Guide, node Updating translation committishes.
@end ignore
-@c \version "2.17.28"
+@c \version "2.19.2"
@ignore
Tutorial guidelines:
spojit, připojí vlnovka @code{~}.
@lilypond[verbatim,quote,relative=2]
-g4~ g c2~ | c4~ c8 a~ a2
+g4~ 4 c2~ | 4~ 8 a~ 2
@end lilypond
být naskládány do sebe.
@lilypond[verbatim,quote,relative=2]
-c4~( c8 d~ d4 e)
+c4~( c8 d~ 4 e)
@end lilypond
\clef "bass"
\key c \major
\time 6/8
- c4.~ c8 d b | c8([ d]) b c d b | c8
+ c4.~ 8 d b | c8([ d]) b c d b | c8
}
\addlyrics {
Lar -- go_al fac -- | to -- tum del -- la cit -- | tà
\key f \major
\time 6/8
\partial 8
- c8 | c8([ bes]) a a([ g]) f | f'4. b, | c4.~ c4
+ c8 | c8([ bes]) a a([ g]) f | f'4. b, | c4.~ 4
}
\addlyrics {
Let | flee -- cy flocks the | hills a -- | dorn, __
Guide, node Updating translation committishes.
@end ignore
-@c \version "2.17.29"
+@c \version "2.19.2"
@c Translators: Pavel Fric
@node Základní pojmy
c16 d e f
% Voice "1" Voice "2" Voice "3"
<< { g4 f e } \\ { r8 e4 d c8~ } >> |
- << { d2 e } \\ { c8 b16 a b8 g~ g2 } \\ { s4 b c2 } >> |
+ << { d2 e } \\ { c8 b16 a b8 g~ 2 } \\ { s4 b c2 } >> |
}
@end lilypond
{ d2 e }
\\
% Voice 2 continues
- { c8 b16 a b8 g~ g2 }
+ { c8 b16 a b8 g~ 2 }
\\
{
\voiceThreeStyle
@lilypond[quote,ragged-right,verbatim]
\relative c' {
% Default behavior or behavior after \oneVoice
- c4 d8~ d e4( f | g4 a) b-> c |
+ c4 d8~ 8 e4( f | g4 a) b-> c |
}
@end lilypond
@lilypond[quote,ragged-right,verbatim]
\relative c' {
\voiceOne
- c4 d8~ d e4( f | g4 a) b-> c |
+ c4 d8~ 8 e4( f | g4 a) b-> c |
\oneVoice
- c,4 d8~ d e4( f | g4 a) b-> c |
+ c,4 d8~ 8 e4( f | g4 a) b-> c |
}
@end lilypond
@lilypond[quote,ragged-right,verbatim]
\relative c' {
\voiceTwo
- c4 d8~ d e4( f | g4 a) b-> c |
+ c4 d8~ 8 e4( f | g4 a) b-> c |
\oneVoice
- c,4 d8~ d e4( f | g4 a) b-> c |
+ c,4 d8~ 8 e4( f | g4 a) b-> c |
}
@end lilypond
\new Voice {
% Set stems, etc., down
\voiceTwo
- r8 e4 d c8~ | c8 b16 a b8 g~ g2 |
+ r8 e4 d c8~ | 8 b16 a b8 g~ 2 |
}
% Initiate third voice
\new Voice {
\voiceTwo
r8 e4 d c8~
<<
- { c8 b16 a b8 g~ g2 | }
+ { c8 b16 a b8 g~ 2 | }
\new Voice {
\voiceThree
s4 b4 c2 |
\new Voice {
% Set stems, etc, down
\voiceTwo
- s4 r8 e4 d c8~ | c8 b16 a b8 g~ g2 |
+ s4 r8 e4 d c8~ | 8 b16 a b8 g~ 2 |
}
% Initiate third voice
\new Voice {
global = { \key f \major \time 6/8 \partial 8 }
SopOneMusic = \relative c'' {
- c8 | c8([ bes)] a a([ g)] f | f'4. b, | c4.~ c4
+ c8 | c8([ bes)] a a([ g)] f | f'4. b, | c4.~ 4
}
SopOneLyrics = \lyricmode {
Let | flee -- cy flocks the | hills a -- dorn, __
d2 c2 |
}
ManualOneVoiceTwoMusic = \relative c' {
- ees16 d ees8~ ees16 f ees d c8 d~ d c~ |
- c8 c4 b8 c8. g16 c b c d |
+ ees16 d ees8~ 16 f ees d c8 d~ d c~ |
+ 8 c4 b8 c8. g16 c b c d |
}
ManualTwoMusic = \relative c' {
- c16 b c8~ c16 b c g a8 g~ g16 g aes ees |
- f16 ees f d g aes g f ees d e8~ ees16 f ees d |
+ c16 b c8~ 16 b c g a8 g~ 16 g aes ees |
+ f16 ees f d g aes g f ees d e8~ 8es16 f ees d |
}
PedalOrganMusic = \relative c {
- r8 c16 d ees d ees8~ ees16 a, b g c b c8 |
+ r8 c16 d ees d ees8~ 16 a, b g c b c8 |
r16 g ees f g f g8 c,2 |
}
Guide, node Updating translation committishes.
@end ignore
-@c \version "2.17.20"
+@c \version "2.19.2"
@node Ladění výstupu
@chapter Ladění výstupu
{ c,8 d fis bes a } % continuation of main voice
\new Voice {
\voiceTwo
- c,8~ c2
+ c,8~ 2
}
\new Voice {
\voiceThree
{ c,8 d fis bes a } % continuation of main voice
\new Voice {
\voiceTwo
- c,8~ c2
+ c,8~ 2
}
\new Voice {
\voiceThree
{ c,8 d fis bes a } % continuation of main voice
\new Voice {
\voiceTwo
- c,8~ c2
+ c,8~ 2
}
\new Voice {
\voiceThree
{ c,8 d fis bes a } % continuation of main voice
\new Voice {
\voiceTwo
- c,8~ c2
+ c,8~ 2
}
\new Voice {
\voiceThree
sich in der selben befinden,
@lilypond[quote,fragment,relative=2]
-<< { b8~ b8\noBeam } \\ { b[ g8] } >>
+<< { b8~ 8\noBeam } \\ { b[ g8] } >>
@end lilypond
@noindent
<<
{
\once \override Stem.transparent = ##t
- b8~ b\noBeam
+ b8~ 8\noBeam
}
\\
{ b8[ g] }
{
\once \override Stem.transparent = ##t
\once \override Stem.length = #8
- b8~ b\noBeam
+ b8~ 8\noBeam
}
\\
{ b[ g8] }
fis8 d' ees g, fis4 g
r8 a16 bes c8 bes16 a d8 r r4
r2 r8 d16 ees f8 ees16 d
- ees4 ~ ees16 d c bes a4 r8 ees'16 d
+ ees4 ~ 16 d c bes a4 r8 ees'16 d
c8 d16 ees d8 e16 fis g8 fis16 g a4 ~
- a8 d, g f ees d c bes
+ 8 d, g f ees d c bes
a2 g\fermata \bar "|."
}
d4 r4 r8 d'16 c bes8 c16 d
ees8 d c ees a, r r4
r8 fis16 g a8 g16 fis g2 ~
- g2 r8 d' ees g,
+ 2 r8 d' ees g,
fis4 g r8 a16 bes c8 bes16 a
bes4. <g b>8 <a c> r <d, g> r
<ees g>4 <d fis> d2
partIII = \relative c' {
\voiceOne
r2 r8 d ees g, fis4 g r8 a16 bes c8 bes16 a
- bes2 ~ bes8 b16 a g8 a16 b
+ bes2 ~ 8 b16 a g8 a16 b
c4 r r2
R1
r8 d ees g, fis4 g
d4 r r2
r8 d ees g, fis4 a
d,8 d'16 c bes8 c16 d ees2 ~
- ees8 ees16 d c8 d16 ees fis,8 a16 g fis8 g16 a
+ 8 ees16 d c8 d16 ees fis,8 a16 g fis8 g16 a
d,8 d'16 c bes8 c16 d ees8 c a fis'
g f ees d c bes a g
c a d d, g2\fermata
Guide, node Updating translation committishes..
@end ignore
-@c \version "2.17.6"
+@c \version "2.19.2"
@c Translators: Till Paala
\relative c'' {
\override Tie.after-line-breaking =
#my-callback
- c1 ~ \break c2 ~ c
+ c1 ~ \break c2 ~ 2
}
@end lilypond
Guide, node Updating translation committishes.
@end ignore
-@c \version "2.17.28"
+@c \version "2.19.2"
@ignore
Tutorial guidelines:
an die erste der zu verbindenden Noten hängt.
@lilypond[verbatim,quote,relative=2]
-g4~ g c2~ | c4~ c8 a~ a2
+g4~ 4 c2~ | 4~ 8 a~ 2
@end lilypond
geschachtelt werden.
@lilypond[verbatim,quote,relative=2]
-c4~( c8 d~ d4 e)
+c4~( c8 d~ 4 e)
@end lilypond
\clef "bass"
\key c \major
\time 6/8
- c4.~ c8 d b | c8([ d]) b c d b | c8
+ c4.~ 8 d b | c8([ d]) b c d b | c8
}
\addlyrics {
Lar -- go_al fac -- | to -- tum del -- la cit -- | tà
\key f \major
\time 6/8
\partial 8
- c8 | c8([ bes]) a a([ g]) f | f'4. b, | c4.~ c4
+ c8 | c8([ bes]) a a([ g]) f | f'4. b, | c4.~ 4
}
\addlyrics {
Let | flee -- cy flocks the | hills a -- | dorn, __
Guide, node Updating translation committishes.
