Issue 4894: Remove unescaped @funindex entries

[lilypond.git] / Documentation / notation / rhythms.itely

diff --git a/Documentation/notation/rhythms.itely b/Documentation/notation/rhythms.itely
index 27241d8fde0a836ec07292f6c747e5c5980d350a..05d71edc49b49d4ea995d033dc0c190bc7f286ab 100644 (file)
--- a/Documentation/notation/rhythms.itely
+++ b/Documentation/notation/rhythms.itely
@@ -45,11 +45,8 @@ This section discusses rhythms, rests, durations, beaming and bars.
 @cindex note lengths
 
 @funindex \longa
 @cindex note lengths
 
 @funindex \longa

-@funindex longa

 @funindex \breve
 @funindex \breve

-@funindex breve

 @funindex \maxima
 @funindex \maxima

-@funindex maxima

 
 Durations are designated by numbers and dots.  Durations are entered
 as their reciprocal values.  For example, a quarter note is entered
 
 Durations are designated by numbers and dots.  Durations are entered
 as their reciprocal values.  For example, a quarter note is entered


@@ -135,11 +132,8 @@ duration.  For details of this and other settings which control
 proportional notation, see @ref{Proportional notation}.
 
 @funindex \dotsUp
 proportional notation, see @ref{Proportional notation}.
 
 @funindex \dotsUp

-@funindex dotsUp

 @funindex \dotsDown
 @funindex \dotsDown

-@funindex dotsDown

 @funindex \dotsNeutral
 @funindex \dotsNeutral

-@funindex dotsNeutral

 
 Dots are normally moved up to avoid staff lines, except in
 polyphonic situations.  Dots may be manually placed above or below
 
 Dots are normally moved up to avoid staff lines, except in
 polyphonic situations.  Dots may be manually placed above or below


@@ -202,7 +196,6 @@ rests from 128th to maxima (8 x whole) may be printed.
 @cindex triplets
 
 @funindex \tuplet
 @cindex triplets
 
 @funindex \tuplet

-@funindex tuplet

 
 Tuplets are made from a music expression with the @code{\tuplet}
 command, multiplying the speed of the music expression by a fraction:
 
 Tuplets are made from a music expression with the @code{\tuplet}
 command, multiplying the speed of the music expression by a fraction:


@@ -239,11 +232,8 @@ in order to have the tuplets grouped automatically:
 @cindex tuplet bracket placement
 
 @funindex \tupletUp
 @cindex tuplet bracket placement
 
 @funindex \tupletUp

-@funindex tupletUp

 @funindex \tupletDown
 @funindex \tupletDown

-@funindex tupletDown

 @funindex \tupletNeutral
 @funindex \tupletNeutral

-@funindex tupletNeutral

 
 Tuplet brackets may be manually placed above or below the staff:
 
 
 Tuplet brackets may be manually placed above or below the staff:
 


@@ -371,7 +361,6 @@ a multiplier.  This is useful for skipping many measures, e.g.,
 @cindex expanding music
 
 @funindex \scaleDurations
 @cindex expanding music
 
 @funindex \scaleDurations

-@funindex scaleDurations

 
 Longer stretches of music may be compressed by a fraction in the
 same way, as if every note, chord or rest had the fraction as a
 
 Longer stretches of music may be compressed by a fraction in the
 same way, as if every note, chord or rest had the fraction as a


@@ -486,7 +475,6 @@ the chord.
 @cindex ties and volta brackets
 
 @funindex \repeatTie
 @cindex ties and volta brackets
 
 @funindex \repeatTie

-@funindex repeatTie

 
 When a second alternative of a repeat starts with a tied note, you
 have to specify the repeated tie as follows:
 
 When a second alternative of a repeat starts with a tied note, you
 have to specify the repeated tie as follows:


@@ -507,7 +495,6 @@ have to specify the repeated tie as follows:
 @cindex ties, laissez vibrer
 
 @funindex \laissezVibrer
 @cindex ties, laissez vibrer
 
 @funindex \laissezVibrer

-@funindex laissezVibrer

 
 @notation{L.v.}@: ties (@notation{laissez vibrer}) indicate that
 notes must not be damped at the end.  It is used in notation for
 
 @notation{L.v.}@: ties (@notation{laissez vibrer}) indicate that
 notes must not be damped at the end.  It is used in notation for


@@ -521,11 +508,8 @@ be entered as follows:
 @cindex ties, placement
 
 @funindex \tieUp
 @cindex ties, placement
 
 @funindex \tieUp

-@funindex tieUp

 @funindex \tieDown
 @funindex \tieDown

-@funindex tieDown

 @funindex \tieNeutral
 @funindex \tieNeutral

-@funindex tieNeutral

 
 Ties may be made to curve up or down manually; see
 @ref{Direction and placement}.
 
