input/regression/musicxml/31a-Directions.xml

   1 <?xml version="1.0" encoding="UTF-8"?>
   2 <!DOCTYPE score-partwise PUBLIC "-//Recordare//DTD MusicXML 2.0 Partwise//EN"
   3                                 "http://www.musicxml.org/dtds/partwise.dtd">
   4 <score-partwise version="2.0">
   5   <movement-title>MusicXML directions (attached to staff)</movement-title>
   6   <identification>
   7     <miscellaneous>
   8       <miscellaneous-field name="description">All &lt;direction&gt; elements
   9           defined in MusicXML. The lyrics for each note describes the direction
  10           element assigned to that note.</miscellaneous-field>
  11     </miscellaneous>
  12   </identification>
  13   <part-list>
  14     <score-part id="P1">
  15       <part-name print-object="no">MusicXML Part</part-name>
  16     </score-part>
  17   </part-list>
  18   <!--=========================================================-->
  19   <part id="P1">
  20     <!-- Direction type can contain the following child types:
  21          rehearsal+ | segno+ | words+ |
  22          coda+ | wedge | dynamics+ | dashes | bracket | pedal |
  23          metronome | octave-shift | harp-pedals | damp |
  24          damp-all | eyeglasses | scordatura | image |
  25          accordion-registration | other-direction -->
  26     <!-- Rehearsal marks -->
  27     <measure number="1">
  28       <attributes>
  29         <divisions>1</divisions>
  30         <key>
  31           <fifths>0</fifths>
  32           <mode>major</mode>
  33         </key>
  34         <time symbol="common">
  35           <beats>4</beats>
  36           <beat-type>4</beat-type>
  37         </time>
  38         <clef>
  39           <sign>G</sign>
  40           <line>2</line>
  41         </clef>
  42       </attributes>
  43       <direction placement="below">
  44         <direction-type>
  45           <rehearsal>A</rehearsal>
  46         </direction-type>
  47       </direction>
  48       <note>
  49         <pitch><step>C</step><octave>4</octave></pitch>
  50         <duration>1</duration>
  51         <voice>1</voice>
  52         <type>quarter</type>
  53         <lyric number="1"><text>reh.A (def=sq.)</text></lyric>
  54       </note>
  55       <direction placement="above">
  56         <direction-type>
  57           <rehearsal enclosure="none">B</rehearsal>
  58         </direction-type>
  59       </direction>
  60       <note>
  61         <pitch><step>C</step><octave>4</octave></pitch>
  62         <duration>1</duration>
  63         <voice>1</voice>
  64         <type>quarter</type>
  65         <lyric number="1"><text>reh.B (none)</text></lyric>
  66       </note>
  67       <direction>
  68         <direction-type>
  69           <rehearsal enclosure="square">Test</rehearsal>
  70         </direction-type>
  71       </direction>
  72       <note>
  73         <pitch><step>C</step><octave>4</octave></pitch>
  74         <duration>1</duration>
  75         <voice>1</voice>
  76         <type>quarter</type>
  77         <lyric number="1"><text>reh.Test (sq.)</text></lyric>
  78       </note>
  79       <direction>
  80         <direction-type>
  81           <rehearsal enclosure="circle">Crc</rehearsal>
  82         </direction-type>
  83       </direction>
  84       <note>
  85         <pitch><step>C</step><octave>4</octave></pitch>
  86         <duration>1</duration>
  87         <voice>1</voice>
  88         <type>quarter</type>
  89         <lyric number="1"><text>reh.Crc (crc.)</text></lyric>
  90       </note>
  91     </measure>
  92     <!-- Segno, Coda, Words (extra unit test for formatting!),  Eyeglasses -->
  93     <measure number="2">
  94       <direction>
  95         <direction-type>
  96           <segno/>
  97         </direction-type>
  98       </direction>
  99       <note>
 100         <pitch><step>C</step><octave>4</octave></pitch>
 101         <duration>1</duration>
 102         <voice>1</voice>
 103         <type>quarter</type>
