1 @c -*- coding: utf-8; mode: texinfo; -*-
3 Translation of GIT committish: FILL-IN-HEAD-COMMITTISH
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12 @node Expressive marks
13 @section Expressive marks
15 @lilypondfile[quote]{expressive-headword.ly}
17 This section lists various expressive marks that can be
21 * Expressive marks attached to notes::
22 * Expressive marks as curves::
23 * Expressive marks as lines::
27 @node Expressive marks attached to notes
28 @subsection Expressive marks attached to notes
30 This section explains how to create expressive marks that are
31 attached to notes: articulations, ornamentations, and dynamics.
32 Methods to create new dynamic markings are also discussed.
35 * Articulations and ornamentations::
40 @node Articulations and ornamentations
41 @unnumberedsubsubsec Articulations and ornamentations
52 @cindex organ pedal marks
53 @cindex pedal marks, organ
75 @funindex \staccatissimo
91 @funindex \snappizzicato
93 @funindex \reverseturn
98 @funindex \prallmordent
102 @funindex \downmordent
106 @funindex \signumcongruentiae
107 @funindex \shortfermata
109 @funindex \longfermata
110 @funindex \verylongfermata
111 @funindex \fermataMarkup
119 A variety of symbols that denote articulations, ornamentations,
120 and other performance indications can be attached to a note using
124 @var{note}\@var{name}
127 The possible values for @code{@var{name}} are listed in
128 @ref{List of articulations}. For example:
130 @lilypond[verbatim,quote,relative=2]
131 c4\staccato c\mordent b2\turn
137 @cindex staccatissimo
142 Some of these articulations have shorthands for easier entry.
143 Shorthands are appended to the note name, and their syntax
144 consists of a dash @code{-} followed by a symbol signifying the
145 articulation. Predefined shorthands exist for @notation{marcato},
146 @notation{stopped}, @notation{tenuto}, @notation{staccatissimo},
147 @notation{accent}, @notation{staccato}, and @notation{portato}.
148 Their corresponding output appears as follows:
150 @lilypond[verbatim,quote,relative=2]
155 The rules for the default placement of articulations are defined
156 in @file{scm/script.scm}. Articulations and ornamentations
157 may be manually placed above or below the staff; see
158 @ref{Direction and placement}.
160 Articulations are @code{Script} objects. Their properties are
161 described more fully in @rinternals{Script}.
163 Articulations can be attached to rests as well as notes but they
164 cannot be attached to multi-measure rests. A special predefined
165 command, @code{\fermataMarkup}, is available for attaching a fermata
166 to a multi-measure rest (and only a multi-measure rest). This
167 creates a @code{MultiMeasureRestText} object.
169 @lilypond[verbatim,quote,relative=2]
170 \override Script #'color = #red
171 \override MultiMeasureRestText #'color = #blue
176 In addition to articulations, text and markups can be attached to
177 notes. See @ref{Text scripts}.
179 For more information about the ordering of Scripts and TextScripts that
180 are attached to the notes, see @rlearning{Placement of objects}.
184 @lilypondfile[verbatim,quote,texidoc,doctitle]
185 {modifying-default-values-for-articulation-shorthand-notation.ly}
187 @lilypondfile[verbatim,quote,texidoc,doctitle]
188 {controlling-the-vertical-ordering-of-scripts.ly}
190 @lilypondfile[verbatim,quote,texidoc,doctitle]
191 {creating-a-delayed-turn.ly}
201 @rlearning{Placement of objects}.
205 @ref{Direction and placement},
206 @ref{List of articulations},
210 @file{scm/script.scm}.
213 @rlsr{Expressive marks}.
217 @rinternals{TextScript}.
221 @unnumberedsubsubsec Dynamics
223 @cindex absolute dynamics
225 @cindex dynamics, absolute
266 Absolute dynamic marks are specified using a command after a note,
267 such as @code{c4\ff}. The available dynamic marks are
268 @code{\ppppp}, @code{\pppp}, @code{\ppp}, @code{\pp}, @code{\p},
269 @code{\mp}, @code{\mf}, @code{\f}, @code{\ff}, @code{\fff},
270 @code{\ffff}, @code{\fffff}, @code{\fp}, @code{\sf}, @code{\sff},
271 @code{\sp}, @code{\spp}, @code{\sfz}, and @code{\rfz}. Dynamic
272 marks may be manually placed above or below the staff; see
273 @ref{Direction and placement}.
