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[lilypond.git] / input / regression / musicxml / 09g-Endings-Finale.xml
1 <?xml version="1.0" encoding="UTF-8"?>\r
2 <!DOCTYPE score-partwise PUBLIC "-//Recordare//DTD MusicXML 1.0 Partwise//EN"\r
3                                 "http://www.musicxml.org/dtds/partwise.dtd">\r
4 <score-partwise>\r
5   <identification>\r
6     <encoding>\r
7       <software>Finale 2007 for Windows</software>\r
8       <software>Dolet Light for Finale 2007</software>\r
9       <encoding-date>2007-10-13</encoding-date>\r
10     </encoding>\r
11     <miscellaneous>\r
12       <miscellaneous-field name="description">Some more nested repeats with \r
13           alternatives, where the MusicXML file does not make sense in the \r
14           first place. How well are applications able to cope with improper \r
15           repeats and alternatives?</miscellaneous-field>\r
16     </miscellaneous>\r
17   </identification>\r
18   <part-list>\r
19     <score-part id="P1">\r
20       <part-name>MusicXML Part</part-name>\r
21       <score-instrument id="P1-I1">\r
22         <instrument-name>Grand Piano</instrument-name>\r
23       </score-instrument>\r
24       <midi-instrument id="P1-I1">\r
25         <midi-channel>1</midi-channel>\r
26         <midi-program>1</midi-program>\r
27       </midi-instrument>\r
28     </score-part>\r
29   </part-list>\r
30   <!--=========================================================-->\r
31   <part id="P1">\r
32     <measure number="1">\r
33       <attributes>\r
34         <divisions>1</divisions>\r
35         <key>\r
36           <fifths>0</fifths>\r
37           <mode>major</mode>\r
38         </key>\r
39         <time symbol="common">\r
40           <beats>4</beats>\r
41           <beat-type>4</beat-type>\r
42         </time>\r
43         <clef>\r
44           <sign>G</sign>\r
45           <line>2</line>\r
46         </clef>\r
47       </attributes>\r
48       <sound tempo="120"/>\r
49       <note>\r
50         <rest/>\r
51         <duration>4</duration>\r
52         <voice>1</voice>\r
53       </note>\r
54     </measure>\r
55     <!--=======================================================-->\r
56     <measure number="2">\r
57       <barline location="left">\r
58         <ending number="1, 2, 3" type="start"/>\r
59       </barline>\r
60       <note>\r
61         <rest/>\r
62         <duration>4</duration>\r
63         <voice>1</voice>\r
64       </note>\r
65       <barline location="right">\r
66         <ending number="1, 2, 3" type="stop"/>\r
67       </barline>\r
68     </measure>\r
69     <!--=======================================================-->\r
70     <measure number="3">\r
71       <barline location="left">\r
72         <ending number="2" type="start"/>\r
73       </barline>\r
74       <note>\r
75         <rest/>\r
76         <duration>4</duration>\r
77         <voice>1</voice>\r
78       </note>\r
79       <barline location="right">\r
80         <ending number="2" type="discontinue"/>\r
81       </barline>\r
82     </measure>\r
83     <!--=======================================================-->\r
84     <measure number="4">\r
85       <print new-system="yes"/>\r
86       <note>\r
87         <rest/>\r
88         <duration>4</duration>\r
89         <voice>1</voice>\r
90       </note>\r
91       <barline location="right">\r
92         <bar-style>light-heavy</bar-style>\r
93         <ending number="2" type="stop"/>\r
94         <repeat direction="backward"/>\r
95       </barline>\r
96     </measure>\r
97     <!--=======================================================-->\r
98     <measure number="5">\r
99       <note>\r
100         <rest/>\r
101         <duration>4</duration>\r
102         <voice>1</voice>\r
103       </note>\r
104       <barline location="right">\r
105         <bar-style>light-heavy</bar-style>\r
106       </barline>\r
107     </measure>\r
108   </part>\r
109   <!--=========================================================-->\r
110 </score-partwise>\r