 104         <lyric number="1"><text>Segno</text></lyric>
 105       </note>
 106       <direction>
 107         <direction-type>
 108           <coda/>
 109         </direction-type>
 110       </direction>
 111       <note>
 112         <pitch><step>C</step><octave>4</octave></pitch>
 113         <duration>1</duration>
 114         <voice>1</voice>
 115         <type>quarter</type>
 116         <lyric number="1"><text>Coda</text></lyric>
 117       </note>
 118       <direction>
 119         <direction-type>
 120           <words>words</words>
 121         </direction-type>
 122       </direction>
 123       <note>
 124         <pitch><step>C</step><octave>4</octave></pitch>
 125         <duration>1</duration>
 126         <voice>1</voice>
 127         <type>quarter</type>
 128         <lyric number="1"><text>Words</text></lyric>
 129       </note>
 130       <direction>
 131         <direction-type>
 132           <eyeglasses/>
 133         </direction-type>
 134       </direction>
 135       <note>
 136         <pitch><step>C</step><octave>4</octave></pitch>
 137         <duration>1</duration>
 138         <voice>1</voice>
 139         <type>quarter</type>
 140         <lyric number="1"><text>Eyegl.</text></lyric>
 141       </note>
 142     </measure>
 143     <!-- Dynamics: p | pp | ppp | pppp | ppppp | pppppp |
 144         f | ff | fff | ffff | fffff | ffffff | mp | mf | sf |
 145         sfp | sfpp | fp | rf | rfz | sfz | sffz | fz |
 146         other-dynamics -->
 147     <measure number="3">
 148       <direction>
 149         <direction-type>
 150           <dynamics><p/></dynamics>
 151         </direction-type>
 152       </direction>
 153       <note>
 154         <pitch><step>C</step><octave>4</octave></pitch>
 155         <duration>1</duration>
 156         <voice>1</voice>
 157         <type>quarter</type>
 158         <lyric number="1"><text>p</text></lyric>
 159       </note>
 160       <direction>
 161         <direction-type>
 162           <dynamics><pp/></dynamics>
 163         </direction-type>
 164       </direction>
 165       <note>
 166         <pitch><step>C</step><octave>4</octave></pitch>
 167         <duration>1</duration>
 168         <voice>1</voice>
 169         <type>quarter</type>
 170         <lyric number="1"><text>pp</text></lyric>
 171       </note>
 172       <direction>
 173         <direction-type>
 174           <dynamics><ppp/></dynamics>
 175         </direction-type>
 176       </direction>
 177       <note>
 178         <pitch><step>C</step><octave>4</octave></pitch>
 179         <duration>1</duration>
 180         <voice>1</voice>
 181         <type>quarter</type>
 182         <lyric number="1"><text>ppp</text></lyric>
 183       </note>
 184       <direction>
 185         <direction-type>
 186           <dynamics><pppp/></dynamics>
 187         </direction-type>
 188       </direction>
 189       <note>
 190         <pitch><step>C</step><octave>4</octave></pitch>
 191         <duration>1</duration>
 192         <voice>1</voice>
 193         <type>quarter</type>
 194         <lyric number="1"><text>pppp</text></lyric>
 195       </note>
 196     </measure>
 197     <measure number="4">
 198       <direction>
 199         <direction-type>
 200           <dynamics><ppppp/></dynamics>
 201         </direction-type>
 202       </direction>
 203       <note>
 204         <pitch><step>C</step><octave>4</octave></pitch>
 205         <duration>1</duration>
 206         <voice>1</voice>
 207         <type>quarter</type>
 208         <lyric number="1"><text>ppppp</text></lyric>
 209       </note>
 210       <direction>
 211         <direction-type>
 212           <dynamics><pppppp/></dynamics>
 213         </direction-type>
 214       </direction>
 215       <note>
 216         <pitch><step>C</step><octave>4</octave></pitch>
 217         <duration>1</duration>
 218         <voice>1</voice>
 219         <type>quarter</type>
 220         <lyric number="1"><text>pppppp</text></lyric>
 221       </note>
