2 % title =University of Colorado Engraving music bibliography
3 % author =Alyssa Lamb (edited & converted to bibtex by HWN)
7 author = {Jacob, Archibald},
9 title = {Musical handwriting : or, How to put music on paper : A handbook for all musicians, professional and amateur},
11 publisher = {Oxford University Press},
12 note = {subject: Musical notation},
15 @Book{brandt:_stand_chord_symbol_notat,
16 author = {Carl Brandt and Clinton Roemer},
17 title = {Standardized Chord Symbol Notation},
18 address = {Sherman Oaks, CA},
19 publisher = {Roerick Music Co.},
20 note = {subject: musical notation},
24 author = {Johnson, Harold M},
26 title = {How to write music manuscript an exercise-method handbook for the music student, copyist, arranger, composer, teacher},
27 publisher = {Carl Fischer, Inc.},
29 note = {subject: Musical notation --Handbooks, manuals},
32 @Book{sadie90:_music_print_publis,
33 title = {Music Printing & Publishing},
34 author = {Donald W. Krummel \& Stanley Sadie},
36 publisher = {Macmillan Press},
37 note = {subject: musical notation},
40 @Book{foss:_music_print,
41 author = {Foss, Hubert},
42 title = {Music Printing},
43 series = {Practical Printing and Binding},
45 publisher = {Oldhams Press Ltd., Long Acre},
46 note = {subject: musical notation},
49 @Book{steele03:_earlies_englis_music_print,
50 author = {Steele, Robert},
52 title = {The Earliest English Music Printing},
54 note = {subject: history of music printing and engraving},
57 @Book{austin:_story_music_print,
58 author = {Austin, Ernest},
59 title = {The Story of Music Printing},
61 publisher = {Lowe and Brydone Printers, Ltd.},
62 note = {subject: history of music printing and engraving},
65 @Book{unknown_author:_pictor_histor_music_print,
66 author = {unknown author},
67 title = {Pictorial History of Music Printing},
68 address = {Elhardt, Indiana},
69 publisher = {H. and A. Selmer, Inc.},
70 note = {subject: history of music printing and engraving},
73 @Book{wintermitz55:_music_autog_montev_hindem,
74 author = {Wintermitz, Emmanuel},
76 title = {Musical Autographs from Monteverdi to Hindemith},
77 address = {Princeton},
78 publisher = {Princeton University Press},
79 note = {subject: history of music printing and engraving},
82 @Book{novello47:_some_accoun_method_music_print,
84 author = {Novello, A},
86 title = {Some Account of the Methods of Musick Printing, with Specimens of the Various Sizes of Moveable Types and of Other Matters},
88 note = {subject: history of music printing and engraving},
91 @Book{chrsander18:_sketc_histor_music,
92 author = {Chrsander, F.},
94 title = {A Sketch of the HIstory of Music printing, from the 15th to the 16th century},
95 note = {subject: history of music printing and engraving},
101 title = {Notes on Early Music Printing},
102 journal = {Bibliographica},
105 note = {subject: history of music printing and engraving},
108 @Article{meyer35:_print_music,
109 author = {Meyer, K. and O'Meara, J},
111 title = {The Printing of Music, 1473-1934},
112 journal = {The Dolphin},
115 note = {subject: history of music printing and engraving},
119 @Article{pattison39:_notes_early_music_print,
120 author = {Pattison, B},
122 title = {Notes on Early Music Printing},
123 journal = {The Library},
124 note = {subject: history of music printing and engraving},
129 @Book{king64:_four_hundr_years_music_print,
132 title = {Four Hundred Years of Music Printing},
134 note = {subject: history of music printing and engraving},
138 @Book{deutsch46:_music_number,
