release: 1.4.1

[lilypond.git] / Documentation / user / glossary.tely

diff --git a/Documentation/user/glossary.tely b/Documentation/user/glossary.tely
index 9365267b7422a46c2dbbcb69dec94b7b0f5854c1..f043ecf4b579cae584838c3e467c915b9c91cfba 100644 (file)
--- a/Documentation/user/glossary.tely
+++ b/Documentation/user/glossary.tely
@@ -7,8 +7,16 @@
 @c @evenheading @thispage @| @| 
 @c @oddheading @| @| @thispage @|
 
 @c @evenheading @thispage @| @| 
 @c @oddheading @| @| @thispage @|
 

-@itemize 
+@ignore
+ glossary by Christian Mondrup
+
+ spanish by David González <dgonzal@quanta.net.py> 
+
+@end ignore
+

 
 

+@itemize 
+@item ES - Spanish

 @item I - Italian 
 @item F - French 
 @item D - German 
 @item I - Italian 
 @item F - French 
 @item D - German 


@@ -38,15 +46,16 @@ A reference is indicated by @ar{} followed by the term in @strong{boldface}.
 @table @strong
 
 @item A
 @table @strong
 
 @item A

-I: la, F: la,  D: A, a, NL: a, DK: a, S: a, N: a.
+ES: la
+: la, F: la,  D: A, a, NL: a, DK: a, S: a, N: a.

 
 @item accent
 
 @item accent

-I: accento, F: accent, D: Akzent, NL: accent, DK: accent, S: accent, N: 
+ES: acento, I: accento, F: accent, D: Akzent, NL: accent, DK: accent, S: accent, N: 

 
 The stress of one tone over others.
 
 @item accidental
 
 The stress of one tone over others.
 
 @item accidental

-I: alterazione, accidente, F: alt@'eration accidentelle, D: Vorzeichen,
+ES: alteración, I: alterazione, accidente, F: alt@'eration accidentelle, D: Vorzeichen,

 Versetzungszeichen, NL: voorteken, DK: l@o{}st fortegn, S: tillf@"alligt 
 f@"ortecken, N:
 
 Versetzungszeichen, NL: voorteken, DK: l@o{}st fortegn, S: tillf@"alligt 
 f@"ortecken, N:
 


@@ -71,15 +80,15 @@ accidental.
   g!1_"natural" s2
 }
 @end lilypond
   g!1_"natural" s2
 }
 @end lilypond

-@item accelerando 
-I: accelerando, F: accelerando, en acc@'el@'erant, D: accelerando, Schneller,
+@item accelerando
+ES: acelerando, I: accelerando, F: accelerando, en acc@'el@'erant, D: accelerando, Schneller,

 NL: accelerando, DK: accelerando, S: accelerando, N:
 
 Still faster tempo.
 
 
 @item adagio
 NL: accelerando, DK: accelerando, S: accelerando, N:
 
 Still faster tempo.
 
 
 @item adagio

-I: adagio, F: adagio, lent, D: Adagio, Langsam, NL: adagio, DK: adagio, S:
+ES: adagio, I: adagio, F: adagio, lent, D: Adagio, Langsam, NL: adagio, DK: adagio, S:

 adagio, N: adagio.
 
 It. comfortable, easy. 1. Slow tempo, slower - especially in even meter - than
 adagio, N: adagio.
 
 It. comfortable, easy. 1. Slow tempo, slower - especially in even meter - than


@@ -88,14 +97,14 @@ movement in slow tempo, esepecially the scond (slow) movement of
 @w{@ar{}@strong{sonata}s}, symphonies etc.
 
 @item allegro
 @w{@ar{}@strong{sonata}s}, symphonies etc.
 
 @item allegro

-I: allegro, F: allegro, D: Allegro, Schnell, Fr@"ohlich, Lustig, NL: allegro,
+ES: allegro, I: allegro, F: allegro, D: Allegro, Schnell, Fr@"ohlich, Lustig, NL: allegro,

 DK: allegro, S: allegro, N: allegro.
 
 It. cheerful. Quick tempo. Also used as a title for pieces in a quick tempo,
 especially the first and last movements of a @w{@ar{}@strong{sonata}}.
 
 @item alto
 DK: allegro, S: allegro, N: allegro.
 
 It. cheerful. Quick tempo. Also used as a title for pieces in a quick tempo,
 especially the first and last movements of a @w{@ar{}@strong{sonata}}.
 
 @item alto

-I: contralto, F: alto, D: Alt, NL: alt, DK: alt, S: alt, N: alt.
+ES: alto, I: contralto, F: alto, D: Alt, NL: alt, DK: alt, S: alt, N: alt.

 
 A female voice of low range (@emph{contralto}). Originally the alto was a high
 male voice (hence the name) which by the use of falsetto reached the height of
 
 A female voice of low range (@emph{contralto}). Originally the alto was a high
 male voice (hence the name) which by the use of falsetto reached the height of


@@ -103,7 +112,7 @@ the female voice. This type of voice is also known as @w{@ar{}@strong{counter
 tenor}}.
 
 @item alto clef
 tenor}}.
 
 @item alto clef

-I: chiave di contralto, F: clef d'ut troisi@`eme ligne, D: Altschl@"ussel,
+ES: clave de do en tercera, I: chiave di contralto, F: clef d'ut troisi@`eme ligne, D: Altschl@"ussel,

 Bratschenschl@"ussel, NL: alt sleutel, DK: altn@o{}gle, S: altklav, N:
 
 C clef setting central C on the middle line of the staff 
 Bratschenschl@"ussel, NL: alt sleutel, DK: altn@o{}gle, S: altklav, N:
 
 C clef setting central C on the middle line of the staff 


@@ -122,13 +131,13 @@ a1 b c d e f g a }
 @end lilypond
 
 @item andante
 @end lilypond
 
 @item andante

-I: andante, F: andante, D: Andante, NL: andante, DK: andante, S: andante,
+ES: andante, I: andante, F: andante, D: Andante, NL: andante, DK: andante, S: andante,

 N: andante. 
 
 walking tempo/character
 
 N: andante. 
 
 walking tempo/character
 

-@item appoggiatura 
-I: appoggiatura, F: appogiature, (port de voix), D: Vorschlag, NL: voorslag,
+@item appoggiatura
+ES: apoyatura, I: appoggiatura, F: appogiature, (port de voix), D: Vorschlag, NL: voorslag,

 DK: forslag, S: f@"orslag, N:
 
 Ornamental note, usually a second, that is melodically connected with the main
 DK: forslag, S: f@"orslag, N:
 
 Ornamental note, usually a second, that is melodically connected with the main


@@ -140,21 +149,20 @@ the duration of the long a. is proportionate to that of the main note.
 @
 
 @lilypond[13pt,eps]
 @
 
 @lilypond[13pt,eps]

-\emptyText
-%\property Voice.textNonEmpty = ##f
-\property Voice.TextScript \set #'font-style = #'large
-\notes\relative c'' {
-\key d \major;
-\time 4/4;
+\context Voice\notes\relative c'' {
+\key d \major
+\time 4/4
+
+\property Score.TextScript \set #'font-style = #'large

 <d4_"notation" a fis> r 
 <d4_"notation" a fis> r 

-{ \property Grace.Stem \override #'flag-style = ##f
+{ \property Grace.Stem \override #'flag-style = #""

   \grace g16 }
 fis8 e16 fis 
   \grace g16 }
 fis8 e16 fis 

-{ \property Grace.Stem \override #'flag-style = ##f
+{ \property Grace.Stem \override #'flag-style = #""

   \grace a16 }
   \grace a16 }

-g8 fis16 g | a4 \bar "||"; }
+g8 fis16 g | a4 \bar "||" }

 \notes\relative c'' {
 \notes\relative c'' {

-<d4_"performance" a fis> r g16 () fis e fis a () g fis g | a4 \bar "||"; }
+<d4_"performance" a fis> r g16 () fis e fis a () g fis g | a4 \bar "||" }

 @end lilypond
 
 An appoggiatura may have more notes preceding the main note.
 @end lilypond
 
 An appoggiatura may have more notes preceding the main note.


@@ -162,36 +170,35 @@ An appoggiatura may have more notes preceding the main note.
 @
 
 @lilypond[13pt,eps]
 @
 
 @lilypond[13pt,eps]

-\emptyText
-\property Voice.TextScript \set #'font-style = #'large

 \notes\relative c'' {
 \notes\relative c'' {

-  \key as \major;
-  \time 2/4;
+  \key as \major
+  \time 2/4
+  \property Score.TextScript \set #'font-style = #'large

   \grace { bes16 } as8_"notation" as16 bes as8 g |
   \grace { [as16 ( bes] } < ) c4 as > 
   \grace { bes16 } as8_"notation" as16 bes as8 g |
   \grace { [as16 ( bes] } < ) c4 as > 

-  \grace { [as16 ( bes] } < ) c4 as > \bar "||";
+  \grace { [as16 ( bes] } < ) c4 as > \bar "||"

   \grace { bes16 } as8_"performance" as16 bes as8 g |
   < \context Voice = va { \stemUp as32 bes c8. as32 bes c8. }
     \context Voice = vb { \stemDown as16 ~ as8. as16 ~ as8. } >
   \grace { bes16 } as8_"performance" as16 bes as8 g |
   < \context Voice = va { \stemUp as32 bes c8. as32 bes c8. }
     \context Voice = vb { \stemDown as16 ~ as8. as16 ~ as8. } >

-  \bar "||";
+  \bar "||"

 }
 @end lilypond
 
 @item arpeggio
 }
 @end lilypond
 
 @item arpeggio

-I: arpeggio, F: arp@`ege, D: Arpeggio, Akkordbrechungen, gebrochener
+ES: arpegio, I: arpeggio, F: arp@`ege, D: Arpeggio, Akkordbrechungen, gebrochener

 Akkord, NL: gebroken akoord, DK: arpeggio, akkordbrydning, S: arpeggio, N:
 
 @
 
 @lilypond[13pt,eps]
 Akkord, NL: gebroken akoord, DK: arpeggio, akkordbrydning, S: arpeggio, N:
 
 @
 
 @lilypond[13pt,eps]

-\context GrandStaff <
-  \notes\relative c'' { 
-    \time 4/4;
-    \clef treble; 
+  \notes \context PianoStaff <
+  \context Staff = SA \relative c'' { 
+    \time 4/4
+    \clef treble 

     r8 g16 c e g, c e r8 g,16 c e g, c e |
     r8 g16 c e g, c e r8 g,16 c e g, c e |

-    r8 a,16 d f a, d f r8 a,16 d f a, d f \bar "||"; }
-  \notes\relative c' {
-    \clef bass; 
+    r8 a,16 d f a, d f r8 a,16 d f a, d f \bar "||" }
+  \context Staff = SB \relative c' {
+    \clef bass 

     < \context Voice = va { 
         \stemUp 
         r16 e8. () e4 r16 e8. () e4 |
     < \context Voice = va { 
         \stemUp 
         r16 e8. () e4 r16 e8. () e4 |


@@ -204,13 +211,13 @@ Akkord, NL: gebroken akoord, DK: arpeggio, akkordbrydning, S: arpeggio, N:
 @end lilypond
 
 @item ascending interval
 @end lilypond
 
 @item ascending interval

-I: intervallo ascendente, F: intervalle ascendant, D: steigendes Intervall,
+ES: Intervalo ascendente, I: intervallo ascendente, F: intervalle ascendant, D: steigendes Intervall,

 NL: stijgend interval, DK:@w{ }stigende interval, S: stigande intervall, N:
 
 A distance between a starting lower note and a higher ending note.
 
 @item augmented interval
 NL: stijgend interval, DK:@w{ }stigende interval, S: stigande intervall, N:
 
 A distance between a starting lower note and a higher ending note.
 
 @item augmented interval

-I: intervallo aumentato, F: intervalle augment@'e, D: @"uberm@"a@ss{}iges
+ES: intervalo aumentado, I: intervallo aumentato, F: intervalle augment@'e, D: @"uberm@"a@ss{}iges

 Intervall, NL: overmatig interval, DK: forst@o{}rret interval, S:
 @"overstigande intervall, N:
 
 Intervall, NL: overmatig interval, DK: forst@o{}rret interval, S:
 @"overstigande intervall, N:
 


@@ -226,26 +233,27 @@ straightedge ruler and T-square, which attempts to emulate
 engraving. This required more skill than did engraving.
 
 @item B
 engraving. This required more skill than did engraving.
 
 @item B

-I: si, F: si,  D: H, h, NL: b, DK: h, S: h, N: h.
+ES: si, I: si, F: si,  D: H, h, NL: b, DK: h, S: h, N: h.

 
 @item backfall; forefall 
 @w{@ar{}@strong{appoggiatura}}
 
 @item bar line
 
 @item backfall; forefall 
 @w{@ar{}@strong{appoggiatura}}
 
 @item bar line

-I: stanghetta, barra (di divisione), F: barre (de mesure), D: Taktstrich, NL:
+ES: , I: stanghetta, barra (di divisione), F: barre (de mesure), D: Taktstrich, NL:

 maatstreep, DK: taktstreg, S: taktstreck, N:
 
 @item bar
 maatstreep, DK: taktstreg, S: taktstreck, N:
 
 @item bar

-@w{@ar{}@strong{measure}}
+ES: compás, @w{@ar{}@strong{measure}}

 
 @item baritone
 
 @item baritone

-I: baritono, F: bariton, D: Bariton, NL: bariton, DK: baryton, S: baryton, N:
+ES: barítono, I: baritono, F: bariton, D: Bariton, NL: bariton, DK: baryton, S: baryton, N:

 baryton.
 
 The male voice intermediate between the @w{@ar{}@strong{bass}} and the
 @w{@ar{}@strong{tenor}}.
 
 @item baritone clef
 baryton.
 
 The male voice intermediate between the @w{@ar{}@strong{bass}} and the
 @w{@ar{}@strong{tenor}}.
 
 @item baritone clef

+ES:  clave de fa en tercera

 I: chiave di baritono, F: clef de ut cinqui@`eme ligne, clef de troisi@`eme
 ligne, D: Barytonschl@"ussel, NL: baritonsleutel, DK: barytonn@o{}gle, S:
 barytonklav, N: .
 I: chiave di baritono, F: clef de ut cinqui@`eme ligne, clef de troisi@`eme
 ligne, D: Barytonschl@"ussel, NL: baritonsleutel, DK: barytonn@o{}gle, S:
 barytonklav, N: .


@@ -254,7 +262,7 @@ C or F clef setting central C on the upper staff line. @w{@ar{}@strong{c clef}}
 @w{@ar{}@strong{f clef}}
 
 @item bass clef
 @w{@ar{}@strong{f clef}}
 
 @item bass clef

-I: chiave di basso, F: cl@'e de fa quatri@`eme ligne, D: Bass-Schl@"ussel, NL:
+ES: clave de fa en cuarta, I: chiave di basso, F: cl@'e de fa quatri@`eme ligne, D: Bass-Schl@"ussel, NL:

 bassleutel, DK: basn@o{}gle, S: basklav, N:
 
 A clef setting with central C on the first top ledger line. @w{@ar{}@strong{f
 bassleutel, DK: basn@o{}gle, S: basklav, N:
 
 A clef setting with central C on the first top ledger line. @w{@ar{}@strong{f


@@ -276,7 +284,6 @@ beams determine the note value of the connected notes.
 
 @lilypond[13pt,eps]
 \property Score.barNonAuto = ##t
 
 @lilypond[13pt,eps]
 \property Score.barNonAuto = ##t

-\emptyText

 \property Voice.TextScript \set #'font-style = #'large
 \notes\relative c'' { 
   [g8_"1/8" g g g] s16
 \property Voice.TextScript \set #'font-style = #'large
 \notes\relative c'' { 
   [g8_"1/8" g g g] s16


@@ -286,7 +293,7 @@ beams determine the note value of the connected notes.
 @end lilypond
 
 @item beat
 @end lilypond
 
 @item beat

-I: tempi, F: temps, D: Taktschlag, Zeit (im Takt), NL: tel, DK: (takt)slag, S:
+ES: tiempo, I: tempi, F: temps, D: Taktschlag, Zeit (im Takt), NL: tel, DK: (takt)slag, S:

 taktslag, N:
 
 Note value used for counting, most often half-, fourth- and eighth notes. The
 taktslag, N:
 
 Note value used for counting, most often half-, fourth- and eighth notes. The


@@ -296,17 +303,18 @@ start of the music.
 @
 
 @lilypond[13pt,eps]
 @
 
 @lilypond[13pt,eps]

-\key g \major;
-\time 4/4;
-\notes\relative c'' { g4 c b a | g1 \bar "||";}
-\time 3/8;
-\notes\relative c'' { g8 d' c | b c a | g4. \bar "||";}
+\key g \major
+\time 4/4
+\notes\relative c'' { g4 c b a | g1 \bar "||"}
+\time 3/8
+\notes\relative c'' { g8 d' c | b c a | g4. \bar "||"}

 @end lilypond
 
 @item bind
 @w{@ar{}@strong{tie}}
 
 @item brace
 @end lilypond
 
 @item bind
 @w{@ar{}@strong{tie}}
 
 @item brace

+ES:  llave, corchete

 I: graffa, F: accolade, D: Klammer, Klavierklammer, Akkolade, Chorklammer, NL:
 accolade, teksthaak, DK: klamme, S: klammer, N:
 
 I: graffa, F: accolade, D: Klammer, Klavierklammer, Akkolade, Chorklammer, NL:
 accolade, teksthaak, DK: klamme, S: klammer, N:
 


@@ -314,27 +322,21 @@ Symbol at the start of a system connecting staffs. Curly braces are used
 for connecting piano staves, angular brackets for connecting parts in an
 orchestral or choral score.
 
 for connecting piano staves, angular brackets for connecting parts in an
 orchestral or choral score.
 

-@
-
-@lilypond[13pt,eps] 
-\context GrandStaff < 
-  \property GrandStaff.minVerticalAlign = 12
-  \notes\relative c'' { \clef treble; g4 e c2 }
-  \notes\relative c { \clef bass; c1 \bar "|."; } > 
+@lilypond[13pt,eps]
+\notes\context GrandStaff < 
+  \relative c''\context Staff = SA  { \clef treble g4 e c2 }
+  \relative c \context Staff = SB { \clef bass c1 \bar "|." } > 

 @end lilypond
 
 @end lilypond
 

-@
-

 @lilypond[13pt,eps] 
 @lilypond[13pt,eps] 

-%\context StaffGroup < 
-\context ChoirStaff < 
-  \property StaffGroup.minVerticalAlign = 12
-  \notes\relative c'' { \clef treble; g4 e c2 }
-  \notes\relative c { \clef bass; c1 \bar "|."; } > 
+\context StaffGroup < 
+%  \property StaffGroup.minVerticalAlign = #12
+  \notes\relative c'' \context Staff = SA { \clef treble g4 e c2 }
+  \notes\relative c \context Staff = SB { \clef bass c1 \bar "|." } > 

 @end lilypond
 
 @item brass
 @end lilypond
 
 @item brass

-I: ottoni, D: Blechbl@"aser, NL: koper (blazers), F: cuivres,
+ES: metales, I: ottoni, D: Blechbl@"aser, NL: koper (blazers), F: cuivres,

 DK: messingbl@ae{}sere, S: brassinstrument, m@"assingsinstrument, N:
 
 A family of blown musical instruments made of brass all using a cup formed
 DK: messingbl@ae{}sere, S: brassinstrument, m@"assingsinstrument, N:
 
 A family of blown musical instruments made of brass all using a cup formed


@@ -349,7 +351,7 @@ vejrtr@ae{}kningstegn, S: andningstecken, N: .
 Indication of where to breathe in vocal and wind instrument parts.
 
 @item breve
 Indication of where to breathe in vocal and wind instrument parts.
 
 @item breve

-I: breve, F: br@`eve, D: Brevis, NL: brevis, DK: brevis, S: brevis, N:
+ES: breve, I: breve, F: br@`eve, D: Brevis, NL: brevis, DK: brevis, S: brevis, N:

 
 @w{@ar{}@strong{Note value}} twice as long as a whole note. Mainly used
 in pre-1650 music.
 
 @w{@ar{}@strong{Note value}} twice as long as a whole note. Mainly used
 in pre-1650 music.


@@ -362,10 +364,10 @@ in pre-1650 music.
 @end lilypond
 
 @item C
 @end lilypond
 
 @item C

-I: do, F: ut,  D: C, c, NL: c, DK: c, S: c, N: c
+ES: do, I: do, F: ut,  D: C, c, NL: c, DK: c, S: c, N: c

 
 @item C clef
 
 @item C clef

-I: chiave di do, F: cl@'e d'ut, D: C-Schl@"ussel, NL: C-sleutel, DK:
+ES: Clave de do, I: chiave di do, F: cl@'e d'ut, D: C-Schl@"ussel, NL: C-sleutel, DK:

 c-n@o{}gle, S: c-klav, N:
 
 Clef symbol indicating the position of the central C. Used on all note
 c-n@o{}gle, S: c-klav, N:
 
 Clef symbol indicating the position of the central C. Used on all note


@@ -375,29 +377,28 @@ lines.
 