 Ties may be made to curve up or down manually; see
 @ref{Direction and placement}.


@@ -537,11 +521,8 @@ Ties may be made to curve up or down manually; see
 @cindex dotted ties
 
 @funindex \tieDotted
 @cindex dotted ties
 
 @funindex \tieDotted

-@funindex tieDotted

 @funindex \tieDashed
 @funindex \tieDashed

-@funindex tieDashed

 @funindex \tieSolid
 @funindex \tieSolid

-@funindex tieSolid

 
 Ties may be made dashed, dotted, or a combination of solid and
 dashed.
 
 Ties may be made dashed, dotted, or a combination of solid and
 dashed.


@@ -662,14 +643,10 @@ Rests are entered as part of the music in music expressions.
 @cindex breve rest
 
 @funindex \rest
 @cindex breve rest
 
 @funindex \rest

-@funindex rest

 @funindex r
 @funindex \maxima
 @funindex r
 @funindex \maxima

-@funindex maxima

 @funindex \longa
 @funindex \longa

-@funindex longa

 @funindex \breve
 @funindex \breve

-@funindex breve

 
 Rests are entered like notes with the note name @code{r}.
 Durations longer than a whole rest use the following predefined
 
 Rests are entered like notes with the note name @code{r}.
 Durations longer than a whole rest use the following predefined


@@ -750,7 +727,6 @@ are rests from 128th to maxima (8 x whole).
 
 @funindex s
 @funindex \skip
 
 @funindex s
 @funindex \skip

-@funindex skip

 
 An invisible rest (also called a @q{spacer rest}) can be entered
 like a note with the note name@tie{}@code{s}:
 
 An invisible rest (also called a @q{spacer rest}) can be entered
 like a note with the note name@tie{}@code{s}:


@@ -841,7 +817,6 @@ Internals Reference:
 @cindex whole rest for a full measure
 @cindex rest, whole for a full measure
 
 @cindex whole rest for a full measure
 @cindex rest, whole for a full measure
 

-@funindex compressMMRests

 @funindex \compressMMRests
 @funindex R
 
 @funindex \compressMMRests
 @funindex R
 


@@ -921,7 +896,6 @@ R2.*2 |
 @cindex multi-measure rest with markup
 
 @funindex \fermataMarkup
 @cindex multi-measure rest with markup
 
 @funindex \fermataMarkup

-@funindex fermataMarkup

 @funindex MultiMeasureRestText
 
 Markups can be added to multi-measure rests.
 @funindex MultiMeasureRestText
 
 Markups can be added to multi-measure rests.


@@ -955,13 +929,9 @@ setting, resulting bar-check warnings may not be displayed.
 
 
 @funindex \textLengthOn
 
 
 @funindex \textLengthOn

-@funindex textLengthOn

 @funindex \textLengthOff
 @funindex \textLengthOff

-@funindex textLengthOff

 @funindex \fermataMarkup
 @funindex \fermataMarkup

-@funindex fermataMarkup

 @funindex \compressMMRests
 @funindex \compressMMRests

-@funindex compressMMRests

 
 @predefined
 @code{\textLengthOn},
 
 @predefined
 @code{\textLengthOn},


@@ -1046,7 +1016,6 @@ Multi-measure rests do not take part in rest collisions.
 @cindex meter
 
 @funindex \time
 @cindex meter
 
 @funindex \time

-@funindex time

 
 The time signature is set as follows:
 
 
 The time signature is set as follows:
 


@@ -1081,9 +1050,7 @@ there.  This default behavior may be changed, see
 @cindex meter style
 