275 @lilypond[verbatim,quote,relative=2]
294 A @notation{crescendo} mark is started with @code{\<} and
295 terminated with @code{\!}, an absolute dynamic, or an additional
296 crescendo or decrescendo mark. A @notation{decrescendo} mark is
297 started with @code{\>} and is also terminated with @code{\!}, an
298 absolute dynamic, or another crescendo or decrescendo mark.
299 @code{\cr} and @code{\decr} may be used instead of @code{\<} and
300 @code{\>}. @notation{Hairpins} are engraved by default using this
303 @lilypond[verbatim,quote,relative=2]
313 A hairpin that is terminated with @code{\!} will end at the
314 right edge of the note that has the @code{\!} assigned to it. In the
315 case where it is terminated with the start of another @notation{crescendo}
316 or @notation{decrescendo} mark, it will end at the centre of the note
317 that has the next @code{\<} or @code{\>} assigned to it. The next
318 hairpin will then start at the right edge of the same note
319 instead of the usual left edge had it been terminated with @code{\!}
322 @lilypond[verbatim,quote,relative=2]
323 c1\< | c4 a c\< a | c4 a c\! a\< | c4 a c a\!
326 Hairpins that are terminated with absolute dynamic marks instead of
327 @code{\!} will also be engraved in a similar way. However, the length
328 of the absolute dynamic itself can alter where the preceding hairpin
331 @lilypond[verbatim,quote,relative=2]
332 c1\< | c4 a c\mf a | c1\< | c4 a c\ffff a
335 @cindex multiple dynamic marks on one note
336 @cindex dynamic marks, multiple on one note
337 Spacer rests are needed to engrave multiple marks on one note.
338 This is particularly useful when adding a @notation{crescendo} and
339 @notation{decrescendo} to the same note:
341 @lilypond[verbatim,quote,relative=2]
343 << f1 { s4 s4\< s4\> s4\! } >>
346 @cindex espressivo articulation
348 @funindex \espressivo
351 The @code{\espressivo} command can be used to indicate a crescendo
352 and decrescendo on the same note. However, be warned that this is
353 implemented as an articulation, not a dynamic.
355 @lilypond[verbatim,quote,relative=2]
366 Textual crescendo marks begin with @code{\cresc}.
367 Textual decrescendos begin with @code{\decresc} or @code{\dim}.
368 Extender lines are engraved as required.
370 @lilypond[verbatim,quote,relative=2]
371 g8\cresc a b c b c d e\mf |
372 f8\decresc e d c e\> d c b |
377 @funindex \crescTextCresc
378 @funindex crescTextCresc
379 @funindex \dimTextDecresc
380 @funindex dimTextDecresc
381 @funindex \dimTextDecr
382 @funindex dimTextDecr
383 @funindex \dimTextDim
385 @funindex \crescHairpin
386 @funindex crescHairpin
387 @funindex \dimHairpin
390 Textual marks for dynamic changes can also replace hairpins:
391 @lilypond[verbatim,quote,relative=2]
406 To create new absolute dynamic marks or text that should be
407 aligned with dynamics, see @ref{New dynamic marks}.
409 @cindex dynamics, vertical positioning
410 @cindex vertical positioning of dynamics
412 @funindex DynamicLineSpanner
415 Vertical positioning of dynamics is handled by
416 @rinternals{DynamicLineSpanner}.
419 @funindex \dynamicDown
420 @funindex dynamicDown
421 @funindex \dynamicNeutral
422 @funindex dynamicNeutral
424 A @code{Dynamics} context is available to engrave dynamics on
425 their own horizontal line. Use spacer rests to indicate timing.
426 (Notes in a @code{Dynamics} context will also take up
427 musical time, but will not be engraved.)
428 The @code{Dynamics} context can usefully contain some other
429 items such as text scripts, text spanners, and piano pedal marks.
431 @lilypond[verbatim,quote]
433 \new Staff \relative c' {
451 @code{\dynamicNeutral},
452 @code{\crescTextCresc},
455 @code{\dimTextDecresc},
456 @code{\crescHairpin},
463 @lilypondfile[verbatim,quote,texidoc,doctitle]
464 {setting-hairpin-behavior-at-bar-lines.ly}
466 @lilypondfile[verbatim,quote,texidoc,doctitle]
467 {setting-the-minimum-length-of-hairpins.ly}
472 @lilypondfile[verbatim,quote,texidoc,doctitle]
473 {printing-hairpins-using-al-niente-notation.ly}
475 @lilypondfile[verbatim,quote,texidoc,doctitle]
476 {vertically-aligned-dynamics-and-textscripts.ly}
478 @lilypondfile[verbatim,quote,texidoc,doctitle]
479 {hiding-the-extender-line-for-text-dynamics.ly}
481 @lilypondfile[verbatim,quote,texidoc,doctitle]
482 {changing-text-and-spanner-styles-for-text-dynamics.ly}
493 @rlearning{Articulation and dynamics}.
