*** empty log message ***

[lilypond.git] / Documentation / user / examples.itely

diff --git a/Documentation/user/examples.itely b/Documentation/user/examples.itely
index 1a416ed3fc4fec21e094baa7fff499718d11dae8..9bb3dede2af22e9ff3bc89035c8a1f3962271d54 100644 (file)
--- a/Documentation/user/examples.itely
+++ b/Documentation/user/examples.itely
@@ -1,6 +1,6 @@
 @c -*- coding: utf-8; mode: texinfo; -*-
 @node Example templates
 @c -*- coding: utf-8; mode: texinfo; -*-
 @node Example templates

-@chapter Example templates
+@appendix Example templates

 
 This section of the manual contains templates with the LilyPond score
 already set up for you.  Just add notes, run LilyPond, and enjoy
 
 This section of the manual contains templates with the LilyPond score
 already set up for you.  Just add notes, run LilyPond, and enjoy


@@ -19,8 +19,8 @@ beautiful printed scores!
 
 
 @node Single staff
 
 
 @node Single staff

-@section Single staff
-@subsection Notes only
+@appendixsec Single staff
+@appendixsubsec Notes only

 
 The first example gives you a staff with notes, suitable for a solo
 instrument or a melodic fragment.  Cut and paste this into a file,
 
 The first example gives you a staff with notes, suitable for a solo
 instrument or a melodic fragment.  Cut and paste this into a file,


@@ -43,7 +43,7 @@ melody = \relative c' {
 }
 @end lilypond
 
 }
 @end lilypond
 

-@subsection Notes and lyrics
+@appendixsubsec Notes and lyrics

 
 The next example demonstrates a simple melody with lyrics.  Cut and
 paste, add notes, then words for the lyrics.  This example turns off
 
 The next example demonstrates a simple melody with lyrics.  Cut and
 paste, add notes, then words for the lyrics.  This example turns off


@@ -78,7 +78,7 @@ text = \lyricmode {
 }
 @end lilypond
 
 }
 @end lilypond
 

-@subsection Notes and chords
+@appendixsubsec Notes and chords

 
 Want to prepare a lead sheet with a melody and chords?  Look no further!
 
 
 Want to prepare a lead sheet with a melody and chords?  Look no further!
 


@@ -111,7 +111,7 @@ harmonies = \chordmode {
 }
 @end lilypond
 
 }
 @end lilypond
 

-@subsection Notes, lyrics, and chords.
+@appendixsubsec Notes, lyrics, and chords.

 
 This template allows you to prepare a song with melody, words, and chords.
 
 
 This template allows you to prepare a song with melody, words, and chords.
 


@@ -151,8 +151,8 @@ harmonies = \chordmode {
 @end lilypond
 
 @node Piano templates
 @end lilypond
 
 @node Piano templates

-@section Piano templates
-@subsection Solo piano
+@appendixsec Piano templates
+@appendixsubsec Solo piano

 
 Here is a simple piano staff.
 
 
 Here is a simple piano staff.
 


@@ -185,7 +185,7 @@ lower = \relative c {
 }
 @end lilypond
 
 }
 @end lilypond
 

-@subsection Piano and melody with lyrics
+@appendixsubsec Piano and melody with lyrics

 
 Here is a typical song format: one staff with the melody and lyrics, with
 piano accompaniment underneath.
 
 Here is a typical song format: one staff with the melody and lyrics, with
 piano accompaniment underneath.


@@ -241,7 +241,7 @@ lower = \relative c {
 @end lilypond
 
 
 @end lilypond
 
 

-@subsection Piano centered lyrics
+@appendixsubsec Piano centered lyrics

 
 Instead of having a full staff for the melody and lyrics, you can place
 the lyrics between the piano staff (and omit the separate melody staff).
 
 Instead of having a full staff for the melody and lyrics, you can place
 the lyrics between the piano staff (and omit the separate melody staff).


@@ -286,7 +286,7 @@ text = \lyricmode {
 @end lilypond
 
 
 @end lilypond
 
 

-@subsection Piano centered dynamics
+@appendixsubsec Piano centered dynamics

 
 Many piano scores have the dynamics centered between the two
 staffs.  This requires a bit of tweaking to implement, but
 
 Many piano scores have the dynamics centered between the two
 staffs.  This requires a bit of tweaking to implement, but


@@ -384,8 +384,8 @@ pedal = {
 
 
 @node String quartet
 
 
 @node String quartet

-@section String quartet
-@subsection String quartet
+@appendixsec String quartet
+@appendixsubsec String quartet

 
 This template demonstrates a string quartet.  It also uses a @code{\global}
 section for time and key signatures.
 
 This template demonstrates a string quartet.  It also uses a @code{\global}
 section for time and key signatures.