 @funindex \numericTimeSignature
 @cindex meter style
 
 @funindex \numericTimeSignature

-@funindex numericTimeSignature

 @funindex \defaultTimeSignature
 @funindex \defaultTimeSignature

-@funindex defaultTimeSignature

 
 The time signature symbol that is used in 2/2 and 4/4 time can be
 changed to a numeric style:
 
 The time signature symbol that is used in 2/2 and 4/4 time can be
 changed to a numeric style:


@@ -1292,7 +1259,6 @@ Internals Reference:
 @cindex metronome marking with text
 
 @funindex \tempo
 @cindex metronome marking with text
 
 @funindex \tempo

-@funindex tempo

 
 A basic metronome mark is simple to write:
 
 
 A basic metronome mark is simple to write:
 


@@ -1355,9 +1321,7 @@ written by including an empty string in the input:
 @end lilypond
 
 @funindex \markLengthOn
 @end lilypond
 
 @funindex \markLengthOn

-@funindex markLengthOn

 @funindex \markLengthOff
 @funindex \markLengthOff

-@funindex markLengthOff

 
 In a part for an instrument with long periods of rests,
 tempo indications sometimes follow each other closely.
 
 In a part for an instrument with long periods of rests,
 tempo indications sometimes follow each other closely.


@@ -1425,7 +1389,6 @@ Internals Reference:
 
 @funindex measurePosition
 @funindex \partial
 
 @funindex measurePosition
 @funindex \partial

-@funindex partial

 
 Partial or pick-up measures, such as an @emph{anacrusis} or an
 @emph{upbeat}, are entered using the @code{\partial} command:
 
 Partial or pick-up measures, such as an @emph{anacrusis} or an
 @emph{upbeat}, are entered using the @code{\partial} command:


@@ -1523,9 +1486,7 @@ Internal Reference:
 @cindex beams, unmetered music
 
 @funindex \cadenzaOn
 @cindex beams, unmetered music
 
 @funindex \cadenzaOn

-@funindex cadenzaOn

 @funindex \cadenzaOff
 @funindex \cadenzaOff

-@funindex cadenzaOff

 
 In metered music bar lines are inserted and bar numbers are calculated
 automatically. In unmetered music (i.e. cadenzas), this is not
 
 In metered music bar lines are inserted and bar numbers are calculated
 automatically. In unmetered music (i.e. cadenzas), this is not


@@ -1653,9 +1614,7 @@ stretches of unmetered music to permit breaking:
 
 @funindex timeSignatureFraction
 @funindex \scaleDurations
 
 @funindex timeSignatureFraction
 @funindex \scaleDurations

-@funindex scaleDurations

 @funindex \tuplet
 @funindex \tuplet

-@funindex tuplet

 
 Polymetric notation is supported explicitly or by manually modifying the
 visible time signature symbol and/or scaling note durations.
 
 Polymetric notation is supported explicitly or by manually modifying the
 visible time signature symbol and/or scaling note durations.


@@ -1944,9 +1903,7 @@ staff are squashed, and the staff itself has a single line
 
 @funindex Pitch_squash_engraver
 @funindex \improvisationOn
 
 @funindex Pitch_squash_engraver
 @funindex \improvisationOn

-@funindex improvisationOn

 @funindex \improvisationOff
 @funindex \improvisationOff

-@funindex improvisationOff

 
 Guitar chord charts often show the strumming rhythms.  This can
 be done with the @code{Pitch_squash_engraver} and
 
 Guitar chord charts often show the strumming rhythms.  This can
 be done with the @code{Pitch_squash_engraver} and


@@ -2013,9 +1970,7 @@ By default, beams are inserted automatically:
 @cindex beams, customizing rules
 
 @funindex \autoBeamOn
 @cindex beams, customizing rules
 
 @funindex \autoBeamOn

-@funindex autoBeamOn

 @funindex \autoBeamOff
 @funindex \autoBeamOff

-@funindex autoBeamOff

 
 @lilypond[quote,verbatim]
 \relative c'' {
 
 @lilypond[quote,verbatim]
 \relative c'' {


@@ -2112,14 +2067,11 @@ new beam starts.
 
