1 %% Do not edit this file; it is automatically
2 %% generated from LSR http://lsr.dsi.unimi.it
3 %% This file is in the public domain.
7 lsrtags = "ancient-notation, template"
9 %% Translation of GIT committish: 0b55335aeca1de539bf1125b717e0c21bb6fa31b
11 Al transcribir música mensural, es útil un «incipit» al compienzo
12 de la pieza para indicar la tonalidad y el tempo
13 originales. Aunque los músicos actuales están acostumbrados a las
14 barras de compás para reconocer con más facilidad los patrones
15 rítmicos, durante el período de la música mensural aún no se
16 habíen inventado las líneas divisorias; de hecho, la medida solía
17 cambiar a cada pocas notas. Como compromiso, a menudo las líneas
18 divisorias se imprimen entre los pentagramas en vez de hacerlo
22 doctitlees = "Plantilla de notación de música antigua (transcripción moderna de música mensural)"
25 %% Translation of GIT committish: 0a868be38a775ecb1ef935b079000cebbc64de40
27 Bei der Transkription von Mensuralmusik ist es oft erwünscht, ein
28 Incipit an den Anfang des Stückes zu stellen, damit klar ist, wie
29 Tempo und Schlüssel in der Originalnotation gesetzt waren. Während
30 heutzutage Musiker an Taktlinien gewöhnt sind, um Rhythmen schneller
31 zu erkennen, wurden diese in der Mensuralmusik nicht verwendet.
32 Tatsächlich ändern sich die Rhythmen auch oft alle paar Noten. Als
33 ein Kompromiss werden die Notenlinien nicht auf dem System, sondern
34 zwischen den Systemen geschrieben.
37 doctitlede = "Vorlage für Alte Notation -- moderne Transkription von Mensuralmusik"
40 %% Translation of GIT committish: bdfe3dc8175a2d7e9ea0800b5b04cfb68fe58a7a
42 Lorsque l'on transcrit de la musique mensurale, un @emph{incipit} permet
43 d'indiquer la tonalité et le tempo d'origine. Si les musiciens sont de
44 nos jours habitués aux barres de mesures qui présentent la structure
45 rythmique d'une œuvre, elles n'étaient pas en vigueur à l'époque où ces
46 pièces ont été composées, d'autant plus que la @qq{métrique} pouvait
47 changer au fil des notes. Un compromis consiste à imprimer des barres
48 entre les portées plutôt que sur chacune d'elles.
51 doctitlefr = "Exemples de notation ancienne -- transcription moderne de musique mensurale"
54 When transcribing mensural music, an incipit at the beginning of the
55 piece is useful to indicate the original key and tempo. While today
56 musicians are used to bar lines in order to faster recognize rhythmic
57 patterns, bar lines were not yet invented during the period of mensural
58 music; in fact, the meter often changed after every few notes. As a
59 compromise, bar lines are often printed between the staves rather than
63 doctitle = "Ancient notation template -- modern transcription of mensural music"
67 \set Score.skipBars = ##t
70 \once \override Score.SystemStartBracket #'transparent = ##t
71 \override Score.SpacingSpanner #'spacing-increment = #1.0 % tight spacing
74 \once \override Staff.TimeSignature #'style = #'neomensural
75 \override Voice.NoteHead #'style = #'neomensural
76 \override Voice.Rest #'style = #'neomensural
77 \set Staff.printKeyCancellation = ##f
78 \cadenzaOn % turn off bar lines
80 \once \override Staff.BarLine #'transparent = ##f
82 \skip 1*1 % need this extra \skip such that clef change comes
87 \revert Score.SpacingSpanner #'spacing-increment % CHECK: no effect?
88 \cadenzaOff % turn bar lines on again
89 \once \override Staff.Clef #'full-size-change = ##t
90 \set Staff.forceClef = ##t
93 \override Voice.NoteHead #'style = #'default
94 \override Voice.Rest #'style = #'default
96 % FIXME: setting printKeyCancellation back to #t must not
97 % occur in the first bar after the incipit. Dto. for forceClef.
98 % Therefore, we need an extra \skip.
100 \set Staff.printKeyCancellation = ##t
101 \set Staff.forceClef = ##f
103 \skip 1*7 % the actual music
105 % let finis bar go through all staves
106 \override Staff.BarLine #'transparent = ##f
114 \set Staff.instrumentName = #"Discantus "
117 \clef "neomensural-c1"
119 \skip 1*8 % eight bars
129 \once \override NoteHead #'transparent = ##t c'1 |
134 discantusLyrics = \lyricmode {
150 \set Staff.instrumentName = #"Altus "
153 \clef "neomensural-c3"
156 \skip 1*7 % seven bars
161 r2 g2. e4 fis g | % two bars
163 fis g4.( fis16 e fis4) |
165 \once \override NoteHead #'transparent = ##t g1 |
170 altusLyrics = \lyricmode {
175 Ju -- bi -- la -- te | % two bars
184 \set Staff.instrumentName = #"Tenor "
187 \clef "neomensural-c4"
200 r2 d'2. d'4 b e' | % two bars
201 \once \override NoteHead #'transparent = ##t e'1 |
206 tenorLyrics = \lyricmode {
211 Ju -- bi -- la -- te | % two bars
218 \set Staff.instrumentName = #"Bassus "
222 r\maxima % eight bars
233 \once \override NoteHead #'transparent = ##t e1 |
238 bassusLyrics = \lyricmode {
249 \new StaffGroup = choirStaff <<
251 "discantusNotes" << \global \discantusNotes >>
253 "discantusLyrics" \lyricsto discantusNotes { \discantusLyrics }
255 "altusNotes" << \global \altusNotes >>
257 "altusLyrics" \lyricsto altusNotes { \altusLyrics }
259 "tenorNotes" << \global \tenorNotes >>
261 "tenorLyrics" \lyricsto tenorNotes { \tenorLyrics }
263 "bassusNotes" << \global \bassusNotes >>
265 "bassusLyrics" \lyricsto bassusNotes { \bassusLyrics }
272 \override BarLine #'transparent = ##t
274 % incipit should not start with a start delimiter
275 \remove "System_start_delimiter_engraver"
281 \override Slur #'transparent = ##t
283 % Comment in the below "\remove" command to allow line
284 % breaking also at those barlines where a note overlaps
285 % into the next bar. The command is commented out in this
286 % short example score, but especially for large scores, you
287 % will typically yield better line breaking and thus improve
288 % overall spacing if you comment in the following command.
289 %\remove "Forbid_line_break_engraver"