139 author = {Deutsch, O.F.},
141 title = {Music Publishers' Numbers},
143 note = {subject: history of music printing and engraving},
146 @Book{marco62:_earlies_music_print_contin_europ,
147 author = {Marco, G.A},
149 title = {The Earliest Music Printers of Continental Europe: a Checklist of Facsimiles Illustrating Their Work},
150 address = {Charlottesville, Virginia},
151 note = {subject: history of music printing and engraving},
154 @Article{kinkeldey32:_music_and_music_print_incun,
155 author = {Kinkeldey, O},
157 title = {Music And Music Printing in Incunabula},
158 journal = {Papers of the Bibliographical Society of America},
161 note = {subject: history of music printing and engraving},
164 @Book{oldman34:_collec_music_first_edition,
165 author = {Oldman, C.B},
167 title = {Collecting Musical First Editions},
169 note = {subject: history of music printing and engraving},
172 @Book{carter34:_new_paths_book_collec,
173 author = {Carter, J},
175 title = {New Paths in Book Collecting},
177 note = {subject: history of music printing and engraving},
180 @Book{krummel58:_graph_analy_applic_early_americ_engrav_music,
181 author = {Krummel, D.W.},
184 title = {Graphic Analysis in Application to Early American Engraved Music},
188 note = {subject: history of music printing and engraving},
191 @Book{krummel71:_oblon_format_early_music_books,
192 author = {Krummel, D.W},
194 title = {Oblong Format in Early Music Books},
195 journal = {The Library},
196 volume = {5th ser., xxvi},
198 note = {subject: history of music printing and engraving},
201 @Book{king73:_anniv_music_print,
202 author = {King, A.H},
204 title = {The 50th Anniversary of Music Printing},
207 @Book{rastall82:_wester,
208 author = {Rastall, Richard},
210 title = {The notation of Western music : an introduction},
211 address = {New York, N.Y.},
212 publisher = {St. Martin's Press},
213 note = {Musical notation},
216 @Book{tappolet47:_la_notat_music,
217 author = {Tappolet, Willy},
219 title = {La Notation Musicale},
221 note = {subject: general notation},
222 publisher = {Neuchâtel},
225 @Book{williams03:_story_notat,
226 author = {Williams, C.F. Abdy},
228 title = {The Story of Notation},
229 address = {New York},
230 publisher = {Charles Scribner's Sons},
231 note = {subject: general notation},
235 author = {Apel, Willi},
237 title = {The notation of polyphonic music, 900-1600},
238 address = {Cambridge, Mass},
239 institution= {Mediaeval Academy of America},
240 note = {Musical notation},
243 @Book{berger93:_mensur,
244 author = {Berger, Anna Maria Busse},
246 title = {Mensuration and proportion signs : origins and evolution},
247 address = {Oxford, England},
248 publisher = {Clarendon Press},
249 scnd_address = {New York},
250 scnd_publisher = {Oxford University Press},
251 note = {subject: early notation},
255 author = {Parrish, Carl},
257 title = {The notation of medieval music},
258 address = {New York},
259 publisher = {Norton},
260 note = {Musical notation},
263 @Book{parrish46:_notat_mediev_music,
264 author = {Parrish, Carl},
266 title = {The Notation of Medieval Music},
267 address = {New York},
268 publisher = {Carl Fischer, Inc.},
269 note = {subject: early notation},
272 @Book{patch49:_genes_music,
273 author = {Patch, Harry},
275 title = {Genesis of a Music},
277 publisher = {University of Wisconsin Press},
278 note = {subject: early notation},
282 author = {Cage, John},
285 address = {New York},
286 publisher = {Something Else Press},
287 note = {Music, Manuscripts, Facsimiles.
