1 <?xml version="1.0" encoding="UTF-8"?>
2 <!DOCTYPE score-partwise PUBLIC "-//Recordare//DTD MusicXML 2.0 Partwise//EN"
3 "http://www.musicxml.org/dtds/partwise.dtd">
4 <score-partwise version="2.0">
5 <movement-title>MusicXML notations (attached to note)</movement-title>
9 <part-name></part-name>
12 <!--=========================================================-->
14 <!-- General Notation elements (no spanners, which are tested separately):
15 fermata | arpeggiate | non-arpeggiate | accidental-mark -->
18 <divisions>1</divisions>
30 <step>C</step><octave>5</octave>
32 <duration>1</duration>
36 <fermata type="upright"/>
38 <lyric number="1"><text>ferm.</text></lyric>
42 <step>C</step><octave>5</octave>
44 <duration>1</duration>
48 <fermata>normal</fermata>
50 <lyric number="1"><text>normal ferm.</text></lyric>
54 <step>C</step><octave>5</octave>
56 <duration>1</duration>
60 <fermata>angled</fermata>
62 <lyric number="1"><text>angled ferm.</text></lyric>
66 <step>C</step><octave>5</octave>
68 <duration>1</duration>
72 <fermata>square</fermata>
74 <lyric number="1"><text>square ferm.</text></lyric>
80 <step>C</step><octave>5</octave>
82 <duration>1</duration>
86 <fermata type="inverted"/>
88 <lyric number="1"><text>inv.ferm.</text></lyric>
92 <step>C</step><octave>5</octave>
94 <duration>1</duration>
97 <notations><arpeggiate/></notations>
98 <lyric number="1"><text>arp.</text></lyric>
103 <step>E</step><octave>5</octave>
105 <duration>1</duration>
108 <notations><arpeggiate/></notations>
113 <step>G</step><octave>5</octave>
115 <duration>1</duration>
118 <notations><arpeggiate/></notations>
122 <step>C</step><octave>5</octave>
124 <duration>1</duration>
127 <notations><non-arpeggiate type="bottom"/></notations>
128 <lyric number="1"><text>non-arp.</text></lyric>
133 <step>E</step><octave>5</octave>
135 <duration>1</duration>
142 <step>G</step><octave>5</octave>
144 <duration>1</duration>
147 <notations><non-arpeggiate type="top"/></notations>
151 <step>C</step><octave>5</octave>
153 <duration>1</duration>
157 <accidental-mark placement="above">double-sharp</accidental-mark>
159 <lyric number="1"><text>acc.mark</text></lyric>
161 <barline location="right">
162 <bar-style>light-light</bar-style>
167 accent | strong-accent | staccato | tenuto |
168 detached-legato | staccatissimo | spiccato |
169 scoop | plop | doit | falloff | breath-mark |
170 caesura | stress | unstress | other-articulation -->
174 <step>C</step><octave>5</octave>
176 <duration>1</duration>
180 <articulations><accent/></articulations>
182 <lyric number="1"><text>acc.</text></lyric>
186 <step>C</step><octave>5</octave>
188 <duration>1</duration>
192 <articulations><strong-accent/></articulations>
194 <lyric number="1"><text>str.-acc.</text></lyric>
198 <step>C</step><octave>5</octave>
200 <duration>1</duration>
204 <articulations><staccato/></articulations>
206 <lyric number="1"><text>stacc.</text></lyric>
210 <step>C</step><octave>5</octave>
212 <duration>1</duration>
216 <articulations><tenuto/></articulations>
218 <lyric number="1"><text>ten.</text></lyric>
224 <step>C</step><octave>5</octave>
226 <duration>1</duration>
230 <articulations><detached-legato/></articulations>
232 <lyric number="1"><text>det.-leg.</text></lyric>
236 <step>C</step><octave>5</octave>
238 <duration>1</duration>
242 <articulations><staccatissimo/></articulations>
