-instrument ascii midi instrument table lookup
-
-[Score]
-chordInversion 0/1 Find and display chord with inversion?
-
-
-1) after beam slope damping table suggested in [Wanske]
-2) [Wanske] as well as [Ross] suggests that beams sloped upward must not
- start sitting on a staffline, and beams sloped downward must not hang
- from a staffline (similar for beam-ends). This would create a wedge
- that is traditionally being avoided because it could easily be filled-up
- with ink.
- However, avoiding these wedges restricts the freedom of beams quite a lot
- while they don't seem to be a problem in modern printing.
- In no piece of sheetmusic engraved after 1953 (Baerenreiter) i've seen
- these wedges being avoided.
-
-%}
-
-%hmm, (these) abbrevs suck, imo
-% i guess they're meant as some form of doco
-% that's what i use them for...
-stemup =
- \property Voice.ydirection = \up
-stemboth= \property Voice.ydirection = \center
-stemdown = \property Voice.ydirection = \down
-
-slurup = \notes {
- s1*0
- \property Voice.slurydirection = \up
- }
-slurboth= \notes {
- s1*0
- \property Voice.slurydirection = \center
-}
-slurdown = \notes {
- s1*0
- \property Voice.slurydirection = \down
-}
-
-shifton = \property Voice.hshift = 1
-shiftoff = \property Voice.hshift = 0
-
-onevoice = {
- \stemboth \shiftoff
-}
-
-voiceone = {
- \type Voice = one
- \stemup