1 % This file cannot be named "engraving.bib" due to a conflict
2 % with the existing engraving.itely file. -gp
5 % TITLe =The engraving bibliography
6 % AUTHOr =Han-Wen Nienhuys
10 author = {Elaine Gould},
11 title = {Hals über Kopf},
12 publisher = {Edition Peters},
14 isbn = {ISBN 1843670488},
15 note = {Ein vollständiges Regelwerk für den Modernen Notensatz auf
16 höchstem Niveau, ein Meilenstein der Notationskunde und ein Leitfaden
17 für jeden Musiker, der sich auf diesem Gebiet umfassende Kenntnisse
22 author = {Elaine Gould},
23 title = {Behind Bars},
24 publisher = {Faber Music Ltd.},
26 isbn = {ISBN 0-571-51456-1},
27 note = {A comprehensive guide to the rules and conventions of music
28 notation. Covering everything from basic themes to complex techniques
29 and providing a comprehensive grounding in notational principles.},
33 author = {Harald Banter},
34 title = {Akkord Lexikon},
35 publisher = {Schott's Söhne},
37 isbn = {ISBN 3-7957-2095-8},
38 note = {Comprehensive overview of commonly used
39 chords. Suggests (and uses) a unification for all different kinds
41 address = {Mainz, Germany},
45 author = {Richard Rastall},
47 title = {The Notation of Western Music: an
49 publisher = {J. M. Dent \& Sons London},
51 note = {Interesting account of the evolution and origin of common notation starting from neumes, and ending with modern innovations HWN},
55 author = {Klaus Ignatzek},
56 title = {Die Jazzmethode für Klavier 1},
59 note = {This book contains a system for denoting chords that is used in LilyPond.}
63 author = {Mark Mc Grain},
64 title = {Music notation},
66 publisher = {Hal Leonard Publishing Corporation},
68 note = {HWN writes: `Book' edition of lecture notes from XXX school of
69 music. The book looks like it is xeroxed from bad printouts. The
70 content has nothing you won't find in other books like [read] or
76 title = {Teach yourself the art of music engraving and processing},
77 publisher = {Hansen House},
79 annote = {This is about engraving, i.e. professional typesetting. It contains
80 directions on good typesetting, but the sections on reproduction
81 technicalities, how to use pens and history are interesting.
82 Especially the section on Music Typewriters is amusing HWN},
83 address = {Miami, Florida},
87 note = {Sound (boring) review of the various hairy rhythmic notations used by avant-garde composers HWN},
89 title = {Modern Rhythmic Notation},
90 author = {Gardner Read},
91 publisher = {Indiana University Press},
95 note = {This is as close to the ``standard''
96 reference work for music notation issues as one is likely to get.},
97 title = {Music Notation: a Manual of Modern Practice},
98 author = {Gardner Read},
99 totalentry = {(2nd edition)},
101 publisher = {Taplinger Publishing},
102 address = {New York},
107 title = {Standard Music Notation Practice},
108 author = {Maxwell Weaner and Walter Boelke},
109 totalentry = {revised edition by Arnold Broido and Daniel Dorff.},
110 publisher = {Music Publisher's Association of the United States Inc},
115 annote = {I. A very thorough overview of engraving practices of various
116 craftsmen. It includes detailed specs of characters, dimensions
117 etc. II. a thorough overview of an anonymous (by now antiquated)
118 automated system. EDV Means e(lektronischen) D(aten)v(erarbeitung),
119 electronic data processing HWN.},
121 title = {Musiknotation --- Von der Syntax des
122 Notenstichs zum EDV-gesteuerten Notensatz},
123 author = {Helene Wanske},
124 publisher = {Schott-Verlag},
126 isbn = {ISBN 3-7957-2886-x},
131 title = {Aus der Werkstatt eines Notenstechers},
132 author = {Karl Hader},
133 publisher = {Waldheim--Eberle Verlag},
135 note = {Hader was a chief-engraver in a Viennese engraving
136 workshop. This beautiful booklet was intended as an introduction for
137 laymen on the art of engraving. It contains a step by step, in-depth
138 explanation of how to cut and stamp music into zinc plates. It also
139 contains a few compactly formulated rules on musical orthography. Out
144 author = {William Gamble},
145 title = {Music Engraving and printing. Historical and Technical Treatise},
146 publisher = {Sir Isaac Pitman & Sons, ltd.},
148 note = {This patriotic book was an attempt to promote and help
149 British music engravers. It is somewhat similar to Hader's
150 book [hader48] in scope and style, but Gamble focuses more on
151 technical details (Which French punch cutters are worth buying from,
152 etc.), and does not treat typographical details, such as optical
153 illusions. It is available as reprint from Da Capo Press, New York
158 note = {Pamphlet explaining a few fine points in music font design HWN},
160 title = {Standard music notation specifications for computer programming.},