@end ignore
-@c \version "2.17.29"
+@c \version "2.19.2"
@c Translators: Till Paala, Reinhold Kainhofer
@node Grundbegriffe
c16 d e f
% Voice "1" Voice "2" Voice "3"
<< { g4 f e } \\ { r8 e4 d c8~ } >> |
- << { d2 e } \\ { c8 b16 a b8 g~ g2 } \\ { s4 b c2 } >> |
+ << { d2 e } \\ { c8 b16 a b8 g~ 2 } \\ { s4 b c2 } >> |
}
@end lilypond
{ d2 e }
\\
% Voice 2 continues
- { c8 b16 a b8 g~ g2 }
+ { c8 b16 a b8 g~ 2 }
\\
{
\voiceThreeStyle
@lilypond[quote,ragged-right,verbatim]
\relative c' {
% Default behavior or behavior after \oneVoice
- c4 d8~ d e4( f | g4 a) b-> c |
+ c4 d8~ 8 e4( f | g4 a) b-> c |
}
@end lilypond
@lilypond[quote,ragged-right,verbatim]
\relative c' {
\voiceOne
- c4 d8~ d e4( f | g4 a) b-> c |
+ c4 d8~ 8 e4( f | g4 a) b-> c |
\oneVoice
- c,4 d8~ d e4( f | g4 a) b-> c |
+ c,4 d8~ 8 e4( f | g4 a) b-> c |
}
@end lilypond
@lilypond[quote,ragged-right,verbatim]
\relative c' {
\voiceTwo
- c4 d8~ d e4( f | g4 a) b-> c |
+ c4 d8~ 8 e4( f | g4 a) b-> c |
\oneVoice
- c,4 d8~ d e4( f | g4 a) b-> c |
+ c,4 d8~ 8 e4( f | g4 a) b-> c |
}
@end lilypond
\new Voice {
% Set stems, etc., down
\voiceTwo
- r8 e4 d c8~ | c8 b16 a b8 g~ g2 |
+ r8 e4 d c8~ | 8 b16 a b8 g~ 2 |
}
% Initiate third voice
\new Voice {
\voiceTwo
r8 e4 d c8~
<<
- { c8 b16 a b8 g~ g2 | }
+ { c8 b16 a b8 g~ 2 | }
\new Voice {
\voiceThree
s4 b4 c2 |
\new Voice {
% Set stems, etc, down
\voiceTwo
- s4 r8 e4 d c8~ | c8 b16 a b8 g~ g2 |
+ s4 r8 e4 d c8~ | 8 b16 a b8 g~ 2 |
}
% Initiate third voice
\new Voice {
global = { \key f \major \time 6/8 \partial 8 }
SopOneMusic = \relative c'' {
- c8 | c8([ bes)] a a([ g)] f | f'4. b, | c4.~ c4
+ c8 | c8([ bes)] a a([ g)] f | f'4. b, | c4.~ 4
}
SopOneLyrics = \lyricmode {
Let | flee -- cy flocks the | hills a -- dorn, __
d2 c2 |
}
ManualOneVoiceTwoMusic = \relative c' {
- ees16 d ees8~ ees16 f ees d c8 d~ d c~ |
- c8 c4 b8 c8. g16 c b c d |
+ ees16 d ees8~ 16 f ees d c8 d~ d c~ |
+ 8 c4 b8 c8. g16 c b c d |
}
ManualTwoMusic = \relative c' {
- c16 b c8~ c16 b c g a8 g~ g16 g aes ees |
- f16 ees f d g aes g f ees d e8~ ees16 f ees d |
+ c16 b c8~ 16 b c g a8 g~ 16 g aes ees |
+ f16 ees f d g aes g f ees d e8~ 8es16 f ees d |
}
PedalOrganMusic = \relative c {
- r8 c16 d ees d ees8~ ees16 a, b g c b c8 |
+ r8 c16 d ees d ees8~ 16 a, b g c b c8 |
r16 g ees f g f g8 c,2 |
}
Guide, node Updating translation committishes.
@end ignore
-@c \version "2.17.20"
+@c \version "2.19.2"
@node Die Ausgabe verändern
@chapter Die Ausgabe verändern
{
\time 4/2
<<
- { c'1 ~ c'2. e'8 f' }
+ { c'1 ~ 2. e'8 f' }
\\
{ e''8 e'' e'' e'' e'' e'' e'' e'' f''2 g'' }
>>
<<
- { c'1 ~ c'2. e'8 f' }
+ { c'1 ~ 2. e'8 f' }
\\
{ e''8 e'' e'' e'' e'' e'' e'' e'' f''2 g'' }
>>
{
\time 4/2
<<
- { c'1 ~ c'2. e'8 f' }
+ { c'1 ~ 2. e'8 f' }
\\
{
\override Beam.positions = #'(-1 . -1)
}
>>
<<
- { c'1 ~ c'2. e'8 f' }
+ { c'1 ~ 2. e'8 f' }
\\
{ e''8 e'' e'' e'' e'' e'' e'' e'' f''2 g'' }
>>
{ c,8 d fis bes a } % continuation of main voice
\new Voice {
\voiceTwo
- c,8~ c2
+ c,8~ 2
}
\new Voice {
\voiceThree
{ c,8 d fis bes a } % continuation of main voice
\new Voice {
\voiceTwo
- c,8~ c2
+ c,8~ 2
}
\new Voice {
\voiceThree
{ c,8 d fis bes a } % continuation of main voice
\new Voice {
\voiceTwo
- c,8~ c2
+ c,8~ 2
}
\new Voice {
\voiceThree
{ c,8 d fis bes a } % continuation of main voice
\new Voice {
\voiceTwo
- c,8~ c2
+ c,8~ 2
}
\new Voice {
\voiceThree
sich in der selben befinden,
@lilypond[quote,fragment,relative=2]
-<< { b8~ b8\noBeam } \\ { b[ g8] } >>
+<< { b8~ 8\noBeam } \\ { b[ g8] } >>
@end lilypond
@noindent
<<
{
\tweak Stem.transparent ##t
- b8~ b\noBeam
+ b8~ 8\noBeam
}
\\
{ b8[ g] }
{
\tweak Stem.transparent ##t
\tweak Stem.length #8
- b8~ b\noBeam
+ b8~ 8\noBeam
}
\\
{ b[ g8] }
Guide, node Updating translation committishes..
@end ignore
-@c \version "2.17.30"
+@c \version "2.19.2"
@c Translators: Till Paala
@lilypond[verbatim,quote,relative=1]
<<
- { e1~ e }
+ { e1~ 1 }
\\
{ r4 <g c,> <g c,> <g c,> }
>>
<<
{
\once \override Tie.control-points = #'((1 . -1) (3 . 0.6) (12.5 . 0.6) (14.5 . -1))
- e1~ e1
+ e1~ 1
}
\\
{ r4 <g c,> <g c,> <g c,> }
Guide, node Updating translation committishes.
@end ignore
-@c \version "2.17.30"
+@c \version "2.19.2"
@c Translators: Till Paala
c4-.^"Allegro" d( e)
f4-.\f g a^\fermata
\mark \default
- c8_.\<\( c16 c~ c2\!
+ c8_.\<\( c16 c~ 2\!
c'2.\prall\)
}
c4-.^"Allegro" d( e)
f4-.\f g a^\fermata
\mark \default
- c8_.\<\( c16 c~ c2\!
+ c8_.\<\( c16 c~ 2\!
c'2.\prall\)
}
@lilypond[quote,verbatim]
guitar = \relative c' {
- r8 <gis-2 cis-3 b-0>~ q4 q8~ q q4
+ r8 <gis-2 cis-3 b-0>~ q4 q8~ 8 q4
}
\new StaffGroup <<
ties = \relative c' {
\repeat volta 2 {
e2. f4~
- f2 g2~
+ 2 g2~
}
\alternative {
{ g4 f2. }
ties = \relative c' {
\repeat volta 2 {
e2. f4~
- f2 g2~ }
+ 2 g2~ }
\alternative {
{ g4 f2. }
{ g4\repeatTie c,2. }
Guide, node Updating translation committishes.
@end ignore
-@c \version "2.17.6"
+@c \version "2.19.2"
@c Translators: Till Paala
\set Staff.midiInstrument = #"flute"
\new Voice \relative c''' {
r2 g\mp g fis~
- fis4 g8 fis e2~
- e4 d8 cis d2
+ 4 g8 fis e2~
+ 4 d8 cis d2
}
}
\new Staff {
\set Staff.midiMaximumVolume = #0.9
\new Voice \relative c''' {
r2 g\mp g fis~
- fis4 g8 fis e2~
- e4 d8 cis d2
+ 4 g8 fis e2~
+ 4 d8 cis d2
}
}
\new Staff {
\set Staff.midiInstrument = #"flute"
\new Voice \relative c''' {
r2 g\mp g fis~
- fis4 g8 fis e2~
- e4 d8 cis d2
+ 4 g8 fis e2~
+ 4 d8 cis d2
}
}
\new Staff {
Guide, node Updating translation committishes.
@end ignore
-@c \version "2.17.30"
+@c \version "2.19.2"
@c Translators: Till Paala
\drummode {
\time 2/4
rb8 rb cb cb16 rb-> ~ |
- rb16 rb8 rb16 cb8 cb |
+ 16 rb8 rb16 cb8 cb |
}
}
@end lilypond
Guide, node Updating translation committishes..
