1 %% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
2 %% This file is in the public domain.
6 lsrtags = "ancient-notation, template"
8 %% Translation of GIT committish: aea975539ec44fd0f1a8fd25930b88b5ab64b53a
10 Al transcribir música mensural, es útil un «incipit» al compienzo
11 de la pieza para indicar la tonalidad y el tempo
12 originales. Aunque los músicos actuales están acostumbrados a las
13 barras de compás para reconocer con más facilidad los patrones
14 rítmicos, durante el período de la música mensural aún no se
15 habíen inventado las líneas divisorias; de hecho, la medida solía
16 cambiar a cada pocas notas. Como compromiso, a menudo las líneas
17 divisorias se imprimen entre los pentagramas en vez de hacerlo
21 doctitlees = "Plantilla de notación de música antigua (transcripción moderna de música mensural)"
22 %% Translation of GIT committish: 17633f6b8681af86230aa84597fe7561e98c91d6
25 Bei der Transkription von Mensuralmusik ist es oft erwünscht, ein
26 Incipit an den Anfang des Stückes zu stellen, damit klar ist, wie
27 Tempo und Schlüssel in der Originalnotation gesetzt waren. Während
28 heutzutage Musiker an Taktlinien gewöhnt sind, um Rhythmen schneller
29 zu erkennen, wurden diese in der Mensuralmusik nicht verwendet.
30 Tatsächlich ändern sich die Rhythmen auch oft alle paar Noten. Als
31 ein Kompromiss werden die Notenlinien nicht auf dem System, sondern
32 zwischen den Systemen geschrieben.
35 %% Translation of GIT committish: 499a511d4166feaada31114e097f86b5e0c56421
37 Lorsque l'on transcrit de la musique mensurale, il est d'usage
38 d'indiquer en début de partition, par un « incipit », les tonalité
39 et tempo originaux. De nos jours, les musiciens ont l'habitude de
40 voir des barres de mesure qui les aide à appréhender la structure
41 rythmique. Ces barres n'existaient pas du temps où ces œuvres ont
42 été écrites ; en fait, la métrique évoluait au fil de la pièce. Un
43 compromis consiste à imprimer des barres de mesure entre les portées
44 plutôt que sur la portée elle-même.
47 doctitle = "Exemples de notation ancienne -- transcription moderne de musique mensurale"
50 When transcribing mensural music, an incipit at the beginning of the
51 piece is useful to indicate the original key and tempo. While today
52 musicians are used to bar lines in order to faster recognize rhythmic
53 patterns, bar lines were not yet invented during the period of mensural
54 music; in fact, the meter often changed after every few notes. As a
55 compromise, bar lines are often printed between the staves rather than
59 doctitle = "Ancient notation template -- modern transcription of mensural music"
63 \set Score.skipBars = ##t
66 \once \override Score.SystemStartBracket #'transparent = ##t
67 \override Score.SpacingSpanner #'spacing-increment = #1.0 % tight spacing
70 \once \override Staff.TimeSignature #'style = #'neomensural
71 \override Voice.NoteHead #'style = #'neomensural
72 \override Voice.Rest #'style = #'neomensural
73 \set Staff.printKeyCancellation = ##f
74 \cadenzaOn % turn off bar lines
76 \once \override Staff.BarLine #'transparent = ##f
78 \skip 1*1 % need this extra \skip such that clef change comes
83 \revert Score.SpacingSpanner #'spacing-increment % CHECK: no effect?
84 \cadenzaOff % turn bar lines on again
85 \once \override Staff.Clef #'full-size-change = ##t
86 \set Staff.forceClef = ##t
89 \override Voice.NoteHead #'style = #'default
90 \override Voice.Rest #'style = #'default
92 % FIXME: setting printKeyCancellation back to #t must not
93 % occur in the first bar after the incipit. Dto. for forceClef.
94 % Therefore, we need an extra \skip.
96 \set Staff.printKeyCancellation = ##t
97 \set Staff.forceClef = ##f
99 \skip 1*7 % the actual music
101 % let finis bar go through all staves
102 \override Staff.BarLine #'transparent = ##f
110 \set Staff.instrumentName = #"Discantus "
113 \clef "neomensural-c1"
115 \skip 1*8 % eight bars
125 \once \override NoteHead #'transparent = ##t c'1 |
130 discantusLyrics = \lyricmode {
146 \set Staff.instrumentName = #"Altus "
149 \clef "neomensural-c3"
152 \skip 1*7 % seven bars
157 r2 g2. e4 fis g | % two bars
159 fis g4.( fis16 e fis4) |
161 \once \override NoteHead #'transparent = ##t g1 |
166 altusLyrics = \lyricmode {
171 Ju -- bi -- la -- te | % two bars
180 \set Staff.instrumentName = #"Tenor "
183 \clef "neomensural-c4"
196 r2 d'2. d'4 b e' | % two bars
197 \once \override NoteHead #'transparent = ##t e'1 |
202 tenorLyrics = \lyricmode {
207 Ju -- bi -- la -- te | % two bars
214 \set Staff.instrumentName = #"Bassus "
218 r\maxima % eight bars
229 \once \override NoteHead #'transparent = ##t e1 |
234 bassusLyrics = \lyricmode {
245 \new StaffGroup = choirStaff <<
247 "discantusNotes" << \global \discantusNotes >>
249 "discantusLyrics" \lyricsto discantusNotes { \discantusLyrics }
251 "altusNotes" << \global \altusNotes >>
253 "altusLyrics" \lyricsto altusNotes { \altusLyrics }
255 "tenorNotes" << \global \tenorNotes >>
257 "tenorLyrics" \lyricsto tenorNotes { \tenorLyrics }
259 "bassusNotes" << \global \bassusNotes >>
261 "bassusLyrics" \lyricsto bassusNotes { \bassusLyrics }
268 \override BarLine #'transparent = ##t
270 % incipit should not start with a start delimiter
271 \remove "System_start_delimiter_engraver"
277 \override Slur #'transparent = ##t
279 % Comment in the below "\remove" command to allow line
280 % breaking also at those barlines where a note overlaps
281 % into the next bar. The command is commented out in this
282 % short example score, but especially for large scores, you
283 % will typically yield better line breaking and thus improve
284 % overall spacing if you comment in the following command.
285 %\remove "Forbid_line_break_engraver"