496 @ref{Direction and placement},
497 @ref{New dynamic marks},
498 @ref{What goes into the MIDI output?},
499 @ref{Controlling MIDI dynamics}.
502 @rlsr{Expressive marks}.
505 @rinternals{DynamicText},
506 @rinternals{Hairpin},
507 @rinternals{DynamicLineSpanner},
508 @rinternals{Dynamics}.
511 @node New dynamic marks
512 @unnumberedsubsubsec New dynamic marks
514 @cindex new dynamic marks
515 @cindex dynamic marks, new
517 The easiest way to create dynamic indications is to use
518 @code{\markup} objects.
520 @lilypond[verbatim,quote]
521 moltoF = \markup { molto \dynamic f }
524 <d e>16_\moltoF <d e>
529 @cindex dynamics, editorial
530 @cindex dynamics, parenthesis
531 @cindex editorial dynamics
537 In markup mode, editorial dynamics (within parentheses or square
538 brackets) can be created. The syntax for markup mode is described
539 in @ref{Formatting text}.
541 @lilypond[verbatim,quote]
543 \center-align \concat { \bold { \italic ( }
544 \dynamic f \bold { \italic ) } } }
545 boxF = \markup { \bracket { \dynamic f } }
552 @cindex make-dynamic-script
553 @funindex make-dynamic-script
555 Simple, centered dynamic marks are easily created with the
556 @code{make-dynamic-script} function.
558 @lilypond[verbatim,quote]
559 sfzp = #(make-dynamic-script "sfzp")
565 In general, @code{make-dynamic-script} takes any markup object as its
566 argument. The dynamic font only contains the characters
567 @code{f,m,p,r,s} and @code{z}, so if a dynamic mark that includes
568 plain text or punctuation symbols is desired, markup commands that
569 reverts font family and font encoding to normal text should be used,
570 for example @code{\normal-text}. The interest of using
571 @code{make-dynamic-script} instead of an ordinary markup is ensuring
572 the vertical alignment of markup objects and hairpins that are
573 attached to the same note head.
575 @lilypond[verbatim,quote]
576 roundF = \markup { \center-align \concat {
577 \normal-text { \bold { \italic ( } }
579 \normal-text { \bold { \italic ) } } } }
580 boxF = \markup { \bracket { \dynamic f } }
581 mfEspress = \markup { \center-align \line {
582 \hspace #3.7 mf \normal-text \italic espress. } }
583 roundFdynamic = #(make-dynamic-script roundF)
584 boxFdynamic = #(make-dynamic-script boxF)
585 mfEspressDynamic = #(make-dynamic-script mfEspress)
587 c4_\roundFdynamic\< d e f
590 g'1~\mfEspressDynamic
595 The Scheme form of markup mode may be used instead. Its syntax is
596 explained in @rextend{Markup construction in Scheme}.
598 @lilypond[verbatim,quote]
599 moltoF = #(make-dynamic-script
600 (markup #:normal-text "molto"
608 Font settings in markup mode are described in
609 @ref{Selecting font and font size}.
614 @ref{Formatting text},
615 @ref{Selecting font and font size},
616 @ref{What goes into the MIDI output?},
617 @ref{Controlling MIDI dynamics}.
620 @rlsr{Expressive marks}.
623 @rextend{Markup construction in Scheme}.
627 @node Expressive marks as curves
628 @subsection Expressive marks as curves
630 This section explains how to create various expressive marks that
631 are curved: normal slurs, phrasing slurs, breath marks, falls, and
642 @unnumberedsubsubsec Slurs
646 @notation{Slurs} are entered using parentheses:
648 @warning{In polyphonic music, a slur must be terminated
649 in the same voice it began.}
651 @lilypond[verbatim,quote,relative=2]
657 @cindex slurs, manual placement
658 @cindex slurs, below notes
659 @cindex slurs, above notes
662 @funindex \slurNeutral
663 @funindex slurNeutral
665 Slurs may be manually placed above or below the staff; see
666 @ref{Direction and placement}.