@end ignore
-@c \version "2.17.18"
+@c \version "2.19.2"
@c Translators: Till Paala
dann gesetzt, wenn ein neues System begonnen wird:
@lilypond[verbatim,quote,relative=2]
-cis1~ cis~
+cis1~ 1~
\break
cis
@end lilypond
e8 e g a a16( bes) a8 g
\improvisationOn
e8 ~
- e2 ~ e8 f4 f8 ~
- f2
+ 2 ~ 8 f4 f8 ~
+ 2
\improvisationOff
a16( bes) a8 g e
}
Guide, node Updating translation committishes.
@end ignore
-@c \version "2.17.30"
+@c \version "2.19.2"
@c Translators: Till Paala
Tilde @code{~} (AltGr++) notiert.
@lilypond[quote,verbatim,relative=2]
-a2 ~ a
+a2 ~ 2
@end lilypond
Bindebögen werden eingesetzt, wenn die Note entweder über eine
@lilypond[quote]
\relative c' {
- r8 c8 ~ c2 r4 |
- r8^"not" c2 ~ c8 r4
+ r8 c8 ~ 2 r4 |
+ r8^"not" c2 ~ 8 r4
}
@end lilypond
@lilypond[quote, verbatim, relative=1]
\tieDotted
-c2 ~ c
+c2 ~ 2
\tieDashed
-c2 ~ c
+c2 ~ 2
\tieHalfDashed
-c2 ~ c
+c2 ~ 2
\tieHalfSolid
-c2 ~ c
+c2 ~ 2
\tieSolid
-c2 ~ c
+c2 ~ 2
@end lilypond
Eigene Strichelungsmuster können definiert werden:
@lilypond[quote, verbatim, relative=1]
\tieDashPattern #0.3 #0.75
-c2 ~ c
+c2 ~ 2
\tieDashPattern #0.7 #1.5
-c2 ~ c
+c2 ~ 2
\tieSolid
-c2 ~ c
+c2 ~ 2
@end lilypond
Die Definition von Muster für die Strichelung der Bindebögen hat
Guide, node Updating translation committishes.
@end ignore
-@c \version "2.17.28"
+@c \version "2.19.2"
@c Translators: Till Paala
\new Voice = "first"
{ \voiceOne r8 r16 g e8. f16 g8[ c,] f e16 d }
\new Voice= "second"
- { \voiceTwo d16 c d8~ d16 b c8~ c16 b c8~ c16 b8. }
+ { \voiceTwo d16 c d8~ 16 b c8~ 16 b c8~ 16 b8. }
>>
@end lilypond
<<
{ r8 r16 g e8. f16 g8[ c,] f e16 d }
\\
- { d16 c d8~ d16 b c8~ c16 b c8~ c16 b8. }
+ { d16 c d8~ 16 b c8~ 16 b c8~ 16 b8. }
>>
@end lilypond
\parallelMusic #'(voiceA voiceB voiceC) {
% Bar 1
r8 g'16 c'' e'' g' c'' e'' r8 g'16 c'' e'' g' c'' e'' |
- r16 e'8.~ e'4 r16 e'8.~ e'4 |
+ r16 e'8.~ 4 r16 e'8.~ 4 |
c'2 c'2 |
% Bar 2
r8 a'16 d'' f'' a' d'' f'' r8 a'16 d'' f'' a' d'' f'' |
- r16 d'8.~ d'4 r16 d'8.~ d'4 |
+ r16 d'8.~ 4 r16 d'8.~ 4 |
c'2 c'2 |
}
\parallelMusic #'(voiceA voiceB voiceC) {
% Bar 1
r8 g16 c e g, c e r8 g,16 c e g, c e |
- r16 e8.~ e4 r16 e8.~ e4 |
+ r16 e8.~ 4 r16 e8.~ 4 |
c2 c |
% Bar 2
r8 a,16 d f a, d f r8 a,16 d f a, d f |
- r16 d8.~ d4 r16 d8.~ d4 |
+ r16 d8.~ 4 r16 d8.~ 4 |
c2 c |
}
Guide, node Updating translation committishes.
@end ignore
-@c \version "2.17.30"
+@c \version "2.19.2"
@c Translators: Till Paala
R1*16
\instrumentSwitch "contrabassoon"
c,,2 g \break
- c,1 ~ | c1
+ c,1 ~ | 1
}
@end lilypond
Guide, node Updating translation committishes.
@end ignore
-@c \version "2.17.30"
+@c \version "2.19.2"
@c Translators: Till Paala
\new Voice = "melody" {
\time 3/4
f4 g2 ~ |
- g4 e2 ~ |
- e8
+ 4 e2 ~ |
+ 8
}
\new Lyrics \lyricsto "melody" {
Ky -- ri -- e __
\time 3/4
\set melismaBusyProperties = #'()
c4 d ( e )
- g8 [ f ] f4 ~ f
+ g8 [ f ] f4 ~ 4
}
\new Lyrics \lyricsto "melody" {
Ky -- ri -- e e -- le -- i -- son
\time 3/4
\set melismaBusyProperties = #'()
c4 d ( e )
- g8 [ f ] ~ f4 ~ f
+ g8 [ f ] ~ 4 ~ f
}
\new Lyrics \lyricsto "melody" {
Ky -- ri -- _ e __ _ _ _
fis8 d' ees g, fis4 g
r8 a16 bes c8 bes16 a d8 r r4
r2 r8 d16 ees f8 ees16 d
- ees4 ~ ees16 d c bes a4 r8 ees'16 d
+ ees4 ~ 16 d c bes a4 r8 ees'16 d
c8 d16 ees d8 e16 fis g8 fis16 g a4 ~
- a8 d, g f ees d c bes
+ 8 d, g f ees d c bes
a2 g\fermata \bar "|."
}
d4 r4 r8 d'16 c bes8 c16 d
ees8 d c ees a, r r4
r8 fis16 g a8 g16 fis g2 ~
- g2 r8 d' ees g,
+ 2 r8 d' ees g,
fis4 g r8 a16 bes c8 bes16 a
bes4. <g b>8 <a c> r <d, g> r
<ees g>4 <d fis> d2
partIII = \relative c' {
\voiceOne
r2 r8 d ees g, fis4 g r8 a16 bes c8 bes16 a
- bes2 ~ bes8 b16 a g8 a16 b
+ bes2 ~ 8 b16 a g8 a16 b
c4 r r2
R1
r8 d ees g, fis4 g
d4 r r2
r8 d ees g, fis4 a
d,8 d'16 c bes8 c16 d ees2 ~
- ees8 ees16 d c8 d16 ees fis,8 a16 g fis8 g16 a
+ 8 ees16 d c8 d16 ees fis,8 a16 g fis8 g16 a
d,8 d'16 c bes8 c16 d ees8 c a fis'
g f ees d c bes a g
c a d d, g2\fermata
version that you are working on. See TRANSLATION for details.
@end ignore
-@c \version "2.17.6"
+@c \version "2.19.2"
@node Interfaces para programadores
@chapter Interfaces para programadores
\override Tie.after-line-breaking =
#my-callback
c1 ~ \break
- c2 ~ c
+ c2 ~ 2
}
@end lilypond
version that you are working on. See TRANSLATION for details.
@end ignore
-@c \version "2.17.28"
+@c \version "2.19.2"
@ignore
Tutorial guidelines: (different from policy.txt!)
tilde curva @code{~} a la primera nota ligada:
@lilypond[verbatim,quote,relative=2]
-g4~ g c2~ | c4~ c8 a~ a2 |
+g4~ 4 c2~ | 4~ 8 a~ 2 |
@end lilypond
@node Ligaduras de expresión
se pueden anidar unas dentro de otras.
@lilypond[verbatim,quote,relative=2]
-c4~( c8 d~ d4 e)
+c4~( c8 d~ 4 e)
@end lilypond
\clef "bass"
\key c \major
\time 6/8
- c4.~ c8 d b | c8([ d]) b c d b | c8
+ c4.~ 8 d b | c8([ d]) b c d b | c8
}
\addlyrics {
Lar -- go_al fac -- | to -- tum del -- la cit -- | tà
\key f \major
\time 6/8
\partial 8
- c8 | c8([ bes]) a a([ g]) f | f'4. b, | c4.~ c4
+ c8 | c8([ bes]) a a([ g]) f | f'4. b, | c4.~ 4
}
\addlyrics {
Let | flee -- cy flocks the | hills a -- | dorn, __
Guide, node Updating translation committishes..