244 <lyric number="1"><text>stacc.ss</text></lyric>
248 <step>C</step><octave>5</octave>
250 <duration>1</duration>
254 <articulations><spiccato/></articulations>
256 <lyric number="1"><text>spicc.</text></lyric>
260 <step>C</step><octave>5</octave>
262 <duration>1</duration>
266 <articulations><scoop/></articulations>
268 <lyric number="1"><text>scoop</text></lyric>
274 <step>C</step><octave>5</octave>
276 <duration>1</duration>
280 <articulations><plop/></articulations>
282 <lyric number="1"><text>plop</text></lyric>
286 <step>C</step><octave>5</octave>
288 <duration>1</duration>
292 <articulations><doit/></articulations>
294 <lyric number="1"><text>doit</text></lyric>
298 <step>C</step><octave>5</octave>
300 <duration>1</duration>
304 <articulations><falloff/></articulations>
306 <lyric number="1"><text>falloff</text></lyric>
310 <step>C</step><octave>5</octave>
312 <duration>1</duration>
316 <articulations><breath-mark/></articulations>
318 <lyric number="1"><text>breath</text></lyric>
324 <step>C</step><octave>5</octave>
326 <duration>1</duration>
330 <articulations><caesura/></articulations>
332 <lyric number="1"><text>caes.</text></lyric>
336 <step>C</step><octave>5</octave>
338 <duration>1</duration>
342 <articulations><stress/></articulations>
344 <lyric number="1"><text>stress</text></lyric>
348 <step>C</step><octave>5</octave>
350 <duration>1</duration>
354 <articulations><unstress/></articulations>
356 <lyric number="1"><text>unstr.</text></lyric>
360 <duration>1</duration>
364 <barline location="right">
365 <bar-style>light-light</bar-style>
370 trill-mark | turn | delayed-turn | inverted-turn |
371 shake | wavy-line | mordent | inverted-mordent |
372 schleifer | tremolo | other-ornament),
375 Test cases for various tremolo options are in a separate
381 <step>C</step><octave>5</octave>
383 <duration>1</duration>
387 <ornaments><trill-mark/></ornaments>
389 <lyric number="1"><text>tr.</text></lyric>
393 <step>C</step><octave>5</octave>
395 <duration>1</duration>
399 <ornaments><turn/></ornaments>
401 <lyric number="1"><text>turn</text></lyric>
405 <step>C</step><octave>5</octave>
407 <duration>1</duration>
411 <ornaments><delayed-turn/></ornaments>
413 <lyric number="1"><text>del.turn</text></lyric>
417 <step>C</step><octave>5</octave>
419 <duration>1</duration>
423 <ornaments><inverted-turn/></ornaments>
425 <lyric number="1"><text>inv.turn</text></lyric>
431 <step>C</step><octave>5</octave>
433 <duration>1</duration>
437 <ornaments><shake/></ornaments>
439 <lyric number="1"><text>shake</text></lyric>
443 <step>C</step><octave>5</octave>
445 <duration>1</duration>
450 <wavy-line placement="below" type="start"/>
453 <lyric number="1"><syllabic>begin</syllabic><text>wavy</text></lyric>
457 <step>C</step><octave>5</octave>
459 <duration>1</duration>
464 <wavy-line placement="below" type="stop"/>
465 <wavy-line placement="below" type="start"/>
468 <lyric number="1"><syllabic>continue</syllabic><text>wavy</text></lyric>
472 <step>C</step><octave>5</octave>
474 <duration>1</duration>
479 <wavy-line placement="below" relative-x="16" type="stop"/>
482 <lyric number="1"><syllabic>end</syllabic><text>line</text></lyric>
488 <step>C</step><octave>5</octave>
490 <duration>1</duration>
494 <ornaments><mordent/></ornaments>
496 <lyric number="1"><text>mord.</text></lyric>
500 <step>C</step><octave>5</octave>
502 <duration>1</duration>
