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MusicXML: handle harmony and direction after inserting bar checks
[lilypond.git] / input / regression / musicxml / 08e-LinebrokenInstrumentNames-Finale.xml
1 <?xml version="1.0" encoding="UTF-8"?>
2 <!DOCTYPE score-partwise PUBLIC "-//Recordare//DTD MusicXML 1.0 Partwise//EN"
3                                 "http://www.musicxml.org/dtds/partwise.dtd">
4 <score-partwise>
5   <movement-title>Score with multi-line instrument names</movement-title>
6   <identification>
7     <creator type="composer">Reinhold Kainhofer</creator>
8     <rights>Public Domain</rights>
9     <encoding>
10       <software>Finale 2007 for Windows</software>
11       <software>Dolet Light for Finale 2007</software>
12       <encoding-date>2007-09-23</encoding-date>
13     </encoding>
14   </identification>
15   <part-list>
16     <score-part id="P1">
17       <part-name>Long&#xd;
18 Staff&#xd;
19 Name</part-name>
20       <part-abbreviation>St.&#xd;
21 Nm.</part-abbreviation>
22       <score-instrument id="P1-I1">
23         <instrument-name>Grand Piano</instrument-name>
24       </score-instrument>
25       <midi-instrument id="P1-I1">
26         <midi-channel>1</midi-channel>
27         <midi-program>1</midi-program>
28       </midi-instrument>
29     </score-part>
30   </part-list>
31   <!--=========================================================-->
32   <part id="P1">
33     <measure number="1">
34       <attributes>
35         <divisions>1</divisions>
36         <key>
37           <fifths>0</fifths>
38           <mode>major</mode>
39         </key>
40         <time symbol="common">
41           <beats>4</beats>
42           <beat-type>4</beat-type>
43         </time>
44         <clef>
45           <sign>G</sign>
46           <line>2</line>
47         </clef>
48       </attributes>
49       <sound tempo="120"/>
50       <note>
51         <pitch>
52           <step>B</step>
53           <octave>4</octave>
54         </pitch>
55         <duration>4</duration>
56         <voice>1</voice>
57         <type>whole</type>
58       </note>
59     </measure>
60     <!--=======================================================-->
61     <measure number="2">
62       <note>
63         <pitch>
64           <step>B</step>
65           <octave>4</octave>
66         </pitch>
67         <duration>4</duration>
68         <voice>1</voice>
69         <type>whole</type>
70       </note>
71     </measure>
72     <!--=======================================================-->
73     <measure number="3">
74       <note>
75         <pitch>
76           <step>B</step>
77           <octave>4</octave>
78         </pitch>
79         <duration>4</duration>
80         <voice>1</voice>
81         <type>whole</type>
82       </note>
83     </measure>
84     <!--=======================================================-->
85     <measure number="4">
86       <note>
87         <pitch>
88           <step>B</step>
89           <octave>4</octave>
90         </pitch>
91         <duration>4</duration>
92         <voice>1</voice>
93         <type>whole</type>
94       </note>
95     </measure>
96     <!--=======================================================-->
97     <measure number="5">
98       <note>
99         <pitch>
100           <step>B</step>
101           <octave>4</octave>
102         </pitch>
103         <duration>4</duration>
104         <voice>1</voice>
105         <type>whole</type>
106       </note>
107     </measure>
108     <!--=======================================================-->
109     <measure number="6">
110       <print new-system="yes"/>
111       <note>
112         <pitch>
113           <step>B</step>
114           <octave>4</octave>
115         </pitch>
116         <duration>4</duration>
117         <voice>1</voice>
118         <type>whole</type>
119       </note>
120     </measure>
121     <!--=======================================================-->
122     <measure number="7">
123       <note>
124         <pitch>
125           <step>B</step>
126           <octave>4</octave>
127         </pitch>
128         <duration>4</duration>
129         <voice>1</voice>
130         <type>whole</type>
131       </note>
132     </measure>
133     <!--=======================================================-->
134     <measure number="8">
135       <note>
136         <pitch>
137           <step>B</step>
138           <octave>4</octave>
139         </pitch>
140         <duration>4</duration>
141         <voice>1</voice>
142         <type>whole</type>
143       </note>
144     </measure>
145     <!--=======================================================-->
146     <measure number="9">
147       <note>
148         <pitch>
149           <step>B</step>
150           <octave>4</octave>
151         </pitch>
152         <duration>4</duration>
153         <voice>1</voice>
154         <type>whole</type>
155       </note>
156     </measure>
157     <!--=======================================================-->