 222       <direction>
 223         <direction-type>
 224           <dynamics><f/></dynamics>
 225         </direction-type>
 226       </direction>
 227       <note>
 228         <pitch><step>C</step><octave>4</octave></pitch>
 229         <duration>1</duration>
 230         <voice>1</voice>
 231         <type>quarter</type>
 232         <lyric number="1"><text>f</text></lyric>
 233       </note>
 234       <direction>
 235         <direction-type>
 236           <dynamics><ff/></dynamics>
 237         </direction-type>
 238       </direction>
 239       <note>
 240         <pitch><step>C</step><octave>4</octave></pitch>
 241         <duration>1</duration>
 242         <voice>1</voice>
 243         <type>quarter</type>
 244         <lyric number="1"><text>ff</text></lyric>
 245       </note>
 246     </measure>
 247     <measure number="5">
 248       <direction>
 249         <direction-type>
 250           <dynamics><fff/></dynamics>
 251         </direction-type>
 252       </direction>
 253       <note>
 254         <pitch><step>C</step><octave>4</octave></pitch>
 255         <duration>1</duration>
 256         <voice>1</voice>
 257         <type>quarter</type>
 258         <lyric number="1"><text>fff</text></lyric>
 259       </note>
 260       <direction>
 261         <direction-type>
 262           <dynamics><ffff/></dynamics>
 263         </direction-type>
 264       </direction>
 265       <note>
 266         <pitch><step>C</step><octave>4</octave></pitch>
 267         <duration>1</duration>
 268         <voice>1</voice>
 269         <type>quarter</type>
 270         <lyric number="1"><text>ffff</text></lyric>
 271       </note>
 272       <direction>
 273         <direction-type>
 274           <dynamics><fffff/></dynamics>
 275         </direction-type>
 276       </direction>
 277       <note>
 278         <pitch><step>C</step><octave>4</octave></pitch>
 279         <duration>1</duration>
 280         <voice>1</voice>
 281         <type>quarter</type>
 282         <lyric number="1"><text>fffff</text></lyric>
 283       </note>
 284       <direction>
 285         <direction-type>
 286           <dynamics><ffffff/></dynamics>
 287         </direction-type>
 288       </direction>
 289       <note>
 290         <pitch><step>C</step><octave>4</octave></pitch>
 291         <duration>1</duration>
 292         <voice>1</voice>
 293         <type>quarter</type>
 294         <lyric number="1"><text>ffffff</text></lyric>
 295       </note>
 296     </measure>
 297     <measure number="6">
 298       <direction>
 299         <direction-type>
 300           <dynamics><mp/></dynamics>
 301         </direction-type>
 302       </direction>
 303       <note>
 304         <pitch><step>C</step><octave>4</octave></pitch>
 305         <duration>1</duration>
 306         <voice>1</voice>
 307         <type>quarter</type>
 308         <lyric number="1"><text>mp</text></lyric>
 309       </note>
 310       <direction>
 311         <direction-type>
 312           <dynamics><mf/></dynamics>
 313         </direction-type>
 314       </direction>
 315       <note>
 316         <pitch><step>C</step><octave>4</octave></pitch>
 317         <duration>1</duration>
 318         <voice>1</voice>
 319         <type>quarter</type>
 320         <lyric number="1"><text>mf</text></lyric>
 321       </note>
 322       <direction>
 323         <direction-type>
 324           <dynamics><sf/></dynamics>
 325         </direction-type>
 326       </direction>
 327       <note>
 328         <pitch><step>C</step><octave>4</octave></pitch>
 329         <duration>1</duration>
 330         <voice>1</voice>
 331         <type>quarter</type>
 332         <lyric number="1"><text>sf</text></lyric>
 333       </note>
 334       <direction>
 335         <direction-type>
 336           <dynamics><sfp/></dynamics>
 337         </direction-type>
 338       </direction>
 339       <note>
 340         <pitch><step>C</step><octave>4</octave></pitch>
 341         <duration>1</duration>
