1 % This file cannot be named "engraving.bib" due to a conflict
2 % with the existing engraving.itely file. -gp
5 % TITLe =The engraving bibliography
6 % AUTHOr =Han-Wen Nienhuys
10 author = {Harald Banter},
11 title = {Akkord Lexikon},
12 publisher = {Schott's Söhne},
14 isbn = {ISBN 3-7957-2095-8},
15 note = {Comprehensive overview of commonly used
16 chords. Suggests (and uses) a unification for all different kinds
18 address = {Mainz, Germany},
22 author = {Richard Rastall},
24 title = {The Notation of Western Music: an
26 publisher = {J. M. Dent \& Sons London},
28 note = {Interesting account of the evolution and origin of common notation starting from neumes, and ending with modern innovations HWN},
32 author = {Klaus Ignatzek},
33 title = {Die Jazzmethode für Klavier 1},
36 note = {This book contains a system for denoting chords that is used in LilyPond.}
40 author = {Mark Mc Grain},
41 title = {Music notation},
43 publisher = {Hal Leonard Publishing Corporation},
45 note = {HWN writes: `Book' edition of lecture notes from XXX school of
46 music. The book looks like it is xeroxed from bad printouts. The
47 content has nothing you won't find in other books like [read] or
53 title = {Teach yourself the art of music engraving and processing},
54 publisher = {Hansen House},
56 annote = {This is about engraving, i.e. professional typesetting. It contains
57 directions on good typesetting, but the sections on reproduction
58 technicalities, how to use pens and history are interesting.
59 Especially the section on Music Typewriters is amusing HWN},
60 address = {Miami, Florida},
64 note = {Sound (boring) review of the various hairy rhythmic notations used by avant-garde composers HWN},
66 title = {Modern Rhythmic Notation},
67 author = {Gardner Read},
68 publisher = {Indiana University Press},
72 note = {This is as close to the ``standard''
73 reference work for music notation issues as one is likely to get.},
74 title = {Music Notation: a Manual of Modern Practice},
75 author = {Gardner Read},
76 totalentry = {(2nd edition)},
78 publisher = {Taplinger Publishing},
84 title = {Standard Music Notation Practice},
85 author = {Maxwell Weaner and Walter Boelke},
86 totalentry = {revised edition by Arnold Broido and Daniel Dorff.},
87 publisher = {Music Publisher's Association of the United States Inc},
92 annote = {I. A very thorough overview of engraving practices of various
93 craftsmen. It includes detailed specs of characters, dimensions
94 etc. II. a thorough overview of a anonymous (by now antiquated)
95 automated system. EDV Means e(lektronischen) D(aten)v(erarbeitung),
96 electronic data processing HWN.},
98 title = {Musiknotation --- Von der Syntax des
99 Notenstichs zum EDV-gesteuerten Notensatz},
100 author = {Helene Wanske},
101 publisher = {Schott-Verlag},
103 isbn = {ISBN 3-7957-2886-x},
108 title = {Aus der Werkstatt eines Notenstechers},
109 author = {Karl Hader},
110 publisher = {Waldheim--Eberle Verlag},
112 note = {Hader was a chief-engraver in a Viennese engraving
113 workshop. This beautiful booklet was intended as an introduction for
114 laymen on the art of engraving. It contains a step by step, in-depth
115 explanation of how to cut and stamp music into zinc plates. It also
116 contains a few compactly formulated rules on musical orthography. Out
121 author = {William Gamble},
122 title = {Music Engraving and printing. Historical and Technical Treatise},
123 publisher = {Sir Isaac Pitman & Sons, ltd.},
125 note = {This patriotic book was an attempt to promote and help
126 British music engravers. It is somewhat similar to Hader's
127 book [hader48] in scope and style, but Gamble focuses more on
128 technical details (Which French punch cutters are worth buying from,
129 etc.), and does not treat typographical details, such as optical
130 illusions. It is available as reprint from Da Capo Press, New York
135 note = {Pamphlet explaining a few fine points in music font design HWN},
137 title = {Standard music notation specifications for computer programming.},
145 author = {Anthony Donato},
146 title = {Preparing Music Manuscript},
147 address = {Englewood Cliffs, NJ},
148 publisher = {Prentice-Hall},
153 title = {Notation in New Music; a critical guide to interpretation and realisation},
154 author = {Erdhard Karkoshka},
155 translator = {Ruth Koenig},
156 publisher = {Praeger Publishers},
157 address = {New York},