@@ -437,7 +437,7 @@ cello = \new Voice { \relative c' {
 }
 @end lilypond
 
 }
 @end lilypond
 

-@subsection String quartet parts
+@appendixsubsec String quartet parts

 
 The previous example produces a nice string quartet, but what if you
 needed to print parts?  This template demonstrates how to use the
 
 The previous example produces a nice string quartet, but what if you
 needed to print parts?  This template demonstrates how to use the


@@ -510,7 +510,7 @@ music = {
 %%%%% vn1.ly
 \version "2.7.39"
 \include "piece.ly"
 %%%%% vn1.ly
 \version "2.7.39"
 \include "piece.ly"

-\score { 
+\score {

   \keepWithTag #'vn1 \music
   \layout { }
 }
   \keepWithTag #'vn1 \music
   \layout { }
 }


@@ -519,7 +519,7 @@ music = {
 %%%%% vn2.ly
 \version "2.7.39"
 \include "piece.ly"
 %%%%% vn2.ly
 \version "2.7.39"
 \include "piece.ly"

-\score { 
+\score {

   \keepWithTag #'vn2 \music
   \layout { }
 }
   \keepWithTag #'vn2 \music
   \layout { }
 }


@@ -528,7 +528,7 @@ music = {
 %%%%% vla.ly
 \version "2.7.39"
 \include "piece.ly"
 %%%%% vla.ly
 \version "2.7.39"
 \include "piece.ly"

-\score { 
+\score {

   \keepWithTag #'vla \music
   \layout { }
 }
   \keepWithTag #'vla \music
   \layout { }
 }


@@ -537,7 +537,7 @@ music = {
 %%%%% vlc.ly
 \version "2.7.39"
 \include "piece.ly"
 %%%%% vlc.ly
 \version "2.7.39"
 \include "piece.ly"

-\score { 
+\score {

   \keepWithTag #'vlc \music
   \layout { }
 }
   \keepWithTag #'vlc \music
   \layout { }
 }


@@ -545,9 +545,9 @@ music = {
 
 
 @node Vocal ensembles
 
 
 @node Vocal ensembles

-@section Vocal ensembles
+@appendixsec Vocal ensembles

 
 

-@subsection SATB vocal score
+@appendixsubsec SATB vocal score

 
 Here is a standard four-part SATB vocal score.  With larger ensembles,
 it's often useful to include a section which is included in all
 
 Here is a standard four-part SATB vocal score.  With larger ensembles,
 it's often useful to include a section which is included in all


@@ -627,7 +627,7 @@ bassWords = \lyricmode {
 @end lilypond
 
 
 @end lilypond
 
 

-@subsection SATB vocal score and automatic piano reduction
+@appendixsubsec SATB vocal score and automatic piano reduction

 
 This template adds an automatic piano reduction to the SATB vocal
 score.  This demonstrates one of the strengths of LilyPond -- you
 
 This template adds an automatic piano reduction to the SATB vocal
 score.  This demonstrates one of the strengths of LilyPond -- you


@@ -726,9 +726,9 @@ bassWords = \lyricmode {
 
 @c bad node name to avoid node name confict
 @node Ancient notation templates
 
 @c bad node name to avoid node name confict
 @node Ancient notation templates

-@section Ancient notation templates
+@appendixsec Ancient notation templates

 
 

-@subsection Transcription of mensural music
+@appendixsubsec Transcription of mensural music

 
 When transcribing mensural music, an incipit at the beginning of the
 piece is useful to indicate the original key and tempo.  While today
 
 When transcribing mensural music, an incipit at the beginning of the
 piece is useful to indicate the original key and tempo.  While today


@@ -957,7 +957,7 @@ bassusLyrics = \lyricmode {
 @end lilypond
 
 
 @end lilypond
 
 

-@subsection Gregorian transcription template
+@appendixsubsec Gregorian transcription template

 
 This example demonstrates how to do modern transcription of Gregorian
 music.  Gregorian music has no measure, no stems; it uses only half and
 
 This example demonstrates how to do modern transcription of Gregorian
 music.  Gregorian music has no measure, no stems; it uses only half and


@@ -1007,7 +1007,7 @@ verba = \lyricmode {
 
 
 @node Jazz combo
 
 
 @node Jazz combo

-@section Jazz combo
+@appendixsec Jazz combo

 
 This is a much more complicated template, for a jazz ensemble.  Note that all
 instruments are notated in @code{\key c \major}.  This refers to the key in
 
 This is a much more complicated template, for a jazz ensemble.  Note that all
 instruments are notated in @code{\key c \major}.  This refers to the key in


@@ -1351,12 +1351,12 @@ violin concerto as TchaikovskyPI, whereas perhaps you wish to print
 
 
 @node Lilypond-book templates
 
 
 @node Lilypond-book templates

-@section Lilypond-book templates
+@appendixsec Lilypond-book templates

 
 These templates are for use with @code{lilypond-book}.  If you're not familiar
 with this program, please refer to @ref{LilyPond-book}.
 
 
 These templates are for use with @code{lilypond-book}.  If you're not familiar
 with this program, please refer to @ref{LilyPond-book}.
 

-@subsection LaTeX
+@appendixsubsec LaTeX

 
 You can include LilyPond fragments in a LaTeX document.
 
 
 You can include LilyPond fragments in a LaTeX document.
 


@@ -1383,7 +1383,7 @@ d4 c b a
 \end@{document@}
 @end example
 
 \end@{document@}
 @end example
 

-@subsection Texinfo
+@appendixsubsec Texinfo

 
 You can include LilyPond fragments in Texinfo; in fact, this entire manual
 is written in Texinfo.
 
 You can include LilyPond fragments in Texinfo; in fact, this entire manual
 is written in Texinfo.