668 @cindex phrasing slur
669 @cindex multiple slurs
670 @cindex simultaneous slurs
671 @cindex slur, phrasing
672 @cindex slurs, multiple
673 @cindex slurs, simultaneous
675 Simultaneous or overlapping slurs are not permitted, but a phrasing
676 slur can overlap a slur. This permits two slurs to be printed at
677 once. For details, see @ref{Phrasing slurs}.
687 @funindex \slurDashed
689 @funindex \slurDotted
694 Slurs can be solid, dotted, or dashed. Solid is the default slur
697 @lilypond[verbatim,quote,relative=1]
707 @funindex \slurHalfDashed
708 @funindex slurHalfDashed
709 @funindex \slurHalfSolid
710 @funindex slurHalfSolid
711 @cindex slur, half dashed and half solid
713 Slurs can also be made half-dashed (the first half dashed, the
714 second half solid) or half-solid (the first half solid, the second
717 @lilypond[verbatim,quote,relative=1]
727 @funindex \slurDashPattern
728 @funindex slurDashPattern
729 @cindex slur, defining dash patterns
731 Custom dash patterns for slurs can be defined:
733 @lilypond[verbatim,quote,relative=1]
735 \slurDashPattern #0.7 #0.75
737 \slurDashPattern #0.5 #2.0
755 @code{\slurHalfDashed},
756 @code{\slurHalfSolid},
757 @code{\slurDashPattern},
764 @lilypondfile[verbatim,quote,texidoc,doctitle]
765 {using-double-slurs-for-legato-chords.ly}
767 @lilypondfile[verbatim,quote,texidoc,doctitle]
768 {positioning-text-markups-inside-slurs.ly}
770 @lilypondfile[verbatim,quote,texidoc,doctitle]
771 {making-slurs-with-complex-dash-structure.ly}
779 @rlearning{On the un-nestedness of brackets and ties}.
782 @ref{Direction and placement},
783 @ref{Phrasing slurs}.
786 @rlsr{Expressive marks}.
793 @unnumberedsubsubsec Phrasing slurs
795 @cindex phrasing slurs
796 @cindex phrasing marks
797 @cindex slur, phrasing
798 @cindex mark, phrasing
802 @notation{Phrasing slurs} (or phrasing marks) that indicate a
803 musical sentence are written using the commands @code{\(} and
804 @code{\)} respectively:
806 @lilypond[verbatim,quote,relative=2]
811 @funindex \phrasingSlurUp
812 @funindex phrasingSlurUp
813 @funindex \phrasingSlurDown
814 @funindex phrasingSlurDown
815 @funindex \phrasingSlurNeutral
816 @funindex phrasingSlurNeutral
818 Typographically, a phrasing slur behaves almost exactly like a
819 normal slur. However, they are treated as different objects; a
820 @code{\slurUp} will have no effect on a phrasing slur. Phrasing
821 may be manually placed above or below the staff; see
822 @ref{Direction and placement}.
824 @cindex simultaneous phrasing slurs
825 @cindex multiple phrasing slurs
826 @cindex slur, simultaneous phrasing
827 @cindex slur, multiple phrasing
828 @cindex phrasing slur, simultaneous
829 @cindex phrasing slur, multiple
831 Simultaneous or overlapping phrasing slurs are not permitted.
833 @funindex phrasingSlurDashed
834 @funindex \phrasingSlurDashed
835 @funindex \phrasingSlurDotted
836 @funindex phrasingSlurDotted
837 @funindex \phrasingSlurSolid
838 @funindex phrasingSlurSolid
839 @cindex phrasing slur, dashed
840 @cindex dashed phrasing slur
841 @cindex phrasing slur, dotted
842 @cindex dotted phrasing slurs
843 @cindex slur, dashed phrasing
844 @cindex slur, dotted phrasing
846 Phrasing slurs can be solid, dotted, or dashed. Solid is the default
847 style for phrasing slurs:
849 @lilypond[verbatim,quote,relative=1]
859 @funindex phrasingSlurHalfDashed
860 @funindex \phrasingSlurHalfDashed
861 @funindex \phrasingSlurHalfSolid
862 @funindex phrasingSlurHalfSolid
863 @cindex phrasing slur, half solid and half dashed
864 @cindex slur, half solid and half dashed phrasing
866 Phrasing slurs can also be made half-dashed (the first half dashed, the
867 second half solid) or half-solid (the first half solid, the second
870 @lilypond[verbatim,quote,relative=1]
872 \phrasingSlurHalfDashed
874 \phrasingSlurHalfSolid
880 @funindex \phrasingSlurDashPattern
881 @funindex phrasingSlurDashPattern
882 @cindex phrasing slur, defining dash patterns
883 @cindex slur, phrasing, defining dash patterns
884 @cindex slur, defining dash patterns for phrasing
886 Custom dash patterns for phrasing slurs can be defined:
888 @lilypond[verbatim,quote,relative=1]
890 \phrasingSlurDashPattern #0.7 #0.75
892 \phrasingSlurDashPattern #0.5 #2.0
898 Dash pattern definitions for phrasing slurs have the same structure
899 as dash pattern definitions for slurs. For more information about
900 complex dash patterns, see the snippets under @ref{Slurs}.