@end ignore
-@c \version "2.17.29"
+@c \version "2.19.2"
@node Conceptos fundamentales
@chapter Conceptos fundamentales
c16 d e f
% Voice "1" Voice "2" Voice "3"
<< { g4 f e } \\ { r8 e4 d c8~ } >> |
- << { d2 e } \\ { c8 b16 a b8 g~ g2 } \\ { s4 b c2 } >> |
+ << { d2 e } \\ { c8 b16 a b8 g~ 2 } \\ { s4 b c2 } >> |
}
@end lilypond
{ d2 e }
\\
% Voice 2 continues
- { c8 b16 a b8 g~ g2 }
+ { c8 b16 a b8 g~ 2 }
\\
{
\voiceThreeStyle
@lilypond[quote,ragged-right,verbatim]
\relative c' {
% Default behavior or behavior after \oneVoice
- c4 d8~ d e4( f | g4 a) b-> c |
+ c4 d8~ 8 e4( f | g4 a) b-> c |
}
@end lilypond
@lilypond[quote,ragged-right,verbatim]
\relative c' {
\voiceOne
- c4 d8~ d e4( f | g4 a) b-> c |
+ c4 d8~ 8 e4( f | g4 a) b-> c |
\oneVoice
- c,4 d8~ d e4( f | g4 a) b-> c |
+ c,4 d8~ 8 e4( f | g4 a) b-> c |
}
@end lilypond
@lilypond[quote,ragged-right,verbatim]
\relative c' {
\voiceTwo
- c4 d8~ d e4( f | g4 a) b-> c |
+ c4 d8~ 8 e4( f | g4 a) b-> c |
\oneVoice
- c,4 d8~ d e4( f | g4 a) b-> c |
+ c,4 d8~ 8 e4( f | g4 a) b-> c |
}
@end lilypond
\new Voice {
% Set stems, etc., down
\voiceTwo
- r8 e4 d c8~ | c8 b16 a b8 g~ g2 |
+ r8 e4 d c8~ | 8 b16 a b8 g~ 2 |
}
% Initiate third voice
\new Voice {
\voiceTwo
r8 e4 d c8~ |
<<
- { c8 b16 a b8 g~ g2 | }
+ { c8 b16 a b8 g~ 2 | }
\new Voice {
\voiceThree
s4 b c2 |
\new Voice {
% Set stems, etc, down
\voiceTwo
- s4 r8 e4 d c8~ | c8 b16 a b8 g~ g2 |
+ s4 r8 e4 d c8~ | 8 b16 a b8 g~ 2 |
}
% Initiate third voice
\new Voice {
global = { \key f \major \time 6/8 \partial 8 }
SopOneMusic = \relative c'' {
- c8 | c8([ bes)] a a([ g)] f | f'4. b, | c4.~ c4
+ c8 | c8([ bes)] a a([ g)] f | f'4. b, | c4.~ 4
}
SopOneLyrics = \lyricmode {
Let | flee -- cy flocks the | hills a -- dorn, __
d2 c |
}
ManualOneVoiceTwoMusic = \relative c' {
- ees16 d ees8~ ees16 f ees d c8 d~ d c~ |
- c8 c4 b8 c8. g16 c b c d |
+ ees16 d ees8~ 16 f ees d c8 d~ d c~ |
+ 8 c4 b8 c8. g16 c b c d |
}
ManualTwoMusic = \relative c' {
- c16 b c8~ c16 b c g a8 g~ g16 g aes ees |
- f16 ees f d g aes g f ees d ees8~ ees16 f ees d |
+ c16 b c8~ 16 b c g a8 g~ 16 g aes ees |
+ f16 ees f d g aes g f ees d ees8~ 16 f ees d |
}
PedalOrganMusic = \relative c {
- r8 c16 d ees d ees8~ ees16 a, b g c b c8 |
+ r8 c16 d ees d ees8~ 16 a, b g c b c8 |
r16 g ees f g f g8 c,2 |
}
Guide, node Updating translation committishes..
@end ignore
-@c \version "2.17.20"
+@c \version "2.19.2"
@node Trucar la salida
@chapter Trucar la salida
{
\time 4/2
<<
- { c'1 ~ c'2. e'8 f' }
+ { c'1 ~ 2. e'8 f' }
\\
{ e''8 e'' e'' e'' e'' e'' e'' e'' f''2 g'' }
>>
<<
- { c'1 ~ c'2. e'8 f' }
+ { c'1 ~ 2. e'8 f' }
\\
{ e''8 e'' e'' e'' e'' e'' e'' e'' f''2 g'' }
>>
{
\time 4/2
<<
- { c'1 ~ c'2. e'8 f' }
+ { c'1 ~ 2. e'8 f' }
\\
{
\override Beam.positions = #'(-1 . -1)
}
>>
<<
- { c'1 ~ c'2. e'8 f' }
+ { c'1 ~ 2. e'8 f' }
\\
{ e''8 e'' e'' e'' e'' e'' e'' e'' f''2 g'' }
>>
{ c,8 d fis bes a } % continuation of main voice
\new Voice {
\voiceTwo
- c,8~ c2
+ c,8~ 2
}
\new Voice {
\voiceThree
{ c,8 d fis bes a } % continuation of main voice
\new Voice {
\voiceTwo
- c,8~ c2
+ c,8~ 2
}
\new Voice {
\voiceThree
{ c,8 d fis bes a } % continuation of main voice
\new Voice {
\voiceTwo
- c,8~ c2
+ c,8~ 2
}
\new Voice {
\voiceThree
{ c,8 d fis bes a } % continuation of main voice
\new Voice {
\voiceTwo
- c,8~ c2
+ c,8~ 2
}
\new Voice {
\voiceThree
misma voz. Usando dos voces, con las notas ligadas en una de ellas:
@lilypond[quote,fragment,relative=2]
-<< { b8~ b\noBeam } \\ { b8[ g] } >>
+<< { b8~ 8\noBeam } \\ { b8[ g] } >>
@end lilypond
@noindent
<<
{
\tweak Stem.transparent ##t
- b8~ b\noBeam
+ b8~ 8\noBeam
}
\\
{ b8[ g] }
{
\tweak Stem.transparent ##t
\tweak Stem.length #8
- b8~ b\noBeam
+ b8~ 8\noBeam
}
\\
{ b8[ g] }
\single \hide Stem
\single \hide Flag
\tweak Stem.length #8
- b8~ b\noBeam
+ b8~ 8\noBeam
}
\\
{ b8[ g] }
Guide, node Updating translation committishes..
@end ignore
-@c \version "2.17.30"
+@c \version "2.19.2"
@node Cambiar los valores por omisión
@chapter Cambiar los valores por omisión
@lilypond[verbatim,quote,relative=1]
<<
- { e1~ e }
+ { e1~ 1 }
\\
{ r4 <g c,> <g c,> <g c,> }
>>
<<
{
\shape #'((0 . 0.5) (0 . 0.5) (0 . 0.5) (0 . 0.5)) Tie
- e1~ e
+ e1~ 1
}
\\
{ r4 <g c,> <g c,> <g c,> }
Guide, node Updating translation committishes..
@end ignore
-@c \version "2.17.30"
+@c \version "2.19.2"
@node Instrumentos de cuerda con trastes
@section Instrumentos de cuerda con trastes
c4-.^"Allegro" d( e)
f4-.\f g a^\fermata
\mark \default
- c8_.\<\( c16 c~ c2\!
+ c8_.\<\( c16 c~ 2\!
c'2.\prall\)
}
c4-.^"Allegro" d( e)
f4-.\f g a^\fermata
\mark \default
- c8_.\<\( c16 c~ c2\!
+ c8_.\<\( c16 c~ 2\!
c'2.\prall\)
}
@lilypond[quote,verbatim]
guitar = \relative c' {
- r8 <gis-2 cis-3 b-0>~ q4 q8~ q q4
+ r8 <gis-2 cis-3 b-0>~ q4 q8~ 8 q4
}
\new StaffGroup <<
ties = \relative c' {
\repeat volta 2 {
e2. f4~
- f2 g2~
+ 2 g2~
}
\alternative {
{ g4 f2. }
ties = \relative c' {
\repeat volta 2 {
e2. f4~
- f2 g2~ }
+ 2 g2~ }
\alternative {
{ g4 f2. }
{ g4\repeatTie c,2. }
Guide, node Updating translation committishes..
@end ignore
-@c \version "2.17.6"
+@c \version "2.19.2"
@node Entrada y salida generales
@chapter Entrada y salida generales
\set Staff.midiInstrument = #"flute"
\new Voice \relative c''' {
r2 g\mp g fis~
- fis4 g8 fis e2~
- e4 d8 cis d2
+ 4 g8 fis e2~
+ 4 d8 cis d2
}
}
\new Staff {
\set Staff.midiMaximumVolume = #0.9
\new Voice \relative c''' {
r2 g\mp g fis~
- fis4 g8 fis e2~
- e4 d8 cis d2
+ 4 g8 fis e2~
+ 4 d8 cis d2
}
}
\new Staff {
\set Staff.midiInstrument = #"flute"
\new Voice \relative c''' {
r2 g\mp g fis~
- fis4 g8 fis e2~
- e4 d8 cis d2
+ 4 g8 fis e2~
+ 4 d8 cis d2
}
}
\new Staff {
Guide, node Updating translation committishes..
@end ignore
-@c \version "2.17.30"
+@c \version "2.19.2"
@node Percusión
@section Percusión
\drummode {
\time 2/4
rb8 rb cb cb16 rb-> ~ |
- rb16 rb8 rb16 cb8 cb |
+ 16 rb8 rb16 cb8 cb |
}
}
@end lilypond
Guide, node Updating translation committishes..
@end ignore
-@c \version "2.17.18"
+@c \version "2.19.2"
@node Alturas
comienzo de un sistema:
@lilypond[verbatim,quote,relative=2,ragged-right]
-cis1~ cis~
+cis1~ 1~
\break
cis
@end lilypond
e8 e g a a16( bes) a8 g
\improvisationOn
e8 ~
- e2 ~ e8 f4 f8 ~
- f2
+ 2 ~ 8 f4 f8 ~
+ 2
\improvisationOff
a16( bes) a8 g e
}
Guide, node Updating translation committishes..
@end ignore
-@c \version "2.17.30"
+@c \version "2.19.2"
@node Duraciones
@section Duraciones
siguiente, que debe tener la misma altura.