 342         <voice>1</voice>
 343         <type>quarter</type>
 344         <lyric number="1"><text>sfp</text></lyric>
 345       </note>
 346     </measure>
 347     <measure number="7">
 348       <direction>
 349         <direction-type>
 350           <dynamics><sfpp/></dynamics>
 351         </direction-type>
 352       </direction>
 353       <note>
 354         <pitch><step>C</step><octave>4</octave></pitch>
 355         <duration>1</duration>
 356         <voice>1</voice>
 357         <type>quarter</type>
 358         <lyric number="1"><text>sfpp</text></lyric>
 359       </note>
 360       <direction>
 361         <direction-type>
 362           <dynamics><fp/></dynamics>
 363         </direction-type>
 364       </direction>
 365       <note>
 366         <pitch><step>C</step><octave>4</octave></pitch>
 367         <duration>1</duration>
 368         <voice>1</voice>
 369         <type>quarter</type>
 370         <lyric number="1"><text>fp</text></lyric>
 371       </note>
 372       <direction>
 373         <direction-type>
 374           <dynamics><rf/></dynamics>
 375         </direction-type>
 376       </direction>
 377       <note>
 378         <pitch><step>C</step><octave>4</octave></pitch>
 379         <duration>1</duration>
 380         <voice>1</voice>
 381         <type>quarter</type>
 382         <lyric number="1"><text>rf</text></lyric>
 383       </note>
 384       <direction>
 385         <direction-type>
 386           <dynamics><rfz/></dynamics>
 387         </direction-type>
 388       </direction>
 389       <note>
 390         <pitch><step>C</step><octave>4</octave></pitch>
 391         <duration>1</duration>
 392         <voice>1</voice>
 393         <type>quarter</type>
 394         <lyric number="1"><text>rfz</text></lyric>
 395       </note>
 396     </measure>
 397     <measure number="8">
 398       <direction>
 399         <direction-type>
 400           <dynamics><sfz/></dynamics>
 401         </direction-type>
 402       </direction>
 403       <note>
 404         <pitch><step>C</step><octave>4</octave></pitch>
 405         <duration>1</duration>
 406         <voice>1</voice>
 407         <type>quarter</type>
 408         <lyric number="1"><text>sfz</text></lyric>
 409       </note>
 410       <direction>
 411         <direction-type>
 412           <dynamics><sffz/></dynamics>
 413         </direction-type>
 414       </direction>
 415       <note>
 416         <pitch><step>C</step><octave>4</octave></pitch>
 417         <duration>1</duration>
 418         <voice>1</voice>
 419         <type>quarter</type>
 420         <lyric number="1"><text>sffz</text></lyric>
 421       </note>
 422       <direction>
 423         <direction-type>
 424           <dynamics><fz/></dynamics>
 425         </direction-type>
 426       </direction>
 427       <note>
 428         <pitch><step>C</step><octave>4</octave></pitch>
 429         <duration>1</duration>
 430         <voice>1</voice>
 431         <type>quarter</type>
 432         <lyric number="1"><text>fz</text></lyric>
 433       </note>
 434       <direction>
 435         <direction-type>
 436           <dynamics><other-dynamics>abc-ffz</other-dynamics></dynamics>
 437         </direction-type>
 438       </direction>
 439       <note>
 440         <pitch><step>C</step><octave>4</octave></pitch>
 441         <duration>1</duration>
 442         <voice>1</voice>
 443         <type>quarter</type>
 444         <lyric number="1"><text>abc-ffz (oth.)</text></lyric>
 445       </note>
 446     </measure>
 447     <!-- Spanners (there is another unit test for testing the various options):
 448          wedge, dashes, bracket, pedal, octave-shift -->
 449     <measure number="9">
 450       <direction>
 451         <direction-type>
 452           <wedge type="crescendo"/>
 453         </direction-type>
 454       </direction>
 455       <note>
 456         <pitch><step>C</step><octave>4</octave></pitch>
 457         <duration>1</duration>
