1 % Ugh, we need to override some LaTeX titling stuff
3 title = "Ouverture\\vrule width0pt height 0pt depth 1ex";
4 subtitle = "\\normalsize Zu Heinrich Joseph v. Collins Trauerspiel\\vrule width0pt height 0pt depth 1ex";
5 subsubtitle = "\\Large\\bf Coriolan";
7 piece = "\\normalfont\\large Allegro con brio";
8 composer = "Ludwig van Beethoven (1770-1827)";
10 instrument = \instrument;
13 mutopiatitle = "Ouverture Coriolan";
14 mutopiacomposer = "L.v.Beethoven (1770-1827)";
16 mutopiainstrument = \instrument;
21 From Ouverture Coriolan is no Urtext edition available, although
22 there are Urtext editions of Beethoven's symphonys. The Eulenburg
23 edition is commonly regarded as the Coriolan Urtext.
25 Edition Eulenburg is the ``first after many years'' that tries to
26 stay as close to the original text as possible. During the 1900s,
27 it was customary for editors not to respect the original text and
28 make any changes they thought necessary. Unger made corrections for
29 a few ``small and obvious'' inaccuracies. This is the only score
30 edition to abbreviate (LilyPond source notation)
32 [es16 es g g] [b b c c]
38 however, editions of individual parts by Breitkopf and Haertel use
39 this common practice abbreviation too.
41 Edition Beethoven's Werke by Breitkopf and Haertel comes without any
42 commentary, copyright mark or date. There are no significant
43 differences with ed. Unger. The copy was very old and worn, but is
44 probably younger than ed. Unger.
46 Edition Beethoven Werke by G. Henle was a new study based upon the
47 three main sources, the score autograph, the published parts
48 Stimmen-Drucke N.Simrock Bonn (most probably from 1807) and
49 Industriekontor Vienna (1807). They reinforce the assumptions made
50 by Unger that both published parts were first prints, noting that
51 both must have worked from a different copy of the autograph (and
52 not from the autograph itself), and that Simrock's is a bit closer
53 to the original autograph. This edition is supposed to deviate from
54 the autograph only in using `modernised notation' for the following
55 cases (LilyPond source notation).
57 i. Use dots instead of ties for sustaining of notes when there's no
62 ii. Don't repeat accidentals within the same measure:
64 \key es \major; b4 c b! c | -> \key es \major; b4 c b c
66 iii. Start slurring from first tied note, not from second:
68 c4 ~ c8 ( d ) e -> c4 ( ~ c8 d ) e
70 From these deviations, the third is the only one unique to this
71 edition, but these are easy to spot and mostly parenthesed; the
72 other two deviations are standard modern day music notation practice
73 and thus common to all editions.
77 source = "i. Ed. Eulenburg, edited by dr. Max Unger 1936 from and
78 following score autograph and original published parts, ie,
79 Stimmen-Drucke N.Simrock Bonn (most probably from 1807) and
80 Industriekontor Vienna (1807).\\\\
81 ii. Beethoven's Werke -- Ouverturen fuer Orchester; Breitkopf u. Haertel,
82 Leipzig (not dated, but very old and worn).\\\\
83 iii. Beethoven Werke II,1 -- Ouverturen und Wellingtons Sieg; G. Henle
84 Verlag, Muenchen (1974).
85 Veroeffentlichung des Beethovenhauses in Bonn.
86 Die ausgabe wurde durch die Unterstuetzung des Landes Nordrhein-Westfalen
90 copyright = "Public Domain";
91 maintainer = "Jan Nieuwenhuizen";
92 maintainer_email = "janneke@gnu.org";
93 lastupdated = "2001/Feb/27";
94 mutopiapublicdomain = "\\parbox{\hsize}{\\thefooter\\quad\\small
95 \\\\This music is part of the Mutopia project,
96 \\texttt{http://www.mutopiaproject.org/}\\\\It has been typeset
97 and placed in the public domain by " + \maintainer +
98 ".\\\\Unrestricted modification and redistribution is permitted
99 and encouraged---copy this music and share it!}";
100 tagline = \mutopiapublicdomain;
101 footer = "pre-Mutopia-200y/mm/dd-nr";