@lilypond[quote,verbatim,relative=2]
-a2~ a4~ a16 r r8
+a2~ 4~ 16 r r8
@end lilypond
Se usan ligaduras de unión bien cuando la nota atraviesa la barra de
@c KEEP LY
@lilypond[verbatim,quote]
\relative c' {
- r8^"sí" c~ c2 r4 |
- r8^"no" c2~ c8 r4
+ r8^"sí" c~ 2 r4 |
+ r8^"no" c2~ 8 r4
}
@end lilypond
@lilypond[quote, verbatim, relative=1]
\tieDotted
-c2~ c
+c2~ 2
\tieDashed
-c2~ c
+c2~ 2
\tieHalfDashed
-c2~ c
+c2~ 2
\tieHalfSolid
-c2~ c
+c2~ 2
\tieSolid
-c2~ c
+c2~ 2
@end lilypond
Se pueden especificar patrones de discontinuidad personalizados:
@lilypond[quote, verbatim, relative=1]
\tieDashPattern #0.3 #0.75
-c2~ c
+c2~ 2
\tieDashPattern #0.7 #1.5
-c2~ c
+c2~ 2
\tieSolid
-c2~ c
+c2~ 2
@end lilypond
Las definiciones de patrones de discontinuidad para las ligaduras de
Guide, node Updating translation committishes..
@end ignore
-@c \version "2.17.28"
+@c \version "2.19.2"
@c Translation status: post-GDP
\new Voice = "first"
{ \voiceOne r8 r16 g e8. f16 g8[ c,] f e16 d }
\new Voice= "second"
- { \voiceTwo d16 c d8~ d16 b c8~ c16 b c8~ c16 b8. }
+ { \voiceTwo d16 c d8~ 16 b c8~ 16 b c8~ 16 b8. }
>>
@end lilypond
<<
{ r8 r16 g e8. f16 g8[ c,] f e16 d }
\\
- { d16 c d8~ d16 b c8~ c16 b c8~ c16 b8. }
+ { d16 c d8~ 16 b c8~ 16 b c8~ 16 b8. }
>>
@end lilypond
\parallelMusic #'(voiceA voiceB voiceC) {
% Bar 1
r8 g'16 c'' e'' g' c'' e'' r8 g'16 c'' e'' g' c'' e'' |
- r16 e'8.~ e'4 r16 e'8.~ e'4 |
+ r16 e'8.~ 4 r16 e'8.~ 4 |
c'2 c'2 |
% Bar 2
r8 a'16 d'' f'' a' d'' f'' r8 a'16 d'' f'' a' d'' f'' |
- r16 d'8.~ d'4 r16 d'8.~ d'4 |
+ r16 d'8.~ 4 r16 d'8.~ 4 |
c'2 c'2 |
}
\parallelMusic #'(voiceA voiceB voiceC) {
% Bar 1
r8 g16 c e g, c e r8 g,16 c e g, c e |
- r16 e8.~ e4 r16 e8.~ e4 |
+ r16 e8.~ 4 r16 e8.~ 4 |
c2 c |
% Bar 2
r8 a,16 d f a, d f r8 a,16 d f a, d f |
- r16 d8.~ d4 r16 d8.~ d4 |
+ r16 d8.~ 4 r16 d8.~ 4 |
c2 c |
}
Guide, node Updating translation committishes..
@end ignore
-@c \version "2.17.30"
+@c \version "2.19.2"
@node Notación de los pentagramas
@section Notación de los pentagramas
R1*16
\instrumentSwitch "contrabassoon"
c,,2 g \break
- c,1 ~ | c1
+ c,1 ~ | 1
}
@end lilypond
Guide, node Updating translation committishes..
@end ignore
-@c \version "2.17.30"
+@c \version "2.19.2"
@node Música vocal
@section Música vocal
\new Voice = "melody" {
\time 3/4
f4 g2 ~ |
- g4 e2 ~ |
- e8
+ 4 e2 ~ |
+ 8
}
\new Lyrics \lyricsto "melody" {
Ky -- ri -- e __
\time 3/4
\set melismaBusyProperties = #'()
c4 d ( e )
- g8 [ f ] f4 ~ f
+ g8 [ f ] f4 ~ 4
}
\new Lyrics \lyricsto "melody" {
Ky -- ri -- e e -- le -- i -- son
\time 3/4
\set melismaBusyProperties = #'()
c4 d ( e )
- g8 [ f ] ~ f4 ~ f
+ g8 [ f ] ~ 4 ~ f
}
\new Lyrics \lyricsto "melody" {
Ky -- ri -- _ e __ _ _ _
fis8 d' ees g, fis4 g
r8 a16 bes c8 bes16 a d8 r r4
r2 r8 d16 ees f8 ees16 d
- ees4 ~ ees16 d c bes a4 r8 ees'16 d
+ ees4 ~ 16 d c bes a4 r8 ees'16 d
c8 d16 ees d8 e16 fis g8 fis16 g a4 ~
- a8 d, g f ees d c bes
+ 8 d, g f ees d c bes
a2 g\fermata \bar "|."
}
d4 r4 r8 d'16 c bes8 c16 d
ees8 d c ees a, r r4
r8 fis16 g a8 g16 fis g2 ~
- g2 r8 d' ees g,
+ 2 r8 d' ees g,
fis4 g r8 a16 bes c8 bes16 a
bes4. <g b>8 <a c> r <d, g> r
<ees g>4 <d fis> d2
partIII = \relative c' {
\voiceOne
r2 r8 d ees g, fis4 g r8 a16 bes c8 bes16 a
- bes2 ~ bes8 b16 a g8 a16 b
+ bes2 ~ 8 b16 a g8 a16 b
c4 r r2
R1
r8 d ees g, fis4 g
d4 r r2
r8 d ees g, fis4 a
d,8 d'16 c bes8 c16 d ees2 ~
- ees8 ees16 d c8 d16 ees fis,8 a16 g fis8 g16 a
+ 8 ees16 d c8 d16 ees fis,8 a16 g fis8 g16 a
d,8 d'16 c bes8 c16 d ees8 c a fis'
g f ees d c bes a g
c a d d, g2\fermata
Guide, node Updating translation committishes..
@end ignore
-@c \version "2.17.6"
+@c \version "2.19.2"
@node Interfaces for programmers
@chapter Interfaces for programmers
\override Tie.after-line-breaking =
#my-callback
c1 ~ \break
- c2 ~ c
+ c2 ~ 2
}
@end lilypond
fis8 d' ees g, fis4 g
r8 a16 bes c8 bes16 a d8 r r4
r2 r8 d16 ees f8 ees16 d
- ees4 ~ ees16 d c bes a4 r8 ees'16 d
+ ees4 ~ 16 d c bes a4 r8 ees'16 d
c8 d16 ees d8 e16 fis g8 fis16 g a4 ~
- a8 d, g f ees d c bes
+ 8 d, g f ees d c bes
a2 g\fermata \bar "|."
}
d4 r4 r8 d'16 c bes8 c16 d
ees8 d c ees a, r r4
r8 fis16 g a8 g16 fis g2 ~
- g2 r8 d' ees g,
+ 2 r8 d' ees g,
fis4 g r8 a16 bes c8 bes16 a
bes4. <g b>8 <a c> r <d, g> r
<ees g>4 <d fis> d2
partIII = \relative c' {
\voiceOne
r2 r8 d ees g, fis4 g r8 a16 bes c8 bes16 a
- bes2 ~ bes8 b16 a g8 a16 b
+ bes2 ~ 8 b16 a g8 a16 b
c4 r r2
R1
r8 d ees g, fis4 g
d4 r r2
r8 d ees g, fis4 a
d,8 d'16 c bes8 c16 d ees2 ~
- ees8 ees16 d c8 d16 ees fis,8 a16 g fis8 g16 a
+ 8 ees16 d c8 d16 ees fis,8 a16 g fis8 g16 a
d,8 d'16 c bes8 c16 d ees8 c a fis'
g f ees d c bes a g
c a d d, g2\fermata
Guide, node Updating translation committishes..
@end ignore
-@c \version "2.17.6"
+@c \version "2.19.2"
@c Translators: Valentin Villenave, Jean-Charles Malahieude
@c Translation checkers: Gilles Thibault
\override Tie.after-line-breaking =
#my-callback
c1 ~ \break
- c2 ~ c
+ c2 ~ 2
}
@end lilypond
@end ignore
-@c \version "2.17.28"
+@c \version "2.19.2"
@c Translators: Nicolas Grandclaude, Ludovic Sardain, Gauvain Pocentek
@c Translation checkers: Jean-Charles Malahieude, Valentin Villenave, John Mandereau
liée.
@lilypond[verbatim,quote,relative=2]
-g4~ g c2~ | c4 ~ c8 a8 ~ a2 |
+g4~ 4 c2~ | 4 ~ 8 a8 ~ 2 |
@end lilypond
enchâssées dans un @emph{legato} ou un phrasé.
@lilypond[verbatim,quote,relative=2]
-c4~( c8 d~ d4 e)
+c4~( c8 d~ 4 e)
@end lilypond
@seealso
\clef bass
\key c \major
\time 6/8
- c4.~ c8 d b | c8([ d]) b c d b | c8
+ c4.~ 8 d b | c8([ d]) b c d b | c8
}
\addlyrics {
Lar -- go_al fac -- | to -- tum del -- la cit -- | tà
\key f \major
\time 6/8
\partial 8
- c8 | c8([ bes]) a a([ g]) f | f'4. b, | c4.~ c4
+ c8 | c8([ bes]) a a([ g]) f | f'4. b, | c4.~ 4
}
\addlyrics {
Let | flee -- cy flocks the | hills a -- | dorn, __
Guide, node Updating translation committishes..