 @lilypond[13pt,eps] 
 \property Score.barNonAuto = ##t
 
 @lilypond[13pt,eps] 
 \property Score.barNonAuto = ##t

-\property Staff.clefStyle = #"fullSizeChanges"
-\property Staff.textStyle = #"large"
-\property Lyrics.textStyle = #"large"
+\property Score.Clef \override #'full-size-change = ##t
+\property Score.LyricText \set #'font-style = #'large

 \addlyrics
 \addlyrics

-\notes\relative c' { 
-  \clef soprano; c1 s s
-  \clef mezzosoprano; c s s
-  \clef alto; c s s
-  \clef tenor; c s s
-  \clef baritone; c s
+\context Staff \notes\relative c' { 
+  \clef soprano c1 
+  \clef mezzosoprano c 
+  \clef alto c 
+  \clef tenor c 
+  \clef baritone c 

 }
 \context Lyrics \lyrics { 
   Soprano Mezzosoprano Alto Tenor Baritone 
 }
 @end lilypond
 
 }
 \context Lyrics \lyrics { 
   Soprano Mezzosoprano Alto Tenor Baritone 
 }
 @end lilypond
 

-@item cadence 
-I: cadenza, F: cadence, D: Kadenz, NL: cadens, DK: kadence, S: kadens, N: .
+@item cadence
+ES: cadencia, I: cadenza, F: cadence, D: Kadenz, NL: cadens, DK: kadence, S: kadens, N: .

 
 @w{@ar{}@strong{harmonic cadence}} @w{@ar{}@strong{functional harmony}}
 
 @item cadenza
 
 @w{@ar{}@strong{harmonic cadence}} @w{@ar{}@strong{functional harmony}}
 
 @item cadenza

-I: cadenza, F: cadence, D: Kadenz, NL: cadens, DK: kadence, S: kadens, N: .
+ES: cadenza, I: cadenza, F: cadence, D: Kadenz, NL: cadens, DK: kadence, S: kadens, N: .

 
 An extended, improvisatory style section inserted near the end of
 movement. The purpose of a cadenza is to give the singer or player a chance to
 
 An extended, improvisatory style section inserted near the end of
 movement. The purpose of a cadenza is to give the singer or player a chance to


@@ -406,12 +407,12 @@ the middle of the 19'th century, however, most cadences have been written down
 by the composer.
 
 @item canon
 by the composer.
 
 @item canon

-I: canone, F: canon, D: Kanon, NL: canon, DK: kanon, S: kanon, N: .
+ES: canon, I: canone, F: canon, D: Kanon, NL: canon, DK: kanon, S: kanon, N: .

 
 @w{@ar{}@strong{counterpoint}}
 
 @item cent
 
 @w{@ar{}@strong{counterpoint}}
 
 @item cent

-I: cent, F: cent, D: Cent, NL: cent, DK: cent, S: cent, N: .
+ES: cent, I: cent, F: cent, D: Cent, NL: cent, DK: cent, S: cent, N: .

 
 Logarithmic unit of measurement. 1 cent is 1/1200 of an octave (1/100 of an
 equally tempered @w{@ar{}@strong{semitone}}) @w{@ar{}@strong{equal temperament}}
 
 Logarithmic unit of measurement. 1 cent is 1/1200 of an octave (1/100 of an
 equally tempered @w{@ar{}@strong{semitone}}) @w{@ar{}@strong{equal temperament}}


@@ -420,7 +421,7 @@ equally tempered @w{@ar{}@strong{semitone}}) @w{@ar{}@strong{equal temperament}}
 @w{@ar{}@strong{middle C}}
 
 @item chord
 @w{@ar{}@strong{middle C}}
 
 @item chord

-I: accordo, F: accord, D: Akkord, NL: akkoord, DK: akkord, S: ackord, N: .
+ES: acorde, I: accordo, F: accord, D: Akkord, NL: akkoord, DK: akkord, S: ackord, N: .

 
 Three or more tones sounding simultaneously. In traditional European music the
 base chord is a @emph{triad} consisting of 2 thirds. @emph{Major} (major +
 
 Three or more tones sounding simultaneously. In traditional European music the
 base chord is a @emph{triad} consisting of 2 thirds. @emph{Major} (major +


@@ -435,9 +436,8 @@ chords are denoted open chords
 
 @lilypond[13pt,eps] 
 \property Score.barNonAuto = ##t
 
 @lilypond[13pt,eps] 
 \property Score.barNonAuto = ##t

-\property Voice.textNonEmpty = ##t

 \property Voice.TextScript \set #'font-style = #'large
 \property Voice.TextScript \set #'font-style = #'large

-\time 4/4;
+\time 4/4

 \notes\relative c'' {
   <g1_"major" b d> 
   <g_"minor" bes d> 
 \notes\relative c'' {
   <g1_"major" b d> 
   <g_"minor" bes d> 


@@ -449,7 +449,7 @@ chords are denoted open chords
 @end lilypond
 
 @item chromatic scale
 @end lilypond
 
 @item chromatic scale

-I: scala cromatica, F: gamme chromatique, D: Chromatische Tonleiter, NL:
+ES: escala cromática, I: scala cromatica, F: gamme chromatique, D: Chromatische Tonleiter, NL:

 chromatische toonladder, DK: kromatisk skala, S: kromatisk skala, N: .
 
 A scale consisting of all 11 @w{@ar{}@strong{semitone}}s.
 chromatische toonladder, DK: kromatisk skala, S: kromatisk skala, N: .
 
 A scale consisting of all 11 @w{@ar{}@strong{semitone}}s.


@@ -462,19 +462,19 @@ A scale consisting of all 11 @w{@ar{}@strong{semitone}}s.
 @end lilypond
 
 @item chromaticism
 @end lilypond
 
 @item chromaticism

-I: cromatismo, F: chromatisme, D: Chromatik, NL: chromatiek, DK: kromatik, S:
+ES: cromatismo, I: cromatismo, F: chromatisme, D: Chromatik, NL: chromatiek, DK: kromatik, S:

 kromatik, N:
 
 Use of tones extraneous to a @w{@ar{}@strong{diatonic scale}} (minor, major).
 
 kromatik, N:
 
 Use of tones extraneous to a @w{@ar{}@strong{diatonic scale}} (minor, major).
 

-@item church mode; ecclesiastical mode 
-I: modo ecclesiastico, F: mode eccl@'esiastique, D: Kirchentonart, NL:
+@item church mode; ecclesiastical mode ES: modo eclesiástico, I: modo
+ecclesiastico, F: mode eccl@'esiastique, D: Kirchentonart, NL:

 kerktoonladder, DK: kirketoneart, S: kyrkotonart, N:
 
 @w{@ar{}@strong{diatonic scale}}
 
 @item clef
 kerktoonladder, DK: kirketoneart, S: kyrkotonart, N:
 
 @w{@ar{}@strong{diatonic scale}}
 
 @item clef

-I: chiave, F: cl@'e, clef, D: Schl@"ussel, Schl@"ussel, Notenschl@"ussel, NL:
+ES: clave, I: chiave, F: cl@'e, clef, D: Schl@"ussel, Schl@"ussel, Notenschl@"ussel, NL:

 sleutel, DK: n@o{}gle, S: klav, N:
 
 @w{@ar{}@strong{c clef}} @w{@ar{}@strong{f clef}} @w{@ar{}@strong{g clef}}
 sleutel, DK: n@o{}gle, S: klav, N:
 
 @w{@ar{}@strong{c clef}} @w{@ar{}@strong{f clef}} @w{@ar{}@strong{g clef}}


@@ -489,7 +489,7 @@ derived from some other tuning method. @w{@ar{}@strong{temperament}}
 @w{@ar{}@strong{meter}}
 
 @item compound interval
 @w{@ar{}@strong{meter}}
 
 @item compound interval

-I: intervallo composto, F: intervalle compos@'e, D: Weites Intervall(?), NL:
+ES: intervalo compuesto, I: intervallo composto, F: intervalle compos@'e, D: Weites Intervall(?), NL:

 samengesteld interval, DK: sammensat interval, S: sammansatt intervall, N: .
 
 Intervals larger than an octave
 samengesteld interval, DK: sammensat interval, S: sammansatt intervall, N: .
 
 Intervals larger than an octave


@@ -504,7 +504,7 @@ komplement@"arintervall (?), N:
 @w{@ar{}@strong{inverted interval}}
 
 @item conjunct movement
 @w{@ar{}@strong{inverted interval}}
 
 @item conjunct movement

-I: moto congiunto, F: mouvement conjoint, D: schrittweise/stufenweise
+ES: movimiento conjunto, I: moto congiunto, F: mouvement conjoint, D: schrittweise/stufenweise

 Bewegung, NL: , DK: trinvis bev@ae{}gelse, S: stegvis r@"orelse, N:
 
 Melody moving in the narrow steps of the scale;
 Bewegung, NL: , DK: trinvis bev@ae{}gelse, S: stegvis r@"orelse, N:
 
 Melody moving in the narrow steps of the scale;


@@ -512,23 +512,23 @@ Melody moving in the narrow steps of the scale;
 @
 
 @lilypond[13pt,eps] 
 @
 
 @lilypond[13pt,eps] 

-\key g \major; \time 4/4;
-\notes\relative c'' { g4 g g a | b2 a | g4 b a a | g1 \bar "||"; }
+\key g \major \time 4/4
+\notes\relative c'' { g4 g g a | b2 a | g4 b a a | g1 \bar "||" }

 @end lilypond
 
 @end lilypond
 

-@item consonance 
-I: consonanza, F: consonance, D: Konsonanz, NL: consonant, DK: konsonans, S:
+@item consonance
+ES: consonancia, I: consonanza, F: consonance, D: Konsonanz, NL: consonant, DK: konsonans, S:

 konsonans, N:
 
 @w{@ar{}@strong{harmony}}
 
 @item contralto
 konsonans, N:
 
 @w{@ar{}@strong{harmony}}
 
 @item contralto

-I: contralto, F: contralto, D: Alt, NL: contralto, DK: alt, S: alt, N:
+ES: contralto, I: contralto, F: contralto, D: Alt, NL: contralto, DK: alt, S: alt, N:

 
 @w{@ar{}@strong{alto}}
 
 
 @w{@ar{}@strong{alto}}
 

-@item counterpoint 
-I: contrappunto, F: contrepoint, D: Kontrapunkt, NL: contrapunt, DK:
+@item counterpoint
+ES: contrapunto, I: contrappunto, F: contrepoint, D: Kontrapunkt, NL: contrapunt, DK:

 kontrapunkt, S: kontrapunkt, N: .
 
 From latin @emph{punctus contra punctum}, note against note. The combination
 kontrapunkt, S: kontrapunkt, N: .
 
 From latin @emph{punctus contra punctum}, note against note. The combination


@@ -544,11 +544,11 @@ composition methods.
 
 @lilypond[13pt,eps]
 \property Score.TimeSignature \override #'style = #'C2/2
 
 @lilypond[13pt,eps]
 \property Score.TimeSignature \override #'style = #'C2/2

-\context GrandStaff <
-  \notes\relative c' { 
-    \key bes \major;
-    \time 4/4;
-    \clef treble; 
+\notes\context PianoStaff <
+  \context Staff = SA \relative c' { 
+    \key bes \major
+    \time 4/4
+    \clef treble 

     < \context Voice = rha {
         \stemUp
         r1 | r2 r8 g'8 bes d, | 
     < \context Voice = rha {
         \stemUp
         r1 | r2 r8 g'8 bes d, | 


@@ -561,9 +561,9 @@ composition methods.
       }
     >
   }
       }
     >
   }

-  \notes\relative c' {
-    \clef bass; 
-    \key bes \major;
+  \context Staff = SB \relative c' {
+    \clef bass 
+    \key bes \major

     < \context Voice = lha {
         \stemUp
         r8 d es g, fis4 g | r8 a16 bes c8 bes16 a bes4 g |
     < \context Voice = lha {
         \stemUp
         r8 d es g, fis4 g | r8 a16 bes c8 bes16 a bes4 g |


@@ -579,7 +579,7 @@ composition methods.
 @end lilypond
 
 @item counter tenor
 @end lilypond
 
 @item counter tenor

-I: controtenore, F: contre-tenor, D: Kontratenor, NL: contratenor, DK:
+ES: contratenor, I: controtenore, F: contre-tenor, D: Kontratenor, NL: contratenor, DK:

 kontratenor, S: kontratenor, counter tenor, N: kontratenor
 
 @w{@ar{}@strong{contralto}}
 kontratenor, S: kontratenor, counter tenor, N: kontratenor
 
 @w{@ar{}@strong{contralto}}


@@ -592,7 +592,7 @@ methods were superior and could well be adopted by music typesetters. This
 required more skill than engraving.
 
 @item crescendo
 required more skill than engraving.
 
 @item crescendo

-I: crescendo, F: crescendo, D: Crescendo, Lauter, NL: crescendo, DK:
+ES: crescendo, I: crescendo, F: crescendo, D: Crescendo, Lauter, NL: crescendo, DK:

 crescendo, S: crescendo, N:@w{ }crescendo.
 
 Increasing volume. Indicated by a rightwards opening horizontal wedge or the
 crescendo, S: crescendo, N:@w{ }crescendo.
 
 Increasing volume. Indicated by a rightwards opening horizontal wedge or the


@@ -601,29 +601,29 @@ abbreviation "cresc.".
 @
 
 @lilypond[13pt,eps] 
 @
 
 @lilypond[13pt,eps] 

-\key g \major; \time 4/4;
-\notes\relative c'' { g4 \< a b c | \! d1 \bar "|."; }
+\key g \major \time 4/4
+\notes\relative c'' { g4 \< a b c | \! d1 \bar "|." }

 @end lilypond
 
 @item cue-notes
 @end lilypond
 
 @item cue-notes

-I: notine, F: petites notes pr@'ec@'edent l'entr@'ee d'in instrument,
+ES: notas guia, I: notine, F: petites notes pr@'ec@'edent l'entr@'ee d'in instrument,

 r@'eplique, D: Stichnoten, NL: stichnoten, DK: stiknoder, S: inprickningar, N:
 
 In a separate part notes belonging to another part with the purpose of hinting
 when to start playing.  Usually printed in a smaller type.
 
 @item D
 r@'eplique, D: Stichnoten, NL: stichnoten, DK: stiknoder, S: inprickningar, N:
 
 In a separate part notes belonging to another part with the purpose of hinting
 when to start playing.  Usually printed in a smaller type.
 
 @item D

-I: re, F: r@'e, D: D, d, NL: d, DK: d, S: d, N: d
+ES: Re, I: re, F: r@'e, D: D, d, NL: d, DK: d, S: d, N: d

 
 

-@item da capo 
-I: da capo, F: da capo, depuis le commencement, D: da capo, von Anfang, NL: da
+@item da capo
+ES: da capo, I: da capo, F: da capo, depuis le commencement, D: da capo, von Anfang, NL: da

 capo, DK: da capo, S: da capo, N: .
 
 The term indicates repetition of the piece from the beginning to the end or to
 a certain place marked @emph{fine}. Mostly abbreviated D.C.
 
 @item dal segno
 capo, DK: da capo, S: da capo, N: .
 
 The term indicates repetition of the piece from the beginning to the end or to
 a certain place marked @emph{fine}. Mostly abbreviated D.C.
 
 @item dal segno

-I: dal segno, F: dal segno, depuis le signe, D: dal segno, NL: dal segno, DK:
+ES: dal segno, I: dal segno, F: dal segno, depuis le signe, D: dal segno, NL: dal segno, DK:

 dal segno, S: dal segno, N: .
 
 abbreviated d.s. Repetition, not from the beginning, but from another place
 dal segno, S: dal segno, N: .
 
 abbreviated d.s. Repetition, not from the beginning, but from another place


@@ -633,12 +633,12 @@ frequently near the beginning marked by a sign:
 
 @lilypond[13pt,eps] 
 \property Voice.TextScript \set #'font-style = #'large
 
 @lilypond[13pt,eps] 
 \property Voice.TextScript \set #'font-style = #'large

-\key g \major; \time 4/4;
-\notes\relative c'' { d1 | g,4^\segno  a b c | b a g2_"d.s." \bar "|."; }
+\key g \major \time 4/4
+\notes\relative c'' { d1 | g,4^\segno  a b c | b a g2_"d.s." \bar "|." }

 @end lilypond
 
 @item decrescendo
 @end lilypond
 
 @item decrescendo

-I: decrescendo, D: Decrescendo, Leiser, NL: decrescendo, DK: decrescendo, S:
+ES: decrescendo, I: decrescendo, D: Decrescendo, Leiser, NL: decrescendo, DK: decrescendo, S:

 decrescendo, N: decrescendo
 
 Decreasing tone volume. Indicated by a leftwards opening horizontal wedge  
 decrescendo, N: decrescendo
 
 Decreasing tone volume. Indicated by a leftwards opening horizontal wedge  


@@ -647,19 +647,19 @@ or the abbreviation "decresc.".
 @
 
 @lilypond[13pt,eps] 
 @
 
 @lilypond[13pt,eps] 

-\key g \major; \time 4/4;
-\notes\relative c'' { d4 \> c b a | \! g1 \bar "|."; }
+\context Staff \notes\relative c'' {\key g \major \time 4/4
+ d4 \> c b a | \! g1 \bar "|." }

 @end lilypond
 
 @item descending interval
 @end lilypond
 
 @item descending interval

-I: intervallo discendente, F: intervalle descendant, D: fallendes Intervall,
+ES: intervalo descendente, I: intervallo discendente, F: intervalle descendant, D: fallendes Intervall,

 absteigendes Intervall, NL: dalend interval, DK:@w{ }faldende interval, S:
 fallande intervall, N:
 
 An distance between a starting higher note and a lower ending note.
 
 @item diatonic scale
 absteigendes Intervall, NL: dalend interval, DK:@w{ }faldende interval, S:
 fallande intervall, N:
 
 An distance between a starting higher note and a lower ending note.
 
 @item diatonic scale

-I: scala diatonica, F: gamme diatonique, D: diatonische Tonleiter, NL:
+ES: escala diatónica, I: scala diatonica, F: gamme diatonique, D: diatonische Tonleiter, NL:

 diatonische toonladder, DK: diatonisk skala, S: diatonisk skala, N:
 
 A scale consisting of 5 @w{@ar{}@strong{whole tones}} and 2
 diatonische toonladder, DK: diatonisk skala, S: diatonisk skala, N:
 
 A scale consisting of 5 @w{@ar{}@strong{whole tones}} and 2


@@ -672,92 +672,86 @@ also to some extent in newer jazz music.
 @
 
 @lilypond[13pt,eps] 
 @
 
 @lilypond[13pt,eps] 

-\emptyText

 \property Score.barNonAuto = ##t 
 \property Score.barNonAuto = ##t 

-\property Lyrics.LyricText \set #'font-style = #'large
-\property Voice.TextScript \set #'font-style = #'large
+\property Score.LyricText \set #'font-style = #'large
+\property Score.TextScript \set #'font-style = #'large

 \addlyrics
 \addlyrics

-\notes\relative c' { 
+ \context Staff \notes\relative c' { 

   c1 d
   c1 d

-  \property Voice.textScriptPadding = #-10
+  \property Voice.TextScript \set #'padding = #-10

   e^"~~ S" f g a 
   e^"~~ S" f g a 

-  \property Voice.textScriptPadding = #-4
+  \property Voice.TextScript \set #'padding = #-4

   b^"~~ S" c }
   \context Lyrics \lyrics { Ionian }
 @end lilypond
 
 @lilypond[13pt,eps] 
   b^"~~ S" c }
   \context Lyrics \lyrics { Ionian }
 @end lilypond
 
 @lilypond[13pt,eps] 

-\emptyText

 \property Score.barNonAuto = ##t 
 \property Score.barNonAuto = ##t 

-\property Lyrics.LyricText \set #'font-style = #'large
-\property Voice.TextScript \set #'font-style = #'large
+\property Score.LyricText \set #'font-style = #'large
+\property Score.TextScript \set #'font-style = #'large

 \addlyrics
 \notes\relative c' { 
   d1
 \addlyrics
 \notes\relative c' { 
   d1

-  \property Voice.textScriptPadding = #-10
+  \property Voice.TextScript \set #'padding = #-10

   e^"~~ S"
   f g a 
   e^"~~ S"
   f g a 

-  \property Voice.textScriptPadding = #-4
+  \property Voice.TextScript \set #'padding = #-4

   b^"~~ S" c d }
   \context Lyrics \lyrics { Dorian }
 @end lilypond
 
 @lilypond[13pt,eps] 
   b^"~~ S" c d }
   \context Lyrics \lyrics { Dorian }
 @end lilypond
 
 @lilypond[13pt,eps] 

-\emptyText

 \property Score.barNonAuto = ##t 
 \property Score.barNonAuto = ##t 

-\property Lyrics.LyricText \set #'font-style = #'large
-\property Voice.TextScript \set #'font-style = #'large
+\property Score.LyricText \set #'font-style = #'large
+\property Score.TextScript \set #'font-style = #'large

 \addlyrics
 \notes\relative c' { 
 \addlyrics
 \notes\relative c' { 

-  \property Voice.textScriptPadding = #-10
+  \property Voice.TextScript \set #'padding = #-10

   e1^"~~ S"
   f g a 
   e1^"~~ S"
   f g a 

-  \property Voice.textScriptPadding = #-4
+  \property Voice.TextScript \set #'padding = #-4

   b^"~~ S" c d e }
   \context Lyrics \lyrics { Phrygian }
 @end lilypond
 
 @lilypond[13pt,eps] 
   b^"~~ S" c d e }
   \context Lyrics \lyrics { Phrygian }
 @end lilypond
 
 @lilypond[13pt,eps] 

-\emptyText

 \property Score.barNonAuto = ##t 
 \property Score.barNonAuto = ##t 

-\property Lyrics.LyricText \set #'font-style = #'large
-\property Voice.TextScript \set #'font-style = #'large
+\property Score.LyricText \set #'font-style = #'large
+\property Score.TextScript \set #'font-style = #'large

 \addlyrics
 \notes\relative c' { 
   f1 g a 
 \addlyrics
 \notes\relative c' { 
   f1 g a 

-  \property Voice.textScriptPadding = #-4
+  \property Voice.TextScript \set #'padding = #-4

   b^"~~ S" c d 
   b^"~~ S" c d 

-  \property Voice.textScriptPadding = #0
+  \property Voice.TextScript \set #'padding = #0

   e^"~~ S" f }
   \context Lyrics \lyrics { Lydian }
 @end lilypond
 
 @lilypond[13pt,eps] 
   e^"~~ S" f }
   \context Lyrics \lyrics { Lydian }
 @end lilypond
 
 @lilypond[13pt,eps] 

-\emptyText

 \property Score.barNonAuto = ##t 
 \property Score.barNonAuto = ##t 

-\property Lyrics.LyricText \set #'font-style = #'large
-\property Voice.TextScript \set #'font-style = #'large
+\property Score.LyricText \set #'font-style = #'large
+\property Score.TextScript \set #'font-style = #'large

 \addlyrics
 \notes\relative c'' { 
   g1 a 
 \addlyrics
 \notes\relative c'' { 
   g1 a 

-  \property Voice.textScriptPadding = #-4
+  \property Voice.TextScript \set #'padding = #-4

   b^"~~ S" c d 
   b^"~~ S" c d 

-  \property Voice.textScriptPadding = #0
+  \property Voice.TextScript \set #'padding = #0

   e^"~~ S" f g }
   \context Lyrics \lyrics { Mixolydian }
 @end lilypond
 
 @lilypond[13pt,eps] 
   e^"~~ S" f g }
   \context Lyrics \lyrics { Mixolydian }
 @end lilypond
 
 @lilypond[13pt,eps] 

-\emptyText

 \property Score.barNonAuto = ##t 
 \property Score.barNonAuto = ##t 

-\property Lyrics.LyricText \set #'font-style = #'large
-\property Voice.TextScript \set #'font-style = #'large
+\property Score.LyricText \set #'font-style = #'large
+\property Score.TextScript \set #'font-style = #'large

 \addlyrics
 \notes\relative c'' { 
   a1
 \addlyrics
 \notes\relative c'' { 
   a1

-  \property Voice.textScriptPadding = #-4
+  \property Voice.TextScript \set #'padding = #-4

   b^"~~ S" c d 
   b^"~~ S" c d 

-  \property Voice.textScriptPadding = #0
+  \property Voice.TextScript \set #'padding = #0

   e^"~~ S" f g a }
   \context Lyrics \lyrics { Aeolian }
 @end lilypond
   e^"~~ S" f g a }
   \context Lyrics \lyrics { Aeolian }
 @end lilypond


@@ -768,48 +762,45 @@ harmonic minor scale type an augmented second (A) occurs between the 6th and
 7th tone.
 
