% INSPIRATIONAL HEADER FOR LILYPOND DOCUMENTATION fretted-strings %
% Passage from Johann Kaspar Mertz "Opern Revue, Op. 8, no. 17" %
% on melodies from Bellini's "Norma" %
%*****************************************************************%
% INSPIRATIONAL HEADER FOR LILYPOND DOCUMENTATION fretted-strings %
% Passage from Johann Kaspar Mertz "Opern Revue, Op. 8, no. 17" %
% on melodies from Bellini's "Norma" %
%*****************************************************************%
% define fingering offset
FO = #(define-music-function (parser location offsetX offsetY) (number? number?)
#{
% define fingering offset
FO = #(define-music-function (parser location offsetX offsetY) (number? number?)
#{
- <g-4>4 \times 2/3 { \sfol \FO #'0.3 #'0.0 <f-1>4 e8 } e4 % beg of m. 8
- \times 2/3 { \sfou <d-4>4 c8 } | % end of m. 8
+ <g-4>4 \tuplet 3/2 { \sfol \FO #'0.3 #'0.0 <f-1>4 e8 } e4 % beg of m. 8
+ \tuplet 3/2 { \sfou <d-4>4 c8 } | % end of m. 8
- \once \override TextScript #'staff-padding = #1.7
- \times 2/3 { a8\p^\andantino e' a c a e a, e' a c a e } | % m. 5
+ \once \override TextScript.staff-padding = #1.7
+ \tuplet 3/2 { a8\p^\andantino e' a c a e a, e' a c a e } | % m. 5
- \times 2/3 { a,8\pdolce e' a c a e } % beg m. 6
- \times 2/3 { e,8 \sfou <e'-3> <gis-1> c gis e } | % end m. 6
+ \tuplet 3/2 { a,8\pdolce e' a c a e } % beg m. 6
+ \tuplet 3/2 { e,8 \sfou <e'-3> <gis-1> c gis e } | % end m. 6
- \times 2/3 { a,8 <e'-2> a c e, b' a, e' a c a e } | % m. 7
+ \tuplet 3/2 { a,8 <e'-2> a c e, b' a, e' a c a e } | % m. 7
- \times 2/3 { f,8 f' a \sfol \FO #'0.3 #'-0.5 <d-4> a f fis, d' a' d a d, } | % m. 8
+ \tuplet 3/2 { f,8 f' a \sfol \FO #'0.3 #'-0.5 <d-4> a f fis, d' a' d a d, } | % m. 8
- \override Fingering #'staff-padding = #'()
- \override TupletNumber #'stencil = ##f
- \override TupletBracket #'bracket-visibility = ##f
+ \override Fingering.staff-padding = #'()
+ \omit TupletNumber
+ \override TupletBracket.bracket-visibility = ##f