1 % Ludwig van Beethoven (1770-1792)
4 % Ouverture zu Collins Trauerspiel "Coriolan"
6 % a 5 \bar fragment of the alto part
8 % Copyright (c) 1997 Jan Nieuwenhuizen <jan@digicash.com>
10 % when lily can handle this, i-ll type the other 304 \bars
11 % (maybe even sooner :-)
16 \meter {4/4} \grouping {4*4}
21 % these are chords (i.e. non-divisi)
22 % that-s why i-d rather type chords,
23 % but how to type slurs?
31 [ ) c c-. ] c4. c-. c4( |
33 [ ) c c-. ] c4. c-. c4
39 % this should be a \dynamic, rather than text
40 [ c c_"cresc. \ \ - \ \ \ \ - \ \ \ \ - \ \ \ \
41 - \ \ \ \ - \ \ \ \ - \ \ \ \ - \ \ \ \
42 - \ \ \ \ - \ \ \ \ - \ \ \ \ - \ \ \ \
43 - \ \ \ \ - \ \ \ \ -" ] c2.( |
48 [ ) c c-. ] c4. c-. c4( |
50 [ ) c c-. ] c4. c-. c4 |
55 % these are two \voices (i.e. divisi)
56 % the c4 and c2, however are really 16th...
57 % e.g.: c16*4 and c16*8 or
59 % we-ll say "simile" for now...
62 { \stem{ 1 }[ c16^"div." c16 c16 c16 ] c4 c2 }
66 \stem{ -1 } [ as16_"\ff" as16 as16 as16 ] as4_"simile" as2
74 \staff { \melodic \music { alto }}