 @lilypond[13pt,eps] 
 7th tone.
 
 @lilypond[13pt,eps] 

-\emptyText

 \property Score.barNonAuto = ##t 
 \property Score.barNonAuto = ##t 

-\property Lyrics.LyricText \set #'font-style = #'large
-\property Voice.TextScript \set #'font-style = #'large
+\property Score.LyricText \set #'font-style = #'large
+\property Score.TextScript \set #'font-style = #'large

 \addlyrics
 \notes\relative c' { 
   c1 d
 \addlyrics
 \notes\relative c' { 
   c1 d

-  \property Voice.textScriptPadding = #-10
+  \property Voice.TextScript \set #'padding = #-10

   e^"~~ S" f g a 
   e^"~~ S" f g a 

-  \property Voice.textScriptPadding = #-4
+  \property Voice.TextScript \set #'padding = #-4

   b^"~~ S" c }
   \context Lyrics \lyrics { Major }
 @end lilypond
 
 @lilypond[13pt,eps] 
   b^"~~ S" c }
   \context Lyrics \lyrics { Major }
 @end lilypond
 
 @lilypond[13pt,eps] 

-\emptyText

 \property Score.barNonAuto = ##t 
 \property Score.barNonAuto = ##t 

-\property Lyrics.LyricText \set #'font-style = #'large
-\property Voice.TextScript \set #'font-style = #'large
+\property Score.LyricText \set #'font-style = #'large
+\property Score.TextScript \set #'font-style = #'large

 \addlyrics
 \notes\relative c'' { 
   a1
 \addlyrics
 \notes\relative c'' { 
   a1

-  \property Voice.textScriptPadding = #-4
+  \property Voice.TextScript \set #'padding = #-4

   b^"~~ S" c d 
   b^"~~ S" c d 

-  \property Voice.textScriptPadding = #0
+  \property Voice.TextScript \set #'padding = #0

   e^"~~ S" f g a }
   \context Lyrics \lyrics { "ancient minor" }
 @end lilypond
 
 @lilypond[13pt,eps] 
   e^"~~ S" f g a }
   \context Lyrics \lyrics { "ancient minor" }
 @end lilypond
 
 @lilypond[13pt,eps] 

-\emptyText

 \property Score.barNonAuto = ##t 
 \property Score.barNonAuto = ##t 

-\property Lyrics.LyricText \set #'font-style = #'large
-\property Voice.TextScript \set #'font-style = #'large
+\property Score.LyricText \set #'font-style = #'large
+\property Score.TextScript \set #'font-style = #'large

 \addlyrics
 \notes\relative c'' { 
   a1
 \addlyrics
 \notes\relative c'' { 
   a1

-  \property Voice.textScriptPadding = #-4
+  \property Voice.TextScript \set #'padding = #-4

   b^"~~ S" c d 
   b^"~~ S" c d 

-  \property Voice.textScriptPadding = #0
+  \property Voice.TextScript \set #'padding = #0

   e^"~~ S" 
   e^"~~ S" 

-  \property Voice.textScriptPadding = #1
+  \property Voice.TextScript \set #'padding = #1

   f!^"~~ A" 
   gis^"~~ S" 
   a }
   f!^"~~ A" 
   gis^"~~ S" 
   a }


@@ -817,40 +808,39 @@ harmonic minor scale type an augmented second (A) occurs between the 6th and
 @end lilypond
 
 @lilypond[13pt,eps] 
 @end lilypond
 
 @lilypond[13pt,eps] 

-\emptyText

 \property Score.barNonAuto = ##t 
 \property Score.barNonAuto = ##t 

-\property Lyrics.LyricText \set #'font-style = #'large
-\property Voice.TextScript \set #'font-style = #'large
+\property Score.LyricText \set #'font-style = #'large
+\property Score.TextScript \set #'font-style = #'large

 \addlyrics
 \notes\relative c'' { 
   a1
 \addlyrics
 \notes\relative c'' { 
   a1

-  \property Voice.textScriptPadding = #-4
+  \property Voice.TextScript \set #'padding = #-4

   b^"~~ S" c d e fis 
   b^"~~ S" c d e fis 

-  \property Voice.textScriptPadding = #0
+  \property Voice.TextScript \set #'padding = #0

   gis^"~~ S" a g! 
   gis^"~~ S" a g! 

-  \property Voice.textScriptPadding = #-1
+  \property Voice.TextScript \set #'padding = #-1

   f!^"~~ S" e d 
   f!^"~~ S" e d 

-  \property Voice.textScriptPadding = #-4
+  \property Voice.TextScript \set #'padding = #-4

   c^"~~ S" b a
 }
   \context Lyrics \lyrics { "Melodic minor" }
 @end lilypond
 
 @item diminished interval
   c^"~~ S" b a
 }
   \context Lyrics \lyrics { "Melodic minor" }
 @end lilypond
 
 @item diminished interval

-I: intervallo diminuito, F: intervalle diminu@'e, D: vermindertes Intervall,
+ES: intervalo disminuído, I: intervallo diminuito, F: intervalle diminu@'e, D: vermindertes Intervall,

 NL: verminderd interval, DK: formindsket interval, S: f@"orminskat
 intervall, N: .
 
 @w{@ar{}@strong{interval}}
 
 @item diminuendo
 NL: verminderd interval, DK: formindsket interval, S: f@"orminskat
 intervall, N: .
 
 @w{@ar{}@strong{interval}}
 
 @item diminuendo

-I: diminuendo, F: diminuendo, D: Diminuendo, NL: diminuendo, DK: diminuendo,
+ES: diminuendo, I: diminuendo, F: diminuendo, D: Diminuendo, NL: diminuendo, DK: diminuendo,

 S:@w{ }diminuendo, N:@w{ }diminuendo.
 
 @w{@ar{}@strong{decrescendo}}
 
 @item disjunct movement
 S:@w{ }diminuendo, N:@w{ }diminuendo.
 
 @w{@ar{}@strong{decrescendo}}
 
 @item disjunct movement

-I: moto disgiunto, F: mouvement disjoint, D:
+ES: movimiendo disjunto, I: moto disgiunto, F: mouvement disjoint, D:

 sprunghafte Bewegung, NL: , DK: springende bev@ae{}gelse, S: hoppande
 r@"orelse, N:
 
 sprunghafte Bewegung, NL: , DK: springende bev@ae{}gelse, S: hoppande
 r@"orelse, N:
 


@@ -860,14 +850,15 @@ scale. Opposite of @ar{}@strong{conjunct movement}.
 @
 
 @lilypond[13pt,eps]
 @
 
 @lilypond[13pt,eps]

-\key a \major;
-\time 4/4;
+\key a \major
+\time 4/4

 \notes\relative c' { 
 \notes\relative c' { 

-  \partial 8; e8 | a4. gis8 b a e cis |
-  fis2 d4. \bar "||"; }
+  \partial 8 e8 | a4. gis8 b a e cis |
+  fis2 d4. \bar "||" }

 @end lilypond
 
 @item dissonant interval; dissonance
 @end lilypond
 
 @item dissonant interval; dissonance

+ES: intervalo disonante, disonancias,

 I: intervallo dissonante, dissonanza, F: dissonance, D: Dissonanz, NL:
 dissonant interval; dissonant, DK: dissonerende interval, dissonans, S:
 dissonans, N: .
 I: intervallo dissonante, dissonanza, F: dissonance, D: Dissonanz, NL:
 dissonant interval; dissonant, DK: dissonerende interval, dissonans, S:
 dissonans, N: .


@@ -882,38 +873,38 @@ dominantnoneakkord, S: dominantnonackord, N: .
 @w{@ar{}@strong{chord}} @w{@ar{}@strong{functional harmony}}
 
 @item dominant seventh chord
 @w{@ar{}@strong{chord}} @w{@ar{}@strong{functional harmony}}
 
 @item dominant seventh chord

-I: accordo di settima di dominante, F: accord de septi@`eme dominante, D:
+ES: acorde de séptima de dominante, I: accordo di settima di dominante, F: accord de septi@`eme dominante, D:

 Dominantseptakkord, NL: dominant septiem akkoord, DK: dominantseptimakkord, S:
 dominantseptimackord, N:
 
 @w{@w{@ar{}@strong{chord}} @ar{}@strong{functional harmony}}
 
 @item dominant
 Dominantseptakkord, NL: dominant septiem akkoord, DK: dominantseptimakkord, S:
 dominantseptimackord, N:
 
 @w{@w{@ar{}@strong{chord}} @ar{}@strong{functional harmony}}
 
 @item dominant

-I: dominante, F: dominante, D: Dominante, NL: dominant, DK: dominant, S:
+ES: dominante, I: dominante, F: dominante, D: Dominante, NL: dominant, DK: dominant, S:

 dominant, N: .
 
 The fifth @w{@ar{}@strong{scale degree}} @w{@ar{}@strong{functional harmony}}
 
 @item dorian mode
 dominant, N: .
 
 The fifth @w{@ar{}@strong{scale degree}} @w{@ar{}@strong{functional harmony}}
 
 @item dorian mode

-I: modo dorico, F: mode dorien, D: Dorischer Kirchenton, NL: dorische
+ES: modo dórico, I: modo dorico, F: mode dorien, D: Dorischer Kirchenton, NL: dorische

 toonladder, dorischer Kirchenton, DK: dorisk skala, S: dorisk tonart, N:
 
 @w{@ar{}@strong{diatonic scale}}
 
 @item dot (augmentation dot)
 toonladder, dorischer Kirchenton, DK: dorisk skala, S: dorisk tonart, N:
 
 @w{@ar{}@strong{diatonic scale}}
 
 @item dot (augmentation dot)

-I: punto (di valore), F: point, D: Punkt (Verl@"angerungspunkt), NL: punt, DK:
+ES: puntillo, I: punto (di valore), F: point, D: Punkt (Verl@"angerungspunkt), NL: punt, DK:

 punkt, S: punkt, N:
 
 @w{@ar{}@strong{dotted note}}
 
 @item dotted note
 punkt, S: punkt, N:
 
 @w{@ar{}@strong{dotted note}}
 
 @item dotted note

-I: nota puntata, F: note point@'ee, D: punktierte Note, NL: gepuncteerde noot,
+ES: nota con puntillo, I: nota puntata, F: note point@'ee, D: punktierte Note, NL: gepuncteerde noot,

 DK: punkteret node, S: punkterad not, N:
 
 @w{@ar{}@strong{note value}}
 
 @item double appoggiatura
 DK: punkteret node, S: punkterad not, N:
 
 @w{@ar{}@strong{note value}}
 
 @item double appoggiatura

-I: appoggiatura doppia, F: appoggiature double, D: doppelter Vorschlag, NL:
+ES: apoyatura doble, I: appoggiatura doppia, F: appoggiature double, D: doppelter Vorschlag, NL:

 dubbele voorslag, DK: dobbelt forslag, S: dubbelslag, N:
 
 @w{@ar{}@strong{appoggiatura}}
 dubbele voorslag, DK: dobbelt forslag, S: dubbelslag, N:
 
 @w{@ar{}@strong{appoggiatura}}


@@ -925,44 +916,44 @@ dobbeltstreg, S: dubbelstreck, N: .
 Indicates the end of a section within a movement.
 
 @item double dotted note
 Indicates the end of a section within a movement.
 
 @item double dotted note

-I: nota doppiamente puntata, F: note doublement point@'ee, D:
+ES: nota con dos puntillos, I: nota doppiamente puntata, F: note doublement point@'ee, D:

 doppel-punktierte Note, NL: dubbelgepuncteerde noot, DK:
 dob@-belt@-punk@-te@-ret node, S: dub@-bel@-punk@-te@-rad not, N: .
 
 @w{@ar{}@strong{note value}}
 
 @item double flat
 doppel-punktierte Note, NL: dubbelgepuncteerde noot, DK:
 dob@-belt@-punk@-te@-ret node, S: dub@-bel@-punk@-te@-rad not, N: .
 
 @w{@ar{}@strong{note value}}
 
 @item double flat

-
+ES: doble bemol, 

 I: doppio bemolle, F: double b@'emol, D: Doppel-B, NL: dubbelmol, 
 DK:@w{ }dob@-belt-b, S: dubbelbe, N: .
 
 @w{@ar{}@strong{accidental}}
 
 @item double sharp
 I: doppio bemolle, F: double b@'emol, D: Doppel-B, NL: dubbelmol, 
 DK:@w{ }dob@-belt-b, S: dubbelbe, N: .
 
 @w{@ar{}@strong{accidental}}
 
 @item double sharp

-I: doppio diesis, F: double di@`ese,  D: Doppelkreuz, NL: dubbelkruis, 
+ES: doble sostenido, I: doppio diesis, F: double di@`ese,  D: Doppelkreuz, NL: dubbelkruis, 

 DK:@w{ }dob@-belt@-kryds, S: dubbelkors, N: .
 
 @w{@ar{}@strong{accidental}}
 
 @item double trill
 DK:@w{ }dob@-belt@-kryds, S: dubbelkors, N: .
 
 @w{@ar{}@strong{accidental}}
 
 @item double trill

-I: doppio trillo, F: trille double, D: Doppeltriller, NL: dubbele triller, DK:
+ES: trino doble, I: doppio trillo, F: trille double, D: Doppeltriller, NL: dubbele triller, DK:

 dobbelttrille, S: dubbeldrill, N: .
 
 A simultaneous trill on two notes, usually in the distance of a third.
 
 @item duple meter
 dobbelttrille, S: dubbeldrill, N: .
 
 A simultaneous trill on two notes, usually in the distance of a third.
 
 @item duple meter

-I: tempo binario, F: temps binaire, D: zweiteiliger Takt, NL: tweedelige
+ES: tiempo binario, I: tempo binario, F: temps binaire, D: zweiteiliger Takt, NL: tweedelige

 maatsoort, DK: todelt takt, S: tv@aa{}takt, N: .
 
 @w{@ar{}@strong{meter}}
 
 @item duplet
 maatsoort, DK: todelt takt, S: tv@aa{}takt, N: .
 
 @w{@ar{}@strong{meter}}
 
 @item duplet

-I: duina, F: duolet, D: Duole, NL: duool, DK: duol, S: duol, N: .
+ES: dosillo, I: duina, F: duolet, D: Duole, NL: duool, DK: duol, S: duol, N: .

 
 @w{@ar{}@strong{note value}}
 
 @item duration
 
 @w{@ar{}@strong{note value}}
 
 @item duration

-I: durata, F: dur@'ee, D: Dauer, L@"ange, NL: duur, lengte, DK: varighed, S:
+ES: duración, I: durata, F: dur@'ee, D: Dauer, L@"ange, NL: duur, lengte, DK: varighed, S:

 tonl@"angd, N: .
 
 @w{@ar{}@strong{note value}}
 tonl@"angd, N: .
 
 @w{@ar{}@strong{note value}}


@@ -971,22 +962,22 @@ tonl@"angd, N: .
 @w{@ar{}@strong{syntonic comma}}
 
 @item E
 @w{@ar{}@strong{syntonic comma}}
 
 @item E

-I: mi, F: mi, D: E, e, NL: e, DK: e, S: e, N: e.
+ES: mi, I: mi, F: mi, D: E, e, NL: e, DK: e, S: e, N: e.

 
 @item eighth note
 
 @item eighth note

-I: croma, F: croche, UK: quaver, D: Achtel, Achtelnote, NL: achtste noot, DK:
+ES: corchea, I: croma, F: croche, UK: quaver, D: Achtel, Achtelnote, NL: achtste noot, DK:

 ottendedelsnode, S: @aa{}ttondelsnot, N: .
 
 @w{@ar{}@strong{note value}}
 
 @item eighth rest
 ottendedelsnode, S: @aa{}ttondelsnot, N: .
 
 @w{@ar{}@strong{note value}}
 
 @item eighth rest

-I: pausa di croma, F: demi-soupir, UK: quaver rest, D: Achtelpause, NL:
+ES: silencio de corchea, I: pausa di croma, F: demi-soupir, UK: quaver rest, D: Achtelpause, NL:

 achtste rust, DK:@w{ }ottendedelspause, S: @aa{}ttonddelspaus, N: .
 
 @w{@ar{}@strong{note value}}
 
 @item engraving
 achtste rust, DK:@w{ }ottendedelspause, S: @aa{}ttonddelspaus, N: .
 
 @w{@ar{}@strong{note value}}
 
 @item engraving

-I: incisione, F: gravure, D: Notenstechen, NL: steken, DK: nodestik, S:
+ES: Grabar, I: incisione, F: gravure, D: Notenstechen, NL: steken, DK: nodestik, S:

 nottryck, N: .
 
 Engraving means incising or etching a metal plate for
 nottryck, N: .
 
 Engraving means incising or etching a metal plate for


@@ -997,7 +988,7 @@ The traditional process of music printing is done through cutting in a
 plate of metal. Now also the term for the art of music typesetting.
 
 @item enharmonic
 plate of metal. Now also the term for the art of music typesetting.
 
 @item enharmonic

-I: enarmonico, F: enharmonique, D: enharmonisch, NL: enharmonisch, DK:
+ES: enharmónico, I: enarmonico, F: enharmonique, D: enharmonisch, NL: enharmonisch, DK:

 enharmonisk, S: enharmonisk, N: .
 
 Two notes, intervals, or scales are enharmonic if they have different names
 enharmonisk, S: enharmonisk, N: .
 
 Two notes, intervals, or scales are enharmonic if they have different names


@@ -1006,7 +997,7 @@ but equal pitch.
 
 @lilypond[13pt,eps]
 \property Score.barNonAuto = ##t
 
 @lilypond[13pt,eps]
 \property Score.barNonAuto = ##t

-\property Voice.TextScript \set #'font-style = #'large
+\property Score.TextScript \set #'font-style = #'large

 \notes\relative c'' {
   gis1_"g sharp" s as1_"a flat" s s
   < des_"dim fifth" g,! > s s < cis_"augm fourth" g! > s s
 \notes\relative c'' {
   gis1_"g sharp" s as1_"a flat" s s
   < des_"dim fifth" g,! > s s < cis_"augm fourth" g! > s s


@@ -1031,10 +1022,10 @@ Performance indications concerning 1. volume, dynamics (for example
 @w{@ar{}@strong{andante}}, @w{@ar{}@strong{allegro}})
  
 @item F
 @w{@ar{}@strong{andante}}, @w{@ar{}@strong{allegro}})
  
 @item F

-I: fa, F: fa, D: F, f, NL: f, DK: f, S: f, N: f.
+ES: fa, I: fa, F: fa, D: F, f, NL: f, DK: f, S: f, N: f.