158 note = {(Out of print)},
163 title = {The Art of Music Copying},
164 author = {Clinton Roemer},
165 publisher = {Roerick music co.},
166 address = {Sherman Oaks (CA)},
167 note = {Out of print. Heussenstamm writes: an instructional manual
168 which specializes in methods used in the commercial field. },
174 title = {Music Notation Primer},
175 author = {Glen Rosecrans},
176 publisher = {Passantino},
177 address = {New York},
178 note = {Heussenstamm writes: Limited in scope, similar to [Roemer84]}
183 title = {Uitgeven van muziek},
184 subtitle = {Handleiding voor componisten en copiisten},
186 publisher = {Donemus Amsterdam},
187 note = {Manual on copying for composers and copyists at the Dutch
188 publishing house Donemus. Besides general comments on copying, it
189 also contains a lot of hands-on advice for making performance
190 material for modern pieces.}
194 author = {Vinci, Albert C.},
195 title = {Fundamentals of Traditional Music Notation},
196 publisher = {Kent State University Press},
202 title = {The G. Schirmer Manual of Style and Usage},
203 address = {New York},
204 publisher = {The G. Schirmer Publications Department},
206 note = {This is the style guide for Schirmer publications. This manual
207 specifically focuses on preparing print for publication by
208 Schirmer. It discusses many details that are not in other, normal
209 notation books. It also gives a good idea of what is necessary to bring
210 printouts to publication quality. It can be ordered from the rental department.},
215 title = {Music Notation in the Twentieth Century},
216 author = {Kurt Stone},
217 publisher = {Norton},
218 address = {New York},
219 note = {Heussenstamm writes: The most important book on notation in recent years.},
222 @Book{heussenstamm87,
224 title = {The Norton Manual of Music Notation},
225 author = {George Heussenstamm},
226 address = {New York},
227 publisher = {Norton},
228 note = {Hands-on instruction book for copying (ie. handwriting) music. Fairly complete. HWN}
232 note = {A cheap, concise, alphabetically ordered list of typesetting and music (notation) issues with a rather simplistic attitude but in most cases "good-enough" answers JCN},
234 title = {Essential Dictionary of Music Notation},
235 author = {Tom Gerou and Linda Lusk},
236 publisher = {Alfred Publishing},
237 address = {Van Nuys CA},
238 isbn = {ISBN 0-88284-768-6},
242 note = {An clearly written book for the casually interested
243 reader. It shows some of the conventions and difficulties in
246 title = {Die Praxis des Notengraphikers},
247 author = {Herbert Chlapik},
248 publisher = {Doblinger},
249 isbn = {ISBN 3-9000 035-96-2},
253 author = {Barksdale, A},
255 title = {The Printed Note: 500 Years of Music Printing and Engraving},
256 address = {Toledo, Ohio},
258 note = {`The exhibition "The Printed Note" attempts to show the various processes used since the second of the 15th century for reproducing music mechanically ... '. The illustration mostly feature ancient music},
259 publisher = {The Toledo Museum of Art},
263 author = {Wolf, Johannes},
265 title = {Handbuch der Notationskunde},
267 publisher = {Breitkopf & Hartel},
268 note = {Very thorough treatment (in two volumes) of the history of music notation},
272 author = {Rosenthal, Carl A},
274 title = {A Practical Guide to Music Notation},
275 address = {New York},
276 publisher = {MCA Music},
277 note = {Heussenstamm writes: Informative in terms of traditional notation. Does not concern score preparation}
281 author = {Boehm, Laszlo},
283 title = {Modern Music Notation},
284 address = {New York},
285 publisher = {G. Schirmer, Inc.},
286 note = {Heussenstamm writes: A handy compact reference book in basic notation.}
290 author = {Button, H. Elliot},
291 title = {System in Musical Notation},
292 publisher = {Novello and co.},
298 author = {Johnson, Harold},
299 title = {How to write music manuscript},
300 publisher = {Carl Fischer, Inc.},
306 author = {Börje Tyboni},
307 title = {Noter Handbok I Traditionell Notering},
308 publisher = {Gehrmans Musikförlag},
310 address = {Stockholm},
311 note = {Swedish book on music notation.}
315 editor = {Andreas Jaschinski},
317 publisher = {Bärenreiter Verlag},
320 annote = {Articles from "Musik in Geschichte und Gegenwart"
321 pertaining to notation. Both "alternative" notation and ancient
322 notation is treated in depth, while "common" notation is not. }