update de.po

[lilypond.git] / Documentation / user / instrument-notation.itely

diff --git a/Documentation/user/instrument-notation.itely b/Documentation/user/instrument-notation.itely
index 66854705270de633bd168b0fbba6a09cbb066ccb..61473e29e4e931a88ce62dc9b70ed3c425b250e1 100644 (file)
--- a/Documentation/user/instrument-notation.itely
+++ b/Documentation/user/instrument-notation.itely
@@ -57,11 +57,6 @@ Dynamics are not centered, but workarounds do exist.  See the
 @cindex stem, cross staff
 @cindex distance between staves in piano music
 
 @cindex stem, cross staff
 @cindex distance between staves in piano music
 

-The distance between the two staves is the same for all systems in the
-score.  It is possible to override this per system, but it does require
-an arcane command incantation.  See
-@inputfileref{input/@/test,piano@/-staff@/-distance@/.ly}.
-

 
 @node Automatic staff changes
 @subsection Automatic staff changes
 
 @node Automatic staff changes
 @subsection Automatic staff changes


@@ -274,7 +269,10 @@ of the stem in the lower staff, so it reaches the stem in the upper
 staff, or vice versa.
 
 @lilypond[ragged-right,verbatim,quote]
 staff, or vice versa.
 
 @lilypond[ragged-right,verbatim,quote]

-stemExtend = \once \override Stem #'length = #22
+stemExtend = {
+  \once \override Stem #'length = #10
+  \once \override Stem #'cross-staff = ##t
+}

 noFlag = \once \override Stem #'flag-style = #'no-flag
 \new PianoStaff <<
   \new Staff {
 noFlag = \once \override Stem #'flag-style = #'no-flag
 \new PianoStaff <<
   \new Staff {


@@ -427,7 +425,7 @@ Modifiers can be mixed with additions
 @funindex m
 
 Since an unaltered 11 does not sound good when combined with an
 @funindex m
 
 Since an unaltered 11 does not sound good when combined with an

-unaltered 3, the 11 is removed in this case (unless it is added
+unaltered 13, the 11 is removed in this case (unless it is added

 explicitly)
 @lilypond[quote,ragged-right,fragment,verbatim]
 \chordmode { c:13 c:13.11 c:m13 }
 explicitly)
 @lilypond[quote,ragged-right,fragment,verbatim]
 \chordmode { c:13 c:13.11 c:m13 }


@@ -443,7 +441,7 @@ as bass notes, can be specified by appending
 @end lilypond
 @funindex /+
 
 @end lilypond
 @funindex /+
 

-A bass note can be added instead transposed out of the chord,
+A bass note can be added instead of transposed out of the chord,

 by using @code{/+}@var{pitch}.
 
 @lilypond[quote,ragged-right,fragment,verbatim]
 by using @code{/+}@var{pitch}.
 
 @lilypond[quote,ragged-right,fragment,verbatim]


@@ -558,7 +556,7 @@ adds the new exceptions to the default ones, which are defined in
 @file{ly/@/chord@/-modifier@/-init@/.ly}.
 
 For an example of tuning this property, see also
 @file{ly/@/chord@/-modifier@/-init@/.ly}.
 
 For an example of tuning this property, see also

-@inputfileref{input/@/regression,chord@/-name@/-exceptions@/.ly}.
+@lsr{chords/,chord@/-name@/-exceptions@/.ly}

 @cindex exceptions, chord names.
 
 
 @cindex exceptions, chord names.
 
 


@@ -567,7 +565,7 @@ For an example of tuning this property, see also
 This property contains the markup object used for the 7th step, when
 it is major.  Predefined options are @code{whiteTriangleMarkup} and
 @code{blackTriangleMarkup}.  See
 This property contains the markup object used for the 7th step, when
 it is major.  Predefined options are @code{whiteTriangleMarkup} and
 @code{blackTriangleMarkup}.  See

-@inputfileref{input/@/regression,chord@/-name@/-major7@/.ly} for an example.
+@lsr{chords,chord@/-name@/-major7@/.ly} for an example.

 
 @funindex chordNameSeparator
 @item chordNameSeparator
 
 @funindex chordNameSeparator
 @item chordNameSeparator


@@ -640,8 +638,9 @@ chart}.  Turning on these styles is described in the input file
 
 @seealso
 
 
 @seealso
 

-Examples: @inputfileref{input/@/regression,chord@/-name@/-major7@/.ly},
-@inputfileref{input/@/regression,chord@/-name@/-exceptions@/.ly},
+Examples:
+@lsr{chords/,chord@/-name@/-exceptions@/.ly},
+@lsr{chords,chord@/-name@/-major7@/.ly}, and

 @inputfileref{input/@/test,chord@/-names@/-jazz@/.ly}.
 
 
 @inputfileref{input/@/test,chord@/-names@/-jazz@/.ly}.
 
 


@@ -817,7 +816,7 @@ glyph.
 
 
 To enter lyrics with characters from non-English languages, or with
 
 
 To enter lyrics with characters from non-English languages, or with

-non-ascii characters (such as the heart symbol or slanted quotes),
+accented and special characters (such as the heart symbol or slanted quotes),

 simply insert the characters directly into the input file and save
 it with utf-8 encoding.  See @ref{Text encoding} for more info.
 
 simply insert the characters directly into the input file and save
 it with utf-8 encoding.  See @ref{Text encoding} for more info.
 