 
 @item F clef
 
 @item F clef

-I: chiave di fa, F: cl@'e de fa, D: F-Schl@"ussel, NL: F-sleutel, DK:
+ES: Clave de Fa, I: chiave di fa, F: cl@'e de fa, D: F-Schl@"ussel, NL: F-sleutel, DK:

 F-n@o{}gle, S: f-klav, N: .
 
 The position between the dots of the key symbol is the line of the F below
 F-n@o{}gle, S: f-klav, N: .
 
 The position between the dots of the key symbol is the line of the F below


@@ -1046,23 +1037,21 @@ octave lower (for example on double bass @w{@ar{}@strong{strings}}).
 
 @lilypond[13pt,eps] 
 \property Score.barNonAuto = ##t 
 
 @lilypond[13pt,eps] 
 \property Score.barNonAuto = ##t 

-\property Staff.clefStyle = #"fullSizeChanges"
-\property Lyrics.LyricText \set #'font-style = #'large
+\property Staff.Clef \override #'full-size-change = ##t
+\property Score.LyricText \set #'font-style = #'large

 \addlyrics
 \notes\relative c { 
 \addlyrics
 \notes\relative c { 

-%  \clef "F3";
-  \clef varbaritone;
-  f1 s
-%  \clef "F4";
-  \clef bass;
-  f1 s
-%  \clef "F5";
-  \clef subbass;
-  f1 s
-  \clef "F^8";
-  f'1 s s
-  \clef "F_8";
-  f,,1 s s
+%  \clef "F3"
+  \clef varbaritone
+  f1
+  \clef bass
+  f1
+  \clef subbass
+  f1
+  \clef "F^8"
+  f1
+  \clef "F_8"
+  f1

 } 
 \context Lyrics \lyrics { 
   baritone 
 } 
 \context Lyrics \lyrics { 
   baritone 


@@ -1074,44 +1063,45 @@ octave lower (for example on double bass @w{@ar{}@strong{strings}}).
 @end lilypond
 
 @item fermata
 @end lilypond
 
 @item fermata

-I: corona, F: pause, D: Fermate, NL: fermate, DK: fermat, S: fermat, N: .
+ES: Calderón, I: corona, F: pause, D: Fermate, NL: fermate, DK: fermat, S: fermat, N: .

 
 Prolonged note or rest of indefinite duration.
 
 
 @lilypond[13pt,eps]
 
 Prolonged note or rest of indefinite duration.
 
 
 @lilypond[13pt,eps]

-\time 4/4;
+\time 4/4

 \notes\relative c'' {
 \notes\relative c'' {

-a4 b c2^\fermata \bar "|."; }
+a4 b c2^\fermata \bar "|." }

 @end lilypond
 
 @item fifth
 @end lilypond
 
 @item fifth

-I: quinta, F: quinte, D: Quinte, NL: kwint, DK: kvint, S: kvint, N:
+ES: quinta, I: quinta, F: quinte, D: Quinte, NL: kwint, DK: kvint, S: kvint, N:

 kvint.
 
 @w{@ar{}@strong{interval}}
 
 @item figured bass
 kvint.
 
 @w{@ar{}@strong{interval}}
 
 @item figured bass

-@w{@ar{}@strong{thorough bass}}
+ES: bajo cifrado, @w{@ar{}@strong{thorough bass}}

 
 @item fingering
 
 @item fingering

-I: diteggiatura, F: doigt@'e, D: Fingersatz, NL: vingerzetting, DK:
+ES: digitación, I: diteggiatura, F: doigt@'e, D: Fingersatz, NL: vingerzetting, DK:

 fingers@ae{}tning, S: fingers@"attning, N: .
 
 The methodical use of fingers in the playing of instruments.
 
 @item flag; pennant 
 fingers@ae{}tning, S: fingers@"attning, N: .
 
 The methodical use of fingers in the playing of instruments.
 
 @item flag; pennant 

+ES: corchete, 

 I: coda (uncinata), bandiera, F: crochet, D: Fahne, F@"ahnchen, NL: vlaggetje,
 DK: fane, S: flagga, N: .
 
 I: coda (uncinata), bandiera, F: crochet, D: Fahne, F@"ahnchen, NL: vlaggetje,
 DK: fane, S: flagga, N: .
 

-Ornament at the end of the stem of a note used for notes with values less than
-a quarter note. The number of flags determines the @w{@ar{}@strong{note value}}.
+Ornament at the end of the stem of a note used for notes with values
+less than a quarter note. The number of flags determines the
+@w{@ar{}@strong{note value}}.

 
 
 @lilypond[13pt,eps]
 \property Score.barNonAuto = ##t
 
 
 @lilypond[13pt,eps]
 \property Score.barNonAuto = ##t

-\emptyText
-\property Voice.TextScript \set #'font-style = #'large
+\property Score.TextScript \set #'font-style = #'large

 \notes\relative c'' { 
   g8_"1/8" s8 
   g16_"1/16" s8 
 \notes\relative c'' { 
   g8_"1/8" s8 
   g16_"1/16" s8 


@@ -1120,7 +1110,7 @@ a quarter note. The number of flags determines the @w{@ar{}@strong{note value}}.
 @end lilypond
 
 @item flat
 @end lilypond
 
 @item flat

-I: bemolle, F: b@'emol, D: B, b, NL: mol, DK: b, S: bef@"ortecken, N: .
+ES: bemol, I: bemolle, F: b@'emol, D: B, b, NL: mol, DK: b, S: bef@"ortecken, N: .

 
 @w{@ar{}@strong{accidental}}
 
 
 @w{@ar{}@strong{accidental}}
 


@@ -1128,23 +1118,23 @@ I: bemolle, F: b@'emol, D: B, b, NL: mol, DK: b, S: bef@"ortecken, N: .
 @w{@ar{}@strong{appoggiatura}}
 
 @item forte
 @w{@ar{}@strong{appoggiatura}}
 
 @item forte

-I: forte, F: forte, D: forte, Laut, NL: forte, DK: forte, S: forte, N: .
+ES: forte, I: forte, F: forte, D: forte, Laut, NL: forte, DK: forte, S: forte, N: .

 
 Loud, abbreviated @b{f}, @emph{fortissimo} (@b{ff}) very loud,
 @emph{mezzoforte} (@b{mf}) medium loud.
 
 @item fourth
 
 Loud, abbreviated @b{f}, @emph{fortissimo} (@b{ff}) very loud,
 @emph{mezzoforte} (@b{mf}) medium loud.
 
 @item fourth

-I: quarta, F: quarte, D: Quarte, NL: kwart, DK: kvart, S: kvart, N: .
+ES: cuarta, I: quarta, F: quarte, D: Quarte, NL: kwart, DK: kvart, S: kvart, N: .

 
 @w{@ar{}@strong{interval}}
 
 
 @w{@ar{}@strong{interval}}
 

-@item fugue 
-I: fuga, F: fugue, D: Fuge, NL: fuga, DK: fuga, S: fuga, N: .
+@item fugue
+ES: fuga, I: fuga, F: fugue, D: Fuge, NL: fuga, DK: fuga, S: fuga, N: .

 
 @w{@ar{}@strong{counterpoint}}
 
 @item functional harmony
 
 @w{@ar{}@strong{counterpoint}}
 
 @item functional harmony

-I: armonia funzionale, F: @'etude des functions, D: Funktionslehre, NL: , DK:
+ES: armonía funcional, I: armonia funzionale, F: @'etude des functions, D: Funktionslehre, NL: , DK:

 funktionsanalyse, funktionsharmonik, S: funktionsl@"ara, N:
 
 A system of harmonic analysis. It is based on the idea that, in a given key,
 funktionsanalyse, funktionsharmonik, S: funktionsl@"ara, N:
 
 A system of harmonic analysis. It is based on the idea that, in a given key,


@@ -1156,10 +1146,9 @@ of the base chords.
 @
 
 @lilypond[13pt,eps] 
 @
 
 @lilypond[13pt,eps] 

-\emptyText

 \property Score.barNonAuto = ##t 
 \property Score.barNonAuto = ##t 

-\property Lyrics.LyricText \set #'font-style = #'large
-\property Voice.TextScript \set #'font-style = #'large
+\property Score.LyricText \set #'font-style = #'large
+\property Score.TextScript \set #'font-style = #'large

 \addlyrics
 \notes\relative c'' {
   < g1 e c > < a f d > < b g e > 
 \addlyrics
 \notes\relative c'' {
   < g1 e c > < a f d > < b g e > 


@@ -1168,10 +1157,10 @@ of the base chords.
 @end lilypond
 
 @item G
 @end lilypond
 
 @item G

-I: sol, F: sol, D: G, g, NL: g, DK: g, S: g, N: g.
+ES: sol, I: sol, F: sol, D: G, g, NL: g, DK: g, S: g, N: g.

 
 @item G clef
 
 @item G clef

-I: chiave di sol, F: cl@'e de sol, D: G-Schl@"ussel, Violinschl@"ussel, NL:
+ES: Clave de sol, I: chiave di sol, F: cl@'e de sol, D: G-Schl@"ussel, Violinschl@"ussel, NL:

 G-sleutel, DK: g-n@o{}gle, S: g-klav, N: .
 
 A clef symbol indicating the G above central C. Used on the first and second
 G-sleutel, DK: g-n@o{}gle, S: g-klav, N: .
 
 A clef symbol indicating the G above central C. Used on the first and second


@@ -1184,18 +1173,18 @@ that).
 
 @lilypond[13pt,eps] 
 \property Score.barNonAuto = ##t 
 
 @lilypond[13pt,eps] 
 \property Score.barNonAuto = ##t 

-\property Staff.clefStyle = #"fullSizeChanges"
-\property Lyrics.LyricText \set #'font-style = #'large
+\property Staff.Clef \set #'full-size-change = ##t
+\property Score.LyricText \set #'font-style = #'large

 \addlyrics
 \notes\relative c'' { 
 \addlyrics
 \notes\relative c'' { 

-  \clef french; 
-  g1 s s s s
-  \clef treble; 
-  g s s s
-  \clef "G^8"; 
-  g' s s s 
-  \clef "G_8"; 
-  g,, s s
+  \clef french 
+  g1
+  \clef treble 
+  g
+  \clef "G^8" 
+  g
+  \clef "G_8" 
+  g

 }
 \context Lyrics \lyrics { 
   "french violin clef" 
 }
 \context Lyrics \lyrics { 
   "french violin clef" 


@@ -1206,7 +1195,7 @@ that).
 @end lilypond
 
 @item glissando
 @end lilypond
 
 @item glissando

-I: glissando, F: glissando, D: Glissando, NL: glissando, DK: glissando, S:
+ES: glissando, I: glissando, F: glissando, D: Glissando, NL: glissando, DK: glissando, S:

 glissando, N: glissando.
 
 Letting the pitch  slide fluently from one note to the other
 glissando, N: glissando.
 
 Letting the pitch  slide fluently from one note to the other


@@ -1227,13 +1216,13 @@ S: ackolad, b@"ojd klammer, N: .
 A combination of two staffs with a brace.  Usually used for piano music.
 
 @item grave
 A combination of two staffs with a brace.  Usually used for piano music.
 
 @item grave

-I: grave, F: grave, D: grave, langsam, traurig, NL: grave, ernstig, DK: grave, S: grave, N:
+ES: grave, I: grave, F: grave, D: grave, langsam, traurig, NL: grave, ernstig, DK: grave, S: grave, N:

 .
 
 Slow, solemn.
 
 @item half note
 .
 
 Slow, solemn.
 
 @item half note

-I: minima, F: blanche, UK: minim, D: Halbe, halbe Note, NL: halve noot, DK:
+ES: blanca, I: minima, F: blanche, UK: minim, D: Halbe, halbe Note, NL: halve noot, DK:

 halvnode, S: halvnot, N: .
 
 @w{@ar{}@strong{note value}}
 halvnode, S: halvnot, N: .
 
 @w{@ar{}@strong{note value}}


@@ -1245,7 +1234,7 @@ rust, DK: halvnodespause, S: halvpaus, N: .
 @w{@ar{}@strong{note value}}
 
 @item harmonic cadence
 @w{@ar{}@strong{note value}}
 
 @item harmonic cadence

-I: cadenza (armonica), F: cadence harmonique, D: Schlusskadenz, NL:
+ES: cadencia (armónica), I: cadenza (armonica), F: cadence harmonique, D: Schlusskadenz, NL:

 harmonische cadens, DK: harmonisk kadence, S: (harmonisk) kadens, N: .
 
 Sequence of chords that terminate a musical phrase or
 harmonische cadens, DK: harmonisk kadence, S: (harmonisk) kadens, N: .
 
 Sequence of chords that terminate a musical phrase or


@@ -1254,22 +1243,22 @@ section. @ar{}@w{}@strong{functional harmony}
 @
 
 @lilypond[13pt,eps] 
 @
 
 @lilypond[13pt,eps] 

-\context GrandStaff < 
-  \notes\relative c'' { 
-    \time 4/4;
-    \clef treble; 
-    \partial 4; < c4 g e > | < c a f > < b g d > < c2 g e > }
-  \property Lyrics.LyricText \set #'font-style = #'large
+\notes\context PianoStaff < 
+  \context Staff = SA \relative c'' { 
+    \time 4/4
+    \clef treble 
+    \partial 4 < c4 g e > | < c a f > < b g d > < c2 g e > }
+  \property Score.LyricText \set #'font-style = #'large

   \addlyrics
   \addlyrics

-  \notes\relative c { 
-    \clef bass; 
-    \partial 4; c4 | f, g c2
-    \bar "|."; } 
+  \context Staff = SB \relative c { 
+    \clef bass 
+    \partial 4 c4 | f, g c2
+    \bar "|." } 

   \context Lyrics \lyrics { T S D T } > 
 @end lilypond
 
 @item harmony
   \context Lyrics \lyrics { T S D T } > 
 @end lilypond
 
 @item harmony

-I: armonia, F: harmonie, D: Harmonie, Zusammenklang, NL: harmonie, DK:
+ES: armonía    , I: armonia, F: harmonie, D: Harmonie, Zusammenklang, NL: harmonie, DK:

 samklang, S: samklang, N:
 
 Tones sounding simultaneously. Two note harmonies fall into the cathegories
 samklang, S: samklang, N:
 
 Tones sounding simultaneously. Two note harmonies fall into the cathegories


@@ -1281,7 +1270,7 @@ Consonances:
 
 @lilypond[13pt,eps] 
 \property Score.barNonAuto = ##t
 
 @lilypond[13pt,eps] 
 \property Score.barNonAuto = ##t

-\property Voice.TextScript \set #'font-style = #'large
+\property Score.TextScript \set #'font-style = #'large

 \notes\relative c'' {
   <g1_"unisone" g> s
   <g1_"third" b> s
 \notes\relative c'' {
   <g1_"unisone" g> s
   <g1_"third" b> s


@@ -1299,7 +1288,7 @@ Dissonances:
 
 @lilypond[13pt,eps] 
 \property Score.barNonAuto = ##t
 
 @lilypond[13pt,eps] 
 \property Score.barNonAuto = ##t

-\property Voice.TextScript \set #'font-style = #'large
+\property Score.TextScript \set #'font-style = #'large

 \notes\relative c'' {
   <g1_"second" a> s
   <g1_"seventh" f'> s 
 \notes\relative c'' {
   <g1_"second" a> s
   <g1_"seventh" f'> s 


@@ -1310,14 +1299,14 @@ Dissonances:
 Three note harmony @w{@ar{}@strong{chord}}
 
 @item homophony
 Three note harmony @w{@ar{}@strong{chord}}
 
 @item homophony

-I: omofonia, F: homophonie, D: Homophonie, NL: homofonie, DK: homofoni, S:
+ES: homofonía, I: omofonia, F: homophonie, D: Homophonie, NL: homofonie, DK: homofoni, S:

 homofoni, N: .
 
 Music in which one voice leads melodically followed by the other voices more
 or less in the same rhythm. In contrast to @w{@ar{}@strong{polyphony}}.
 
 @item interval
 homofoni, N: .
 
 Music in which one voice leads melodically followed by the other voices more
 or less in the same rhythm. In contrast to @w{@ar{}@strong{polyphony}}.
 
 @item interval

-I: intervallo, F: intervalle, D: Intervall, NL: interval, DK: interval, S:
+ES: intervalo, I: intervallo, F: intervalle, D: Intervall, NL: interval, DK: interval, S:

 intervall, N: .
 
 Difference in pitch between two notes. Intervals may be perfect, minor, major,
 intervall, N: .
 
 Difference in pitch between two notes. Intervals may be perfect, minor, major,


@@ -1330,10 +1319,10 @@ forms an octave.
 
 @lilypond[13pt,eps] 
 \property Score.barNonAuto = ##t
 
 @lilypond[13pt,eps] 
 \property Score.barNonAuto = ##t

-\property Lyrics.LyricText \set #'font-style = #'large
-\property Voice.TextScript \set #'font-style = #'large
+\property Score.LyricText \set #'font-style = #'large
+\property Score.TextScript \set #'font-style = #'large

 \addlyrics
 \addlyrics

-\notes\relative c'' {
+\context Staff \notes\relative c'' {

   < g1 g > s
   < g^"minor" as > s
   < g^"major" a! > s
   < g1 g > s
   < g^"minor" as > s
   < g^"major" a! > s


@@ -1351,10 +1340,10 @@ forms an octave.
 
 @lilypond[13pt,eps] 
 \property Score.barNonAuto = ##t
 
 @lilypond[13pt,eps] 
 \property Score.barNonAuto = ##t

-\property Lyrics.LyricText \set #'font-style = #'large
-\property Voice.TextScript \set #'font-style = #'large
+\property Score.LyricText \set #'font-style = #'large
+\property Score.TextScript \set #'font-style = #'large

 \addlyrics
 \addlyrics

-\notes\relative c'' {
+\context Staff \notes\relative c'' {

   < g1^"perfect" c > s
   < g^"augm" cis > s
   < g^"perfect" d' > s
   < g1^"perfect" c > s
   < g^"augm" cis > s
   < g^"perfect" d' > s


@@ -1372,10 +1361,10 @@ forms an octave.
 
 @lilypond[13pt,eps] 
 \property Score.barNonAuto = ##t
 
 @lilypond[13pt,eps] 
 \property Score.barNonAuto = ##t

-\property Lyrics.LyricText \set #'font-style = #'large
-\property Voice.TextScript \set #'font-style = #'large
+\property Score.LyricText \set #'font-style = #'large
+\property Score.TextScript \set #'font-style = #'large

 \addlyrics
 \addlyrics

-\notes\relative c'' {
+\context Staff \notes\relative c'' {

   < gis1^"dimin" f'! > s
   < g!^"minor" f'! > s
   < g^"major" fis' > s
   < gis1^"dimin" f'! > s
   < g!^"minor" f'! > s
   < g^"major" fis' > s


@@ -1390,7 +1379,7 @@ forms an octave.
 @end lilypond
 
 @item inverted interval
 @end lilypond
 
 @item inverted interval

-I: intervallo rivolto, F: intervalle renvers@'e, D: umgekerhtes Intervall, NL:
+ES: intervalo invertido, I: intervallo rivolto, F: intervalle renvers@'e, D: umgekerhtes Intervall, NL:

 interval inversie, DK: omvendingsinterval, S: intervallets omv@"andning, N: .
 
 The difference between an interval and an octave.
 interval inversie, DK: omvendingsinterval, S: intervallets omv@"andning, N: .
 
 The difference between an interval and an octave.


@@ -1399,11 +1388,11 @@ The difference between an interval and an octave.
 
 @lilypond[13pt,eps] 
 \property Score.barNonAuto = ##t
 
 @lilypond[13pt,eps] 
 \property Score.barNonAuto = ##t

-\property Voice.TextScript \set #'font-style = #'large
-\notes\relative c'' {
-  < g1_"second" a > s < g'_"seventh" a, > s \bar "||"; 
-  < g,_"third" b > s < g'_"sixth" b, > s \bar "||";
-  < g,_"fourth" c > s < g'_"fifth" c, > s \bar "||";
+\property Score.TextScript \set #'font-style = #'large
+\context Staff \notes\relative c'' {
+  < g1_"second" a > s < g'_"seventh" a, > s \bar "||" 
+  < g,_"third" b > s < g'_"sixth" b, > s \bar "||"
+  < g,_"fourth" c > s < g'_"fifth" c, > s \bar "||"

 }
 @end lilypond
 
 }
 @end lilypond
 


@@ -1415,14 +1404,14 @@ Tuning system in which the notes are obtained by adding and subtracting
 @w{natural} fifths and thirds. @w{@ar{}@strong{temperament}}
 
 @item key
 @w{natural} fifths and thirds. @w{@ar{}@strong{temperament}}
 
 @item key

-I: tonalit@`a, F: tonalit@'e, D: Tonart, NL: toonsoort, DK: toneart, S:
+ES: tonalidad, I: tonalit@`a, F: tonalit@'e, D: Tonart, NL: toonsoort, DK: toneart, S:

 tonart, N: .
 
 According to the 12 tones of the @w{@ar{}@strong{chromatic scale}} there are 12
 keys, one on c, one on c-sharp etc. @w{@ar{}@strong{key signature}}
 
 @item key signature
 tonart, N: .
 
