the base chord is a @emph{triad} consisting of two thirds. @emph{Major}
(major + minor third) as well as @emph{minor} (minor + major third) chords
may be extended with more thirds. Four-tone @emph{seventh chords} and
the base chord is a @emph{triad} consisting of two thirds. @emph{Major}
(major + minor third) as well as @emph{minor} (minor + major third) chords
may be extended with more thirds. Four-tone @emph{seventh chords} and
\override NonMusicalPaperColumn
#'line-break-system-details = #'((alignment-distances . (3 3)))
\override BarLine #'stencil = ##f
\override NonMusicalPaperColumn
#'line-break-system-details = #'((alignment-distances . (3 3)))
\override BarLine #'stencil = ##f
\override NonMusicalPaperColumn
#'line-break-system-details = #'((alignment-distances . (3 3)))
\override BarLine #'stencil = ##f
\override NonMusicalPaperColumn
#'line-break-system-details = #'((alignment-distances . (3 3)))
\override BarLine #'stencil = ##f
\override NonMusicalPaperColumn
#'line-break-system-details = #'((alignment-distances . (3 3)))
\override BarLine #'stencil = ##f
\override NonMusicalPaperColumn
#'line-break-system-details = #'((alignment-distances . (3 3)))
\override BarLine #'stencil = ##f
and are called @emph{tritonus} because they consist of three whole tones.
The addition of such two intervals forms an octave.
and are called @emph{tritonus} because they consist of three whole tones.
The addition of such two intervals forms an octave.
- \times 2/3 {g8_"triplets" g g} g4 g8 g g4 \bar "||"
- \times 2/5 {g8_"quintuplets" g g g g} g4 g8 g g4 \bar "||"
+ \tuplet 3/2 {g8_"triplets" g g} g4 g8 g g4 \bar "||"
+ \tuplet 5/2 {g8_"quintuplets" g g g g} g4 g8 g g4 \bar "||"