-The previous section explains how to create quotations. The
-@code{\cueDuring} command is a more specialized form of
-@code{\quoteDuring}, being particularly useful for inserting cue
-notes into a part. The syntax is as follows:
+@cindex notes, smaller
+@cindex smaller notes
+@cindex CueVoice
+
+The simplest way to format cue notes is to explicitly create a
+@code{CueVoice} context within the part.
+
+@lilypond[verbatim]
+\relative {
+ R1
+ <<
+ { e'2\rest r4. e8 }
+ \new CueVoice {
+ \stemUp d'8^"flute" c d e fis2
+ }
+ >>
+ d,4 r a r
+}
+@end lilypond
+
+The @code{\cueClef} command can also be used with an explict
+@code{CueVoice} context if a change of clef is required and will print
+an appropriately sized clef for the cue notes. The @code{\cueClefUnset}
+command can then be used to switch back to the original clef, again with
+an appropriately sized clef.
+
+@lilypond[verbatim,noragged-right]
+\relative {
+ \clef "bass"
+ R1
+ <<
+ { e'2\rest r4. \cueClefUnset e,8 }
+ \new CueVoice {
+ \cueClef "treble" \stemUp d''8^"flute" c d e fis2
+ }
+ >>
+ d,,4 r a r
+}
+@end lilypond
+
+The @code{\cueClef} and @code{\cueClefUnset} command can also be used
+without a @code{CueVoice} if required.
+
+@lilypond[verbatim,noragged-right]
+\relative {
+ \clef "bass"
+ R1
+ \cueClef "treble"
+ d''8^"flute" c d e fis2
+ \cueClefUnset
+ d,,4 r a r
+}
+@end lilypond
+
+For more complex cue note placement, e.g including transposition, or
+inserting cue notes from multiple music sources the @code{\cueDuring} or
+@code{\cueDuringWithClef} commands can be used. These are more
+specialized form of @code{\quoteDuring}, see @ref{Quoting other voices}
+in the previous section.
+
+The syntax is:
+
+@example
+\cueDuring #@var{quotename} #@var{direction} #@var{music}
+@end example
+
+and