At smaller sizes, LilyPond uses proportionally heavier lines so the
music will still read well.
At smaller sizes, LilyPond uses proportionally heavier lines so the
music will still read well.
This also allows staves of different sizes to coexist peacefully when
used together on the same page:
This also allows staves of different sizes to coexist peacefully when
used together on the same page:
\clef bass
\once \override Slur.positions = #'(1.5 . 1)
e8[(_"15.39" f] g[ a b d,)] r4
\clef bass
\once \override Slur.positions = #'(1.5 . 1)
e8[(_"15.39" f] g[ a b d,)] r4
\clef bass
\once \override Slur.positions = #'(2 . 3)
e8[(_"13.08" f] g[ a b d,)] r4
\clef bass
\once \override Slur.positions = #'(2 . 3)
e8[(_"13.08" f] g[ a b d,)] r4
Well-Tempered Clavier, Book I, BWV 861, whose opening subject is
@lilypond
Well-Tempered Clavier, Book I, BWV 861, whose opening subject is
@lilypond
@lilypond[staffsize=19.5,line-width=14\cm]
global = { \key g \minor }
@lilypond[staffsize=19.5,line-width=14\cm]
global = { \key g \minor }
\once \override NoteHead.stencil = #note-head::brew-ez-stencil
\once \override NoteHead.font-size = #-7
\once \override NoteHead.font-family = #'sans
\once \override NoteHead.stencil = #note-head::brew-ez-stencil
\once \override NoteHead.font-size = #-7
\once \override NoteHead.font-family = #'sans
fis4 g r8 a16 bes c8 bes16 a
bes4. <g b>8 <a c> r <d, g> r
<ees g>4 <d fis> d2
}
fis4 g r8 a16 bes c8 bes16 a
bes4. <g b>8 <a c> r <d, g> r
<ees g>4 <d fis> d2
}
- r2 r8 d ees g, fis4 g r8 a16 bes c8 bes16 a
- bes2 ~ bes8 b16 a g8 a16 b
+ r2 r8 d' ees g, fis4 g r8 a16 bes c8 bes16 a
+ bes2 ~ 8 b16 a g8 a16 b