506 <ornaments><inverted-mordent/></ornaments>
508 <lyric number="1"><text>inv.mord.</text></lyric>
512 <step>C</step><octave>5</octave>
514 <duration>1</duration>
518 <ornaments><schleifer/></ornaments>
520 <lyric number="1"><text>schl.</text></lyric>
524 <step>C</step><octave>5</octave>
526 <duration>1</duration>
530 <ornaments><tremolo/></ornaments>
532 <lyric number="1"><text>trem.</text></lyric>
535 <measure number="10">
538 <step>C</step><octave>5</octave>
540 <duration>1</duration>
546 <accidental-mark>natural</accidental-mark>
549 <lyric number="1"><text>turn+acc.</text></lyric>
556 <duration>1</duration>
562 <accidental-mark placement="above">sharp</accidental-mark>
563 <accidental-mark placement="above">three-quarters-flat</accidental-mark>
566 <lyric number="1"><text>turn+acc.(ab.+bel./rel to turn)</text></lyric>
570 <duration>2</duration>
574 <barline location="right">
575 <bar-style>light-light</bar-style>
580 up-bow | down-bow | harmonic | open-string |
581 thumb-position | fingering | pluck | double-tongue |
582 triple-tongue | stopped | snap-pizzicato | fret |
583 string | hammer-on | pull-off | bend | tap | heel |
584 toe | fingernails | other-technical -->
585 <measure number="11">
588 <step>C</step><octave>5</octave>
590 <duration>1</duration>
594 <technical><up-bow/></technical>
596 <lyric number="1"><text>up-b.</text></lyric>
600 <step>C</step><octave>5</octave>
602 <duration>1</duration>
606 <technical><down-bow/></technical>
608 <lyric number="1"><text>down-b.</text></lyric>
612 <step>C</step><octave>5</octave>
614 <duration>1</duration>
618 <technical><harmonic/></technical>
620 <lyric number="1"><text>harm.</text></lyric>
624 <step>C</step><octave>5</octave>
626 <duration>1</duration>
630 <technical><harmonic><natural/></harmonic></technical>
632 <lyric number="1"><text>nat.harm.</text></lyric>
635 <measure number="12">
638 <step>C</step><octave>5</octave>
640 <duration>1</duration>
644 <technical><harmonic><artificial/></harmonic></technical>
646 <lyric number="1"><text>art.harm.</text></lyric>
650 <step>C</step><octave>5</octave>
652 <duration>1</duration>
656 <technical><harmonic><natural/><base-pitch/></harmonic></technical>
658 <lyric number="1"><text>nat.h./base</text></lyric>
662 <step>C</step><octave>5</octave>
664 <duration>1</duration>
668 <technical><harmonic><natural/><touching-pitch/></harmonic></technical>
670 <lyric number="1"><text>nat.h./touching</text></lyric>
674 <step>C</step><octave>5</octave>
676 <duration>1</duration>
680 <technical><harmonic><natural/><sounding-pitch/></harmonic></technical>
682 <lyric number="1"><text>nat.h./sounding</text></lyric>
685 <measure number="13">
688 <step>C</step><octave>5</octave>
690 <duration>1</duration>
694 <technical><open-string/></technical>
696 <lyric number="1"><text>open-str.</text></lyric>
700 <step>C</step><octave>5</octave>
702 <duration>1</duration>
706 <technical><thumb-position/></technical>
708 <lyric number="1"><text>thumb-pos.</text></lyric>
712 <step>C</step><octave>5</octave>
714 <duration>1</duration>
718 <technical><fingering/></technical>
720 <lyric number="1"><text>empty fing.</text></lyric>
724 <step>C</step><octave>5</octave>
726 <duration>1</duration>
730 <technical><fingering>1</fingering></technical>
732 <lyric number="1"><text>fing.1</text></lyric>
735 <measure number="14">
738 <step>C</step><octave>5</octave>