168 author = {Anthony Donato},
169 title = {Preparing Music Manuscript},
170 address = {Englewood Cliffs, NJ},
171 publisher = {Prentice-Hall},
176 title = {Notation in New Music; a critical guide to interpretation and realisation},
177 author = {Erdhard Karkoshka},
178 translator = {Ruth Koenig},
179 publisher = {Praeger Publishers},
180 address = {New York},
181 note = {(Out of print)},
186 title = {The Art of Music Copying},
187 author = {Clinton Roemer},
188 publisher = {Roerick music co.},
189 address = {Sherman Oaks (CA)},
190 note = {Out of print. Heussenstamm writes: an instructional manual
191 which specializes in methods used in the commercial field. },
197 title = {Music Notation Primer},
198 author = {Glen Rosecrans},
199 publisher = {Passantino},
200 address = {New York},
201 note = {Heussenstamm writes: Limited in scope, similar to [Roemer84]}
206 title = {Uitgeven van muziek},
207 subtitle = {Handleiding voor componisten en copiisten},
209 publisher = {Donemus Amsterdam},
210 note = {Manual on copying for composers and copyists at the Dutch
211 publishing house Donemus. Besides general comments on copying, it
212 also contains a lot of hands-on advice for making performance
213 material for modern pieces.}
217 author = {Vinci, Albert C.},
218 title = {Fundamentals of Traditional Music Notation},
219 publisher = {Kent State University Press},
225 title = {The G. Schirmer Manual of Style and Usage},
226 address = {New York},
227 publisher = {The G. Schirmer Publications Department},
229 note = {This is the style guide for Schirmer publications. This manual
230 specifically focuses on preparing print for publication by
231 Schirmer. It discusses many details that are not in other, normal
232 notation books. It also gives a good idea of what is necessary to bring
233 printouts to publication quality. It can be ordered from the rental department.},
238 title = {Music Notation in the Twentieth Century},
239 author = {Kurt Stone},
240 publisher = {Norton},
241 address = {New York},
242 note = {Heussenstamm writes: The most important book on notation in recent years.},
245 @Book{heussenstamm87,
247 title = {The Norton Manual of Music Notation},
248 author = {George Heussenstamm},
249 address = {New York},
250 publisher = {Norton},
251 note = {Hands-on instruction book for copying (ie. handwriting) music. Fairly complete. HWN}
255 note = {A cheap, concise, alphabetically ordered list of typesetting and music (notation) issues with a rather simplistic attitude but in most cases "good-enough" answers JCN},
257 title = {Essential Dictionary of Music Notation},
258 author = {Tom Gerou and Linda Lusk},
259 publisher = {Alfred Publishing},
260 address = {Van Nuys CA},
261 isbn = {ISBN 0-88284-768-6},
265 note = {An clearly written book for the casually interested
266 reader. It shows some of the conventions and difficulties in
269 title = {Die Praxis des Notengraphikers},
270 author = {Herbert Chlapik},
271 publisher = {Doblinger},
272 isbn = {ISBN 3-9000 035-96-2},
276 author = {Barksdale, A},
278 title = {The Printed Note: 500 Years of Music Printing and Engraving},
279 address = {Toledo, Ohio},
281 note = {`The exhibition "The Printed Note" attempts to show the various processes used since the second of the 15th century for reproducing music mechanically ... '. The illustration mostly feature ancient music},
282 publisher = {The Toledo Museum of Art},
286 author = {Wolf, Johannes},
288 title = {Handbuch der Notationskunde},
290 publisher = {Breitkopf & Hartel},
291 note = {Very thorough treatment (in two volumes) of the history of music notation},
295 author = {Rosenthal, Carl A},
297 title = {A Practical Guide to Music Notation},
298 address = {New York},
299 publisher = {MCA Music},
300 note = {Heussenstamm writes: Informative in terms of traditional notation. Does not concern score preparation}
304 author = {Boehm, Laszlo},
306 title = {Modern Music Notation},
307 address = {New York},
308 publisher = {G. Schirmer, Inc.},
309 note = {Heussenstamm writes: A handy compact reference book in basic notation.}
313 author = {Button, H. Elliot},
314 title = {System in Musical Notation},
315 publisher = {Novello and co.},
321 author = {Johnson, Harold},
322 title = {How to write music manuscript},
323 publisher = {Carl Fischer, Inc.},
329 author = {Börje Tyboni},
330 title = {Noter Handbok I Traditionell Notering},
331 publisher = {Gehrmans Musikförlag},
333 address = {Stockholm},
334 note = {Swedish book on music notation.}
338 editor = {Andreas Jaschinski},
340 publisher = {Bärenreiter Verlag},
343 annote = {Articles from "Musik in Geschichte und Gegenwart"
344 pertaining to notation. Both "alternative" notation and ancient
345 notation is treated in depth, while "common" notation is not. }