musical phrasing. A tie is just a way of extending a note
duration, similar to the augmentation dot.}
-A tie is entered using the tilde symbol (@code{~}).
+A tie is entered by appending a tilde symbol (@code{~}) to the first
+of each pair of notes being tied. This indicates that the note
+should be tied to the following note, which must be at the same pitch.
@lilypond[quote,verbatim,relative=2]
-a2 ~ a
+a2~ a4~ a16 r r8
@end lilypond
Ties are used either when the note crosses a bar line, or when
@lilypond[verbatim,quote]
\relative c' {
- r8 c8 ~ c2 r4 |
- r8^"not" c2 ~ c8 r4
+ r8 c~ c2 r4 |
+ r8^"not" c2~ c8 r4
}
@end lilypond
When a tie is applied to a chord, all note heads whose pitches
match are connected. When no note heads match, no ties will be
-created. Chords may be partially tied by placing the tie inside
+created. Chords may be partially tied by placing the ties inside
the chord.
@lilypond[quote,verbatim,relative=1]
-<c e g> ~ <c e g>
+<c e g>~ <c e g c>
<c~ e g~ b> <c e g b>
@end lilypond
have to specify the repeated tie as follows:
@lilypond[quote,relative=2,verbatim]
-\repeat volta 2 { c g <c e>2 ~ }
+\repeat volta 2 { c g <c e>2~ }
\alternative {
% First alternative: following note is tied normally
{ <c e>2. r4 }
@funindex \tieNeutral
@funindex tieNeutral
-Ties may be manually placed above or below the staff; see
+Ties may be made to curve up or down manually; see
@ref{Direction and placement}.
@cindex ties, appearance
@lilypond[quote, verbatim, relative=1]
\tieDotted
-c2 ~ c
+c2~ c
\tieDashed
-c2 ~ c
+c2~ c
\tieHalfDashed
-c2 ~ c
+c2~ c
\tieHalfSolid
-c2 ~ c
+c2~ c
\tieSolid
-c2 ~ c
+c2~ c
@end lilypond
Custom dash patterns can be specified:
@lilypond[quote, verbatim, relative=1]
\tieDashPattern #0.3 #0.75
-c2 ~ c
+c2~ c
\tieDashPattern #0.7 #1.5
-c2 ~ c
+c2~ c
\tieSolid
-c2 ~ c
+c2~ c
@end lilypond
Dash pattern definitions for ties have the same structure as dash