1 @c -*- coding: utf-8; mode: texinfo; -*-
3 Translation of GIT committish: FILL-IN-HEAD-COMMITTISH
5 When revising a translation, copy the HEAD committish of the
6 version that you are working on. See TRANSLATION for details.
11 @node Unfretted string instruments
12 @section Unfretted string instruments
14 This section includes extra information for writing for unfretted
18 * Common notation for unfretted strings::
20 * Plucked instruments::
23 @node Common notation for unfretted strings
24 @subsection Common notation for unfretted strings
27 * References for unfretted strings::
30 @node References for unfretted strings
31 @subsubsection References for unfretted strings
33 @c TODO Add refs to fingerings, \thumb
34 @c TODO Add multiple fingering indications?
37 @c TODO Decide whether to resurrect Bowed instruments subsection
38 @c and if so which of the above should go there
40 @node Bowed instruments
41 @subsection Bowed instruments
44 * References for bowed strings::
47 @node References for bowed strings
48 @subsubsection References for bowed strings
50 @c link to slurs, articulation (for \upbow \downbow). maybe
51 @c an example as well.
52 @c TODO Add snippet showing pizzicato markings
54 @cindex artificial harmonics
56 Artificial harmonics are notated with a different note head style. They
57 are entered by marking the harmonic pitch with @code{\harmonic}.
59 @lilypond[ragged-right,verbatim,quote,fragment,relative=1]
64 @node Plucked instruments
65 @subsection Plucked instruments
79 - tremolo (for bisbigliando)
81 - directional arpeggio and non-arpeggio
82 - workaroung for keeping both staves visible in an orchestral
84 http://lists.gnu.org/archive/html/lilypond-user/2007-08/msg00386.html
85 and http://lsr.dsi.unimi.it/LSR/Item?u=1&id=312
87 An LSR snippet could be used to demonstrate the main items; in the
88 case of glissandi, it would be desirable to have a demonstration