\def\kdots{,\ldots,}
\title{Not the Font-En-Tja font}
\author{HWN \& JCN}
+\def\preMudelaExample{}
+\def\postMudelaExample{}
\begin{document}
\maketitle
is a matter of taste, I'd say that B\"arenreiter has the finest
typography of all.
+%
+% stupid test to check convert-mudela.py.
+%
+% (so sue me)
+\begin{mudela}[fragment,center]
+ \clef bass; c1 \clef alto; c'2 \clef treble; c''4
+\end{mudela}
+
\section{Bezier curves for slurs}
"doesn't look good", they will ignore the rules and draw their own
beams, based on experience.
-\item The exact rules probably even don't "really exsist" but in the
-minds of good engravers, in the form of experience
+\item The exact rules probably don't "really exist" but in the minds
+ of good engravers, in the form of experience
\end{itemize}
We'll propose to do a least-squares solve. This seems to be the best
It would be nice to have some rules to catch and handle "ugly" cases,
though. In general, the slope of the beam should mirror the pitches
-of the notes. If this "can't be done" because there simply is no
-uniform "trend", it would probably be best to set the slope to zero.
+of the notes. If this can't be done because there simply is no
+uniform trend, it would probably be best to set the slope to zero.
\subsection{Quantising}
\end{eqnarray*}
+\section{Layout of the source files}
+
+The main font (with the fixed size music glyphs) uses a the \TeX\
+logfile as a communication device. Use the specialised macros to
+create and export glyphs.
+
\bibliographystyle{plain}
\bibliography{engraving}