 458         <voice>1</voice>
 459         <type>quarter</type>
 460         <lyric number="1"><syllabic>begin</syllabic><text>hairpin</text></lyric>
 461       </note>
 462       <direction>
 463         <direction-type>
 464           <wedge type="stop"/>
 465         </direction-type>
 466       </direction>
 467       <note>
 468         <pitch><step>C</step><octave>4</octave></pitch>
 469         <duration>1</duration>
 470         <voice>1</voice>
 471         <type>quarter</type>
 472         <lyric number="1"><syllabic>end</syllabic><text>cresc</text></lyric>
 473       </note>
 474       <direction>
 475         <direction-type>
 476           <dashes type="start"/>
 477         </direction-type>
 478       </direction>
 479       <note>
 480         <pitch><step>C</step><octave>4</octave></pitch>
 481         <duration>1</duration>
 482         <voice>1</voice>
 483         <type>quarter</type>
 484         <lyric number="1"><syllabic>begin</syllabic><text>dash</text></lyric>
 485       </note>
 486       <direction>
 487         <direction-type>
 488           <dashes type="stop"/>
 489         </direction-type>
 490       </direction>
 491       <note>
 492         <pitch><step>C</step><octave>4</octave></pitch>
 493         <duration>1</duration>
 494         <voice>1</voice>
 495         <type>quarter</type>
 496         <lyric number="1"><syllabic>end</syllabic><text>es</text></lyric>
 497       </note>
 498     </measure>
 499     <measure number="10">
 500       <direction>
 501         <direction-type>
 502           <bracket type="start" line-end="none"/>
 503         </direction-type>
 504       </direction>
 505       <note>
 506         <pitch><step>C</step><octave>4</octave></pitch>
 507         <duration>1</duration>
 508         <voice>1</voice>
 509         <type>quarter</type>
 510         <lyric number="1"><syllabic>begin</syllabic><text>bra</text></lyric>
 511       </note>
 512       <direction>
 513         <direction-type>
 514           <bracket type="stop" line-end="none"/>
 515         </direction-type>
 516       </direction>
 517       <note>
 518         <pitch><step>C</step><octave>4</octave></pitch>
 519         <duration>1</duration>
 520         <voice>1</voice>
 521         <type>quarter</type>
 522         <lyric number="1"><syllabic>end</syllabic><text>cket</text></lyric>
 523       </note>
 524       <direction>
 525         <direction-type>
 526           <octave-shift type="up"/>
 527         </direction-type>
 528       </direction>
 529       <note>
 530         <pitch><step>C</step><octave>4</octave></pitch>
 531         <duration>1</duration>
 532         <voice>1</voice>
 533         <type>quarter</type>
 534         <lyric number="1"><syllabic>begin</syllabic><text>oct.</text></lyric>
 535       </note>
 536       <direction>
 537         <direction-type>
 538           <octave-shift type="stop"/>
 539         </direction-type>
 540       </direction>
 541       <note>
 542         <pitch><step>C</step><octave>4</octave></pitch>
 543         <duration>1</duration>
 544         <voice>1</voice>
 545         <type>quarter</type>
 546         <lyric number="1"><syllabic>end</syllabic><text>shift</text></lyric>
 547       </note>
 548     </measure>
 549     <measure number="11">
 550       <direction>
 551         <direction-type>
 552           <pedal type="start"/>
 553         </direction-type>
 554       </direction>
 555       <note>
 556         <pitch><step>C</step><octave>4</octave></pitch>
 557         <duration>1</duration>
 558         <voice>1</voice>
 559         <type>quarter</type>
 560         <lyric number="1"><syllabic>begin</syllabic><text>pedal</text></lyric>
 561       </note>
 562       <direction>
 563         <direction-type>
 564           <pedal type="change"/>
 565         </direction-type>
 566       </direction>
 567       <note>
 568         <pitch><step>C</step><octave>4</octave></pitch>
 569         <duration>1</duration>
 570         <voice>1</voice>