740 <duration>1</duration>
744 <technical><fingering>2</fingering></technical>
746 <lyric number="1"><text>fing.2</text></lyric>
750 <step>C</step><octave>5</octave>
752 <duration>1</duration>
756 <technical><fingering>3</fingering></technical>
758 <lyric number="1"><text>fing.3</text></lyric>
762 <step>C</step><octave>5</octave>
764 <duration>1</duration>
768 <technical><fingering>4</fingering></technical>
770 <lyric number="1"><text>fing.4</text></lyric>
774 <step>C</step><octave>5</octave>
776 <duration>1</duration>
780 <technical><fingering>5</fingering></technical>
782 <lyric number="1"><text>fing.5</text></lyric>
785 <measure number="15">
788 <step>C</step><octave>5</octave>
790 <duration>1</duration>
794 <technical><fingering>something</fingering></technical>
796 <lyric number="1"><text>fing.sth.</text></lyric>
800 <step>C</step><octave>5</octave>
802 <duration>1</duration>
806 <technical><fingering>5</fingering><fingering substitution="yes">3</fingering><fingering alternate="yes">2</fingering></technical>
808 <lyric number="1"><text>mult.fing.</text></lyric>
812 <step>C</step><octave>5</octave>
814 <duration>1</duration>
818 <technical><pluck/></technical>
820 <lyric number="1"><text>empty pluck</text></lyric>
824 <step>C</step><octave>5</octave>
826 <duration>1</duration>
830 <technical><pluck>a</pluck></technical>
832 <lyric number="1"><text>pluck a</text></lyric>
835 <measure number="16">
838 <step>C</step><octave>5</octave>
840 <duration>1</duration>
844 <technical><double-tongue/></technical>
846 <lyric number="1"><text>dbl.tng.</text></lyric>
850 <step>C</step><octave>5</octave>
852 <duration>1</duration>
856 <technical><triple-tongue/></technical>
858 <lyric number="1"><text>trpl.tng.</text></lyric>
862 <step>C</step><octave>5</octave>
864 <duration>1</duration>
868 <technical><stopped/></technical>
870 <lyric number="1"><text>stopped</text></lyric>
874 <step>C</step><octave>5</octave>
876 <duration>1</duration>
880 <technical><snap-pizzicato/></technical>
882 <lyric number="1"><text>snp.pizz.</text></lyric>
885 <measure number="17">
888 <step>C</step><octave>5</octave>
890 <duration>1</duration>
894 <technical><fret/></technical>
896 <lyric number="1"><text>empty fret</text></lyric>
900 <step>C</step><octave>5</octave>
902 <duration>1</duration>
906 <technical><fret>0</fret></technical>
908 <lyric number="1"><text>fret0</text></lyric>
912 <step>C</step><octave>5</octave>
914 <duration>1</duration>
918 <technical><string/></technical>
920 <lyric number="1"><text>empty str.</text></lyric>
924 <step>C</step><octave>5</octave>
926 <duration>1</duration>
934 <lyric number="1"><text>str. 5</text></lyric>
937 <measure number="18">
940 <step>C</step><octave>5</octave>
942 <duration>1</duration>
947 <hammer-on type="start"/>
950 <lyric number="1"><syllabic>begin</syllabic><text>hammer</text></lyric>
954 <step>C</step><octave>5</octave>
956 <duration>1</duration>
961 <hammer-on type="stop"/>
964 <lyric number="1"><syllabic>end</syllabic><text>on</text></lyric>
968 <step>C</step><octave>5</octave>
970 <duration>1</duration>
975 <pull-off type="start"/>
978 <lyric number="1"><syllabic>begin</syllabic><text>pull</text></lyric>
982 <step>C</step><octave>5</octave>
984 <duration>1</duration>
989 <pull-off type="stop"/>
992 <lyric number="1"><syllabic>end</syllabic><text>off</text></lyric>
995 <measure number="19">