 According to the 12 tones of the @w{@ar{}@strong{chromatic scale}} there are 12
 keys, one on c, one on c-sharp etc. @w{@ar{}@strong{key signature}}
 
 @item key signature

-I: armatura di chiave, F: armure, armature [de la cl@'e], D: Vorzeichen,
+ES: armadura de clave, I: armatura di chiave, F: armure, armature [de la cl@'e], D: Vorzeichen,

 Tonart, NL: @w{ }toon@-soort (voortekens), DK: faste fortegn, 
 S: tonartssignatur, N: .
 
 Tonart, NL: @w{ }toon@-soort (voortekens), DK: faste fortegn, 
 S: tonartssignatur, N: .
 


@@ -1430,14 +1419,14 @@ The sharps or flats appearing at the beginning of each staff indicating the
 key of the music. @w{@ar{}@strong{accidental}}
 
 @item largo
 key of the music. @w{@ar{}@strong{accidental}}
 
 @item largo

-I: largo, F: largo, D: Largo, Langsam, Breit, NL: largo, DK: largo, S: largo,
+ES: largo, I: largo, F: largo, D: Largo, Langsam, Breit, NL: largo, DK: largo, S: largo,

 N: largo
 
 Very slow in tempo, usually combined with great
 expressiveness. @emph{Larghetto} less slow than largo.
 
 @item leading note
 N: largo
 
 Very slow in tempo, usually combined with great
 expressiveness. @emph{Larghetto} less slow than largo.
 
 @item leading note

-I: sensibile, F: note sensible, D: Leitton, NL: leidtoon, DK: ledetone, S:
+ES: sensible, I: sensibile, F: note sensible, D: Leitton, NL: leidtoon, DK: ledetone, S:

 ledton, N: .
 
 The seventh @w{@ar{}@strong{scale degree}}, a @w{@ar{}@strong{semitone}} below
 ledton, N: .
 
 The seventh @w{@ar{}@strong{scale degree}}, a @w{@ar{}@strong{semitone}} below


@@ -1446,7 +1435,7 @@ upwards) to the tonic scale degree.
 
 @item ledger line; leger line
 
 
 @item ledger line; leger line
 

-I: tagli addizionali, F: ligne suppl@'ementaire, D: Hilfslinie, NL:
+ES: líneas adicionales, I: tagli addizionali, F: ligne suppl@'ementaire, D: Hilfslinie, NL:

 hulplijntje, DK: hj@ae{}lpelinie, S: hj@"alplinje, N: .
 
 A ledger line is an extension of the staff.
 hulplijntje, DK: hj@ae{}lpelinie, S: hj@"alplinje, N: .
 
 A ledger line is an extension of the staff.


@@ -1459,7 +1448,7 @@ A ledger line is an extension of the staff.
 @end lilypond
 
 @item legato
 @end lilypond
 
 @item legato

-I: legato, F: legato, li@'e, D: legato, NL: legato, DK: legato, S: legato, N:
+ES: ligado, I: legato, F: legato, li@'e, D: legato, NL: legato, DK: legato, S: legato, N:

 .
 
 To be performed without any perceptible interruption between the notes (a)
 .
 
 To be performed without any perceptible interruption between the notes (a)


@@ -1470,41 +1459,42 @@ unlike @emph{leggiero} or @emph{non-legato} (b), @emph{portato} (c) and
 
 @lilypond[13pt,eps]
 \property Score.barNonAuto = ##t
 
 @lilypond[13pt,eps]
 \property Score.barNonAuto = ##t

-\emptyText
-\property Lyrics.LyricText \set #'font-style = #'large

 \addlyrics
 \addlyrics

-\notes\relative c'' { 
-  c4( d )e \bar "||"; 
-  c4-- d-- e-- \bar "||"; 
-  c4-.( d-. )e-. \bar "||"; 
-  c4-. d-. e-. \bar "||"; 
+\context Staff \notes\relative c'' { 
+  c4( d )e \bar "||" 
+  c4-- d-- e-- \bar "||" 
+  c4-.( d-. )e-. \bar "||" 
+  c4-. d-. e-. \bar "||" 

 }
 }

-\context Lyrics \lyrics { a "" "" b "" "" c "" "" d  }
+\context Lyrics \lyrics {
+  \property Lyrics . LyricText \set #'font-style = #'large
+  a "" "" b "" "" c "" "" d  }

 @end lilypond
 
 @item legato curve
 @w{@ar{}@strong{slur}} @w{@ar{}@strong{legato}}
 
 @item lilypond
 @end lilypond
 
 @item legato curve
 @w{@ar{}@strong{slur}} @w{@ar{}@strong{legato}}
 
 @item lilypond

+ES: estanque de lilas, 

 I: stagno del giglio, F: @'etang de lis, UK: lily pond, D: Seerosenteich, NL:
 le@-lie@-vij@-ver, DK: liliedam, S: liljedamm, N: .
 
 A pond with  lilies floating in it, also the name of a music typesetter.
 
 @item line
 I: stagno del giglio, F: @'etang de lis, UK: lily pond, D: Seerosenteich, NL:
 le@-lie@-vij@-ver, DK: liliedam, S: liljedamm, N: .
 
 A pond with  lilies floating in it, also the name of a music typesetter.
 
 @item line

-I: linea, F: ligne, D: Linie, Notenlinie, NL: lijn, DK: nodelinie, S:
+ES: línea, I: linea, F: ligne, D: Linie, Notenlinie, NL: lijn, DK: nodelinie, S:

 notlinje, N: .
 
 @w{@ar{}@strong{staff}}
 
 notlinje, N: .
 
 @w{@ar{}@strong{staff}}
 

-@item long appoggiatura 
-I: appoggiatura lunga, F: appoggiature longue, D: langer Vorschlag, DK: langt
+@item long appoggiatura
+ES: apoyatura larga, I: appoggiatura lunga, F: appoggiature longue, D: langer Vorschlag, DK: langt

 forslag, S: l@aa{}ngt f@"orslag, N: .
 
 @w{@ar{}@strong{appoggiatura}}
 
 @item longa
 forslag, S: l@aa{}ngt f@"orslag, N: .
 
 @w{@ar{}@strong{appoggiatura}}
 
 @item longa

-I: longa, F: longa, D: Longa, NL: longa, DK: longa, S: longa, N: longa
+ES: longa, I: longa, F: longa, D: Longa, NL: longa, DK: longa, S: longa, N: longa

 
 note value: double length of @w{@ar{}@strong{brevis}}. @w{@ar{}@strong{note value}}
 
 
 note value: double length of @w{@ar{}@strong{brevis}}. @w{@ar{}@strong{note value}}
 


@@ -1513,19 +1503,19 @@ note value: double length of @w{@ar{}@strong{brevis}}. @w{@ar{}@strong{note valu
 @lilypond[13pt,eps] 
 \property Score.barNonAuto = ##t 
 \notes\relative c'' { 
 @lilypond[13pt,eps] 
 \property Score.barNonAuto = ##t 
 \notes\relative c'' { 

-  \property Voice.noteHeadStyle = #'mensural
+  \property Voice.NoteHead \set #'style = #'mensural

   g\longa 
 } 
 @end lilypond
 
 @item major interval
   g\longa 
 } 
 @end lilypond
 
 @item major interval

-I: intervallo maggiore, F: intervalle majeur, D: gro@ss{}es Intervall, NL:
+ES: intervalo mayor, I: intervallo maggiore, F: intervalle majeur, D: gro@ss{}es Intervall, NL:

 groot interval, DK: stort interval, S: stort intervall, N: .
 
 @w{@ar{}@strong{interval}}
 
 @item major
 groot interval, DK: stort interval, S: stort intervall, N: .
 
 @w{@ar{}@strong{interval}}
 
 @item major

-I: maggiore, F: [mode] majeur, D: Dur, NL: majeur, DK: dur, S: dur, N: dur.
+ES: mayor, I: maggiore, F: [mode] majeur, D: Dur, NL: majeur, DK: dur, S: dur, N: dur.

 
 @w{@ar{}@strong{diatonic scale}}
 
 
 @w{@ar{}@strong{diatonic scale}}
 


@@ -1539,7 +1529,7 @@ by 16 @w{@ar{}@strong{cent}}s. Due to the non-circular character of this
 tuning keyboard instruments for performance of pre-1650 music.
 
 @item measure, bar
 tuning keyboard instruments for performance of pre-1650 music.
 
 @item measure, bar

-I: misura, battuta, F: mesure, D: Takt, NL: maat, DK: takt, S: takt, N: takt.
+ES: compás, I: misura, battuta, F: mesure, D: Takt, NL: maat, DK: takt, S: takt, N: takt.

 
 A group of @w{@ar{}@strong{beat}}s (units of musical time) the first of which
 bears an accent. Such groups in numbers of two or more recur consistently
 
 A group of @w{@ar{}@strong{beat}}s (units of musical time) the first of which
 bears an accent. Such groups in numbers of two or more recur consistently


@@ -1547,7 +1537,7 @@ throughout the composition and are marked from each other by
 bar-lines. @w{@ar{}@strong{meter}}
 
 @item mediant
 bar-lines. @w{@ar{}@strong{meter}}
 
 @item mediant

-I: mediante, modale, F: m@'ediante, NL: mediant, D: Mediant, DK: mediant, S:
+ES: mediante, I: mediante, modale, F: m@'ediante, NL: mediant, D: Mediant, DK: mediant, S:

 mediant, N: .
 
 1. The third @b{scale degree}. 2. A @w{@ar{}@strong{chord}} having its base tone
 mediant, N: .
 
 1. The third @b{scale degree}. 2. A @w{@ar{}@strong{chord}} having its base tone


@@ -1560,7 +1550,7 @@ harmony}} @w{@ar{}@strong{relative key}}.
 @w{@ar{}@strong{cadenza}}
 
 @item meter, time
 @w{@ar{}@strong{cadenza}}
 
 @item meter, time

-I: tempo, metro, F: m@`etre, D: Taktart, Metrum, NL: maatsoort, DK: taktart,
+ES: compás, I: tempo, metro, F: m@`etre, D: Taktart, Metrum, NL: maatsoort, DK: taktart,

 S: taktart, N: .
 
 The basic scheme of @ar{}@w{}@strong{note value}s and @ar{}@w{}@strong{accent}s
 S: taktart, N: .
 
 The basic scheme of @ar{}@w{}@strong{note value}s and @ar{}@w{}@strong{accent}s


@@ -1575,50 +1565,50 @@ one speaks of @emph{duple} (2/2, 2/4, 2/8), @emph{triple} (3/2, 3/4, 3/8) or
 
 @lilypond[13pt,eps]
 \notes\relative c'' { 
 
 @lilypond[13pt,eps]
 \notes\relative c'' { 

-  \time 3/4;
-  \key f \major;
-  c es d | c bes8 a bes4 | c es d | c2 \bar "||";}
+  \time 3/4
+  \key f \major
+  c es d | c bes8 a bes4 | c es d | c2 \bar "||"}

 @end lilypond
 
 @lilypond[13pt,eps]
 \notes\relative c' { 
 @end lilypond
 
 @lilypond[13pt,eps]
 \notes\relative c' { 

-  \time 6/8;
-  \key f \major;
+  \time 6/8
+  \key f \major

   f8 f f f a16 g a f | 
   f8 f f f a16 g a f | 

-  c'8 c c c e16 d e c \bar "||";}
+  c'8 c c c e16 d e c \bar "||"}

 @end lilypond
 
 @lilypond[13pt,eps]
 \notes\relative c'' { 
 @end lilypond
 
 @lilypond[13pt,eps]
 \notes\relative c'' { 

-  \time 5/4;
-  \key g \major;
+  \time 5/4
+  \key g \major

   d4 b8 g b d d c a4 | 
   d4 b8 g b d d c a4 | 

-  g8 g16 g g8 g16 g g8 fis16 g a8 fis16 e d4 \bar "||";}
+  g8 g16 g g8 g16 g g8 fis16 g a8 fis16 e d4 \bar "||"}

 @end lilypond
 
 @item metronome
 @end lilypond
 
 @item metronome

-I: metronomo, F: m@'etronome, D: Metronom, NL: metronoom, 
+ES: metrónomo, I: metronomo, F: m@'etronome, D: Metronom, NL: metronoom, 

 DK:@w{ }me@-tro@-nom, S:@w{ }me@-tro@-nom, N: metronom.
 
 Device indicating the exact tempo of a piece. @w{@ar{}@strong{metronomic
 indication}}
 
 @item metronomic indication
 DK:@w{ }me@-tro@-nom, S:@w{ }me@-tro@-nom, N: metronom.
 
 Device indicating the exact tempo of a piece. @w{@ar{}@strong{metronomic
 indication}}
 
 @item metronomic indication

-I: indicazione metronomica, F: indication m@'etronomique, D: Metronomangabe,
+ES: indicación metronómica, I: indicazione metronomica, F: indication m@'etronomique, D: Metronomangabe,

 NL: metronoom aanduiding, DK: metronomtal, S: metronomangivelse, N: .
 
 Exact tempo indication (in beats per minute).  Also denoted by
 M.M. (M@"alzel's Metronom) 
 
 @item mezzo-soprano
 NL: metronoom aanduiding, DK: metronomtal, S: metronomangivelse, N: .
 
 Exact tempo indication (in beats per minute).  Also denoted by
 M.M. (M@"alzel's Metronom) 
 
 @item mezzo-soprano

-I: mezzo-soprano, F: mezzo-soprano, D: Mezzosopran, NL: mezzosopraan, DK:
+ES: mezzo soprano, I: mezzo-soprano, F: mezzo-soprano, D: Mezzosopran, NL: mezzosopraan, DK:

 mezzosopran, S: mezzosopran, N: mezzosopran.
 
 The female voice between @w{@ar{}@strong{soprano}} and
 @w{@ar{}@strong{contralto}}.
 
 @item middle C
 mezzosopran, S: mezzosopran, N: mezzosopran.
 
 The female voice between @w{@ar{}@strong{soprano}} and
 @w{@ar{}@strong{contralto}}.
 
 @item middle C

-I: do centrale, F: do central, D: eingestrichenes c, NL: centrale c, DK:
+ES: do central, I: do centrale, F: do central, D: eingestrichenes c, NL: centrale c, DK:

 enstreget c, S: ettstruket c, N:
 
 First C below the 440 Hz A.
 enstreget c, S: ettstruket c, N:
 
 First C below the 440 Hz A.


@@ -1627,32 +1617,32 @@ First C below the 440 Hz A.
 
 @lilypond[13pt,eps] 
 \property Score.barNonAuto = ##t 
 
 @lilypond[13pt,eps] 
 \property Score.barNonAuto = ##t 

-\property Staff.clefStyle = #"fullSizeChanges"
+\property Staff.Clef \set #'full-size-change = ##t

 \notes\relative c' { 
 \notes\relative c' { 

-  \clef bass; c1 s
-  \clef alto; c s
-  \clef treble; c s
+  \clef bass c1 s
+  \clef alto c s
+  \clef treble c s

 } 
 @end lilypond
 
 @item minor interval
 } 
 @end lilypond
 
 @item minor interval

-I: intervallo minore, F: intervalle mineur, D: kleines Intervall, NL: klein
+ES: intervalo mayor, I: intervallo minore, F: intervalle mineur, D: kleines Intervall, NL: klein

 interval, DK: lille interval, S: litet intervall, N: .
 
 @w{@ar{}@strong{interval}}
 
 @item minor
 interval, DK: lille interval, S: litet intervall, N: .
 
 @w{@ar{}@strong{interval}}
 
 @item minor

-I: minore, F: mode mineur, D: Moll, NL: mineur, DK: mol, S: moll, N: .
+ES: menor, I: minore, F: mode mineur, D: Moll, NL: mineur, DK: mol, S: moll, N: .

 
 @w{@ar{}@strong{diatonic scale}}
 
 @item mode
 
 @w{@ar{}@strong{diatonic scale}}
 
 @item mode

-I: modo, F: mode, D: Modus, NL: modus, DK: skala, S: modus, skala, N: .
+ES: modo, I: modo, F: mode, D: Modus, NL: modus, DK: skala, S: modus, skala, N: .

 
 @w{@ar{}@strong{church mode}} @w{@ar{}@strong{diatonic scale}}
 
 @item modulation
 
 @w{@ar{}@strong{church mode}} @w{@ar{}@strong{diatonic scale}}
 
 @item modulation

-I: modulazione, F: modulation, D: Modulation, NL: modulatie, DK: modulation,
+ES: modulación, I: modulazione, F: modulation, D: Modulation, NL: modulatie, DK: modulation,

 S: modulering, N: .
 
 Moving from one @w{@ar{}@strong{key}} to another. For example the second
 S: modulering, N: .
 
 Moving from one @w{@ar{}@strong{key}} to another. For example the second


@@ -1667,6 +1657,7 @@ I: mordente, F: mordant, D: Mordent, NL: mordent, DK: mordent, S: mordent, N:
 @w{@ar{}@strong{ornament}}
 
 @item motive; motif
 @w{@ar{}@strong{ornament}}
 
 @item motive; motif

+ES: tema, 

 I: inciso, F: incise, D: Motiv, NL: motief, DK: motiv, S: motiv, N: .
 
 The briefest intelligible and self-contained fragment of a musical theme or
 I: inciso, F: incise, D: Motiv, NL: motief, DK: motiv, S: motiv, N: .
 
 The briefest intelligible and self-contained fragment of a musical theme or


@@ -1676,26 +1667,25 @@ subject.
 
 @lilypond[13pt,eps] 
 \property Score.TimeSignature \override #'style = #'C2/2
 
 @lilypond[13pt,eps] 
 \property Score.TimeSignature \override #'style = #'C2/2

-\emptyText
-\property Voice.TextScript \set #'font-style = #'large
+\property Score.TextScript \set #'font-style = #'large

 \notes\relative c'' { 
 \notes\relative c'' { 

-  \time 4/4;
-  \key g \major; 
-  \partial 8; g16_"------" fis |
+  \time 4/4
+  \key g \major 
+  \partial 8 g16_"------" fis |

   g8 d16_"------" c d8 g16 fis g8 b,16 a b8 g'16 fis |
   g8 g,16 a b8 cis d16 s 
 } 
 @end lilypond
 
 @item movement
   g8 d16_"------" c d8 g16 fis g8 b,16 a b8 g'16 fis |
   g8 g,16 a b8 cis d16 s 
 } 
 @end lilypond
 
 @item movement

-I: movimento, F: mouvement, D: Satz, NL: deel, DK: sats, S: sats, N: .
+ES: movimiento, I: movimento, F: mouvement, D: Satz, NL: deel, DK: sats, S: sats, N: .

 
 Greater musical works like @w{@ar{}@strong{symphony}} and
 @w{@ar{}@strong{sonata}} most often consist of several - more or less -
 independant pieces called movements.
 
 @item multibar rest
 
 Greater musical works like @w{@ar{}@strong{symphony}} and
 @w{@ar{}@strong{sonata}} most often consist of several - more or less -
 independant pieces called movements.
 
 @item multibar rest

-I: pausa multipla, F: pause multiple, NL: meermaats rust, D:
+ES: compases de espera, I: pausa multipla, F: pause multiple, NL: meermaats rust, D:

 mehrtaktige Pause, DK: flertaktspause, S: flertaktspaus, N: .
 
 @
 mehrtaktige Pause, DK: flertaktspause, S: flertaktspaus, N: .
 
 @


@@ -1711,7 +1701,7 @@ a1 }
 @w{@ar{}@strong{diatonic scale}}
 
 @item natural sign
 @w{@ar{}@strong{diatonic scale}}
 
 @item natural sign

-I: bequadro, F: b@'ecarre, D: Aufl@"osungszeichen, NL: herstellingsteken, 
+ES: becuadro, I: bequadro, F: b@'ecarre, D: Aufl@"osungszeichen, NL: herstellingsteken, 

 DK:@w{ }op@-l@o{}sningstegn, S: @aa{}terst@"allningstecken, N: .
 
 @w{@ar{}@strong{accidental}}
 DK:@w{ }op@-l@o{}sningstegn, S: @aa{}terst@"allningstecken, N: .
 
 @w{@ar{}@strong{accidental}}


@@ -1720,7 +1710,7 @@ DK:@w{ }op@-l@o{}sningstegn, S: @aa{}terst@"allningstecken, N: .
 @w{@ar{}@strong{appoggiatura}}
 
 @item ninth
 @w{@ar{}@strong{appoggiatura}}
 
 @item ninth

-I: nona, F: neuvi@`eme, D: None, NL: noon, DK: none, S: nona, N: .
+ ES: novena, I: nona, F: neuvi@`eme, D: None, NL: noon, DK: none, S: nona, N: .

 
 @w{@ar{}@strong{interval}}
 
 
 @w{@ar{}@strong{interval}}
 


@@ -1728,7 +1718,7 @@ I: nona, F: neuvi@`eme, D: None, NL: noon, DK: none, S: nona, N: .
 @w{@ar{}@strong{legato}}
 
 @item note
 @w{@ar{}@strong{legato}}
 
 @item note

-I: nota, F: note, D: Note, NL: noot, DK: node, S: not, N: ,
+ES: nota, I: nota, F: note, D: Note, NL: noot, DK: node, S: not, N: ,

 
 Notes are signs by means of which music is fixed in writing. The term is also
 used for the sound indicated by a note, and even for the key of the piano
 
 Notes are signs by means of which music is fixed in writing. The term is also
 used for the sound indicated by a note, and even for the key of the piano


@@ -1737,7 +1727,7 @@ and @w{@ar{}@strong{note}} is strongly recommended. Briefly, one sees a note,
 and hears a tone.
 
