Doc: Couple of Typos and line break fixes

[lilypond.git] / Documentation / notation / vocal.itely

diff --git a/Documentation/notation/vocal.itely b/Documentation/notation/vocal.itely
index c69d3daec76275c974ccb34dce3cce730840540c..7549cfeed510c35fd53c2b2e59a8ccc21636bd09 100644 (file)
--- a/Documentation/notation/vocal.itely
+++ b/Documentation/notation/vocal.itely
@@ -1072,8 +1072,8 @@ Notation Reference:
 @cindex Spacing lyrics
 @cindex Lyrics, increasing space between
 
 @cindex Spacing lyrics
 @cindex Lyrics, increasing space between
 

-To increase the spacing between lyrics, set the @code{minimum-distance}
-property of @code{LyricSpace}.
+To increase the spacing between lyrics, set the
+@code{minimum-distance} property of @code{LyricSpace}.

 
 @lilypond[relative=1,verbatim,quote,ragged-right]
 {
 
 @lilypond[relative=1,verbatim,quote,ragged-right]
 {


@@ -1689,7 +1689,8 @@ text = {
 
 Names of singers can also be added.  They are printed at the start of
 the line, just like instrument names.  They are created by setting
 
 Names of singers can also be added.  They are printed at the start of
 the line, just like instrument names.  They are created by setting

-@code{vocalName}.  A short version may be entered as @code{shortVocalName}.
+@code{vocalName}.  A short version may be entered as
+@code{shortVocalName}.

 
 @lilypond[ragged-right,quote,verbatim,relative=2]
 \new Voice {
 
 @lilypond[ragged-right,quote,verbatim,relative=2]
 \new Voice {


@@ -1843,10 +1844,11 @@ within the lyrics by setting the @code{associatedVoice} property:
 @end lilypond
 
 @noindent
 @end lilypond
 
 @noindent

-The text for the first stanza is set to the melody called @q{lahlah}
-in the usual way, but the second stanza is set initally to the
-@code{lahlah} context and is then switched to the @code{alternative}
-melody for the syllables @q{ran} to @q{sau} by the lines:
+The text for the first stanza is set to the melody called
+@q{lahlah} in the usual way, but the second stanza is set initally
+to the @code{lahlah} context and is then switched to the
+@code{alternative} melody for the syllables @q{ran} to @q{sau} by
+the lines:

 
 @example
 \set associatedVoice = "alternative" % applies to "ran"
 
 @example
 \set associatedVoice = "alternative" % applies to "ran"


@@ -2063,8 +2065,8 @@ Snippets:
 @node Lead sheets
 @unnumberedsubsubsec Lead sheets
 
 @node Lead sheets
 @unnumberedsubsubsec Lead sheets
 

-Lead sheets may be printed by combining vocal parts and @q{chord mode};
-this syntax is explained in @ref{Chord notation}.
+Lead sheets may be printed by combining vocal parts and
+@q{chord mode}; this syntax is explained in @ref{Chord notation}.

 
 @snippets
 @lilypondfile[verbatim,lilyquote,ragged-right,texidoc,doctitle]
 
 @snippets
 @lilypondfile[verbatim,lilyquote,ragged-right,texidoc,doctitle]


@@ -2126,7 +2128,7 @@ For information about @code{ChoirStaff} and @code{PianoStaff} see
 @ref{Grouping staves}.
 
 @item
 @ref{Grouping staves}.
 
 @item

-Shape noteheads, as used in Sacred Harp and similar notation, are
+Shape note heads, as used in Sacred Harp and similar notation, are

 described in @ref{Shape note heads}.
 
 @item
 described in @ref{Shape note heads}.
 
 @item


@@ -2806,7 +2808,7 @@ Bar lines can also be removed on a staff-by-staff basis:
 
 To remove bar lines from just a section of music treat it as a
 cadenza.  If the section is long you may need to insert dummy
 
 To remove bar lines from just a section of music treat it as a
 cadenza.  If the section is long you may need to insert dummy

-barlines with @code{\bar ""} to show where the line should break.
+bar lines with @code{\bar ""} to show where the line should break.

 
 @lilypond[verbatim,quote,relative=2]
 a4 b c2 |
 
 @lilypond[verbatim,quote,relative=2]
 a4 b c2 |


@@ -3193,7 +3195,8 @@ commands at the end of each line.
 @node Ancient vocal music
 @subsection Ancient vocal music
 
 @node Ancient vocal music
 @subsection Ancient vocal music
 

-Ancient vocal music is supported, as explained in @ref{Ancient notation}.
+Ancient vocal music is supported, as explained in
+@ref{Ancient notation}.

 
 @c TODO
 
 
 @c TODO