@@ -1043,8 +1042,7 @@ A complete example of a SATB score setup is in section
 
 Program reference: @internalsref{Melisma_translator}.
 
 
 Program reference: @internalsref{Melisma_translator}.
 

-
-@inputfileref{input/@/regression,lyric@/-combine@/-new@/.ly}.
+@lsr{vocal,lyric@/-combine.ly}.

 
 @refbugs
 
 
 @refbugs
 


@@ -1119,7 +1117,9 @@ There is one tricky aspect: the setting for @code{ignoreMelismata}
 must be set one syllable @emph{before} the non-melismatic syllable
 in the text, as shown here,
 
 must be set one syllable @emph{before} the non-melismatic syllable
 in the text, as shown here,
 

+@c  FIXME: breaks compile

 @lilypond[verbatim,ragged-right,quote]
 @lilypond[verbatim,ragged-right,quote]

+%{

 <<
   \relative \new Voice = "lahlah" {
     \set Staff.autoBeaming = ##f
 <<
   \relative \new Voice = "lahlah" {
     \set Staff.autoBeaming = ##f


@@ -1138,6 +1138,7 @@ in the text, as shown here,
     still
   }
 >>
     still
   }
 >>

+%}

 @end lilypond
 
 
 @end lilypond
 
 


@@ -1655,7 +1656,8 @@ Program reference: @internalsref{Ambitus},
 @internalsref{AmbitusLine}, @internalsref{AmbitusNoteHead},
 @internalsref{AmbitusAccidental}.
 
 @internalsref{AmbitusLine}, @internalsref{AmbitusNoteHead},
 @internalsref{AmbitusAccidental}.
 

-Examples: @inputfileref{input/@/regression,ambitus@/.ly}.
+Examples:
+@lsr{vocal,ambitus@/.ly}.

 
 @refbugs
 
 
 @refbugs
 


@@ -1716,8 +1718,6 @@ staff are squashed, and the staff itself has a single line
 
 Program reference: @internalsref{RhythmicStaff}.
 
 
 Program reference: @internalsref{RhythmicStaff}.
 

-Examples: @inputfileref{input/@/regression,rhythmic@/-staff@/.ly}.
-

 
 @node Entering percussion
 @subsection Entering percussion
 
 @node Entering percussion
 @subsection Entering percussion


@@ -2026,12 +2026,11 @@ with @code{\}@var{number},
 <c\1 e\2 g\3>
 @end lilypond
 
 <c\1 e\2 g\3>
 @end lilypond
 

-See also @inputfileref{input/regression,string-number.ly}.
-

 
 @seealso
 
 
 @seealso
 

-Program reference: @internalsref{StringNumber}.
+Program reference: @internalsref{StringNumber},
+@lsr{guitar/,string-number.ly}.

 
 
 @node Tablatures basic
 
 
 @node Tablatures basic


@@ -2307,7 +2306,7 @@ barring indications.
 \clef "G_8"
 b16 d16 g16 b16 e16
 \textSpannerDown
 \clef "G_8"
 b16 d16 g16 b16 e16
 \textSpannerDown

-\override TextSpanner #'edge-text = #'("XII " . "")
+\override TextSpanner #'bound-details #'left #'text = "XII "

   g16\startTextSpan
   b16 e16 g16 e16 b16 g16\stopTextSpan
 e16 b16 g16 d16
   g16\startTextSpan
   b16 e16 g16 e16 b16 g16\stopTextSpan
 e16 b16 g16 d16


@@ -2556,8 +2555,7 @@ engravers work.
 
 @seealso
 
 
 @seealso
 

-Examples: @inputfileref{input/@/regression,note@/-head@/-style@/.ly} gives an
-overview over all available note head styles.
+@ref{Note head styles} gives an overview over all available note head styles.

 
 
 @node Ancient accidentals
 
 
 @node Ancient accidentals


@@ -3166,7 +3164,8 @@ supported are @code{vaticana}, @code{medicaea}, @code{hufnagel}, and
 
 Program reference: @internalsref{Custos}.
 
 
 Program reference: @internalsref{Custos}.
 

-Examples: @inputfileref{input/@/regression,custos@/.ly}.
+Examples:
+@lsr{ancient,custodes@/.ly}.

 
 
 @node Divisiones
 
 
 @node Divisiones


@@ -4248,10 +4247,6 @@ underlies the construction of the ligatures in the above table is
 accordingly extrapolated.  This way, infinitely many different
 ligatures can be created.
 
 accordingly extrapolated.  This way, infinitely many different
 ligatures can be created.
 

-@c TODO: create a regression or tips & tricks example document with
-@c even more Gregorian ligatures, and add a link to this document
-@c here.
-

 Augmentum dots, also called @emph{morae}, are added with the music
 function @code{\augmentum}.  Note that @code{\augmentum} is
 implemented as a unary music function rather than as head prefix.  It
 Augmentum dots, also called @emph{morae}, are added with the music
 function @code{\augmentum}.  Note that @code{\augmentum} is
 implemented as a unary music function rather than as head prefix.  It