1 %% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
2 %% This file is in the public domain.
6 lsrtags = "ancient-notation, template"
9 Al transcribir música mensural, es útil un «incipit» al compienzo
10 de la pieza para indicar la tonalidad y el tempo
11 originales. Aunque los músicos actuales están acostumbrados a las
12 barras de compás para reconocer con más facilidad los patrones
13 rítmicos, durante el período de la música mensural aún no se
14 habíen inventado las líneas divisorias; de hecho, la medida solía
15 cambiar a cada pocas notas. Como compromiso, a menudo las líneas
16 divisorias se imprimen entre los pentagramas en vez de hacerlo
20 doctitlees = "Plantilla de notación de música antigua (transcripción moderna de música mensural)"
23 Bei der Transkription von Mensuralmusik ist es oft erwünscht, ein
24 Incipit an den Anfang des Stückes zu stellen, damit klar ist, wie
25 Tempo und Schlüssel in der Originalnotation gesetzt waren. Während
26 heutzutage Musiker an Taktlinien gewöhnt sind, um Rhythmen schneller
27 zu erkennen, wurden diese in der Mensuralmusik nicht verwendet.
28 Tatsächlich ändern sich die Rhythmen auch oft alle paar Noten. Als
29 ein Kompromiss werden die Notenlinien nicht auf dem System, sondern
30 zwischen den Systemen geschrieben.
34 When transcribing mensural music, an incipit at the beginning of the
35 piece is useful to indicate the original key and tempo. While today
36 musicians are used to bar lines in order to faster recognize rhythmic
37 patterns, bar lines were not yet invented during the period of mensural
38 music; in fact, the meter often changed after every few notes. As a
39 compromise, bar lines are often printed between the staves rather than
43 doctitle = "Ancient notation template -- modern transcription of mensural music"
47 \set Score.skipBars = ##t
50 \once \override Score.SystemStartBracket #'transparent = ##t
51 \override Score.SpacingSpanner #'spacing-increment = #1.0 % tight spacing
54 \once \override Staff.TimeSignature #'style = #'neomensural
55 \override Voice.NoteHead #'style = #'neomensural
56 \override Voice.Rest #'style = #'neomensural
57 \set Staff.printKeyCancellation = ##f
58 \cadenzaOn % turn off bar lines
60 \once \override Staff.BarLine #'transparent = ##f
62 \skip 1*1 % need this extra \skip such that clef change comes
67 \revert Score.SpacingSpanner #'spacing-increment % CHECK: no effect?
68 \cadenzaOff % turn bar lines on again
69 \once \override Staff.Clef #'full-size-change = ##t
70 \set Staff.forceClef = ##t
73 \override Voice.NoteHead #'style = #'default
74 \override Voice.Rest #'style = #'default
76 % FIXME: setting printKeyCancellation back to #t must not
77 % occur in the first bar after the incipit. Dto. for forceClef.
78 % Therefore, we need an extra \skip.
80 \set Staff.printKeyCancellation = ##t
81 \set Staff.forceClef = ##f
83 \skip 1*7 % the actual music
85 % let finis bar go through all staves
86 \override Staff.BarLine #'transparent = ##f
94 \set Staff.instrumentName = #"Discantus "
97 \clef "neomensural-c1"
99 \skip 1*8 % eight bars
109 \once \override NoteHead #'transparent = ##t c'1 |
114 discantusLyrics = \lyricmode {
130 \set Staff.instrumentName = #"Altus "
133 \clef "neomensural-c3"
136 \skip 1*7 % seven bars
141 r2 g2. e4 fis g | % two bars
143 fis g4.( fis16 e fis4) |
145 \once \override NoteHead #'transparent = ##t g1 |
150 altusLyrics = \lyricmode {
155 Ju -- bi -- la -- te | % two bars
164 \set Staff.instrumentName = #"Tenor "
167 \clef "neomensural-c4"
180 r2 d'2. d'4 b e' | % two bars
181 \once \override NoteHead #'transparent = ##t e'1 |
186 tenorLyrics = \lyricmode {
191 Ju -- bi -- la -- te | % two bars
198 \set Staff.instrumentName = #"Bassus "
202 r\maxima % eight bars
213 \once \override NoteHead #'transparent = ##t e1 |
218 bassusLyrics = \lyricmode {
229 \new StaffGroup = choirStaff <<
231 "discantusNotes" << \global \discantusNotes >>
233 "discantusLyrics" \lyricsto discantusNotes { \discantusLyrics }
235 "altusNotes" << \global \altusNotes >>
237 "altusLyrics" \lyricsto altusNotes { \altusLyrics }
239 "tenorNotes" << \global \tenorNotes >>
241 "tenorLyrics" \lyricsto tenorNotes { \tenorLyrics }
243 "bassusNotes" << \global \bassusNotes >>
245 "bassusLyrics" \lyricsto bassusNotes { \bassusLyrics }
252 \override BarLine #'transparent = ##t
254 % incipit should not start with a start delimiter
255 \remove "System_start_delimiter_engraver"
261 \override Slur #'transparent = ##t
263 % Comment in the below "\remove" command to allow line
264 % breaking also at those barlines where a note overlaps
265 % into the next bar. The command is commented out in this
266 % short example score, but especially for large scores, you
267 % will typically yield better line breaking and thus improve
268 % overall spacing if you comment in the following command.
269 %\remove "Forbid_line_break_engraver"