+comes =
+ \melodic {
+ \octave c'';
+ \stem 1;
+ r1 |
+ r1 |
+ r8 [g16 fis] [g8 c] [es g16 fis] [g8 a] |
+ [d8 g16 fis] [g8 a] [c16 d] es4 [d16 c] |
+%% 5
+ ['bes8 es16 d] [es8 'g8] ['as f16 es] [f8 'a]
+ ['bes8 g16 f] [g8 'b] [c8 d16 es] f4~ |
+ [f8 es16 d] [c16 'bes 'as 'g] ['f8 as g f]
+ [es d es f] ['b c d 'b] |
+ [c g16 fis] [g8 d] es4 r8 e8 |
+%% 10
+ [f f16 e] [f8 c8] d4 r8 d |
+ [es8 es16 d] [es8 'bes] [c es16 d] [es8 f] |
+ ['bes es16 d] [es8 f] ['as16 'bes] c4 ['bes16 'as] |
+ [G16 Es F G] [As Bes c d] [es d c d] [es f g a] |
+ [bes F G As] [Bes c d e] [f es d es] [ f g a b] |
+%% 15
+ [c'8 b16 a] [g f es d] [c8 es d c] |
+ [Bes A Bes c] [Fis! G A Fis] |
+ % see comment above about forced acc.
+ [G8 d16 c] d8 r8 r8 [e16 d] e8 r8 |
+ r [fis16 e] fis8 r r [G16 F] G8 r8 |
+ r8 [A16 G] A8 r r [B16 A] B8 r |
+%% 20
+ r8 [c16 'b] [c8 'g] [As c16 'b] [c8 d] |
+ [G c16 B] [c8 d] [F16 G] As4 [G16 F] |
+ [Es8 c16 B] [c8 G] As4 r8 A |
+ [Bes8 Bes16 A] [Bes8 F8] 'g4 r8 G~ |
+ [G As16 Bes] [c B c As] F2~ |
+%% 25
+ [F8 d16 c] [d8 F] [Es es16 d] [es8 G] |
+ [F f16 es] [f8 As] [G16 f es d] [c B A G] |
+ [c8 f es d] r [As G F] |
+ [G F16 Es] [F8 D] [As G] r A |
+ [B c] [F16 Es D C] C8 [c16 B] [c8 G] |
+%% 30
+ [As c16 B] [c8 <d 'b! 'as!]> [G8 c16 B] [c8 d] |
+ [F16 G] As4 [G16 F] E2 |
+ }
+
+bassdux =
+ \melodic {
+ \clef "bass";
+ \octave c';
+ r1 |
+ r |
+ r |
+ r |
+%% 5
+ r |
+ r1 |
+ r8 [c16 B] [c8 G] [As c16 B] [c8 d] |
+ [G c16 B] [c8 d] [F16 G] As4 [G16 F] |
+ \octave c; [es c' b a] [g f es d] [c d es d] [c Bes! As! G] |
+ % I think we shouldn't need to force
+ % accidents here because they are in
+ % another octave range. WL
+
+%% I don't understand the complaint. Accidentals are valid for one octave range
+%% only. Without ! (and printed flat), this still is valid. HWN
+
+%% 10
+ [F bes as g] [f es d c] [Bes c d c] [Bes As G F] |
+ [Es as g f] [es des c Bes] [As8 c' bes as] |
+ [g8 f g as] [d es f d] |
+ [es as g f] [g es d c] |
+ [d bes as g] [as f es d!] |
+%% 15
+ es8 r8 r4 r8 [c Bes A] |
+ r [es d c] [d c16 Bes] [c8 d] |
+ [G8 bes16 a] [bes8 d] [es c'16 bes] [c'8 e] |
+ [f d'16 c'] [d'8 fis] g4 r16 [G A B] |
+ [c16 d es8~] [es16 A Bes c] [d es f8~] [f16 'b c d] |
+%% 20
+ es8 r r e [f F Es! D] | % see comment above about octave range
+ r [As G F] [G F16 Es] [F8 G] |
+ [c16 d es d] [c Bes As G] [F bes as g] [f es d c] |
+ [Bes c d c] [Bes As G F] [Es as g f] [es d c Bes] |
+ [As Bes c Bes] [As G F Es] [D g f es] [d c B A] |
+%% 25
+ g4 r4 r16 [G A B] [c d es f] |
+ [g f as g] [f es d c] [B8 c16 B] [c8 G] |
+ [As c16 B] [c8 d] [G c16 B] [c8 d] |
+ [F16 G] As4 [G16 F] Es4 r8 es |
+ [d c g G]
+%% 30
+ < \multi 2;
+ { \stem 1; c2~ | c1~ | c1 }
+ { \stem -1; C2~ | C1~ | C1 }
+ >
+ }
+
+
+
+
+\score {
+ \melodic < \multi 1;
+ < \multi 2;
+ \global
+ \dux
+ \comes
+ >
+ < \multi 2;
+ \global
+ \bassdux
+ >