1 %% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
2 %% This file is in the public domain.
6 lsrtags = "ancient-notation, template"
8 %% Translation of GIT committish: b2d4318d6c53df8469dfa4da09b27c15a374d0ca
10 Al transcribir música mensural, es útil un «incipit» al compienzo
11 de la pieza para indicar la tonalidad y el tempo
12 originales. Aunque los músicos actuales están acostumbrados a las
13 barras de compás para reconocer con más facilidad los patrones
14 rítmicos, durante el período de la música mensural aún no se
15 habíen inventado las líneas divisorias; de hecho, la medida solía
16 cambiar a cada pocas notas. Como compromiso, a menudo las líneas
17 divisorias se imprimen entre los pentagramas en vez de hacerlo
21 doctitlees = "Plantilla de notación de música antigua (transcripción moderna de música mensural)"
23 %% Translation of GIT committish: d96023d8792c8af202c7cb8508010c0d3648899d
25 Bei der Transkription von Mensuralmusik ist es oft erwünscht, ein
26 Incipit an den Anfang des Stückes zu stellen, damit klar ist, wie
27 Tempo und Schlüssel in der Originalnotation gesetzt waren. Während
28 heutzutage Musiker an Taktlinien gewöhnt sind, um Rhythmen schneller
29 zu erkennen, wurden diese in der Mensuralmusik nicht verwendet.
30 Tatsächlich ändern sich die Rhythmen auch oft alle paar Noten. Als
31 ein Kompromiss werden die Notenlinien nicht auf dem System, sondern
32 zwischen den Systemen geschrieben.
35 doctitlede = "Vorlage für Alte Notation -- moderne Transkription von Mensuralmusik"
37 %% Translation of GIT committish: 892286cbfdbe89420b8181975032ea975e79d2f5
39 Lorsque l'on transcrit de la musique mensurale, un @emph{incipit} permet
40 d'indiquer la tonalité et le tempo d'origine. Si les musiciens sont de
41 nos jours habitués aux barres de mesures qui présentent la structure
42 rythmique d'une œuvre, elles n'étaient pas en vigueur à l'époque où ces
43 pièces ont été composées, d'autant plus que la @qq{métrique} pouvait
44 changer au fil des notes. Un compromis consiste à imprimer des barres
45 entre les portées plutôt que sur chacune d'elles.
48 doctitlefr = "Exemples de notation ancienne -- transcription moderne de musique mensurale"
50 doctitle = "Exemples de notation ancienne -- transcription moderne de musique mensurale"
53 When transcribing mensural music, an incipit at the beginning of the
54 piece is useful to indicate the original key and tempo. While today
55 musicians are used to bar lines in order to faster recognize rhythmic
56 patterns, bar lines were not yet invented during the period of mensural
57 music; in fact, the meter often changed after every few notes. As a
58 compromise, bar lines are often printed between the staves rather than
62 doctitle = "Ancient notation template -- modern transcription of mensural music"
66 \set Score.skipBars = ##t
69 \once \override Score.SystemStartBracket #'transparent = ##t
70 \override Score.SpacingSpanner #'spacing-increment = #1.0 % tight spacing
73 \once \override Staff.TimeSignature #'style = #'neomensural
74 \override Voice.NoteHead #'style = #'neomensural
75 \override Voice.Rest #'style = #'neomensural
76 \set Staff.printKeyCancellation = ##f
77 \cadenzaOn % turn off bar lines
79 \once \override Staff.BarLine #'transparent = ##f
81 \skip 1*1 % need this extra \skip such that clef change comes
86 \revert Score.SpacingSpanner #'spacing-increment % CHECK: no effect?
87 \cadenzaOff % turn bar lines on again
88 \once \override Staff.Clef #'full-size-change = ##t
89 \set Staff.forceClef = ##t
92 \override Voice.NoteHead #'style = #'default
93 \override Voice.Rest #'style = #'default
95 % FIXME: setting printKeyCancellation back to #t must not
96 % occur in the first bar after the incipit. Dto. for forceClef.
97 % Therefore, we need an extra \skip.
99 \set Staff.printKeyCancellation = ##t
100 \set Staff.forceClef = ##f
102 \skip 1*7 % the actual music
104 % let finis bar go through all staves
105 \override Staff.BarLine #'transparent = ##f
113 \set Staff.instrumentName = #"Discantus "
116 \clef "neomensural-c1"
118 \skip 1*8 % eight bars
128 \once \override NoteHead #'transparent = ##t c'1 |
133 discantusLyrics = \lyricmode {
149 \set Staff.instrumentName = #"Altus "
152 \clef "neomensural-c3"
155 \skip 1*7 % seven bars
160 r2 g2. e4 fis g | % two bars
162 fis g4.( fis16 e fis4) |
164 \once \override NoteHead #'transparent = ##t g1 |
169 altusLyrics = \lyricmode {
174 Ju -- bi -- la -- te | % two bars
183 \set Staff.instrumentName = #"Tenor "
186 \clef "neomensural-c4"
199 r2 d'2. d'4 b e' | % two bars
200 \once \override NoteHead #'transparent = ##t e'1 |
205 tenorLyrics = \lyricmode {
210 Ju -- bi -- la -- te | % two bars
217 \set Staff.instrumentName = #"Bassus "
221 r\maxima % eight bars
232 \once \override NoteHead #'transparent = ##t e1 |
237 bassusLyrics = \lyricmode {
248 \new StaffGroup = choirStaff <<
250 "discantusNotes" << \global \discantusNotes >>
252 "discantusLyrics" \lyricsto discantusNotes { \discantusLyrics }
254 "altusNotes" << \global \altusNotes >>
256 "altusLyrics" \lyricsto altusNotes { \altusLyrics }
258 "tenorNotes" << \global \tenorNotes >>
260 "tenorLyrics" \lyricsto tenorNotes { \tenorLyrics }
262 "bassusNotes" << \global \bassusNotes >>
264 "bassusLyrics" \lyricsto bassusNotes { \bassusLyrics }
271 \override BarLine #'transparent = ##t
273 % incipit should not start with a start delimiter
274 \remove "System_start_delimiter_engraver"
280 \override Slur #'transparent = ##t
282 % Comment in the below "\remove" command to allow line
283 % breaking also at those barlines where a note overlaps
284 % into the next bar. The command is commented out in this
285 % short example score, but especially for large scores, you
286 % will typically yield better line breaking and thus improve
287 % overall spacing if you comment in the following command.
288 %\remove "Forbid_line_break_engraver"