158     <measure number="10">
159       <note>
160         <pitch>
161           <step>B</step>
162           <octave>4</octave>
163         </pitch>
164         <duration>4</duration>
165         <voice>1</voice>
166         <type>whole</type>
167       </note>
168     </measure>
169     <!--=======================================================-->
170     <measure number="11">
171       <note>
172         <pitch>
173           <step>B</step>
174           <octave>4</octave>
175         </pitch>
176         <duration>4</duration>
177         <voice>1</voice>
178         <type>whole</type>
179       </note>
180     </measure>
181     <!--=======================================================-->
182     <measure number="12">
183       <note>
184         <pitch>
185           <step>B</step>
186           <octave>4</octave>
187         </pitch>
188         <duration>4</duration>
189         <voice>1</voice>
190         <type>whole</type>
191       </note>
192     </measure>
193     <!--=======================================================-->
194     <measure number="13">
195       <note>
196         <pitch>
197           <step>B</step>
198           <octave>4</octave>
199         </pitch>
200         <duration>4</duration>
201         <voice>1</voice>
202         <type>whole</type>
203       </note>
204     </measure>
205     <!--=======================================================-->
206     <measure number="14">
207       <note>
208         <pitch>
209           <step>B</step>
210           <octave>4</octave>
211         </pitch>
212         <duration>4</duration>
213         <voice>1</voice>
214         <type>whole</type>
215       </note>
216     </measure>
217     <!--=======================================================-->
218     <measure number="15">
219       <print new-system="yes"/>
220       <note>
221         <pitch>
222           <step>B</step>
223           <octave>4</octave>
224         </pitch>
225         <duration>4</duration>
226         <voice>1</voice>
227         <type>whole</type>
228       </note>
229     </measure>
230     <!--=======================================================-->
231     <measure number="16">
232       <note>
233         <pitch>
234           <step>B</step>
235           <octave>4</octave>
236         </pitch>
237         <duration>4</duration>
238         <voice>1</voice>
239         <type>whole</type>
240       </note>
241     </measure>
242     <!--=======================================================-->
243     <measure number="17">
244       <note>
245         <pitch>
246           <step>B</step>
247           <octave>4</octave>
248         </pitch>
249         <duration>4</duration>
250         <voice>1</voice>
251         <type>whole</type>
252       </note>
253     </measure>
254     <!--=======================================================-->
255     <measure number="18">
256       <note>
257         <pitch>
258           <step>B</step>
259           <octave>4</octave>
260         </pitch>
261         <duration>4</duration>
262         <voice>1</voice>
263         <type>whole</type>
264       </note>
265     </measure>
266     <!--=======================================================-->
267     <measure number="19">
268       <note>
269         <pitch>
270           <step>B</step>
271           <octave>4</octave>
272         </pitch>
273         <duration>4</duration>
274         <voice>1</voice>
275         <type>whole</type>
276       </note>
277     </measure>
278     <!--=======================================================-->
279     <measure number="20">
280       <note>
281         <pitch>
282           <step>B</step>
283           <octave>4</octave>
284         </pitch>
285         <duration>4</duration>
286         <voice>1</voice>
287         <type>whole</type>
288       </note>
289     </measure>
290     <!--=======================================================-->
291     <measure number="21">
292       <note>
293         <pitch>
294           <step>B</step>
295           <octave>4</octave>
296         </pitch>
297         <duration>4</duration>
298         <voice>1</voice>
299         <type>whole</type>
300       </note>
301     </measure>
302     <!--=======================================================-->
303     <measure number="22">
304       <note>
305         <pitch>
306           <step>B</step>
307           <octave>4</octave>
308         </pitch>
309         <duration>4</duration>
310         <voice>1</voice>
311         <type>whole</type>
312       </note>
313     </measure>
314     <!--=======================================================-->
315     <measure number="23">
316       <note>
317         <rest/>
318         <duration>4</duration>
319         <voice>1</voice>
320       </note>
321       <barline location="right">
322         <bar-style>light-heavy</bar-style>
323       </barline>
324     </measure>
325   </part>
326   <!--=========================================================-->
327 </score-partwise>