Doc-it: update for release of 2.18.2

[lilypond.git] / Documentation / snippets / how-to-change-fret-diagram-position.ly

diff --git a/Documentation/snippets/how-to-change-fret-diagram-position.ly b/Documentation/snippets/how-to-change-fret-diagram-position.ly
index 31096ecf978e636c50d5d4dcb5963873a984749c..cbcd2bc9c724c931b57be795526ef4f3feb74547 100644 (file)
--- a/Documentation/snippets/how-to-change-fret-diagram-position.ly
+++ b/Documentation/snippets/how-to-change-fret-diagram-position.ly
@@ -1,10 +1,13 @@
-%% Do not edit this file; it is automatically
+%% DO NOT EDIT this file manually; it is automatically

 %% generated from LSR http://lsr.dsi.unimi.it
 %% generated from LSR http://lsr.dsi.unimi.it

+%% Make any changes in LSR itself, or in Documentation/snippets/new/ ,
+%% and then run scripts/auxiliar/makelsr.py
+%%

 %% This file is in the public domain.
 %% This file is in the public domain.

-\version "2.13.4"
+\version "2.17.6"

 
 \header {
 
 \header {

-  lsrtags = "fretted-strings, tweaks-and-overrides"
+  lsrtags = "fretted-strings, specific-notation, tweaks-and-overrides"

 
   texidoc = "
 If you want to move the position of a fret diagram, for example, to
 
   texidoc = "
 If you want to move the position of a fret diagram, for example, to


@@ -20,17 +23,18 @@ invisible notes in that voice (as shown in the second example).
  If you need to move the fret according with a rythmic position inside
 the bar (in the example, the third beat of the measure) the second
 example is better, because the fret is aligned with the third beat
  If you need to move the fret according with a rythmic position inside
 the bar (in the example, the third beat of the measure) the second
 example is better, because the fret is aligned with the third beat

-itself.  
+itself.

 
 "
   doctitle = "How to change fret diagram position"
 } % begin verbatim
 
 
 "
   doctitle = "How to change fret diagram position"
 } % begin verbatim
 

+

 harmonies = \chordmode
 {
   a8:13
 % THE FOLLOWING IS THE COMMAND TO MOVE THE CHORD NAME
 harmonies = \chordmode
 {
   a8:13
 % THE FOLLOWING IS THE COMMAND TO MOVE THE CHORD NAME

-  \once \override ChordNames.ChordName #'extra-offset = #'(10 . 0)
+  \once \override ChordNames.ChordName.extra-offset = #'(10 . 0)

   b8:13 s2.
 % THIS LINE IS THE SECOND METHOD
     s4 s4  b4:13
   b8:13 s2.
 % THIS LINE IS THE SECOND METHOD
     s4 s4  b4:13


@@ -43,17 +47,14 @@ harmonies = \chordmode
     \context Staff
     {a8^\markup { \fret-diagram  #"6-x;5-0;4-2;3-0;2-0;1-2;"  }
 % THE FOLLOWING IS THE COMMAND TO MOVE THE FRET DIAGRAM
     \context Staff
     {a8^\markup { \fret-diagram  #"6-x;5-0;4-2;3-0;2-0;1-2;"  }
 % THE FOLLOWING IS THE COMMAND TO MOVE THE FRET DIAGRAM

-     \once \override TextScript #'extra-offset = #'(10 . 0)
+     \once \override TextScript.extra-offset = #'(10 . 0)

      b4.~^\markup { \fret-diagram  #"6-x;5-2;4-4;3-2;2-2;1-4;"  } b4. a8\break
 % HERE IS THE SECOND METHOD
      <<
      b4.~^\markup { \fret-diagram  #"6-x;5-2;4-4;3-2;2-2;1-4;"  } b4. a8\break
 % HERE IS THE SECOND METHOD
      <<

-       { a8 b4.~ b4. a8} 
+       { a8 b4.~ b4. a8}

        { s4 s4 s4^\markup { \fret-diagram  #"6-x;5-2;4-4;3-2;2-2;1-4;"  }
        }
      >>
    }
   >>
 }
        { s4 s4 s4^\markup { \fret-diagram  #"6-x;5-2;4-4;3-2;2-2;1-4;"  }
        }
      >>
    }
   >>
 }

-
-
-