903 @code{\phrasingSlurUp},
904 @code{\phrasingSlurDown},
905 @code{\phrasingSlurNeutral},
906 @code{\phrasingSlurDashed},
907 @code{\phrasingSlurDotted},
908 @code{\phrasingSlurHalfDashed},
909 @code{\phrasingSlurHalfSolid},
910 @code{\phrasingSlurDashPattern},
911 @code{\phrasingSlurSolid}.
917 @rlearning{On the un-nestedness of brackets and ties}.
920 @ref{Direction and placement},
924 @rlsr{Expressive marks}.
927 @rinternals{PhrasingSlur}.
931 @unnumberedsubsubsec Breath marks
938 Breath marks are entered using @code{\breathe}:
940 @lilypond[verbatim,quote,relative=2]
944 A breath mark will end an automatic beam; to override this behavior, see
947 @lilypond[verbatim,quote,relative=2]
951 Musical indicators for breath marks in ancient notation,
952 divisiones, are supported. For details, see @ref{Divisiones}.
957 @lilypondfile[verbatim,quote,texidoc,doctitle]
958 {changing-the-breath-mark-symbol.ly}
961 @cindex railroad tracks
963 @lilypondfile[verbatim,quote,texidoc,doctitle]
964 {inserting-a-caesura.ly}
975 @rlsr{Expressive marks}.
978 @rinternals{BreathingEvent},
979 @rinternals{BreathingSign},
980 @rinternals{Breathing_sign_engraver}.
983 @node Falls and doits
984 @unnumberedsubsubsec Falls and doits
991 @notation{Falls} and @notation{doits} can be added to notes using
992 the @code{\bendAfter} command. The direction of the fall or doit
993 is indicated with a plus or minus (up or down). The number
994 indicates the pitch interval that the fall or doit will extend
995 @emph{beyond} the main note.
997 @lilypond[verbatim,quote,relative=2]
1006 The dash @code{-} immediately preceding the @code{\bendAfter}
1007 command is @emph{required} when writing falls and doits.
1012 @lilypondfile[verbatim,quote,texidoc,doctitle]
1013 {adjusting-the-shape-of-falls-and-doits.ly}
1022 @rlsr{Expressive marks}.
1025 @node Expressive marks as lines
1026 @subsection Expressive marks as lines
1028 This section explains how to create various expressive marks that
1029 follow a linear path: glissandos, arpeggios, and trills.
1038 @unnumberedsubsubsec Glissando
1041 @funindex \glissando
1044 A @notation{glissando} is created by attaching @code{\glissando}
1047 @lilypond[verbatim,quote,relative=2]
1052 Different styles of glissandi can be created. For details, see
1057 @lilypondfile[verbatim,quote,texidoc,doctitle]
1058 {glissandi-can-skip-grobs.ly}
1060 @lilypondfile[verbatim,quote,texidoc,doctitle]
1061 {contemporary-glissando.ly}
1072 @rlsr{Expressive marks}.
1074 Internals Reference:
1075 @rinternals{Glissando}.
1080 Printing text over the line (such as @notation{gliss.}) is not
1085 @unnumberedsubsubsec Arpeggio
1088 @cindex broken chord
1089 @cindex chord, broken
1093 @funindex \arpeggioArrowUp
1094 @funindex arpeggioArrowUp
1095 @funindex \arpeggioArrowDown
1096 @funindex arpeggioArrowDown
1097 @funindex \arpeggioNormal
1098 @funindex arpeggioNormal
1100 An @notation{arpeggio} on a chord (also known as a broken chord)
1101 is denoted by appending @code{\arpeggio} to the chord construct:
1103 @lilypond[verbatim,quote,relative=1]
