1 %% Do not edit this file; it is auto-generated from LSR http://lsr.dsi.unimi.it
2 %% This file is in the public domain.
6 lsrtags = "ancient-notation, template"
8 %% Translation of GIT committish: b2d4318d6c53df8469dfa4da09b27c15a374d0ca
10 Al transcribir música mensural, es útil un «incipit» al compienzo
11 de la pieza para indicar la tonalidad y el tempo
12 originales. Aunque los músicos actuales están acostumbrados a las
13 barras de compás para reconocer con más facilidad los patrones
14 rítmicos, durante el período de la música mensural aún no se
15 habíen inventado las líneas divisorias; de hecho, la medida solía
16 cambiar a cada pocas notas. Como compromiso, a menudo las líneas
17 divisorias se imprimen entre los pentagramas en vez de hacerlo
21 doctitlees = "Plantilla de notación de música antigua (transcripción moderna de música mensural)"
23 %% Translation of GIT committish: d96023d8792c8af202c7cb8508010c0d3648899d
25 Bei der Transkription von Mensuralmusik ist es oft erwünscht, ein
26 Incipit an den Anfang des Stückes zu stellen, damit klar ist, wie
27 Tempo und Schlüssel in der Originalnotation gesetzt waren. Während
28 heutzutage Musiker an Taktlinien gewöhnt sind, um Rhythmen schneller
29 zu erkennen, wurden diese in der Mensuralmusik nicht verwendet.
30 Tatsächlich ändern sich die Rhythmen auch oft alle paar Noten. Als
31 ein Kompromiss werden die Notenlinien nicht auf dem System, sondern
32 zwischen den Systemen geschrieben.
35 doctitlede = "Vorlage für Alte Notation -- moderne Transkription von Mensuralmusik"
37 %% Translation of GIT committish: 499a511d4166feaada31114e097f86b5e0c56421
39 Lorsque l'on transcrit de la musique mensurale, il est d'usage
40 d'indiquer en début de partition, par un « incipit », les tonalité
41 et tempo originaux. De nos jours, les musiciens ont l'habitude de
42 voir des barres de mesure qui les aide à appréhender la structure
43 rythmique. Ces barres n'existaient pas du temps où ces œuvres ont
44 été écrites ; en fait, la métrique évoluait au fil de la pièce. Un
45 compromis consiste à imprimer des barres de mesure entre les portées
46 plutôt que sur la portée elle-même.
49 doctitlefr = "Exemples de notation ancienne -- transcription moderne de musique mensurale"
51 doctitle = "Exemples de notation ancienne -- transcription moderne de musique mensurale"
54 When transcribing mensural music, an incipit at the beginning of the
55 piece is useful to indicate the original key and tempo. While today
56 musicians are used to bar lines in order to faster recognize rhythmic
57 patterns, bar lines were not yet invented during the period of mensural
58 music; in fact, the meter often changed after every few notes. As a
59 compromise, bar lines are often printed between the staves rather than
63 doctitle = "Ancient notation template -- modern transcription of mensural music"
67 \set Score.skipBars = ##t
70 \once \override Score.SystemStartBracket #'transparent = ##t
71 \override Score.SpacingSpanner #'spacing-increment = #1.0 % tight spacing
74 \once \override Staff.TimeSignature #'style = #'neomensural
75 \override Voice.NoteHead #'style = #'neomensural
76 \override Voice.Rest #'style = #'neomensural
77 \set Staff.printKeyCancellation = ##f
78 \cadenzaOn % turn off bar lines
80 \once \override Staff.BarLine #'transparent = ##f
82 \skip 1*1 % need this extra \skip such that clef change comes
87 \revert Score.SpacingSpanner #'spacing-increment % CHECK: no effect?
88 \cadenzaOff % turn bar lines on again
89 \once \override Staff.Clef #'full-size-change = ##t
90 \set Staff.forceClef = ##t
93 \override Voice.NoteHead #'style = #'default
94 \override Voice.Rest #'style = #'default
96 % FIXME: setting printKeyCancellation back to #t must not
97 % occur in the first bar after the incipit. Dto. for forceClef.
98 % Therefore, we need an extra \skip.
100 \set Staff.printKeyCancellation = ##t
101 \set Staff.forceClef = ##f
103 \skip 1*7 % the actual music
105 % let finis bar go through all staves
106 \override Staff.BarLine #'transparent = ##f
114 \set Staff.instrumentName = #"Discantus "
117 \clef "neomensural-c1"
119 \skip 1*8 % eight bars
129 \once \override NoteHead #'transparent = ##t c'1 |
134 discantusLyrics = \lyricmode {
150 \set Staff.instrumentName = #"Altus "
153 \clef "neomensural-c3"
156 \skip 1*7 % seven bars
161 r2 g2. e4 fis g | % two bars
163 fis g4.( fis16 e fis4) |
165 \once \override NoteHead #'transparent = ##t g1 |
170 altusLyrics = \lyricmode {
175 Ju -- bi -- la -- te | % two bars
184 \set Staff.instrumentName = #"Tenor "
187 \clef "neomensural-c4"
200 r2 d'2. d'4 b e' | % two bars
201 \once \override NoteHead #'transparent = ##t e'1 |
206 tenorLyrics = \lyricmode {
211 Ju -- bi -- la -- te | % two bars
218 \set Staff.instrumentName = #"Bassus "
222 r\maxima % eight bars
233 \once \override NoteHead #'transparent = ##t e1 |
238 bassusLyrics = \lyricmode {
249 \new StaffGroup = choirStaff <<
251 "discantusNotes" << \global \discantusNotes >>
253 "discantusLyrics" \lyricsto discantusNotes { \discantusLyrics }
255 "altusNotes" << \global \altusNotes >>
257 "altusLyrics" \lyricsto altusNotes { \altusLyrics }
259 "tenorNotes" << \global \tenorNotes >>
261 "tenorLyrics" \lyricsto tenorNotes { \tenorLyrics }
263 "bassusNotes" << \global \bassusNotes >>
265 "bassusLyrics" \lyricsto bassusNotes { \bassusLyrics }
272 \override BarLine #'transparent = ##t
274 % incipit should not start with a start delimiter
275 \remove "System_start_delimiter_engraver"
281 \override Slur #'transparent = ##t
283 % Comment in the below "\remove" command to allow line
284 % breaking also at those barlines where a note overlaps
285 % into the next bar. The command is commented out in this
286 % short example score, but especially for large scores, you
287 % will typically yield better line breaking and thus improve
288 % overall spacing if you comment in the following command.
289 %\remove "Forbid_line_break_engraver"