 @funindex autoBeaming
 @funindex baseMoment
 
 @funindex autoBeaming
 @funindex baseMoment

-@funindex beamExceptions

 @funindex \beamExceptions
 @funindex beatStructure
 @funindex measureLength
 @funindex \time
 @funindex \beamExceptions
 @funindex beatStructure
 @funindex measureLength
 @funindex \time

-@funindex time

 @funindex \set
 @funindex \set

-@funindex set

 
 When automatic beaming is enabled, the placement of automatic beams
 is determined by three context properties:
 
 When automatic beaming is enabled, the placement of automatic beams
 is determined by three context properties:


@@ -2528,7 +2480,6 @@ Beaming direction can be set manually using direction indicators:
 @end lilypond
 
 @funindex \noBeam
 @end lilypond
 
 @funindex \noBeam

-@funindex noBeam

 
 Individual notes may be marked with @code{\noBeam} to prevent them
 from being beamed:
 
 Individual notes may be marked with @code{\noBeam} to prevent them
 from being beamed:


@@ -2611,7 +2562,6 @@ Internals Reference:
 @cindex feathered beams
 
 @funindex \featherDurations
 @cindex feathered beams
 
 @funindex \featherDurations

-@funindex featherDurations

 @funindex grow-direction
 
 Feathered beams are used to indicate that a small group of notes
 @funindex grow-direction
 
 Feathered beams are used to indicate that a small group of notes


@@ -2692,7 +2642,6 @@ music snippets, and when numbers in the fraction are small.
 @cindex repeat bars
 
 @funindex \bar
 @cindex repeat bars
 
 @funindex \bar

-@funindex bar

 
 Bar lines delimit measures, and are also used to indicate
 repeats.  Normally, simple bar lines are automatically inserted
 
 Bar lines delimit measures, and are also used to indicate
 repeats.  Normally, simple bar lines are automatically inserted


@@ -2902,7 +2851,6 @@ when used with a @code{\repeat volta} command, see
 @ref{Normal repeats}.
 
 @funindex \defineBarLine
 @ref{Normal repeats}.
 
 @funindex \defineBarLine

-@funindex defineBarLine

 @cindex bar lines, defining
 @cindex defining bar lines
 
 @cindex bar lines, defining
 @cindex defining bar lines
 


@@ -3022,7 +2970,6 @@ connected between different staves of a @code{StaffGroup},
 @funindex whichBar
 @funindex defaultBarType
 @funindex \bar
 @funindex whichBar
 @funindex defaultBarType
 @funindex \bar

-@funindex bar

 @funindex bartype
 
 The command @samp{\bar @var{bartype}} is a shortcut for
 @funindex bartype
 
 The command @samp{\bar @var{bartype}} is a shortcut for


@@ -3221,7 +3168,6 @@ for end of bar.
 @end lilypond
 
 @funindex \barNumberCheck
 @end lilypond
 
 @funindex \barNumberCheck

-@funindex barNumberCheck

 
 When copying large pieces of music, it can be helpful to check that
 the LilyPond bar number corresponds to the original that you are
 
 When copying large pieces of music, it can be helpful to check that
 the LilyPond bar number corresponds to the original that you are


@@ -3248,7 +3194,6 @@ Snippets:
 @cindex mark, rehearsal
 
 @funindex \mark
 @cindex mark, rehearsal
 
 @funindex \mark

-@funindex mark

 
 To print a rehearsal mark, use the @code{\mark} command.
 
 
 To print a rehearsal mark, use the @code{\mark} command.
 


@@ -3367,7 +3312,6 @@ string.
 @cindex glyphs, music
 
 @funindex \musicglyph
 @cindex glyphs, music
 
 @funindex \musicglyph

-@funindex musicglyph

 
 Music glyphs (such as the segno sign) may be printed inside a
 @code{\mark}
 
 Music glyphs (such as the segno sign) may be printed inside a
 @code{\mark}


@@ -3479,7 +3423,6 @@ eighth grace note
 @cindex grace notes, following
 
 @funindex \afterGrace
 @cindex grace notes, following
 
 @funindex \afterGrace

-@funindex afterGrace

 
 If you want to end a note with a grace, use the @code{\afterGrace}
 command.  It takes two arguments: the main note, and the grace
 
 If you want to end a note with a grace, use the @code{\afterGrace}
 command.  It takes two arguments: the main note, and the grace