1107 Different types of arpeggios may be written.
1108 @code{\arpeggioNormal} reverts to a normal arpeggio:
1110 @lilypond[verbatim,quote,relative=1]
1123 @cindex arpeggio symbols, special
1124 @cindex special arpeggio symbols
1126 @funindex \arpeggioBracket
1127 @funindex arpeggioBracket
1128 @funindex \arpeggioParenthesis
1129 @funindex arpeggioParenthesis
1130 @funindex \arpeggioParenthesisDashed
1131 @funindex arpeggioParenthesisDashed
1133 Special @emph{bracketed} arpeggio symbols can be created:
1135 @lilypond[verbatim,quote,relative=1]
1141 \arpeggioParenthesis
1144 \arpeggioParenthesisDashed
1151 The dash properties of the parenthesis arpeggio are controlled
1152 with the @code{'dash-details} property, which is described at @ref{Slurs}.
1154 Arpeggios can be explicitly written out with ties. For more
1155 information, see @ref{Ties}.
1160 @code{\arpeggioArrowUp},
1161 @code{\arpeggioArrowDown},
1162 @code{\arpeggioNormal},
1163 @code{\arpeggioBracket},
1164 @code{\arpeggioParenthesis}
1165 @code{\arpeggioParenthesisDashed}.
1171 @lilypondfile[verbatim,quote,texidoc,doctitle]
1172 {creating-cross-staff-arpeggios-in-a-piano-staff.ly}
1174 @lilypondfile[verbatim,quote,texidoc,doctitle]
1175 {creating-cross-staff-arpeggios-in-other-contexts.ly}
1177 @lilypondfile[verbatim,quote,texidoc,doctitle]
1178 {creating-arpeggios-across-notes-in-different-voices.ly}
1190 @rlsr{Expressive marks}.
1192 Internals Reference:
1193 @rinternals{Arpeggio},
1195 @rinternals{PianoStaff}.
1200 @cindex cross-staff parenthesis-style arpeggio
1201 @cindex arpeggio, parenthesis-style, cross-staff
1202 @cindex arpeggio, cross-staff parenthesis-style
1204 It is not possible to mix connected arpeggios and unconnected
1205 arpeggios in one @code{PianoStaff} at the same point in
1208 The parenthesis-style arpeggio brackets do not work for
1209 cross-staff arpeggios.
1213 @unnumberedsubsubsec Trills
1219 @funindex \startTrillSpan
1220 @funindex startTrillSpan
1221 @funindex \stopTrillSpan
1222 @funindex stopTrillSpan
1224 Short trills without an extender line are printed with
1225 @code{\trill}; see @ref{Articulations and ornamentations}.
1227 Longer trills with an extender line are made with
1228 @code{\startTrillSpan} and @code{\stopTrillSpan}:
1230 @lilypond[verbatim,quote,relative=2]
1237 A trill spanner crossing a line break will restart exactly above
1238 the first note on the new line.
1240 @lilypond[ragged-right,verbatim,quote,relative=2]
1248 Consecutive trill spans will work without explicit
1249 @code{\stopTrillSpan} commands, since successive trill spanners will
1250 automatically become the right bound of the previous trill.
1252 @lilypond[verbatim,quote,relative=2]
1260 Trills can also be combined with grace notes. The syntax of this
1261 construct and the method to precisely position the grace notes are
1262 described in @ref{Grace notes}.
1264 @lilypond[verbatim,quote,relative=2]
1266 d1\startTrillSpan { c32[ d]\stopTrillSpan }
1270 @cindex pitched trills
1271 @cindex trills, pitched
1272 @funindex \pitchedTrill
1273 @funindex pitchedTrill
1275 Trills that require an auxiliary note with an explicit pitch can
1276 be typeset with the @code{\pitchedTrill} command. The first
1277 argument is the main note, and the second is the @emph{trilled}
1278 note, printed as a stemless note head in parentheses.
1280 @lilypond[verbatim,quote,relative=2]
1282 d2\startTrillSpan fis
1288 @cindex pitched trill with accidental
1289 @cindex trill with accidental
1291 Subsequent accidentals of the same note in the same measure will need
1292 to be added manually. Only the accidental of the first pitched trill
1293 in a measure is printed.
1295 @lilypond[verbatim,quote,relative=2]
1297 eis4\startTrillSpan fis
1300 eis4\startTrillSpan cis
1303 eis4\startTrillSpan fis
1306 eis4\startTrillSpan fis!
1312 @code{\startTrillSpan},
1313 @code{\stopTrillSpan}.
1321 @ref{Articulations and ornamentations},
1325 @rlsr{Expressive marks}.
1327 Internals Reference:
1328 @rinternals{TrillSpanner}.