 571         <type>quarter</type>
 572         <lyric number="1"><syllabic>middle</syllabic><text>change</text></lyric>
 573       </note>
 574       <note>
 575         <pitch><step>C</step><octave>4</octave></pitch>
 576         <duration>1</duration>
 577         <voice>1</voice>
 578         <type>quarter</type>
 579       </note>
 580       <direction>
 581         <direction-type>
 582           <pedal type="stop"/>
 583         </direction-type>
 584       </direction>
 585       <note>
 586         <pitch><step>C</step><octave>4</octave></pitch>
 587         <duration>1</duration>
 588         <voice>1</voice>
 589         <type>quarter</type>
 590         <lyric number="1"><syllabic>end</syllabic><text>mark</text></lyric>
 591       </note>
 592     </measure>
 593     <!-- metronome, harp-pedals, damp, damp-all, scordatura, accordion-registration -->
 594     <measure number="12">
 595       <direction>
 596         <direction-type>
 597           <metronome><beat-unit>quarter</beat-unit><per-minute>60</per-minute></metronome>
 598         </direction-type>
 599       </direction>
 600       <note>
 601         <pitch><step>C</step><octave>4</octave></pitch>
 602         <duration>1</duration>
 603         <voice>1</voice>
 604         <type>quarter</type>
 605         <lyric number="1"><text>Metr.</text></lyric>
 606       </note>
 607       <direction>
 608         <direction-type>
 609           <harp-pedals>
 610             <pedal-tuning>
 611               <pedal-step>D</pedal-step>
 612               <pedal-alter>0</pedal-alter>
 613             </pedal-tuning>
 614             <pedal-tuning>
 615               <pedal-step>C</pedal-step>
 616               <pedal-alter>-1</pedal-alter>
 617             </pedal-tuning>
 618             <pedal-tuning>
 619               <pedal-step>B</pedal-step>
 620               <pedal-alter>-1</pedal-alter>
 621             </pedal-tuning>
 622             <pedal-tuning>
 623               <pedal-step>E</pedal-step>
 624               <pedal-alter>0</pedal-alter>
 625             </pedal-tuning>
 626             <pedal-tuning>
 627               <pedal-step>F</pedal-step>
 628               <pedal-alter>0</pedal-alter>
 629             </pedal-tuning>
 630             <pedal-tuning>
 631               <pedal-step>G</pedal-step>
 632               <pedal-alter>1</pedal-alter>
 633             </pedal-tuning>
 634             <pedal-tuning>
 635               <pedal-step>A</pedal-step>
 636               <pedal-alter>-1</pedal-alter>
 637             </pedal-tuning>
 638           </harp-pedals>
 639         </direction-type>
 640       </direction>
 641       <note>
 642         <pitch><step>C</step><octave>4</octave></pitch>
 643         <duration>1</duration>
 644         <voice>1</voice>
 645         <type>quarter</type>
 646         <lyric number="1"><text>Harp ped.</text></lyric>
 647       </note>
 648       <direction>
 649         <direction-type>
 650           <damp/>
 651         </direction-type>
 652       </direction>
 653       <note>
 654         <pitch><step>C</step><octave>4</octave></pitch>
 655         <duration>1</duration>
 656         <voice>1</voice>
 657         <type>quarter</type>
 658         <lyric number="1"><text>Damp</text></lyric>
 659       </note>
 660       <direction>
 661         <direction-type>
 662           <damp-all/>
 663         </direction-type>
 664       </direction>
 665       <note>
 666         <pitch><step>C</step><octave>4</octave></pitch>
 667         <duration>1</duration>
 668         <voice>1</voice>
 669         <type>quarter</type>
 670         <lyric number="1"><text>Damp all</text></lyric>
 671       </note>
 672     </measure>
 673     <measure number="13">
 674       <direction>
 675         <direction-type>
 676           <scordatura>
 677               <accord string="3"><tuning-step>C</tuning-step><tuning-octave>3</tuning-octave></accord>
 678               <accord string="2"><tuning-step>G</tuning-step><tuning-octave>5</tuning-octave></accord>