998 <step>C</step><octave>5</octave>
1000 <duration>1</duration>
1002 <type>quarter</type>
1005 <bend><bend-alter>4</bend-alter></bend>
1008 <lyric number="1"><text>bend</text></lyric>
1012 <step>C</step><octave>5</octave>
1014 <duration>1</duration>
1016 <type>quarter</type>
1019 <bend><bend-alter>3</bend-alter><release/><with-bar/></bend>
1022 <lyric number="1"><text>bend 3 with-bar</text></lyric>
1026 <step>C</step><octave>5</octave>
1028 <duration>1</duration>
1030 <type>quarter</type>
1033 <bend><bend-alter>-5</bend-alter><pre-bend/></bend>
1036 <lyric number="1"><text>pre-bend -(0.)5</text></lyric>
1040 <step>C</step><octave>5</octave>
1042 <duration>1</duration>
1044 <type>quarter</type>
1047 <bend><bend-alter>5</bend-alter><release/></bend>
1050 <lyric number="1"><text>bend release (3.)5</text></lyric>
1053 <measure number="20">
1056 <step>C</step><octave>5</octave>
1058 <duration>1</duration>
1060 <type>quarter</type>
1062 <technical><tap/></technical>
1064 <lyric number="1"><text>tap</text></lyric>
1068 <step>C</step><octave>5</octave>
1070 <duration>1</duration>
1072 <type>quarter</type>
1074 <technical><tap>T</tap></technical>
1076 <lyric number="1"><text>tap T</text></lyric>
1080 <step>C</step><octave>5</octave>
1082 <duration>1</duration>
1084 <type>quarter</type>
1086 <technical><heel/></technical>
1088 <lyric number="1"><text>heel</text></lyric>
1092 <step>C</step><octave>5</octave>
1094 <duration>1</duration>
1096 <type>quarter</type>
1098 <technical><toe substitution="yes"/></technical>
1100 <lyric number="1"><text>toe</text></lyric>
1103 <measure number="21">
1106 <step>C</step><octave>5</octave>
1108 <duration>1</duration>
1110 <type>quarter</type>
1112 <technical><fingernails/></technical>
1114 <lyric number="1"><text>fingern.</text></lyric>
1118 <duration>1</duration>
1120 <type>quarter</type>
1124 <duration>2</duration>
1128 <barline location="right">
1129 <bar-style>light-light</bar-style>
1133 <!-- Dynamics, attached to notes by putting them inside <notations> tags -->
1134 <measure number="22">
1137 <step>C</step><octave>5</octave>
1139 <duration>1</duration>
1141 <type>quarter</type>
1143 <dynamics><f/></dynamics>
1145 <lyric number="1"><text>f</text></lyric>
1149 <step>C</step><octave>5</octave>
1151 <duration>1</duration>
1153 <type>quarter</type>
1155 <dynamics><ppp/></dynamics>
1157 <lyric number="1"><text>ppp</text></lyric>
1161 <step>C</step><octave>5</octave>
1163 <duration>1</duration>
1165 <type>quarter</type>
1167 <dynamics><sfp/></dynamics>
1169 <lyric number="1"><text>sfp</text></lyric>
1173 <step>C</step><octave>5</octave>
1175 <duration>1</duration>
1177 <type>quarter</type>
1179 <dynamics><other-dynamics>sfffz</other-dynamics></dynamics>
1181 <lyric number="1"><text>Oth.dyn.</text></lyric>
1185 <!-- General tests: multiple notations, directions, etc. -->
1186 <measure number="23">
1192 <duration>1</duration>
1194 <type>quarter</type>
1197 <strong-accent placement="above" type="up"/>
1198 <staccato placement="above"/>
1201 <lyric number="1"><text>both above</text></lyric>
1208 <duration>1</duration>
1210 <type>quarter</type>
1213 <accent placement="below"/>
1214 <tenuto placement="below"/>
1215 <staccato placement="above"/>
1218 <lyric number="1"><text>ab./bel./bel.</text></lyric>
1222 <duration>2</duration>
1226 <barline location="right">
1227 <bar-style>light-heavy</bar-style>