 @item note head
 and hears a tone.
 
 @item note head

-I: testa, testina, capocchia, F: t@^ete de la note, D: Notenkopf, NL:
+ES: oval, I: testa, testina, capocchia, F: t@^ete de la note, D: Notenkopf, NL:

 nootballetje, DK: nodehovede, S: nothuvud, N: .
 
 A head like sign which indicates pitch by its position on a
 nootballetje, DK: nodehovede, S: nothuvud, N: .
 
 A head like sign which indicates pitch by its position on a


@@ -1748,7 +1738,7 @@ instruments (often having no defined pitch) the note head may indicate the
 instrument.
 
 @item note value
 instrument.
 
 @item note value

-I: valore, durata, F: dur@'ee, valeur (d'une note), D: Notenwert, NL:
+ES: valor, I: valore, durata, F: dur@'ee, valeur (d'une note), D: Notenwert, NL:

 nootwaarde, DK nodev@ae{}rdi, S: notv@"arde, N: .
 
 Note values (durations) are measured as fractions, normally 1/2, of the next
 nootwaarde, DK nodev@ae{}rdi, S: notv@"arde, N: .
 
 Note values (durations) are measured as fractions, normally 1/2, of the next


@@ -1759,18 +1749,18 @@ but sometimes (mostly in pre baroque music) the double length note value
 @
 
 @lilypond[13pt,eps]
 @
 
 @lilypond[13pt,eps]

-\property Voice.TextScript \set #'font-style = #'large
+\property Score.TextScript \set #'font-style = #'large

 \property Score.barNonAuto = ##t
 \notes\relative c'' { 
 \property Score.barNonAuto = ##t
 \notes\relative c'' { 

-  \property Voice.noteHeadStyle = #'mensural
+  \property Voice.NoteHead \override #'style = #'mensural

   g\longa_"longa" g\breve_"breve" 
   g\longa_"longa" g\breve_"breve" 

-  \property Voice.noteHeadStyle = ##f
+  \property Voice.NoteHead \revert #'style

   g1_"1/1" g2_"1/2" g4_"1/4" s16 g8_"1/8" s16
   g16_"1/16" s16 g32_"1/32" s16 g64_"1/64" s32 }
 @end lilypond
 
 @lilypond[13pt,eps]
   g1_"1/1" g2_"1/2" g4_"1/4" s16 g8_"1/8" s16
   g16_"1/16" s16 g32_"1/32" s16 g64_"1/64" s32 }
 @end lilypond
 
 @lilypond[13pt,eps]

-\property Voice.TextScript \set #'font-style = #'large
+\property Score.TextScript \set #'font-style = #'large

 \property Score.barNonAuto = ##t
 \notes\relative c'' { 
   r\longa_"longa" r\breve_"breve" 
 \property Score.barNonAuto = ##t
 \notes\relative c'' { 
   r\longa_"longa" r\breve_"breve" 


@@ -1784,12 +1774,11 @@ half. Another dot adds yet a fourth of the duration.
 @
 
 @lilypond[13pt,eps]
 @
 
 @lilypond[13pt,eps]

-\emptyText
-\property Voice.TextScript \set #'font-style = #'large
+\property Score.TextScript \set #'font-style = #'large

 \notes\relative c'' { 
 \notes\relative c'' { 

-  \time 4/4;
-  g4._"pointed" g8 g2 | g4 () g8 g g2 \bar "||"; 
-  g4.._"double pointed" g16 g2 | g4 () g8 () g16 g g2 \bar "||"; }
+  \time 4/4
+  g4._"pointed" g8 g2 | g4 () g8 g g2 \bar "||" 
+  g4.._"double pointed" g16 g2 | g4 () g8 () g16 g g2 \bar "||" }

 @end lilypond
 
 Alternatively note values may be subdivided by other ratios. Most common is
 @end lilypond
 
 Alternatively note values may be subdivided by other ratios. Most common is


@@ -1800,17 +1789,16 @@ frequently used.
 @
 
 @lilypond[13pt,eps]
 @
 
 @lilypond[13pt,eps]

-\property Voice.TextScript \set #'font-style = #'large
-\emptyText
+\property Score.TextScript \set #'font-style = #'large

 \notes\relative c'' { 
 \notes\relative c'' { 

-  \time 4/4;
-  \times 2/3 {g8_"triplets" g g} g4 g8 g g4 \bar "||"; 
-  \times 2/5 {g8_"quintuplets" g g g g} g4 g8 g g4 \bar "||";
-  \time 3/4;
+  \time 4/4
+  \times 2/3 {g8_"triplets" g g} g4 g8 g g4 \bar "||" 
+  \times 2/5 {g8_"quintuplets" g g g g} g4 g8 g g4 \bar "||"
+  \time 3/4

   \times 3/2 {g4_"duplets" g} |
   \times 3/2 {g4_"duplets" g} |

-  g4 g g \bar "||";
+  g4 g g \bar "||"

   \times 6/4 {g8_"quadruplets" g g g} |
   \times 6/4 {g8_"quadruplets" g g g} |

-  g8 g g g g4 \bar "||";}
+  g8 g g g g4 \bar "||"}

 @end lilypond
 
 @
 @end lilypond
 
 @


@@ -1820,11 +1808,12 @@ frequently used.
 @w{@ar{}@strong{g clef}} @w{@ar{}@strong{f clef}}
 
 @item octave
 @w{@ar{}@strong{g clef}} @w{@ar{}@strong{f clef}}
 
 @item octave

-I: ottava, F: octave, D: Oktave, NL: octaaf, DK: oktav, S: oktav, N: .
+ES: octava, I: ottava, F: octave, D: Oktave, NL: octaaf, DK: oktav, S: oktav, N: .

 
 @w{@ar{}@strong{interval}}
 
 @item ornament; embellishment; accessory
 
 @w{@ar{}@strong{interval}}
 
 @item ornament; embellishment; accessory

+ES: adorno, 

 I: abbellimento, fioriture, F: agr@'ement, ornement, D: Verzierung, Ornament,
 NL: versiering, DK: forsiring, S: ornament, N: .
 
 I: abbellimento, fioriture, F: agr@'ement, ornement, D: Verzierung, Ornament,
 NL: versiering, DK: forsiring, S: ornament, N: .
 


@@ -1837,11 +1826,10 @@ the upper note is played first.
 @lilypond[13pt,eps]
 <
   \context Staff = sa {
 @lilypond[13pt,eps]
 <
   \context Staff = sa {

-    \emptyText
-    \property Voice.TextScript \set #'font-style = #'large
+        \property Score.TextScript \set #'font-style = #'large

     \notes\relative c'' { 
     \notes\relative c'' { 

-      c2._"pre-1850"  b4\trill | c1 \bar "||";
-      c2._"post-1850" b4\trill | c1 \bar "||";
+      c2._"pre-1850"  b4\trill | c1 \bar "||"
+      c2._"post-1850" b4\trill | c1 \bar "||"

     }
   }
   \notes\relative c'' {
     }
   }
   \notes\relative c'' {


@@ -1859,12 +1847,11 @@ Other frequently used ornaments are the @emph{turn}, the @emph{mordent} and the
 @lilypond[13pt,eps]
 <
   \context Staff = sa {
 @lilypond[13pt,eps]
 <
   \context Staff = sa {

-    \emptyText
-    \property Voice.TextScript \set #'font-style = #'large
+        \property Score.TextScript \set #'font-style = #'large

     \notes\relative c'' { 
     \notes\relative c'' { 

-      a4_"turn" b\turn c2 \bar "||";
-      g4_"mordent" a b\mordent a \bar "||";
-      e'4_"prall" d\prall c2 \bar "||";
+      a4_"turn" b\turn c2 \bar "||"
+      g4_"mordent" a b\mordent a \bar "||"
+      e'4_"prall" d\prall c2 \bar "||"

     } 
   }
   \notes\relative c'' { 
     } 
   }
   \notes\relative c'' { 


@@ -1878,21 +1865,21 @@ Other frequently used ornaments are the @emph{turn}, the @emph{mordent} and the
 @w{@ar{}@strong{appoggiatura}}
 
 @item ossia
 @w{@ar{}@strong{appoggiatura}}
 
 @item ossia

-I: ossia, F: ossia, D: Ossia, NL: alternatief, DK: ossia, S: ossia, N: .
+ES: ossia, I: ossia, F: ossia, D: Ossia, NL: alternatief, DK: ossia, S: ossia, N: .

 
 Ossia (otherwise) marks an alternative. It is an added staff or piano
 score, usually only a few measures long, which presents another version
 of the music, for example for small hands.
 
 @item part
 
 Ossia (otherwise) marks an alternative. It is an added staff or piano
 score, usually only a few measures long, which presents another version
 of the music, for example for small hands.
 
 @item part

-I: voce, parte, F: partie, D: Stimme, NL: partij, DK: stemme, S: st@"amma, N: .
+ES: parte, I: voce, parte, F: partie, D: Stimme, NL: partij, DK: stemme, S: st@"amma, N: .

 
 1. In instrumental or choral music the music for the single instrument
 or voice. 2. in contrapuntal music @w{@ar{}@strong{counterpoint}} the single
 melodic line of the contrapuntal web.
 
 @item percussion
 
 1. In instrumental or choral music the music for the single instrument
 or voice. 2. in contrapuntal music @w{@ar{}@strong{counterpoint}} the single
 melodic line of the contrapuntal web.
 
 @item percussion

-I: percussioni, F: percussion, D: Schlagzeug, NL: slagwerk, DK: slagt@o{}j, S:
+ES: percusión, I: percussioni, F: percussion, D: Schlagzeug, NL: slagwerk, DK: slagt@o{}j, S:

 slagverk, N: .
 
 A family of musical instruments which are played on by striking or
 slagverk, N: .
 
 A family of musical instruments which are played on by striking or


@@ -1902,42 +1889,42 @@ tambourine, cymbals, chinese gong (tam-tam), triangle, celesta, glockenspiel
 and xylophone.
 
 @item perfect interval
 and xylophone.
 
 @item perfect interval

-
+ES: intervalo justo, 

 I: intervallo giusto, F: intervalle juste, D: reines Intervall, NL: rein
 interval, DK: rent interval, S: rent intervall, N: .
 
 @w{@ar{}@strong{interval}}
 
 @item phrase
 I: intervallo giusto, F: intervalle juste, D: reines Intervall, NL: rein
 interval, DK: rent interval, S: rent intervall, N: .
 
 @w{@ar{}@strong{interval}}
 
 @item phrase

-I: frase, F: phrase, D: Phrase, NL: frase, zin, DK: frase, S: fras, N: .
+ES: frase, I: frase, F: phrase, D: Phrase, NL: frase, zin, DK: frase, S: fras, N: .

 
 A natural division of the melodic line, comparable to a sentence of speech.
 
 @item phrasing
 
 A natural division of the melodic line, comparable to a sentence of speech.
 
 @item phrasing

-I: fraseggio, F: phras@'e, D: Phrasierung, NL: frasering, DK: frasering, S:
+ES: fraseo, I: fraseggio, F: phras@'e, D: Phrasierung, NL: frasering, DK: frasering, S:

 fra@-se@-ring, N: .
 
 The clear rendering in musical performance of the @w{@ar{}@strong{phrase}}s of
 the melody. Phrasing may be indicated by a @w{@ar{}@strong{slur}}.
 
 fra@-se@-ring, N: .
 
 The clear rendering in musical performance of the @w{@ar{}@strong{phrase}}s of
 the melody. Phrasing may be indicated by a @w{@ar{}@strong{slur}}.
 

-@item piano 
-I: piano, F: piano, D: piano, leise, NL: piano, DK: piano, S: piano, N: .
+@item piano
+ES: piano, I: piano, F: piano, D: piano, leise, NL: piano, DK: piano, S: piano, N: .

 
 @emph{piano} (@b{p}) soft, @emph{pianissimo} (@b{pp}) very soft,
 @emph{mezzopiano} (@b{mp}) medium soft.
 
 @item pitch
 
 @emph{piano} (@b{p}) soft, @emph{pianissimo} (@b{pp}) very soft,
 @emph{mezzopiano} (@b{mp}) medium soft.
 
 @item pitch

-I: altezza, F: hauteur, D: Tonh@"ohe, NL: toonhoogte, DK: toneh@o{}jde, S:
+ES: altura, I: altezza, F: hauteur, D: Tonh@"ohe, NL: toonhoogte, DK: toneh@o{}jde, S:

 tonh@"ojd, N: .
 
 @item pizzicato
 tonh@"ojd, N: .
 
 @item pizzicato

-I: pizzicato, F: pizzicato, D: pizzicato, NL: pizzicato, getokkeld, DK:
+ES: pizzicato, I: pizzicato, F: pizzicato, D: pizzicato, NL: pizzicato, getokkeld, DK:

 pizzicato, S: pizzicato.
 
 Play by plucking the strings.
 
 @item polyphony
 pizzicato, S: pizzicato.
 
 Play by plucking the strings.
 
 @item polyphony

-I: polifonia, F: polyphonie, D: Polyphonie, NL: polyfonie, DK: polyfoni, S:
+ES: polifonía, I: polifonia, F: polyphonie, D: Polyphonie, NL: polyfonie, DK: polyfoni, S:

 polyfoni, N: .
 
 Music written in a combination of several simultaneous voices (parts) of a
 polyfoni, N: .
 
 Music written in a combination of several simultaneous voices (parts) of a


@@ -1947,13 +1934,14 @@ more or less pronounced individuality. @w{@ar{}@strong{counterpoint}}
 @w{@ar{}@strong{legato}}
 
 @item presto
 @w{@ar{}@strong{legato}}
 
 @item presto

-I: presto, F: presto, D: Presto, Sehr schnell, NL: presto, Sehr schnell, DK:
+ES: presto, I: presto, F: presto, D: Presto, Sehr schnell, NL: presto, Sehr schnell, DK:

 presto, S: presto, N: .
 
 Very quick, i.e. quicker than @w{@ar{}@strong{allegro}}. @emph{prestissimo}
 denotes the highest possible degree of speed.
 
 @item Pythagorean comma
 presto, S: presto, N: .
 
 Very quick, i.e. quicker than @w{@ar{}@strong{allegro}}. @emph{prestissimo}
 denotes the highest possible degree of speed.
 
 @item Pythagorean comma

+ES: coma pitagórico, 

 I: comma pitagorico, F: comma pythagoricien, D: Pythagor@"aisches Komma, NL:
 komma van Pythagoras, DK: pythagor@ae{}isk komma, S: pytagoreiskt komma, N: .
 
 I: comma pitagorico, F: comma pythagoricien, D: Pythagor@"aisches Komma, NL:
 komma van Pythagoras, DK: pythagor@ae{}isk komma, S: pytagoreiskt komma, N: .
 


@@ -1963,37 +1951,37 @@ obtained by adding 7 octaves. The difference between those two pitches is
 called the Pythagorean comma.
 
 @item quadruplet
 called the Pythagorean comma.
 
 @item quadruplet

-I: quartina, F: quartolet, D: Quartole, NL: kwartool, DK: kvartol, S: kvartol,
+ES: cuatrillo, I: quartina, F: quartolet, D: Quartole, NL: kwartool, DK: kvartol, S: kvartol,

 N: .
 
 @w{@ar{}@strong{note value}}
 
 @item quarter note
 N: .
 
 @w{@ar{}@strong{note value}}
 
 @item quarter note

-I: semiminima, nera, F: noire, UK: crotchet, D: Viertel, Viertelnote, NL:
+ES: negra, I: semiminima, nera, F: noire, UK: crotchet, D: Viertel, Viertelnote, NL:

 kwartnoot, DK: fjerdedelsnode, S: fj@"ardedelsnot, N:
 
 @w{@ar{}@strong{note value}}
 
 @item quarter rest
 kwartnoot, DK: fjerdedelsnode, S: fj@"ardedelsnot, N:
 
 @w{@ar{}@strong{note value}}
 
 @item quarter rest

-I: pausa di semiminima, F: soupir, UK: crotchet rest, D: Viertelpause, NL:
+ES: silencio de negra, I: pausa di semiminima, F: soupir, UK: crotchet rest, D: Viertelpause, NL:

 kwart rust, DK:@w{ }fjerdedelspause, S: fj@"ardedelspaus, N: .
 
 @w{@ar{}@strong{note value}}
 
 @item quintuplet
 kwart rust, DK:@w{ }fjerdedelspause, S: fj@"ardedelspaus, N: .
 
 @w{@ar{}@strong{note value}}
 
 @item quintuplet

-I: quintina, F: quintuplet, D: Quintole, NL: kwintool, DK: kvintol, S:
+ES: quintillo, I: quintina, F: quintuplet, D: Quintole, NL: kwintool, DK: kvintol, S:

 kvintol, N: .
 
 @w{@ar{}@strong{note value}}
 
 @item rallentando
 kvintol, N: .
 
 @w{@ar{}@strong{note value}}
 
 @item rallentando

-I: rallentando, F: rallentando, D: rallentando, langsamer, NL: rallentando, DK:
+ES: rallentando, I: rallentando, F: rallentando, D: rallentando, langsamer, NL: rallentando, DK:

 rallentando, S: rallentando, N: rallentando.
 
 Abbreviation "rall.". @w{@ar{}@strong{ritardando}}
 
 @item relative key
 rallentando, S: rallentando, N: rallentando.
 
 Abbreviation "rall.". @w{@ar{}@strong{ritardando}}
 
 @item relative key

-I: tonalit@`a relativa, F: tonalit@'e relative, D: Paralleltonart, DK:
+ES: relativa, I: tonalit@`a relativa, F: tonalit@'e relative, D: Paralleltonart, DK:

 paralleltoneart, S: parallelltonart, N: .
 
 @w{@ar{}@strong{Major}} and @w{@ar{}@strong{minor}} @w{@ar{}@strong{key}} with
 paralleltoneart, S: parallelltonart, N: .
 
 @w{@ar{}@strong{Major}} and @w{@ar{}@strong{minor}} @w{@ar{}@strong{key}} with


@@ -2002,39 +1990,38 @@ the same @w{@ar{}@strong{signature}}.
 @
 
 @lilypond[13pt,eps] 
 @
 
 @lilypond[13pt,eps] 

-\emptyText

 \property Score.barNonAuto = ##t 
 \property Score.barNonAuto = ##t 

-\property Voice.TextScript \set #'font-style = #'large
+\property Score.TextScript \set #'font-style = #'large

 \notes\relative c' { 
 \notes\relative c' { 

-  \key es \major;
+  \key es \major

   es1_"e flat major" f g as bes c d es 
   es1_"e flat major" f g as bes c d es 

-  \bar "||"; s16 
-  \key es \major;
-  c,1_"c minor" d es f g a! b! c \bar "||";
+  \bar "||" s16 
+  \key es \major
+  c,1_"c minor" d es f g a! b! c \bar "||"

 }
 @end lilypond
 
 @item repeat
 }
 @end lilypond
 
 @item repeat

-I: ritornello, F: barre de reprise, D: Wiederholung, NL: herhaling, DK:
+ES: barra de repetición, I: ritornello, F: barre de reprise, D: Wiederholung, NL: herhaling, DK:

 gen@-ta@-gel@-se, S: repris, N: .
 
 @
 
 @lilypond[13pt,eps]
 gen@-ta@-gel@-se, S: repris, N: .
 
 @
 
 @lilypond[13pt,eps]

-\key g \major;
-\time 4/4;
+\key g \major
+\time 4/4

 \notes\relative c'' { 
   \repeat volta 2 {g4 g d' d | e e d2 | c4 c b b | a a g2 }
 }
 @end lilypond
 
 @item rest
 \notes\relative c'' { 
   \repeat volta 2 {g4 g d' d | e e d2 | c4 c b b | a a g2 }
 }
 @end lilypond
 
 @item rest

-I: pausa, F: silence, D: Pause, NL: rust, DK: pause, S: paus, N: .
+ES: silencio, I: pausa, F: silence, D: Pause, NL: rust, DK: pause, S: paus, N: .

 
 @w{@ar{}@strong{note value}}
 
 @item rhythm
 
 @w{@ar{}@strong{note value}}
 
 @item rhythm

-I: ritmo, F: rythme, D: Rhythmus, NL: ritme, DK: rytme, S: rytm, N: .
+ES: ritmo, I: ritmo, F: rythme, D: Rhythmus, NL: ritme, DK: rytme, S: rytm, N: .

 
 (a) metrical rhythm in which every time value is a multiple or fraction of a
 fixed unit of time, called @w{@ar{}@strong{beat}}, and in which the normal
 
 (a) metrical rhythm in which every time value is a multiple or fraction of a
 fixed unit of time, called @w{@ar{}@strong{beat}}, and in which the normal


@@ -2046,24 +2033,24 @@ different measures. (c) Free rhythm, i.e. the use of temporal values having no
 common metrical unit (beat).
 
 @item ritardando
 common metrical unit (beat).
 
 @item ritardando

-I: ritardando, F: ritardando, D: Ritardando, Langsamer, NL: ritardando, DK:
+ES: retardando, I: ritardando, F: ritardando, D: Ritardando, Langsamer, NL: ritardando, DK:

 ritardando, S: ritardando, N: .
 
 Gradually slackening in speed. Mostly abbreviated to rit. or ritard. 
 
 @item ritenuto
 ritardando, S: ritardando, N: .
 
