1 @c -*- coding: utf-8; mode: texinfo; -*-
3 Translation of GIT committish: FILL-IN-HEAD-COMMITTISH
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11 @node Unfretted string instruments
12 @section Unfretted string instruments
15 {unfretted-headword.ly}
17 @cindex orchestral strings
18 @cindex strings, writing for
20 This section provides information and references which are helpful
21 when writing for unfretted string instruments, principally
25 * Common notation for unfretted strings::
28 @node Common notation for unfretted strings
29 @subsection Common notation for unfretted strings
31 There is little specialist notation for unfretted string
32 instruments. The music is notated on a single staff, and
33 usually only a single voice is required. Two voices might
34 be required for some double-stopped or divisi passages.
37 * References for unfretted strings::
38 * Bowing indications::
40 * Snap (Bartok) pizzicato::
43 @node References for unfretted strings
44 @unnumberedsubsubsec References for unfretted strings
46 Most of the notation which is useful for orchestral strings
47 and other bowed instruments is covered elsewhere:
51 @item Texual indications such as @qq{pizz.} and @qq{arco} are
52 added as simple text -- see @ref{Text scripts}.
54 @item Fingerings, including the thumb indication, are described
55 in @ref{Fingering instructions}.
57 @item Double stopping is normally indicated by writing a chord,
58 see @ref{Chorded notes}. Directives for playing chords may be
59 added, see @ref{Arpeggio}.
61 @item A template for a string quartet can be found in
62 @rlearning{String quartet}. Others are shown in the snippets.
68 @rlearning{String quartet}.
72 @ref{Fingering instructions},
77 @rlsr{Unfretted strings}.
79 @node Bowing indications
80 @unnumberedsubsubsec Bowing indications
85 @cindex bowing indications
86 @cindex up bow indication
87 @cindex down bow indication
89 Bowing indications are created as articulations, which are
90 described in @ref{Articulations and ornamentations}. The
91 bowing commands, @code{\upbow} and @code{\downbow}, are used with
94 @lilypond[verbatim,quote,relative=2]
95 c4(\downbow d) e(\upbow f)
102 @ref{Articulations and ornamentations},
106 @unnumberedsubsubsec Harmonics
110 @strong{@i{Natural harmonics}}
112 @cindex natural harmonics
113 @cindex harmonics, natural
115 Natural harmonics can be notated in several ways. A diamond-shaped
116 note head generally means to touch the string where you would stop
117 the note if it were not a diamond.
119 @warning{Harmonics @strong{must} be defined inside a chord
120 construct even if there is only a single note.}
122 @c TODO If the default for harmonicDots is changed, change this
123 Dotted harmonics indicated with @code{\harmonic} do not show the
124 dots. The context property @code{harmonicDots} should be set if
127 @lilypond[verbatim,quote,relative=2]
128 <d\harmonic>4 <e\harmonic>2.
129 \set harmonicDots = ##t
130 <d\harmonic>4 <e\harmonic>2.
133 Alternatively a normal note head is shown at the pitch to be
134 sounded together with a small circle to indicate it should be
135 played as a harmonic:
137 @lilypond[verbatim,quote,relative=2]
138 d2^\flageolet d_\flageolet
141 A smaller circle may be created, see the snippet list in
142 @ref{References for unfretted strings}.
144 @strong{@i{Artificial harmonics}}
146 @cindex artificial harmonics
147 @cindex harmonics, artifical
149 Artificial harmonics are notated with two notes, one with a normal
150 note head indicating the stopped position and one with an open
151 diamond note head to indicate the harmonic position.
153 @lilypond[verbatim,quote,relative=1]
154 <e a\harmonic>2 <c g'\harmonic>
162 @ref{Special note heads},
163 @ref{References for unfretted strings}.
165 @node Snap (Bartok) pizzicato
166 @unnumberedsubsubsec Snap (Bartók) pizzicato
168 @cindex pizzicato, Bartók
169 @cindex pizzicato, snap
170 @cindex Bartók pizzicato
171 @cindex snap pizzicato
175 @lilypondfile[verbatim,lilyquote,texidoc,doctitle]
176 {snap-pizzicato-markup-bartok-pizzicato.ly}