@end ignore
-@c \version "2.17.29"
+@c \version "2.19.2"
@c Translators: Valentin Villenave, Jean-Charles Malahieude
@c Translation checkers: John Mandereau
c16 d e f
% Voice "1" Voice "2" Voice "3"
<< { g4 f e } \\ { r8 e4 d c8~ } >> |
- << { d2 e } \\ { c8 b16 a b8 g~ g2 } \\ { s4 b c2 } >> |
+ << { d2 e } \\ { c8 b16 a b8 g~ 2 } \\ { s4 b c2 } >> |
}
@end lilypond
{ d2 e }
\\
% Voice 2 continues
- { c8 b16 a b8 g~ g2 }
+ { c8 b16 a b8 g~ 2 }
\\
{
\voiceThreeStyle
@lilypond[quote,ragged-right,verbatim]
\relative c' {
% Default behavior or behavior after \oneVoice
- c4 d8~ d e4( f | g4 a) b-> c |
+ c4 d8~ 8 e4( f | g4 a) b-> c |
}
@end lilypond
@lilypond[quote,ragged-right,verbatim]
\relative c' {
\voiceOne
- c4 d8~ d e4( f | g4 a) b-> c |
+ c4 d8~ 8 e4( f | g4 a) b-> c |
\oneVoice
- c,4 d8~ d e4( f | g4 a) b-> c |
+ c,4 d8~ 8 e4( f | g4 a) b-> c |
}
@end lilypond
@lilypond[quote,ragged-right,verbatim]
\relative c' {
\voiceTwo
- c4 d8~ d e4( f | g4 a) b-> c |
+ c4 d8~ 8 e4( f | g4 a) b-> c |
\oneVoice
- c,4 d8~ d e4( f | g4 a) b-> c |
+ c,4 d8~ 8 e4( f | g4 a) b-> c |
}
@end lilypond
\new Voice {
% Set stems, etc., down
\voiceTwo
- r8 e4 d c8~ | c8 b16 a b8 g~ g2 |
+ r8 e4 d c8~ | 8 b16 a b8 g~ 2 |
}
% Initiate third voice
\new Voice {
\voiceTwo
r8 e4 d c8~ |
<<
- { c8 b16 a b8 g~ g2 | }
+ { c8 b16 a b8 g~ 2 | }
\new Voice {
\voiceThree
s4 b c2 |
\new Voice {
% Set stems, etc, down
\voiceTwo
- s4 r8 e4 d c8 ~ | c8 b16 a b8 g ~ g2 |
+ s4 r8 e4 d c8 ~ | 8 b16 a b8 g ~ 2 |
}
% Initiate third voice
\new Voice {
global = { \key f \major \time 6/8 \partial 8 }
SopOneMusic = \relative c'' {
- c8 | c8([ bes)] a a([ g)] f | f'4. b, | c4.~ c4
+ c8 | c8([ bes)] a a([ g)] f | f'4. b, | c4.~ 4
}
SopOneLyrics = \lyricmode {
Let | flee -- cy flocks the | hills a -- dorn, __
d2 c |
}
ManualOneVoiceTwoMusic = \relative c' {
- ees16 d ees8~ ees16 f ees d c8 d~ d c~ |
- c8 c4 b8 c8. g16 c b c d |
+ ees16 d ees8~ 16 f ees d c8 d~ d c~ |
+ 8 c4 b8 c8. g16 c b c d |
}
ManualTwoMusic = \relative c' {
- c16 b c8~ c16 b c g a8 g~ g16 g aes ees |
- f16 ees f d g aes g f ees d ees8~ ees16 f ees d |
+ c16 b c8~ 16 b c g a8 g~ 16 g aes ees |
+ f16 ees f d g aes g f ees d ees8~ 16 f ees d |
}
PedalOrganMusic = \relative c {
- r8 c16 d ees d ees8~ ees16 a, b g c b c8 |
+ r8 c16 d ees d ees8~ 16 a, b g c b c8 |
r16 g ees f g f g8 c,2 |
}
Guide, node Updating translation committishes..
@end ignore
-@c \version "2.17.20"
+@c \version "2.19.2"
@c Translators: Valentin Villenave, Nicolas Klutchnikoff, Damien Heurtebise
@c Translation checkers: Jean-Charles Malahieude, John Mandereau
{
\time 4/2
<<
- { c'1 ~ c'2. e'8 f' }
+ { c'1 ~ 2. e'8 f' }
\\
{ e''8 e'' e'' e'' e'' e'' e'' e'' f''2 g'' }
>>
<<
- { c'1 ~ c'2. e'8 f' }
+ { c'1 ~ 2. e'8 f' }
\\
{ e''8 e'' e'' e'' e'' e'' e'' e'' f''2 g'' }
>>
{
\time 4/2
<<
- { c'1 ~ c'2. e'8 f' }
+ { c'1 ~ 2. e'8 f' }
\\
{
\override Beam.positions = #'(-1 . -1)
}
>>
<<
- { c'1 ~ c'2. e'8 f' }
+ { c'1 ~ 2. e'8 f' }
\\
{ e''8 e'' e'' e'' e'' e'' e'' e'' f''2 g'' }
>>
{ c,8 d fis bes a } % continuation of main voice
\new Voice {
\voiceTwo
- c,8~ c2
+ c,8~ 2
}
\new Voice {
\voiceThree
{ c,8 d fis bes a } % continuation of main voice
\new Voice {
\voiceTwo
- c,8~ c2
+ c,8~ 2
}
\new Voice {
\voiceThree
{ c,8 d fis bes a } % continuation of main voice
\new Voice {
\voiceTwo
- c,8~ c2
+ c,8~ 2
}
\new Voice {
\voiceThree
{ c,8 d fis bes a } % continuation of main voice
\new Voice {
\voiceTwo
- c,8~ c2
+ c,8~ 2
}
\new Voice {
\voiceThree
dont l'une avec les notes liées
@lilypond[quote,fragment,relative=2]
-<< { b8~ b8\noBeam } \\ { b[ g8] } >>
+<< { b8~ 8\noBeam } \\ { b[ g8] } >>
@end lilypond
@noindent
<<
{
\tweak Flag.transparent ##t
- b8~ b\noBeam
+ b8~ 8\noBeam
}
\\
{ b8[ g] }
{
\tweak Flag.transparent ##t
\tweak Stem.length #8
- b8~ b8\noBeam
+ b8~ 8\noBeam
}
\\
{ b[ g8] }
\single \hide Stem
\single \hide Flag
\tweak Stem.length #8
- b8~ b\noBeam
+ b8~ 8\noBeam
}
\\
{ b8[ g] }
Guide, node Updating translation committishes..
@end ignore
-@c \version "2.17.30"
+@c \version "2.19.2"
@c Translators: Valentin Villenave, Jean-Charles Malahieude
@c Translation checkers: Gilles Thibault
@lilypond[verbatim,quote,relative=1]
<<
- { e1~ e }
+ { e1~ 1 }
\\
{ r4 <g c,> <g c,> <g c,> }
>>
<<
{
\shape #'((0 . 0.5) (0 . 0.5) (0 . 0.5) (0 . 0.5)) Tie
- e1~ e
+ e1~ 1
}
\\
{ r4 <g c,> <g c,> <g c,> }
Guide, node Updating translation committishes..
@end ignore
-@c \version "2.17.30"
+@c \version "2.19.2"
@c Translators: Matthieu Jacquot
@c Translation checkers: Jean-Charles Malahieude
c4-.^"Allegro" d( e)
f4-.\f g a^\fermata
\mark \default
- c8_.\<\( c16 c ~ c2\!
+ c8_.\<\( c16 c ~ 2\!
c'2.\prall\)
}
c4-.^"Allegro" d( e)
f4-.\f g a^\fermata
\mark \default
- c8_.\<\( c16 c ~ c2\!
+ c8_.\<\( c16 c ~ 2\!
c'2.\prall\)
}
@lilypond[quote,verbatim]
guitar = \relative c' {
- r8 <gis-2 cis-3 b-0>~ q4 q8~ q q4
+ r8 <gis-2 cis-3 b-0>~ q4 q8~ 8 q4
}
\new StaffGroup <<
ties = \relative c' {
\repeat volta 2 {
e2. f4~
- f2 g2~
+ 2 g2~
}
\alternative {
{ g4 f2. }
ties = \relative c' {
\repeat volta 2 {
e2. f4~
- f2 g2~ }
+ 2 g2~ }
\alternative {
{ g4 f2. }
{ g4\repeatTie c,2. }
Guide, node Updating translation committishes..
@end ignore
-@c \version "2.17.11"
+@c \version "2.19.2"
@c Translators: Jean-Charles Malahieude, Valentin Villenave
\set Staff.midiInstrument = #"flute"
\new Voice \relative c''' {
r2 g\mp g fis~
- fis4 g8 fis e2~
- e4 d8 cis d2
+ 4 g8 fis e2~
+ 4 d8 cis d2
}
}
\new Staff {
\set Staff.midiMaximumVolume = #0.9
\new Voice \relative c''' {
r2 g\mp g fis~
- fis4 g8 fis e2~
- e4 d8 cis d2
+ 4 g8 fis e2~
+ 4 d8 cis d2
}
}
\new Staff {
\set Staff.midiInstrument = #"flute"
\new Voice \relative c''' {
r2 g\mp g fis~
- fis4 g8 fis e2~
- e4 d8 cis d2
+ 4 g8 fis e2~
+ 4 d8 cis d2
}
}
\new Staff {
Guide, node Updating translation committishes..
