- texidoc = "
-In early 20th century works, starting with Schoenberg, Berg and Webern
-(the \"Second\" Viennese school), every pitch in the twelve-tone scale
-has to be regarded as equal, without any hierarchy such as the
-classical (tonal) degrees. Therefore, these composers print one
-accidental for each note, even at natural pitches, to emphasize their
-new approach to music theory and language. This snippet shows how to
-achieve such notation rules.
-" }
-% begin verbatim
-webernAccidentals = {
- % the 5s are just "a value different from any accidental"
- \set Staff.keySignature = #'((0 . 5) (1 . 5) (2 . 5) (3 . 5)
- (4 . 5) (5 . 5) (6 . 5))
- \set Staff.extraNatural = ##f
- #(set-accidental-style 'forget)
-}
+ texidoc = "In early 20th century works, starting with Schoenberg,
+Berg and Webern (the \"Second\" Viennese school), every pitch in the
+twelve-tone scale has to be regarded as equal, without any hierarchy
+such as the classical (tonal) degrees. Therefore, these composers
+print one accidental for each note, even at natural pitches, to
+emphasize their new approach to music theory and language.
+
+This snippet shows how to achieve such notation rules.
+"
+
+ doctitle = "Dodecaphonic-style accidentals for each note including naturals"
+} % begin verbatim