 Gradually slackening in speed. Mostly abbreviated to rit. or ritard. 
 
 @item ritenuto

-I: ritenuto, F: ritenuto, D: Ritenuto, NL: ritenuto, DK: ritenuto, S:
+ES: ritenuto, I: ritenuto, F: ritenuto, D: Ritenuto, NL: ritenuto, DK: ritenuto, S:

 ritenuto, N: .
 
 Immediate reduction of speed.
 
 @item scale
 ritenuto, N: .
 
 Immediate reduction of speed.
 
 @item scale

-I: scala, F: gamme, D: Tonleiter, NL: toonladder, DK: Skala, S: skala, N: .
+ES: escala, I: scala, F: gamme, D: Tonleiter, NL: toonladder, DK: Skala, S: skala, N: .

 
 @w{@ar{}@strong{diatonic scale}}
 
 @item scale degree
 
 @w{@ar{}@strong{diatonic scale}}
 
 @item scale degree

-I: grado della scala, F: degr@'e [de la gamme], D: Tonleiterstufe, NL: trap
+ES: grados de la escala, I: grado della scala, F: degr@'e [de la gamme], D: Tonleiterstufe, NL: trap

 [van de toonladder], DK: skalatrin, S: skalsteg (?), N: .
 
 Names and symbols used in harmonic analysis to denote tones of the scale as
 [van de toonladder], DK: skalatrin, S: skalsteg (?), N: .
 
 Names and symbols used in harmonic analysis to denote tones of the scale as


@@ -2073,12 +2060,11 @@ sub@-do@-mi@-nant (S) and V = dominant (D).
 @
 
 @lilypond[13pt,eps] 
 @
 
 @lilypond[13pt,eps] 

-\emptyText

 \property Score.barNonAuto = ##t 
 \property Score.barNonAuto = ##t 

-\property Lyrics.LyricText \set #'font-style = #'large
-\property Lyrics.minVerticalAlign = 8
+\property Score.LyricText \set #'font-style = #'large
+%\property Lyrics.minVerticalAlign = #8

 \addlyrics
 \addlyrics

-\notes\relative c' { 
+\context Staff \notes\relative c' { 

   c1 d e f g a b c }
 \context Lyrics \lyrics { 
   < { I II III IV V VI VII I } 
   c1 d e f g a b c }
 \context Lyrics \lyrics { 
   < { I II III IV V VI VII I } 


@@ -2089,7 +2075,7 @@ sub@-do@-mi@-nant (S) and V = dominant (D).
 @w{@ar{}@strong{functional harmony}}
 
 @item score
 @w{@ar{}@strong{functional harmony}}
 
 @item score

-I: partitura, F: partition, D: Partitur, NL: partituur, DK: partitur, S:
+ES: partitura, I: partitura, F: partition, D: Partitur, NL: partituur, DK: partitur, S:

 partitur, N: .
 
 A copy of orchestral, choral or chamber music showing what each instrument is
 partitur, N: .
 
 A copy of orchestral, choral or chamber music showing what each instrument is


@@ -2097,7 +2083,7 @@ to play, each voice to sing, having each part arranged one underneath the
 other on different @w{@ar{}@strong{stave}}s.
 
 @item second
 other on different @w{@ar{}@strong{stave}}s.
 
 @item second

-I: secunda, F: seconde, D: Sekunde, NL: secunde, DK: sekund, S: sekund, N: .
+ES: segunda, I: secunda, F: seconde, D: Sekunde, NL: secunde, DK: sekund, S: sekund, N: .

 
 The @w{@ar{}@strong{interval}} between two neigbouring tones of a scale. A
 @w{@ar{}@strong{diatonic scale}} consists of alternating
 
 The @w{@ar{}@strong{interval}} between two neigbouring tones of a scale. A
 @w{@ar{}@strong{diatonic scale}} consists of alternating


@@ -2105,7 +2091,7 @@ The @w{@ar{}@strong{interval}} between two neigbouring tones of a scale. A
 of a se@-cond depends on the scale degrees in question.
 
 @item semitone
 of a se@-cond depends on the scale degrees in question.
 
 @item semitone

-I: semitono, F: demi-ton, D: Halbton, NL: halve toon, DK: halvtone, S:
+ES: semitono, I: semitono, F: demi-ton, D: Halbton, NL: halve toon, DK: halvtone, S:

 halvton, N: .
 
 The @w{@ar{}@strong{interval}} of a minor second. The (usually) smallest
 halvton, N: .
 
 The @w{@ar{}@strong{interval}} of a minor second. The (usually) smallest


@@ -2122,7 +2108,7 @@ semitones. @w{@ar{}@strong{interval}} @w{@ar{}@strong{chromatic scale}}
 @end lilypond
 
 @item seventh
 @end lilypond
 
 @item seventh

-I: settima, F: septi@`eme, D: Septime, NL: septiem, DK: septim, S: septim, N: .
+ES: séptima, I: settima, F: septi@`eme, D: Septime, NL: septiem, DK: septim, S: septim, N: .

 
 @w{@ar{}@strong{interval}}
 
 
 @w{@ar{}@strong{interval}}
 


@@ -2133,7 +2119,7 @@ I: sestina, F: sextolet, D: Sextole, NL: sextool, DK: sekstol, S: sextol, N:
 @w{@ar{}@strong{note value}}
 
 @item sharp
 @w{@ar{}@strong{note value}}
 
 @item sharp

-I: diesis, F: di@`ese, D: Kreuz, NL: kruis, DK: kryds, S: korsf@"ortecken, N: .
+ES: sostenido, I: diesis, F: di@`ese, D: Kreuz, NL: kruis, DK: kryds, S: korsf@"ortecken, N: .

 
 @w{@ar{}@strong{accidental}}
 
 
 @w{@ar{}@strong{accidental}}
 


@@ -2141,25 +2127,26 @@ I: diesis, F: di@`ese, D: Kreuz, NL: kruis, DK: kryds, S: korsf@"ortecken, N: .
 @w{@ar{}@strong{appoggiatura}}
 
 @item sixteenth note
 @w{@ar{}@strong{appoggiatura}}
 
 @item sixteenth note

-I: semicroma, F: double croche, UK: semiquaver, D: Sechzehntel,
+ES: semicorchea, I: semicroma, F: double croche, UK: semiquaver, D: Sechzehntel,

 Sechzehntelnote, NL:@w{ }zes@-ti@-ende noot, DK: sekstendedelsnode, S:
 sextondelsnot, N: .
 
 @w{@ar{}@strong{note value}}
 
 @item sixteenth rest
 Sechzehntelnote, NL:@w{ }zes@-ti@-ende noot, DK: sekstendedelsnode, S:
 sextondelsnot, N: .
 
 @w{@ar{}@strong{note value}}
 
 @item sixteenth rest

-I: pausa di semicroma, F: quart de soupir, UK: semiquaver rest, D:
+ES: silencia de semicorchea, I: pausa di semicroma, F: quart de soupir, UK: semiquaver rest, D:

 Sechzehntelpause, NL: zestiende rust, DK: sekstendedelspause, S:
 sextondelspaus, N: .
 
 @w{@ar{}@strong{note value}}
 
 @item sixth
 Sechzehntelpause, NL: zestiende rust, DK: sekstendedelspause, S:
 sextondelspaus, N: .
 
 @w{@ar{}@strong{note value}}
 
 @item sixth

-I: sesta, F: sixte, D: Sexte, NL: sext, DK: sekst, S: sext, N: .
+ES: sexta, I: sesta, F: sixte, D: Sexte, NL: sext, DK: sekst, S: sext, N: .

 
 @w{@ar{}@strong{interval}}
 
 @item sixty-fourth note
 
 @w{@ar{}@strong{interval}}
 
 @item sixty-fourth note

+ES: semifusa, 

 I: semibiscroma, F: quadruple croche, UK: hemidemisemiquaver, D:
 Vierundsechzigstel, Vierundsechzigstelnote, NL: vierenzestigste noot, DK:
 fi@-re@-og@-tred@-sinds@-ty@-ven@-de@-dels@-no@-de, S:
 I: semibiscroma, F: quadruple croche, UK: hemidemisemiquaver, D:
 Vierundsechzigstel, Vierundsechzigstelnote, NL: vierenzestigste noot, DK:
 fi@-re@-og@-tred@-sinds@-ty@-ven@-de@-dels@-no@-de, S:


@@ -2168,6 +2155,7 @@ sextiofj@"ardedelsnot, N: .
 @w{@ar{}@strong{note value}}
 
 @item sixty-fourth rest
 @w{@ar{}@strong{note value}}
 
 @item sixty-fourth rest

+ES: silencia de semifusa, 

 I: pausa di semibiscroma, F: seizi@`eme de soupir, UK: hemidemisemiquaver
 rest, D: Vierundsechzigstelpause, NL: vierenzestigste rust, DK:
 fi@-re@-og@-tred@-sinds@-ty@-ven@-de@-dels@-pau@-se, S:
 I: pausa di semibiscroma, F: seizi@`eme de soupir, UK: hemidemisemiquaver
 rest, D: Vierundsechzigstelpause, NL: vierenzestigste rust, DK:
 fi@-re@-og@-tred@-sinds@-ty@-ven@-de@-dels@-pau@-se, S:


@@ -2176,7 +2164,7 @@ sextiofj@"ardedelspaus, N: .
 @w{@ar{}@strong{note value}}
 
 @item slur
 @w{@ar{}@strong{note value}}
 
 @item slur

-I: legatura (di portamento or espressiva), F: liaison, coul@'e, D: Bogen,
+ES: ligadura, I: legatura (di portamento or espressiva), F: liaison, coul@'e, D: Bogen,

 Bindebogen, Legatobogen, Phrasierungsbogen, NL: binding, bindingsboog, 
 DK:@w{ }legatobue, fraseringsbue, S: b@aa{}ge, N: .
 
 Bindebogen, Legatobogen, Phrasierungsbogen, NL: binding, bindingsboog, 
 DK:@w{ }legatobue, fraseringsbue, S: b@aa{}ge, N: .
 


@@ -2194,14 +2182,14 @@ General term for systems of designating the degrees of the
 (@emph{ti})). @w{@ar{}@strong{scale degree}}.
 
 @item sonata
 (@emph{ti})). @w{@ar{}@strong{scale degree}}.
 
 @item sonata

-I: sonata, F: sonate, D: Sonate, NL: sonate, DK: sonate, S: sonat, N: .
+ES: sonata, I: sonata, F: sonate, D: Sonate, NL: sonate, DK: sonate, S: sonat, N: .

 
 In its present-day meaning a sonata denotes an instrumental composition for
 piano or for some other instrument with piano accompaniment, which consists of
 three or four independant pieces, called movements.
 
 @item sonata form
 
 In its present-day meaning a sonata denotes an instrumental composition for
 piano or for some other instrument with piano accompaniment, which consists of
 three or four independant pieces, called movements.
 
 @item sonata form

-I: forma sonata, F: [en] forme de sonate, D: Sonatenform, NL: hoofdvorm,
+ES: forma sonata, I: forma sonata, F: [en] forme de sonate, D: Sonatenform, NL: hoofdvorm,

 sonatevorm, DK: sonateform, S: sonatform, N: .
 
 A form used frequently for single movements of the @w{@ar{}@strong{sonata}},
 sonatevorm, DK: sonateform, S: sonatform, N: .
 
 A form used frequently for single movements of the @w{@ar{}@strong{sonata}},


@@ -2219,12 +2207,12 @@ two. The second theme is in another key, normally in the key of the
 tonic is @w{@ar{}@strong{minor}}.
 
 @item soprano
 tonic is @w{@ar{}@strong{minor}}.
 
 @item soprano

-I: soprano, F: soprano, D: Sopran, NL: sopraan, DK: sopran, S: sopran, N: .
+ES: soprano, I: soprano, F: soprano, D: Sopran, NL: sopraan, DK: sopran, S: sopran, N: .

 
 The highest female voice.
 
 @item staccato
 
 The highest female voice.
 
 @item staccato

-I: staccato, F: staccato, piqu@'e, d@'etach@'e, D: staccato, NL: staccato, DK:
+ES: staccato, I: staccato, F: staccato, piqu@'e, d@'etach@'e, D: staccato, NL: staccato, DK:

 staccato, S: staccato, N:
 
 Playing the note(s) short. Staccato is indicated by a dot above or below the
 staccato, S: staccato, N:
 
 Playing the note(s) short. Staccato is indicated by a dot above or below the


@@ -2233,16 +2221,16 @@ notehead.
 @
 
 @lilypond[13pt,eps]
 @
 
 @lilypond[13pt,eps]

-\key d \major;
-\time 4/4;
+\key d \major
+\time 4/4

 \notes\relative c'' { 
 \notes\relative c'' { 

-  \partial 8; a8 | 
+  \partial 8 a8 | 

   d4-\staccato cis-\staccato b-\staccato cis-\staccato | 
   d4-\staccato cis-\staccato b-\staccato cis-\staccato | 

-  d2. \bar "||"; }
+  d2. \bar "||" }

 @end lilypond
 
 @item staff
 @end lilypond
 
 @item staff

-I: pentagramma, rigo (musicale), F: port@'ee, D: Notensystem, NL: (noten)balk;
+ES: pentagrama, I: pentagramma, rigo (musicale), F: port@'ee, D: Notensystem, NL: (noten)balk;

 partij, DK: nodesystem, S: notsystem, N: .
 
 pl. staves or staffs. A series of (normally 5) horizontal lines upon and
 partij, DK: nodesystem, S: notsystem, N: .
 
 pl. staves or staffs. A series of (normally 5) horizontal lines upon and


@@ -2251,7 +2239,7 @@ with a @w{@ar{}@strong{clef}}) their pitch. Staffs for
 @w{@ar{}@strong{percussion}} instruments may have fewer lines.
 
 @item stem
 @w{@ar{}@strong{percussion}} instruments may have fewer lines.
 
 @item stem

-I: gamba, F: queue, D: Hals, Notenhals, Stiel, NL: stok, DK: hals, S: skaft,
+ES: plica, I: gamba, F: queue, D: Hals, Notenhals, Stiel, NL: stok, DK: hals, S: skaft,

 N: .
 
 Vertical line above or below a @w{@ar{}@strong{note head}} shorter than a whole
 N: .
 
 Vertical line above or below a @w{@ar{}@strong{note head}} shorter than a whole


@@ -2262,8 +2250,7 @@ note. @w{@ar{}@strong{beam}}
 @lilypond[13pt,eps]
 \property Score.noAutoBeaming = ##t
 \property Score.barNonAuto = ##t
 @lilypond[13pt,eps]
 \property Score.noAutoBeaming = ##t
 \property Score.barNonAuto = ##t

-\emptyText
-\property Voice.TextScript \set #'font-style = #'large
+\property Score.TextScript \set #'font-style = #'large

 \notes\relative c'' { 
   g2_"1/2" g' s16
   g,4_"1/4" g' s16
 \notes\relative c'' { 
   g2_"1/2" g' s16
   g,4_"1/4" g' s16


@@ -2273,58 +2260,58 @@ note. @w{@ar{}@strong{beam}}
 @end lilypond
 
 @item strings
 @end lilypond
 
 @item strings

-I: archi, F: cordes, D: Streicher, NL: strijkers, DK: strygere, S:
+ES: arcos, cuerdas, I: archi, F: cordes, D: Streicher, NL: strijkers, DK: strygere, S:

 str@aa{}kar, N: .
 
 A family of stringed musical instruments played with a bow. Strings commonly
 used in a symphony orchestra are violin, viola, violoncello and double bass.
 
 @item strong beat
 str@aa{}kar, N: .
 
 A family of stringed musical instruments played with a bow. Strings commonly
 used in a symphony orchestra are violin, viola, violoncello and double bass.
 
 @item strong beat

-I: tempo forte, F: temps fort, D: betonter Taktteil oder -schlag, NL: thesis,
+ES: tiempo fuerte, I: tempo forte, F: temps fort, D: betonter Taktteil oder -schlag, NL: thesis,

 D: betonet taktslag, S: betonat taktslag, N: .
 
 @w{@ar{}@strong{beat}} @w{@ar{}@strong{accent}} @w{@ar{}@strong{measure}}
 @w{@ar{}@strong{rhythm}}
 
 @item subdominant
 D: betonet taktslag, S: betonat taktslag, N: .
 
 @w{@ar{}@strong{beat}} @w{@ar{}@strong{accent}} @w{@ar{}@strong{measure}}
 @w{@ar{}@strong{rhythm}}
 
 @item subdominant

-I: sottodominante, F: sous-dominante, D: Subdominante, NL: subdominant, DK:
+ES: subdominante, I: sottodominante, F: sous-dominante, D: Subdominante, NL: subdominant, DK:

 subdominant, S: subdominant, N: .
 
 The fourth @w{@ar{}@strong{scale degree}}. @w{@ar{}@strong{functional
 harmony}}
 
 @item submediant
 subdominant, S: subdominant, N: .
 
 The fourth @w{@ar{}@strong{scale degree}}. @w{@ar{}@strong{functional
 harmony}}
 
 @item submediant

-I: sopratonica, F: sous-m@'ediante, D: Submediant, NL: submediant, DK:
+ES: superdominante, I: sopratonica, F: sous-m@'ediante, D: Submediant, NL: submediant, DK:

 Submediant, S: submediant, N: .
 
 The sixth @w{@ar{}@strong{scale degree}}.
 
 @item subtonic
 Submediant, S: submediant, N: .
 
 The sixth @w{@ar{}@strong{scale degree}}.
 
 @item subtonic

-I: sottotonica, F: sous-tonique, D: Subtonika, NL: subtonica, DK: Subtonika, S:
+ES: sensible, I: sottotonica, F: sous-tonique, D: Subtonika, NL: subtonica, DK: Subtonika, S:

 subtonika, N: .
 
 The seventh @w{@ar{}@strong{scale degree}}
 
 @item superdominant
 subtonika, N: .
 
 The seventh @w{@ar{}@strong{scale degree}}
 
 @item superdominant

-I: sopradominante, F: sus-dominante, D: Superdominant, NL: superdominant, DK:
+ES: superdominante, I: sopradominante, F: sus-dominante, D: Superdominant, NL: superdominant, DK:

 superdominant, S: superdominant, N: .
 
 The sixth @w{@ar{}@strong{scale degree}} 
 
 @item supertonic
 superdominant, S: superdominant, N: .
 
 The sixth @w{@ar{}@strong{scale degree}} 
 
 @item supertonic

-I: sopratonica, F: sus-tonique, D: Supertonika, NL: supertonica, DK:
+ES: supertónica, I: sopratonica, F: sus-tonique, D: Supertonika, NL: supertonica, DK:

 supertonika, S: supertonika, N: .
 
 The second @w{@ar{}@strong{scale degree}}.
 
 @item symphony
 supertonika, S: supertonika, N: .
 
 The second @w{@ar{}@strong{scale degree}}.
 
 @item symphony

-I: sinfonia, F: symphonie, D: Sinfonie, NL: symfonie, DK: symfoni, S: symfoni,
+ES: sinfonía, I: sinfonia, F: symphonie, D: Sinfonie, NL: symfonie, DK: symfoni, S: symfoni,

 N: .
 
 A symphony may be defined as a @w{@ar{}@strong{sonata}} for orchestra.
 
 @item syncopation
 N: .
 
 A symphony may be defined as a @w{@ar{}@strong{sonata}} for orchestra.
 
 @item syncopation

-I: sincope, F: syncope, D: Synkope, NL: syncope, DK: synkope, S: synkop, N: .
+ES: sincopado, I: sincope, F: syncope, D: Synkope, NL: syncope, DK: synkope, S: synkop, N: .

 
 Any deliberate upsetting of the normal pulse of @w{@ar{}@strong{meter}},
 @w{@ar{}@strong{accent}} and @w{@ar{}@strong{rhythm}}. Our system of musical
 
 Any deliberate upsetting of the normal pulse of @w{@ar{}@strong{meter}},
 @w{@ar{}@strong{accent}} and @w{@ar{}@strong{rhythm}}. Our system of musical


@@ -2336,11 +2323,10 @@ the underlaying (normal) pulse and the actual (abnormal) rhythm.
 @
 
 @lilypond[13pt,eps]
 @
 
 @lilypond[13pt,eps]

-\emptyText
-\property Voice.TextScript \set #'font-style = #'large
-\time 4/4;
+\property Score.TextScript \set #'font-style = #'large
+\time 4/4

 \notes\relative c' {
 \notes\relative c' {

-  \partial 4;
+  \partial 4

   d8 dis |
   e c'4 e,8 c'4 e,8 c' ( | ) c2
 }
   d8 dis |
   e c'4 e,8 c'4 e,8 c' ( | ) c2
 }


@@ -2362,7 +2348,7 @@ The collection of staves @w{@ar{}@strong{staff}}, two or more, as used for the
 writing down of keyboard, chamber, choral or orchestral music.
 
 @item temperament
 writing down of keyboard, chamber, choral or orchestral music.
 
 @item temperament

-I: temperamento, F: temp@'erament, D: Stimmung, Temperatur, NL: temperament,
+ES: temperamento, I: temperamento, F: temp@'erament, D: Stimmung, Temperatur, NL: temperament,

 DK: temperatur, S: temperatur, N: .
 
 Systems of tuning in which the intervals deviate from the accoustically pure
 DK: temperatur, S: temperatur, N: .
 