 679               <accord string="1"><tuning-step>E</tuning-step><tuning-octave>5</tuning-octave></accord>
 680           </scordatura>
 681         </direction-type>
 682       </direction>
 683       <note>
 684         <pitch><step>C</step><octave>4</octave></pitch>
 685         <duration>1</duration>
 686         <voice>1</voice>
 687         <type>quarter</type>
 688         <lyric number="1"><text>Scord.</text></lyric>
 689       </note>
 690       <direction>
 691         <direction-type>
 692           <accordion-registration>
 693               <accordion-high/>
 694               <accordion-middle>2</accordion-middle>
 695               <accordion-low/>
 696           </accordion-registration>
 697         </direction-type>
 698       </direction>
 699       <note>
 700         <pitch><step>C</step><octave>4</octave></pitch>
 701         <duration>1</duration>
 702         <voice>1</voice>
 703         <type>quarter</type>
 704         <lyric number="1"><text>Accordion reg.</text></lyric>
 705       </note>
 706       <note>
 707         <rest/>
 708         <duration>2</duration>
 709         <voice>1</voice>
 710         <type>half</type>
 711       </note>
 712       <barline location="right">
 713         <bar-style>light-light</bar-style>
 714       </barline>
 715     </measure>
 716     <!-- Other issues: Multiple direction-type elements: "subito p", ppp<fff -->
 717     <measure number="14">
 718       <direction placement="below">
 719         <direction-type>
 720           <words default-y="-80" font-family="Times New Roman" font-size="10.25" font-style="italic">subito</words>
 721         </direction-type>
 722         <direction-type>
 723           <words default-y="-80" font-family="Times New Roman" font-size="10.25"> </words>
 724         </direction-type>
 725         <direction-type>
 726           <dynamics default-y="-80">
 727             <p/>
 728           </dynamics>
 729         </direction-type>
 730         <offset>2</offset>
 731       </direction>
 732       <note>
 733         <pitch><step>C</step><octave>4</octave></pitch>
 734         <duration>1</duration>
 735         <voice>1</voice>
 736         <type>quarter</type>
 737         <lyric number="1"><text>subp</text></lyric>
 738       </note>
 739       <direction placement="below">
 740         <direction-type>
 741           <dynamics><ppp/></dynamics>
 742         </direction-type>
 743         <direction-type>
 744           <wedge type="crescendo"/>
 745         </direction-type>
 746         <offset>2</offset>
 747       </direction>
 748       <note>
 749         <pitch><step>C</step><octave>4</octave></pitch>
 750         <duration>1</duration>
 751         <voice>1</voice>
 752         <type>quarter</type>
 753         <lyric number="1"><syllabic>begin</syllabic><text>ppp cresc</text></lyric>
 754       </note>
 755       <direction placement="below">
 756         <direction-type>
 757           <wedge type="stop"/>
 758         </direction-type>
 759         <direction-type>
 760           <dynamics><fff/></dynamics>
 761         </direction-type>
 762         <offset>2</offset>
 763       </direction>
 764       <note>
 765         <pitch><step>C</step><octave>4</octave></pitch>
 766         <duration>1</duration>
 767         <voice>1</voice>
 768         <type>quarter</type>
 769         <lyric number="1"><syllabic>end</syllabic><text>to fff</text></lyric>
 770       </note>
 771       <note>
 772         <rest/>
 773         <duration>1</duration>
 774         <voice>1</voice>
 775         <type>quarter</type>
 776         <lyric number="1"><text>subp</text></lyric>
 777       </note>
 778       <barline location="right">
 779         <bar-style>light-heavy</bar-style>
 780       </barline>
 781     </measure>
 782     <!--=======================================================-->
 783   </part>
 784   <!--=========================================================-->
 785 </score-partwise>