-@item
-Slurs now avoid @code{TupletNumber}s, and tuplet numbers may enter the
-staff.
-
-@lilypond[raggedright]
-\relative {
- \slurUp
- \override TupletBracket #'bracket-visibility = ##f
- \override TupletBracket #'staff-padding = ##f
- \override Slur #'details #'region-size = #6
-
- \times 2/3
- {
- c( \stemDown g' \stemNeutral c,)
- }
-}
-@end lilypond
-
-This feature was sponsored by Trent Johnston.
-
-@item Tuplet brackets and numbers are implemented as separate grobs,
-@code{TupletBracket} and @code{TupletNumber}.
-
-This rewrite was sponsored by Trent Johnston.
-
-@item String arguments for music functions may be specified without
-@code{#} marks. This allows syntactical constructs (like \clef and
-\bar) to be expressed in generic music functions.
-
-@item Ties in chords are also formatted using a scoring based
-formatting. This reduces the number of collisions for ties in chords,
-
-@lilypond[raggedright,fragment,relative=2]
- <b d f g> ~ <b d f g>
-@end lilypond
-
-Here, the tie for the D is flipped, in spite the default rule for
-tie directions.
-
-This rewrite was sponsored by Steve Doonan.
-
-@item With the @code{\tweak} music function, layout objects that are directly
-connected to input may be tuned easily,
-
-@lilypond[relative=2,fragment,verbatim,raggedright]
-<
- \tweak #'font-size #3 c
- \tweak #'color #red d
- \tweak #'style #'cross g
- \tweak #'duration-log #1 a
->4
-@end lilypond
-
-This feature was sponsored by Sean Reed and Bertalan Fodor.
-
-@item Generic music functions may now also be used on articulations
-and chord elements, eg.