@end ignore
-@c \version "2.17.30"
+@c \version "2.19.2"
@c Translators: Valentin Villenave, Jean-Charles Malahieude
@c Translation checkers: John Mandereau
\drummode {
\time 2/4
rb8 rb cb cb16 rb-> ~ |
- rb16 rb8 rb16 cb8 cb |
+ 16 rb8 rb16 cb8 cb |
}
}
@end lilypond
Guide, node Updating translation committishes.
@end ignore
-@c \version "2.17.18"
+@c \version "2.19.2"
@c Translators: Frédéric Chiasson
@c Translation checkers: Valentin Villenave, Jean-Charles Malahieude
sera réimprimée que s'il y a un saut de ligne.
@lilypond[verbatim,quote,relative=2,ragged-right]
-cis1 ~ cis ~
+cis1 ~ 1 ~
\break
cis
@end lilypond
e8 e g a a16( bes) a8 g
\improvisationOn
e8 ~
- e2 ~ e8 f4 f8 ~
- f2
+ 2 ~ 8 f4 f8 ~
+ 2
\improvisationOff
a16( bes) a8 g e
}
Guide, node Updating translation committishes..
@end ignore
-@c \version "2.17.30"
+@c \version "2.19.2"
@c Translators: Frédéric Chiasson, Jean-Charles Malahieude
@c Translation checkers: Valentin Villenave, François Martin, Xavier Scheuer
suivante, qui doit être de la même hauteur.
@lilypond[quote,verbatim,relative=2]
-a2~ a4~ a16 r r8
+a2~ 4~ 16 r r8
@end lilypond
Les liaisons de tenue sont utilisées soit lorsque la note dépasse de la
@c KEEP LY
@lilypond[verbatim,quote]
\relative c' {
- r8^"oui" c8~ c2 r4 |
- r8^"non" c2~ c8 r4
+ r8^"oui" c8~ 2 r4 |
+ r8^"non" c2~ 8 r4
}
@end lilypond
@lilypond[quote, verbatim, relative=1]
\tieDotted
-c2~ c
+c2~ 2
\tieDashed
-c2~ c
+c2~ 2
\tieHalfDashed
-c2~ c
+c2~ 2
\tieHalfSolid
-c2~ c
+c2~ 2
\tieSolid
-c2~ c
+c2~ 2
@end lilypond
Il est même possible d'en personnaliser l'allure :
@lilypond[quote, verbatim, relative=1]
\tieDashPattern #0.3 #0.75
-c2~ c
+c2~ 2
\tieDashPattern #0.7 #1.5
-c2~ c
+c2~ 2
\tieSolid
-c2~ c
+c2~ 2
@end lilypond
Que ce soit pour une tenue ou un phrasé, le motif d'une ligne
Guide, node Updating translation committishes..
@end ignore
-@c \version "2.17.28"
+@c \version "2.19.2"
@c Translators: Frédéric Chiasson, Valentin Villenave, Jean-Charles Malahieude
@c Translation checkers: Jean-Charles Malahieude, John Mandereau
\new Voice = "first"
{ \voiceOne r8 r16 g e8. f16 g8[ c,] f e16 d }
\new Voice= "second"
- { \voiceTwo d16 c d8~ d16 b c8~ c16 b c8~ c16 b8. }
+ { \voiceTwo d16 c d8~ 16 b c8~ 16 b c8~ 16 b8. }
>>
@end lilypond
<<
{ r8 r16 g e8. f16 g8[ c,] f e16 d }
\\
- { d16 c d8~ d16 b c8~ c16 b c8~ c16 b8. }
+ { d16 c d8~ 16 b c8~ 16 b c8~ 16 b8. }
>>
@end lilypond
\parallelMusic #'(voiceA voiceB voiceC) {
% Bar 1
r8 g'16 c'' e'' g' c'' e'' r8 g'16 c'' e'' g' c'' e'' |
- r16 e'8.~ e'4 r16 e'8.~ e'4 |
+ r16 e'8.~ 4 r16 e'8.~ 4 |
c'2 c'2 |
% Bar 2
r8 a'16 d'' f'' a' d'' f'' r8 a'16 d'' f'' a' d'' f'' |
- r16 d'8.~ d'4 r16 d'8.~ d'4 |
+ r16 d'8.~ 4 r16 d'8.~ 4 |
c'2 c'2 |
}
\parallelMusic #'(voiceA voiceB voiceC) {
% Bar 1
r8 g16 c e g, c e r8 g,16 c e g, c e |
- r16 e8.~ e4 r16 e8.~ e4 |
+ r16 e8.~ 4 r16 e8.~ 4 |
c2 c |
% Bar 2
r8 a,16 d f a, d f r8 a,16 d f a, d f |
- r16 d8.~ d4 r16 d8.~ d4 |
+ r16 d8.~ 4 r16 d8.~ 4 |
c2 c |
}
Guide, node Updating translation committishes..
@end ignore
-@c \version "2.17.30"
+@c \version "2.19.2"
@c Translators: Valentin Villenave, Jean-Charles Malahieude
@c Translation checkers: John Mandereau
R1*16
\instrumentSwitch "contrabassoon"
c,,2 g \break
- c,1 ~ | c1
+ c,1 ~ | 1
}
@end lilypond
Guide, node Updating translation committishes..
@end ignore
-@c \version "2.17.30"
+@c \version "2.19.2"
@c Translators: Valentin Villenave, Jean-Charles Malahieude
@c Translation checkers: Jean-Jacques Gerbaud
\new Voice = "melody" {
\time 3/4
f4 g2 ~ |
- g4 e2 ~ |
- e8
+ 4 e2 ~ |
+ 8
}
\new Lyrics \lyricsto "melody" {
Ky -- ri -- e __
\time 3/4
\set melismaBusyProperties = #'()
c4 d ( e )
- g8 [ f ] f4 ~ f
+ g8 [ f ] f4 ~ 4
}
\new Lyrics \lyricsto "melody" {
Ky -- ri -- e e -- le -- i -- son
\time 3/4
\set melismaBusyProperties = #'()
c4 d ( e )
- g8 [ f ] ~ f4 ~ f
+ g8 [ f ] ~ 4 ~ f
}
\new Lyrics \lyricsto "melody" {
Ky -- ri -- _ e __ _ _ _
@end ignore
-@c \version "2.17.28"
+@c \version "2.19.2"
@node Elemi kottaírás
@chapter Elemi kottaírás
karaktert írunk.
@lilypond[verbatim,quote,relative=2]
-g4~ g c2~
-c4 ~ c8 a8 ~ a2
+g4~ 4 c2~
+4 ~ 8 a8 ~ 2
@end lilypond
@subheading Kötőív
átkötött hangok.
@lilypond[verbatim,quote,relative=2]
-c2~( c8 fis fis4 ~ fis2 g2)
+c2~( c8 fis fis4 ~ 2 g2)
@end lilypond
\clef bass
\key c \major
\time 6/8
- c4.~ c8 d b c([ d]) b c d b c
+ c4.~ 8 d b c([ d]) b c d b c
}
\addlyrics {
Lar -- go_al fac -- to -- tum del -- la cit -- tà
\key f \major
\time 6/8
\partial 8
- c8 c([ bes]) a a([ g]) f f'4. b, c4.~ c4
+ c8 c([ bes]) a a([ g]) f f'4. b, c4.~ 4
}
\addlyrics {
Let flee -- cy flocks the hills a -- dorn, __
@c -*- coding: utf-8; mode: texinfo; -*-
-@c \version "2.17.29"
+@c \version "2.19.2"
@node Alapfogalmak
@chapter Alapfogalmak
@translationof Fundamental concepts
c16 d e f
% Voice "1" Voice "2" Voice "3"
<< { g4 f e } \\ { r8 e4 d c8~ } >>
- << { d2 e2 } \\ { c8 b16 a b8 g~ g2 } \\ { s4 b4 c2 } >>
+ << { d2 e2 } \\ { c8 b16 a b8 g~ 2 } \\ { s4 b4 c2 } >>
}
@end lilypond
{ d2 e2 }
\\
% Voice 2 continues
- { c8 b16 a b8 g ~ g2 }
+ { c8 b16 a b8 g ~ 2 }
\\
{
\voiceThreeStyle
@lilypond[quote,ragged-right,verbatim]
\relative c'{
% Default behavior or behavior after \oneVoice
- c d8~ d e4( f g a) b-> c
+ c d8~ 8 e4( f g a) b-> c
}
@end lilypond
@lilypond[quote,ragged-right,verbatim]
\relative c'{
\voiceOne
- c d8~ d e4( f g a) b-> c
+ c d8~ 8 e4( f g a) b-> c
\oneVoice
- c, d8~ d e4( f g a) b-> c
+ c, d8~ 8 e4( f g a) b-> c
}
@end lilypond
@lilypond[quote,ragged-right,verbatim]
\relative c'{
\voiceTwo
- c d8~ d e4( f g a) b-> c
+ c d8~ 8 e4( f g a) b-> c
\oneVoice
- c, d8~ d e4( f g a) b-> c
+ c, d8~ 8 e4( f g a) b-> c
}
@end lilypond
\new Voice {
% Set stems, etc., down
\voiceTwo
- r8 e4 d c8~ | c8 b16 a b8 g~ g2 |
+ r8 e4 d c8~ | 8 b16 a b8 g~ 2 |
}
% Initiate third voice
\new Voice {
\voiceTwo
r8 e4 d c8~
<<
- { c8 b16 a b8 g~ g2 }
+ { c8 b16 a b8 g~ 2 }
\new Voice {
\voiceThree
s4 b4 c2
\new Voice {
% Set stems, etc, down
\voiceTwo
- s4 r8 e4 d c8~ | c8 b16 a b8 g~ g2 |
+ s4 r8 e4 d c8~ | 8 b16 a b8 g~ 2 |
}
% Initiate third voice
\new Voice {
@lilypond[quote,verbatim]
global = { \time 6/8 \partial 8 \key f \major}
SopOneMusic = \relative c'' {
- c8 | c([ bes)] a a([ g)] f | f'4. b, | c4.~ c4 | }
+ c8 | c([ bes)] a a([ g)] f | f'4. b, | c4.~ 4 | }
SopTwoMusic = \relative c' {
r8 | r4. r4 c8 | a'([ g)] f f([ e)] d | e([ d)] c bes' | }
SopOneLyrics = \lyricmode {
d2 c2
}
ManualOneVoiceTwoMusic = \relative c' {
- ees16 d ees8~ ees16 f ees d c8 d~ d c~
+ ees16 d ees8~ 16 f ees d c8 d~ d c~
c c4 b8 c8. g16 c b c d
}
ManualTwoMusic = \relative c' {
- c16 b c8~ c16 b c g a8 g~ g16 g aes ees
- f ees f d g aes g f ees d e8~ ees16 f ees d
+ c16 b c8~ 16 b c g a8 g~ 16 g aes ees
+ f ees f d g aes g f ees d e8~ 8es16 f ees d
}
PedalOrganMusic = \relative c {
- r8 c16 d ees d ees8~ ees16 a, b g c b c8
+ r8 c16 d ees d ees8~ 16 a, b g c b c8
r16 g ees f g f g8 c,2
}
@end ignore
-@c \version "2.17.28"
+@c \version "2.19.2"
@ignore
Tutorial guidelines: (different from policy.txt!)