 Systems of tuning in which the intervals deviate from the accoustically pure


@@ -2370,7 +2356,7 @@ intervals. @w{@ar{}@strong{meantone temperament}} @w{@ar{}@strong{equal
 temperament}}
 
 @item tempo indication
 temperament}}
 
 @item tempo indication

-I: indicazione di tempo, F: indication de temps, D: Zeitma@ss{},
+ES: indicación de tempo, I: indicazione di tempo, F: indication de temps, D: Zeitma@ss{},

 Tempobezeichnung, NL: tempo aanduiding, DK: tempobetegelse, S:
 tempobeteckning, N: .
 
 Tempobezeichnung, NL: tempo aanduiding, DK: tempobetegelse, S:
 tempobeteckning, N: .
 


@@ -2380,22 +2366,22 @@ slowest to the quickest, as is indicated by tempo marks as
 @w{@ar{}@strong{allegro}} and @w{@ar{}@strong{presto}}.
 
 @item tenor
 @w{@ar{}@strong{allegro}} and @w{@ar{}@strong{presto}}.
 
 @item tenor

-I: tenore, F: t@'enor, D: Tenor, NL: tenor, DK: tenor, S: tenor, N: .
+ES: tenor, I: tenore, F: t@'enor, D: Tenor, NL: tenor, DK: tenor, S: tenor, N: .

 
 The highest voice of men (apart from @w{@ar{}@strong{counter tenor}})
  
 @item tenth
 
 The highest voice of men (apart from @w{@ar{}@strong{counter tenor}})
  
 @item tenth

-I: decima, F: dixi@`eme, D: Dezime, NL: deciem, DK: decim, S: decima, N: .
+ES: décima, I: decima, F: dixi@`eme, D: Dezime, NL: deciem, DK: decim, S: decima, N: .

 
 @w{@ar{}@strong{note value}}
 
 @item third
 
 @w{@ar{}@strong{note value}}
 
 @item third

-I: terza, F: tierce, D: Terz, NL: terts, DK: terts, S: ters, N: .
+ES: tercera, I: terza, F: tierce, D: Terz, NL: terts, DK: terts, S: ters, N: .

 
 @w{@ar{}@strong{interval}}
 
 @item thirty-second note
 
 @w{@ar{}@strong{interval}}
 
 @item thirty-second note

-
+ES: fusa, 

 I: biscroma, F: triple croche, UK: demisemiquaver, D:
 Zweiunddrei@ss{}igstel, Zweiunddrei@ss{}igstelnote, NL: twee-endertig@-ste
 noot, DK: toogtredivtedelsnode, S: trettiotv@aa{}ondelsnot, N: .
 I: biscroma, F: triple croche, UK: demisemiquaver, D:
 Zweiunddrei@ss{}igstel, Zweiunddrei@ss{}igstelnote, NL: twee-endertig@-ste
 noot, DK: toogtredivtedelsnode, S: trettiotv@aa{}ondelsnot, N: .


@@ -2403,7 +2389,7 @@ noot, DK: toogtredivtedelsnode, S: trettiotv@aa{}ondelsnot, N: .
 @w{@ar{}@strong{note value}}
 
 @item thirty-second rest
 @w{@ar{}@strong{note value}}
 
 @item thirty-second rest

-
+ES: silencio de fusa, 

 I: pausa di biscroma, F: huiti@`eme de soupir, UK: demisemiquaver rest, D:
 Zweiunddrei@ss{}igstel@-pause, NL: 32e rust, DK: toogtredivtedelspause, S:
 trettiotv@aa{}ondelspaus, N: .
 I: pausa di biscroma, F: huiti@`eme de soupir, UK: demisemiquaver rest, D:
 Zweiunddrei@ss{}igstel@-pause, NL: 32e rust, DK: toogtredivtedelspause, S:
 trettiotv@aa{}ondelspaus, N: .


@@ -2411,6 +2397,7 @@ trettiotv@aa{}ondelspaus, N: .
 @w{@ar{}@strong{note value}}
 
 @item thorough bass; figured bass
 @w{@ar{}@strong{note value}}
 
 @item thorough bass; figured bass

+ES: bajo cifrado, 

 I: basso continuo, basso numerato, F: basse chiffr@'ee, D: Generalbass,
 bezifferter Bass, NL: basso continuo, DK:@w{ }generalbas, S: generalbas, N: .
 
 I: basso continuo, basso numerato, F: basse chiffr@'ee, D: Generalbass,
 bezifferter Bass, NL: basso continuo, DK:@w{ }generalbas, S: generalbas, N: .
 


@@ -2422,10 +2409,10 @@ with figures designating the chief @w{@ar{}@strong{interval}}s and
 
 @lilypond[13pt,eps]
 \context GrandStaff <
 
 @lilypond[13pt,eps]
 \context GrandStaff <

-  \notes\relative c'' { 
-    \time 4/4;
-    \key es \major;
-    \clef treble; 
+  \context Staff = lh \notes\relative c'' { 
+    \time 4/4
+    \key es \major
+    \clef treble 

     < \context Voice = rha { 
         \stemUp
         es4 d c bes | bes } 
     < \context Voice = rha { 
         \stemUp
         es4 d c bes | bes } 


@@ -2434,16 +2421,15 @@ with figures designating the chief @w{@ar{}@strong{interval}}s and
         < bes8 g > as < as f > g < g es > f < d f > es | < g4 es > } 
     >
   }
         < bes8 g > as < as f > g < g es > f < d f > es | < g4 es > } 
     >
   }

-  \property Voice.TextScript \set #'font-style = #'large
-  \property Lyrics.LyricText \set #'font-style = #'Large
-  \property Lyrics.minVerticalAlign = 6

   \addlyrics
   \addlyrics

-    \notes\relative c' { 
-    \clef bass;
-    \key es \major;
+    \context Staff = rh \notes\relative c' { 
+    \clef bass
+    \key es \major

     es8 c () c bes () bes as () as g16 f | es4 
   }
   \context Lyrics \lyrics { 
     es8 c () c bes () bes as () as g16 f | es4 
   }
   \context Lyrics \lyrics { 

+    \property Lyrics . LyricText \set #'font-style = #'Large
+    \property Lyrics . VerticalAlign \override #'threshold = #'(6 . 12)

     < { "" "6" "4" "6" "4" "6" "4" "6" }
       { "" "" "2" "" "2" "" "2" "" } >
   } 
     < { "" "6" "4" "6" "4" "6" "4" "6" }
       { "" "" "2" "" "2" "" "2" "" } >
   } 


@@ -2451,6 +2437,7 @@ with figures designating the chief @w{@ar{}@strong{interval}}s and
 @end lilypond
 
 @item tie; bind
 @end lilypond
 
 @item tie; bind

+ES: ligadura de prolongación, 

 I: legatura (di valore), F: liaison, D: Haltebogen, NL: overbinding, DK:
 bindebue, S: bindeb@aa{}ge, @"overbindning, N: .
 
 I: legatura (di valore), F: liaison, D: Haltebogen, NL: overbinding, DK:
 bindebue, S: bindeb@aa{}ge, @"overbindning, N: .
 


@@ -2467,6 +2454,7 @@ uniting them into a single sound equal to the combined durations.
 
 @item time signature
 
 
 @item time signature
 

+ES: cifra indicadora de compás, 

 I: segni di tempo, F: chiffrage (chiffres indicateurs), signe de valeur,  D:
 Taktangabe, Angabe der Taktart, NL: maatsoort, DK: taktangivelse, S:
 taktartssignatur, N: .
 I: segni di tempo, F: chiffrage (chiffres indicateurs), signe de valeur,  D:
 Taktangabe, Angabe der Taktart, NL: maatsoort, DK: taktangivelse, S:
 taktartssignatur, N: .


@@ -2474,19 +2462,19 @@ taktartssignatur, N: .
 @w{@ar{}@strong{meter}}
 
 @item tone
 @w{@ar{}@strong{meter}}
 
 @item tone

-I: suono, F: ton, D: Ton, NL: toon, DK: tone, S: ton, N: .
+ES: sonido, I: suono, F: ton, D: Ton, NL: toon, DK: tone, S: ton, N: .

 
 A sound of definite pitch and duration, as distinct from @emph{noise}. Tone is
 a primary building material of music. Music from the 20th century may be based
 on non tone related sounds.
 
 @item tonic
 
 A sound of definite pitch and duration, as distinct from @emph{noise}. Tone is
 a primary building material of music. Music from the 20th century may be based
 on non tone related sounds.
 
 @item tonic

-I: tonica, F: tonique, D: Tonika, NL: tonica, DK: tonika, S: tonika, N: .
+ES: tonica, I: tonica, F: tonique, D: Tonika, NL: tonica, DK: tonika, S: tonika, N: .

 
 The first @w{@ar{}@strong{scale degree}}@w{@ar{}@strong{functional harmony}}
 
 @item transposition
 
 The first @w{@ar{}@strong{scale degree}}@w{@ar{}@strong{functional harmony}}
 
 @item transposition

-I: trasposizione, F: transposition, D: Transposition, NL: transpositie, DK:
+ES: transposición, I: trasposizione, F: transposition, D: Transposition, NL: transpositie, DK:

 transposition, S: transponering, N: .
 
 Shifting a melody up or down in pitch, while keeping the same relative pitches.
 transposition, S: transponering, N: .
 
 Shifting a melody up or down in pitch, while keeping the same relative pitches.


@@ -2495,25 +2483,25 @@ Shifting a melody up or down in pitch, while keeping the same relative pitches.
 
 @lilypond[13pt,eps]
 \context Staff {
 
 @lilypond[13pt,eps]
 \context Staff {

-  \time 3/4;
+  \time 3/4

   \notes\relative c'' {
   \notes\relative c'' {

-    \key g \major;
-    d4 g,8 a b c | d4 g, g | e' c8 d e fis | g4 g, g \bar "|."; }
+    \key g \major
+    d4 g,8 a b c | d4 g, g | e' c8 d e fis | g4 g, g \bar "|." }

   \transpose bes\relative c'' {
   \transpose bes\relative c'' {

-    \key g \major;
-    d4 g,8 a b c | d4 g, g | e' c8 d e fis | g4 g, g \bar "|."; }
+    \key g \major
+    d4 g,8 a b c | d4 g, g | e' c8 d e fis | g4 g, g \bar "|." }

 }
 @end lilypond
 
 @item treble clef
 }
 @end lilypond
 
 @item treble clef

-I: chiave di violino, F: cl@'e de sol, D: Violinschl@"ussel,
+ES: clave de sol, I: chiave di violino, F: cl@'e de sol, D: Violinschl@"ussel,

 Sopranschl@"ussel, NL: viool sleutel, DK:@w{ }diskantn@o{}gle, S: diskantklav,
 N: .
 
 @w{@ar{}@strong{G clef}}
 
 @item tremolo
 Sopranschl@"ussel, NL: viool sleutel, DK:@w{ }diskantn@o{}gle, S: diskantklav,
 N: .
 
 @w{@ar{}@strong{G clef}}
 
 @item tremolo

-I: tremolo, F: tr@'emolo, D: Tremolo, NL: tremolo, DK: tremolo, S: tremolo, N:
+ES: tremolo, I: tremolo, F: tr@'emolo, D: Tremolo, NL: tremolo, DK: tremolo, S: tremolo, N:

 .
 
 On stringed instruments (@w{@ar{}@strong{strings}}) the quick reiteration of
 .
 
 On stringed instruments (@w{@ar{}@strong{strings}}) the quick reiteration of


@@ -2525,9 +2513,8 @@ a @w{@ar{}@strong{chord}}, usually in the distance of a third
 @
 
 @lilypond[13pt,eps] 
 @
 
 @lilypond[13pt,eps] 

-\emptyText

 \property Score.barNonAuto = ##t 
 \property Score.barNonAuto = ##t 

-\property Voice.TextScript \set #'font-style = #'large
+\property Score.TextScript \set #'font-style = #'large

 \notes\relative c' {
   % e2:32_"a" f:32 [ e8:16 f:16 g:16 a:16 ] s4 [:32 e1_"b" g]
   % e2:32_"a" f:32 [ e8:16 f:16 g:16 a:16 ] s4 \repeat "tremolo" 16 { e32_"b" g }
 \notes\relative c' {
   % e2:32_"a" f:32 [ e8:16 f:16 g:16 a:16 ] s4 [:32 e1_"b" g]
   % e2:32_"a" f:32 [ e8:16 f:16 g:16 a:16 ] s4 \repeat "tremolo" 16 { e32_"b" g }


@@ -2536,47 +2523,49 @@ a @w{@ar{}@strong{chord}}, usually in the distance of a third
 @end lilypond
 
 @item triad
 @end lilypond
 
 @item triad

-I: triade, F: triade, accord parfait, accord de trois sons, D: Dreiklang, NL:
+ES: tríada, I: triade, F: triade, accord parfait, accord de trois sons, D: Dreiklang, NL:

 drieklank, DK: treklang, S: treklang, N:
 
 @w{@ar{}@strong{chord}}
 
 @item trill; shake
 drieklank, DK: treklang, S: treklang, N:
 
 @w{@ar{}@strong{chord}}
 
 @item trill; shake

+ES: trino, 

 I: trillo, F: trille, tremblement, battement (cadence), D: Triller, NL:
 triller, DK:@w{ }trille, S:@w{ }drill, N:@w{ }.
 
 @w{@ar{}@strong{ornament}}
 
 @item triple meter
 I: trillo, F: trille, tremblement, battement (cadence), D: Triller, NL:
 triller, DK:@w{ }trille, S:@w{ }drill, N:@w{ }.
 
 @w{@ar{}@strong{ornament}}
 
 @item triple meter

-I: tempo ternario, F: mesure ternaire, D: dreiteiliger Takt, NL: driedelige
+ES: compás compuesto , I: tempo ternario, F: mesure ternaire, D: dreiteiliger Takt, NL: driedelige

 maatsoort, DK: tredelt takt, S: tretakt, N: .
 
 @w{@ar{}@strong{meter}}
 
 @item triplet
 maatsoort, DK: tredelt takt, S: tretakt, N: .
 
 @w{@ar{}@strong{meter}}
 
 @item triplet

-I: terzina, F: triolet,  D: Triole, NL: triool, DK: triol, S: triol, N: .
+ES: tresillo, I: terzina, F: triolet,  D: Triole, NL: triool, DK: triol, S: triol, N: .

 
 @w{@ar{}@strong{note value}}
 
 @item tritone
 
 @w{@ar{}@strong{note value}}
 
 @item tritone

-I: tritono, F: triton, D: Tritonus, NL: tritoon, DK: tritonus, S: tritonus, N:
+ES: trítono, I: tritono, F: triton, D: Tritonus, NL: tritoon, DK: tritonus, S: tritonus, N:

 .
 
 @w{@ar{}@strong{interval}}
 
 @item tuning fork
 .
 
 @w{@ar{}@strong{interval}}
 
 @item tuning fork

-I: diapason, corista, F: diapason, D: Stimmgabel, NL: stemvork, DK:
+ES: diapasón, I: diapason, corista, F: diapason, D: Stimmgabel, NL: stemvork, DK:

 stemmegaffel, S: st@"amgaffel, N: .
 
 A two-pronged piece of steel used to indicate absolute pitch. Tuning forks
 give the international pitch for the tone @emph{a} (440 vibrations per second.)
  
 @item turn; gruppetto
 stemmegaffel, S: st@"amgaffel, N: .
 
 A two-pronged piece of steel used to indicate absolute pitch. Tuning forks
 give the international pitch for the tone @emph{a} (440 vibrations per second.)
  
 @item turn; gruppetto

+ES: grupo, 

 I: gruppetto, F: grupetto, D: Doppelschlag, NL: dubbelslag, DK: dobbeltslag,
 S: dubbelslag, N: .
 
 @item unison
 I: gruppetto, F: grupetto, D: Doppelschlag, NL: dubbelslag, DK: dobbeltslag,
 S: dubbelslag, N: .
 
 @item unison

-I: unisono, F: unisson, D: Unison, unisono, NL: unisono, DK: unison, S:
+ES: unísono, I: unisono, F: unisson, D: Unison, unisono, NL: unisono, DK: unison, S:

 unison, N: .
 
 Playing of the same notes or the same melody by various instruments (voices)
 unison, N: .
 
 Playing of the same notes or the same melody by various instruments (voices)


@@ -2584,7 +2573,7 @@ or by the whole orchestra (choir), either at exactly the same pitch or in a
 different octave.
 
 @item upbeat
 different octave.
 
 @item upbeat

-I: anacrusi, F: anacrouse, D: Auftakt, NL: opmaat, DK: optakt, S:
+ES: entrada anacrúsica, I: anacrusi, F: anacrouse, D: Auftakt, NL: opmaat, DK: optakt, S:

 upptakt, N:
 
 Initial note(s) of a melody occurring before the first bar
 upptakt, N:
 
 Initial note(s) of a melody occurring before the first bar


@@ -2593,15 +2582,15 @@ line. @w{@ar{}@strong{measure}} @w{@ar{}@strong{meter}}
 @
 
 @lilypond[13pt,eps]
 @
 
 @lilypond[13pt,eps]

-\key f \major;
-\time 4/4;
+\key f \major
+\time 4/4

 \notes\relative c' { 
 \notes\relative c' { 

-  \partial 4; f4 | bes4. a8 bes4 c | 
-  bes () a g f | bes4. a8 bes4 c | f,2. \bar "||"; }
+  \partial 4 f4 | bes4. a8 bes4 c | 
+  bes () a g f | bes4. a8 bes4 c | f,2. \bar "||" }

 @end lilypond
 
 @item voice
 @end lilypond
 
 @item voice

-I: voce, F: voix, D: Stimme, NL: stem, DK: stemme, S: st@"amma, N: ,
+ES: voz, I: voce, F: voix, D: Stimme, NL: stem, DK: stemme, S: st@"amma, N: ,

 
 1. Human voices: @w{@ar{}@strong{soprano}}, @w{@ar{}@strong{mezzo-soprano}},
 @w{@ar{}@strong{contralto}}, @w{@ar{}@strong{tenor}},
 
 1. Human voices: @w{@ar{}@strong{soprano}}, @w{@ar{}@strong{mezzo-soprano}},
 @w{@ar{}@strong{contralto}}, @w{@ar{}@strong{tenor}},


@@ -2609,25 +2598,25 @@ I: voce, F: voix, D: Stimme, NL: stem, DK: stemme, S: st@"amma, N: ,
 of a polyphonic composition.
 
 @item weak beat
 of a polyphonic composition.
 
 @item weak beat

-I: tempo debole, arsi, F: temps faible, D: unbetonter Taktteil oder -schlag,
+ES: tiempo débil, I: tempo debole, arsi, F: temps faible, D: unbetonter Taktteil oder -schlag,

 NL: arsis, DK: ubetonet taktslag, S: obetonat taktslag, N: .
 
 @w{@ar{}@strong{beat}} @w{@ar{}@strong{measure}} @w{@ar{}@strong{rhythm}}
 
 @item whole note
 NL: arsis, DK: ubetonet taktslag, S: obetonat taktslag, N: .
 
 @w{@ar{}@strong{beat}} @w{@ar{}@strong{measure}} @w{@ar{}@strong{rhythm}}
 
 @item whole note

-I: semibreve, F: ronde, UK: semibreve, D: Ganze, Ganze Note, NL: hele noot,
+ES: redonda, I: semibreve, F: ronde, UK: semibreve, D: Ganze, Ganze Note, NL: hele noot,

 DK: helnode, S: helnot, N: .
 
 @w{@ar{}@strong{note value}}
 
 @item whole rest
 DK: helnode, S: helnot, N: .
 
 @w{@ar{}@strong{note value}}
 
 @item whole rest

-I: pausa di semibreve, F: pause, UK: semibreve rest, D: Ganze Pause, NL: hele
+ES: silencio de redonda, I: pausa di semibreve, F: pause, UK: semibreve rest, D: Ganze Pause, NL: hele

 rust, DK: helnodespause, S: helpaus, N: .
 
 @w{@ar{}@strong{note value}}
 
 @item whole tone
 rust, DK: helnodespause, S: helpaus, N: .
 
 @w{@ar{}@strong{note value}}
 
 @item whole tone

-I: tono intero, F: ton entier, D: Ganzton, NL: hele toon, DK: heltone, S:
+ES: tono, I: tono intero, F: ton entier, D: Ganzton, NL: hele toon, DK: heltone, S:

 helton, N: .
 
 The @w{@ar{}@strong{interval}} of a major second. The interval between two
 helton, N: .
 
 The @w{@ar{}@strong{interval}} of a major second. The interval between two


@@ -2635,7 +2624,7 @@ tones on the piano keyboard with exactly one key between them - including
 black and white keys - is a whole tone.
 
 @item woodwind
 black and white keys - is a whole tone.
 
 @item woodwind

-I: legni, F: le bois, D: Holzbl@"aser, NL: houtblazers, DK tr@ae{}bl@ae{}sere,
+ES: maderas, I: legni, F: le bois, D: Holzbl@"aser, NL: houtblazers, DK tr@ae{}bl@ae{}sere,

 S: tr@"abl@aa{}sare, N: .
 
 A family of blown wooden musical instruments. Today some of these instruments
 S: tr@"abl@aa{}sare, N: .
 
 A family of blown wooden musical instruments. Today some of these instruments


@@ -2793,3 +2782,4 @@ Oxford Advanced Learner's Dictionary of Current English, Third Edition 1974.
 @end table
 
 @bye
 @end table
 
 @bye

+