If you particularly want to add a label not in the list, go
ahead, but this is not recommended, except when an issue is marked
-as fixed. In this case it should be labelled fixed_mm_MM_ss,
+as fixed. In this case it should be labeled fixed_mm_MM_ss,
where mm is major version, MM minor version and ss current
release.
action will not take place. For example, the
@code{instrumentName} clearly lives in the @code{Staff} context, since
it is the staff that is to be named.
-In this example the first staff is labelled, but not the second,
+In this example the first staff is labeled, but not the second,
because we omitted the context name.
@lilypond[quote,verbatim,ragged-right]
action will not take place. For example, the
@code{instrumentName} clearly lives in the @code{Staff} context, since
it is the staff that is to be named.
-In this example the first staff is labelled, but not the second,
+In this example the first staff is labeled, but not the second,
because we omitted the context name.
@lilypond[quote,verbatim,ragged-right]
For longer passages, it may be more practical to mark the octave change at the
beginning with a phrase (see the list below for examples), but without a bracket
or extender line. Then, when the music returns to the written pitch, the octave
-change is cancelled with the word @notation{loco} (q.v.).
+change is canceled with the word @notation{loco} (q.v.).
To parallel the list above:
action will not take place. For example, the
@code{instrumentName} clearly lives in the @code{Staff} context, since
it is the staff that is to be named.
-In this example the first staff is labelled, but not the second,
+In this example the first staff is labeled, but not the second,
because we omitted the context name.
@lilypond[quote,verbatim,ragged-right]
TrillPitchGroup - not tried
@end ignore
-These indications affect all notes until they are cancelled.
+These indications affect all notes until they are canceled.
@lilypond[verbatim,quote,relative=2]
c2( c)
For certain grobs, the @code{Y-extent} is based on the @code{stencil}
property, overriding the stencil property of one of these will
-require and additional @code{Y-extent} override with an unpure-pure
+require an additional @code{Y-extent} override with an unpure-pure
container. When a function overrides a @code{Y-offset} and/or
@code{Y-extent} it is assumed that this will trigger line breaking
calculations too early during compilation. So the function is not
where @code{f0} is a function taking @var{n} arguments (@var{n >= 1})
and the first argument must always be the grob. This is the function
-that gives the actual result. @var{f1} is the function being labelled
+that gives the actual result. @var{f1} is the function being labeled
as @q{pure} that takes @var{n + 2} arguments. Again, the first argument
must always still be the grob but the second and third are @q{start}
and @q{end} arguments.
@q{unpure} and @q{pure} parts can be used, by only changing the number
of arguments passed to, and the scope of, the function.
-@warning{If a function is labelled as @q{pure} and it turns out not to
+@warning{If a function is labeled as @q{pure} and it turns out not to
be, the results can be unexpected.}
\header {
texidoc = "Clefs for cue notes: Print a cue clef at the begin of the cue
-notes and a cancelling clef after the cue notes."
+notes and a canceling clef after the cue notes."
}
vI = \relative c'' { \clef "treble" \repeat unfold 16 g4 }
/* Cancel any ongoing crescendo, either explicitly by \! or
implicitly by a new crescendo. Also avoid warning if cresc is
- cancelled both implicitly and explicitly. */
+ canceled both implicitly and explicitly. */
if ((d == STOP || current_cresc_ev_) && !accepted_spanevents_drul_[STOP])
ASSIGN_EVENT_ONCE (accepted_spanevents_drul_[STOP], ev);
}
`(Staff ,(make-accidental-rule 'same-octave 0))
'()
context))
- ;; accidentals from one voice do NOT get cancelled in other voices
+ ;; accidentals from one voice do NOT get canceled in other voices
((equal? style 'voice)
(set-accidentals-properties #t
`(Voice ,(make-accidental-rule 'same-octave 0))
'()
context))
;; accidentals as suggested by Kurt Stone, Music Notation in the 20th century.
- ;; This includes all the default accidentals, but accidentals also needs cancelling
+ ;; This includes all the default accidentals, but accidentals also needs canceling
;; in other octaves and in the next measure.
((equal? style 'modern)
(set-accidentals-properties #f
context))
;; Multivoice accidentals to be read both by musicians playing one voice
;; and musicians playing all voices.
- ;; Accidentals are typeset for each voice, but they ARE cancelled across voices.
+ ;; Accidentals are typeset for each voice, but they ARE canceled across voices.
((equal? style 'modern-voice)
(set-accidentals-properties #f
`(Voice ,(make-accidental-rule 'same-octave 0)
,(make-accidental-rule 'same-octave 1))
context))
;; stone's suggestions for accidentals on grand staff.
- ;; Accidentals are cancelled across the staves in the same grand staff as well
+ ;; Accidentals are canceled across the staves in the same grand staff as well
((equal? style 'piano)
(set-accidentals-properties #f
`(Staff ,(make-accidental-rule 'same-octave 0)
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