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2 @c This file is part of learning.tely
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12 @c -*- coding: utf-8; mode: texinfo; -*-
15 @chapter Common notation
22 * Single staff notation::
23 * Multiple notes at once::
28 @node Single staff notation
29 @section Single staff notation
35 * Accidentals and key signatures::
37 * Articulation and dynamics::
39 * Automatic and manual beams::
40 * Advanced rhythmic commands::
43 @node Accidentals and key signatures
44 @subsection Accidentals and key signatures
49 @subheading Accidentals
51 @c index accidentals and key signatures
54 @c index sharp, double
58 @c index key signature, setting
59 @subheading Key signatures
60 @c index key signature
63 @c index accidentals and key signature
64 @c index content vs. layout
65 @c index layout vs. content
66 @subheading Warning: key signatures and pitches
67 @c ode{is} and type @code{cis} and @code{fis} in the input file.
69 @subsection Ties and slurs
76 @c index slur, phrasing
77 @c index phrasing slur
80 @c ode{)} respectively.
81 @subheading Phrasing slurs
82 @c ode{\(} and @code{\)}. You can have both @notation{slurs}
83 @c index slurs versus ties
84 @subheading Warnings: slurs vs. ties
85 @node Articulation and dynamics
86 @subsection Articulation and dynamics
91 @subheading Articulations
95 @subheading Fingerings
97 @c ode{^} (up) or @code{_} (down). You can also use multiple
102 @c ode{\!} can be used:
104 @subsection Adding text
109 @c index text, adding
112 @node Automatic and manual beams
113 @subsection Automatic and manual beams
119 @c index automatic beams
120 @c index manual beams
121 @c index beams, automatic
122 @c index beams, manual
123 @c index beams, by hand
124 @node Advanced rhythmic commands
125 @subsection Advanced rhythmic commands
130 @subheading Partial measure
133 @c index partial measure
134 @c ode{\partial}. It is followed by a duration: @code{\partial 4}
138 @subheading Grace notes
140 @c index acciaccatura
141 @c index appoggiatura
142 @node Multiple notes at once
143 @section Multiple notes at once
149 * Music expressions explained::
152 * Combining notes into chords::
153 * Single staff polyphony::
156 @node Music expressions explained
157 @subsection Music expressions explained
162 @c index music expression
163 @c index expression, music
164 @c index compound music expression
165 @c index music expression, compound
166 @subheading Analogy: mathematical expressions
167 @subheading Simultaneous music expressions: multiple staves
168 @c index multiple staves
169 @c index staves, multiple
171 @c index combining expressions in parallel
172 @c index parallel expressions
173 @c index expressions, parallel
174 @c index relative notes and simultaneous music
175 @c index relative notes and parallel expressions
176 @c index simultaneous music and relative notes
177 @c index parallel expressions and relative notes
178 @c ode{@bs{}relative} command.}
179 @subheading Simultaneous music expressions: single staff
180 @node Multiple staves
181 @subsection Multiple staves
186 @c index multiple staves
187 @c index staves, multiple
189 @c index context, notation
190 @c index notation context
191 @c ode{Staff} elements are then combined in parallel with @code{<<}
193 @subsection Staff groups
199 @c index staff, piano
201 @c index staff, choir
203 @c index staff, grand
205 @ref{Multiple staves}. However, now this entire expression is
206 @node Combining notes into chords
207 @subsection Combining notes into chords
213 @c index note durations in chords
214 @node Single staff polyphony
215 @subsection Single staff polyphony
221 @c index multiple voices
222 @c index voices, more on one staff
223 @c index single staff polyphony
225 @c index rest, spacer
233 * Setting simple songs::
234 * Aligning lyrics to a melody::
235 * Lyrics to multiple staves::
238 @node Setting simple songs
239 @subsection Setting simple songs
246 @node Aligning lyrics to a melody
247 @subsection Aligning lyrics to a melody
253 @c index extender line
256 @c index lyrics, aligning
257 @c index aligning lyrics
258 @c index lyrics, multi-syllable words
259 @c index words with multiple syllables in lyrics
260 @c no ragged-right here because otherwise the hyphens get lost,
261 @c but the example is long enough to avoid looking strange.
262 @c no ragged-right here because otherwise the hyphens get lost,
263 @c but the example is long enough to avoid looking strange.
264 @node Lyrics to multiple staves
265 @subsection Lyrics to multiple staves
270 @c index lyrics and multiple staves
271 @c index multiple staves and lyrics
273 @section Final touches
279 * Organizing pieces with variables::
282 * Absolute note names::
283 * After the tutorial::
286 @node Organizing pieces with variables
287 @subsection Organizing pieces with variables
293 @c index variables, defining
296 @c index assigning variables
297 @c index using variables
298 @c index variables, using
299 @c index variables, characters allowed in
300 @c index characters allowed in variables
302 @subsection Version number
309 @c index version number
311 @c index future upgrades
312 @c index updating files
313 @c index files, updating
315 @subsection Adding titles
322 @c index header block
323 @node Absolute note names
324 @subsection Absolute note names
330 @c index note names, absolute
331 @c index absolute mode
332 @c index absolute values for pitches
333 @c index pitches, absolute values
334 @c index absolute note names
335 @c ode{b} will always mean the note one step below middle C, and a
336 @c ode{g,} will always mean the note on the bottom staff of the
337 @node After the tutorial
338 @subsection After the tutorial
343 @ref{Templates}. If you need any notation that was not covered in
344 @ref{Extending the templates}.
345 @c @ref{About the documentation}.
347 @c -- SKELETON FILE --