288 Facsimiles of holographs from the Foundation for Contemporary
289 Performance Arts, with text by 269 composers, but rearranged using
290 chance operations.,V)},
293 @Book{gaburo77:_notat,
294 author = {Gaburo, Virginia},
297 publisher = {Lingua Press},
298 address = {La Jolla, California},
299 note = {A Lecture about notation, new ideas about},
302 @Book{risatti75:_new_music_vocab,
303 author = {Risatti, Howard},
305 title = {New Music Vocabulary},
306 address = {Urbana, Illinois},
307 publisher = {University of Illinois Press},
308 note = {A Guide to Notational Signs for Contemporary Music},
311 @Book{cowell30:_new_music_resour,
312 author = {Cowell, Henry},
314 title = {New Musical Resources},
315 address = {New York},
316 publisher = {Alfred A. Knopf, Inc.},
317 note = {subject: 20th century notation},
320 @Article{cowell27:_our_inadeq_notat,
321 author = {Cowell, Henry},
323 title = {Our Inadequate Notation},
324 journal = {Modern Music},
327 note = {subject: 20th century notation},
330 @Book{bowers92:_music_letter,
331 author = {Bowers, Roger},
333 title = {Music & Letters},
338 note = {Some reflection upon notation and proportion in Monteverdi's mass and vespers},
341 @Book{brainard92:_curren_music,
342 author = {Brainard, Paul},
344 title = {Current Musicology},
348 note = {Proportional notation in the music of Schutz and his contemporaries in the 17th Century},
351 @Book{monelle89:_compar_liter,
352 author = {Monelle, Raymond},
354 title = {Comparative Literature},
359 note = {Music notation and the poetic foot},
362 @Book{pinegar93:_curren_music,
363 author = {Pinegar, Sandra},
365 title = {Current Musicology},
369 note = {The seeds of notation and music paleography.},
372 @Book{smith90:_curren_music,
373 author = {Smith, Norman E},
375 title = {Current Musicology},
379 note = {The notation of fractio modi.},
382 @Book{treitler92:_journ_music,
383 author = {Treitler, Leo},
385 title = {The Journal of Musicology},
390 note = {The unwritten and written transmission, of medieval chant
391 and the start-up of musical notation.
392 Notational practice developed in medieval music to address the written tradition for chant which interacted with the unwritten vocal tradition.},
395 @Book{west94:_music_letter,
396 author = {West, M.L},
398 title = {Music & Letters},
403 note = {The Babylonian musical notation and the Hurrian melodic texts.
404 A new way of deciphering the ancient Babylonian musical notation.}
407 @Book{brown86:_music_quart,
408 author = {Brown, Earle},
410 title = {Musical Quarterly},
414 note = {The notation and performance of new music.},
417 @Book{eggleston94:_notes,
418 author = {Eggleston, Suzanne},
425 journal= {New periodicals},
426 note = {A list of new music periodicals covering the period
427 Jun.-Dec. 1994. Includes aims, formats and a description of the
428 contents of each listed periodical. Includes Music Notation News},
431 @Book{fuller89:_journ_music,
432 author = {Fuller, David},
434 title = {The Journal of Musicology},
439 note = {Notes and inegales unjoined: defending a definition. (written-out inequalities in music notation).}
442 @Book{jones90:_persp_new_music,
443 author = {Jones, David Evan},
445 title = {Perspectives of New Music},
446 note = {Speech extrapolated. (includes notation)}
450 author = {Lependorf, Jeffrey},
452 journal= {Perspectives of New Music},
458 note = {Contemporary notation for the shakuhachi: a primer for composers. (Tradition and Renewal in the Music of Japan)},
461 @Book{rastall93:_music_letter,
462 author = {Rastall, Richard},
464 title = {Music & Letters},
469 note = {Equal Temperament Music Notation: The Ailler-Brennink
470 Chromatic Notation. Results and Conclusions of the Music Notation
471 Refor by the Chroma Foundation (book reviews).},
474 @Article {Francois92,
475 author = {Francois, Jean-Charles},
476 journal = {Perspectives of New Music},
482 note = {subject: Modern music has outgrown notation. While the
483 computer is used to write down music with accuracy never
484 before achieved, the range of modern sounds has surpassed
485 the relevance of the computer...},
486 title = {Writing without representation, and unreadable notation.},
490 author = {Hamel, Keith A},
492 journal = {Perspectives of New Music},
497 title = {A design for music editing and printing software based
498 on notational syntax},