1 % DO NOT EDIT this file manually; it is automatically
2 % generated from Documentation/snippets/new
3 % Make any changes in Documentation/snippets/new/
4 % and then run scripts/auxiliar/makelsr.py
6 % This file is in the public domain.
7 %% Note: this file works from version 2.14.0
11 %% Translation of GIT committish: 615cbf212fdaf0b220b3330da417d0c3602494f2
13 He aquí una partitura vocal estándar para cuatro voces SATB. Con
14 grupos mayores, suele ser útil incluir una sección que aparezca en
15 todas las partes. Por ejemplo, el compás y la armadura casi siempre
16 son los mismos para todas. Como en la plantilla @qq{Himno}, las cuatro
17 voces se reagrupan en sólo dos pentagramas.
20 doctitlees = "Plantilla de conjunto vocal"
23 %% Translation of GIT committish: bfc88203ac2572737480e78ef2635ed35b458441
25 これは標準の 4 パート SATB (ソプラノ、アルト、テナー、バス) ボーカル譜です。@c
26 もっと大きな合唱では、すべてのパートで使用されるセクションをインクルードすると@c
27 便利です。例えば、拍子記号と調号はほとんど常にすべてのパートで同じです。\"賛美@c
28 歌\" テンプレートのように、4 つのボイスは 2 つの譜にグループ分けされています。"
30 %% Translation of GIT committish: bfc88203ac2572737480e78ef2635ed35b458441
32 Dieses Beispiel ist für vierstimmigen Gesang (SATB). Bei größeren
33 Stücken ist es oft sinnvoll, eine allgemeine Variable zu bestimmen,
34 die in allen Stimmen eingefügt wird. Taktart und Vorzeichen etwa
35 sind fast immer gleich in allen Stimmen.
38 doctitlede = "Vorlage für Vokalensemble"
41 %% Translation of GIT committish: bfc88203ac2572737480e78ef2635ed35b458441
43 Ce fichier constitue un canevas standard de partition pour chœur à
44 quatre voix mixtes. Lorsque les ensembles s'étoffent, il est judicieux
45 de recourrir à une section spécifique incluse dans chacune des parties,
46 tout particulièrement pour gérer la métrique et la tonalité qui,
47 la plupart du temps, sont communes à tous les pupitres. Comme il est
48 d'usage pour les hymnes, les quatre voix sont réparties sur deux
52 doctitlefr = "Ensemble vocal (simple)"
54 lsrtags = "vocal-music, template"
57 Here is a standard four-part SATB vocal score. With larger ensembles,
58 it is often useful to include a section which is included in all parts.
59 For example, the time signature and key signature are almost always the
60 same for all parts. Like in the @qq{Hymn} template, the four voices are
61 regrouped on only two staves.
63 doctitle = "Vocal ensemble template"
68 top-system-spacing #'basic-distance = #10
69 score-system-spacing #'basic-distance = #20
70 system-system-spacing #'basic-distance = #20
71 last-bottom-spacing #'basic-distance = #10
79 sopMusic = \relative c'' {
82 sopWords = \lyricmode {
86 altoMusic = \relative c' {
89 altoWords = \lyricmode {
93 tenorMusic = \relative c' {
96 tenorWords = \lyricmode {
100 bassMusic = \relative c {
103 bassWords = \lyricmode {
109 \new Lyrics = "sopranos" \with {
110 % this is needed for lyrics above a staff
111 \override VerticalAxisGroup #'staff-affinity = #DOWN
113 \new Staff = "women" <<
114 \new Voice = "sopranos" {
116 << \global \sopMusic >>
118 \new Voice = "altos" {
120 << \global \altoMusic >>
123 \new Lyrics = "altos"
124 \new Lyrics = "tenors" \with {
125 % this is needed for lyrics above a staff
126 \override VerticalAxisGroup #'staff-affinity = #DOWN
128 \new Staff = "men" <<
130 \new Voice = "tenors" {
132 << \global \tenorMusic >>
134 \new Voice = "basses" {
135 \voiceTwo << \global \bassMusic >>
138 \new Lyrics = "basses"
139 \context Lyrics = "sopranos" \lyricsto "sopranos" \sopWords
140 \context Lyrics = "altos" \lyricsto "altos" \altoWords
141 \context Lyrics = "tenors" \lyricsto "tenors" \tenorWords
142 \context Lyrics = "basses" \lyricsto "basses" \bassWords