prima nota della legatura.
@lilypond[verbatim,quote,relative=2]
-g4~ g c2~ | c4~ c8 a~ a2 |
+g4~ 4 c2~ | 4~ 8 a~ 2 |
@end lilypond
@node Legature di portamento
possono essere annidate le une dentro le altre.
@lilypond[verbatim,quote,relative=2]
-c4~( c8 d~ d4 e)
+c4~( c8 d~ 4 e)
@end lilypond
\clef "bass"
\key c \major
\time 6/8
- c4.~ c8 d b | c8([ d]) b c d b | c8
+ c4.~ 8 d b | c8([ d]) b c d b | c8
}
\addlyrics {
Lar -- go_al fac -- | to -- tum del -- la cit -- | tà
\key f \major
\time 6/8
\partial 8
- c8 | c8([ bes]) a a([ g]) f | f'4. b, | c4.~ c4
+ c8 | c8([ bes]) a a([ g]) f | f'4. b, | c4.~ 4
}
\addlyrics {
Let | flee -- cy flocks the | hills a -- | dorn, __
Guide, node Updating translation committishes..
@end ignore
-@c \version "2.17.29"
+@c \version "2.19.2"
@node Concetti fondamentali
@chapter Concetti fondamentali
c16 d e f
% Voice "1" Voice "2" Voice "3"
<< { g4 f e } \\ { r8 e4 d c8~ } >> |
- << { d2 e } \\ { c8 b16 a b8 g~ g2 } \\ { s4 b c2 } >> |
+ << { d2 e } \\ { c8 b16 a b8 g~ 2 } \\ { s4 b c2 } >> |
}
@end lilypond
{ d2 e }
\\
% Voice 2 continues
- { c8 b16 a b8 g~ g2 }
+ { c8 b16 a b8 g~ 2 }
\\
{
\voiceThreeStyle
@lilypond[quote,ragged-right,verbatim]
\relative c'{
% Default behavior or behavior after \oneVoice
- c4 d8~ d e4( f | g4 a) b-> c |
+ c4 d8~ 8 e4( f | g4 a) b-> c |
}
@end lilypond
@lilypond[quote,ragged-right,verbatim]
\relative c' {
\voiceOne
- c4 d8~ d e4( f | g4 a) b-> c |
+ c4 d8~ 8 e4( f | g4 a) b-> c |
\oneVoice
- c,4 d8~ d e4( f | g4 a) b-> c |
+ c,4 d8~ 8 e4( f | g4 a) b-> c |
}
@end lilypond
@lilypond[quote,ragged-right,verbatim]
\relative c' {
\voiceTwo
- c4 d8~ d e4( f | g4 a) b-> c |
+ c4 d8~ 8 e4( f | g4 a) b-> c |
\oneVoice
- c,4 d8~ d e4( f | g4 a) b-> c |
+ c,4 d8~ 8 e4( f | g4 a) b-> c |
}
@end lilypond
\new Voice {
% Set stems, etc., down
\voiceTwo
- r8 e4 d c8~ | c8 b16 a b8 g~ g2 |
+ r8 e4 d c8~ | 8 b16 a b8 g~ 2 |
}
% Initiate third voice
\new Voice {
\voiceTwo
r8 e4 d c8~ |
<<
- { c8 b16 a b8 g~ g2 | }
+ { c8 b16 a b8 g~ 2 | }
\new Voice {
\voiceThree
s4 b c2 |
\new Voice {
% Set stems, etc, down
\voiceTwo
- s4 r8 e4 d c8~ | c8 b16 a b8 g~ g2 |
+ s4 r8 e4 d c8~ | 8 b16 a b8 g~ 2 |
}
% Initiate third voice
\new Voice {
global = { \key f \major \time 6/8 \partial 8 }
SopOneMusic = \relative c'' {
- c8 | c8([ bes)] a a([ g)] f | f'4. b, | c4.~ c4
+ c8 | c8([ bes)] a a([ g)] f | f'4. b, | c4.~ 4
}
SopOneLyrics = \lyricmode {
Let | flee -- cy flocks the | hills a -- dorn, __
d2 c |
}
ManualOneVoiceTwoMusic = \relative c' {
- ees16 d ees8~ ees16 f ees d c8 d~ d c~ |
- c8 c4 b8 c8. g16 c b c d |
+ ees16 d ees8~ 16 f ees d c8 d~ d c~ |
+ 8 c4 b8 c8. g16 c b c d |
}
ManualTwoMusic = \relative c' {
- c16 b c8~ c16 b c g a8 g~ g16 g aes ees |
- f16 ees f d g aes g f ees d ees8~ ees16 f ees d |
+ c16 b c8~ 16 b c g a8 g~ 16 g aes ees |
+ f16 ees f d g aes g f ees d ees8~ 16 f ees d |
}
PedalOrganMusic = \relative c {
- r8 c16 d ees d ees8~ ees16 a, b g c b c8 |
+ r8 c16 d ees d ees8~ 16 a, b g c b c8 |
r16 g ees f g f g8 c,2 |
}
Guide, node Updating translation committishes..
@end ignore
-@c \version "2.17.20"
+@c \version "2.19.2"
@node Modifica dell'output
@chapter Modifica dell'output
{
\time 4/2
<<
- { c'1 ~ c'2. e'8 f' }
+ { c'1 ~ 2. e'8 f' }
\\
{ e''8 e'' e'' e'' e'' e'' e'' e'' f''2 g'' }
>>
<<
- { c'1 ~ c'2. e'8 f' }
+ { c'1 ~ 2. e'8 f' }
\\
{ e''8 e'' e'' e'' e'' e'' e'' e'' f''2 g'' }
>>
{
\time 4/2
<<
- { c'1 ~ c'2. e'8 f' }
+ { c'1 ~ 2. e'8 f' }
\\
{
\override Beam.positions = #'(-1 . -1)
}
>>
<<
- { c'1 ~ c'2. e'8 f' }
+ { c'1 ~ 2. e'8 f' }
\\
{ e''8 e'' e'' e'' e'' e'' e'' e'' f''2 g'' }
>>
{ c,8 d fis bes a } % continuazione della voce principale
\new Voice {
\voiceTwo
- c,8~ c2
+ c,8~ 2
}
\new Voice {
\voiceThree
{ c,8 d fis bes a } % continuazione della voce principale
\new Voice {
\voiceTwo
- c,8~ c2
+ c,8~ 2
}
\new Voice {
\voiceThree
{ c,8 d fis bes a } % continuazione della voce principale
\new Voice {
\voiceTwo
- c,8~ c2
+ c,8~ 2
}
\new Voice {
\voiceThree
{ c,8 d fis bes a } % continuazione della voce principale
\new Voice {
\voiceTwo
- c,8~ c2
+ c,8~ 2
}
\new Voice {
\voiceThree
Se si usano due voci con le note legate in una voce
@lilypond[quote,fragment,relative=2]
-<< { b8~ b\noBeam } \\ { b8[ g] } >>
+<< { b8~ 8\noBeam } \\ { b8[ g] } >>
@end lilypond
@noindent
<<
{
\tweak Stem.transparent ##t
- b8~ b\noBeam
+ b8~ 8\noBeam
}
\\
{ b8[ g] }
{
\tweak Stem.transparent ##t
\tweak Stem.length #8
- b8~ b\noBeam
+ b8~ 8\noBeam
}
\\
{ b8[ g] }
\single \hide Stem
\single \hide Flag
\tweak Stem.length #8
- b8~ b\noBeam
+ b8~ 8\noBeam
}
\\
{ b8[ g] }
Guide, node Updating translation committishes..
@end ignore
-@c \version "2.17.18"
+@c \version "2.19.2"
@c Translators: Federico Bruni
@c Translation checkers: Luca Rossetto Casel
viene ripetuta solo all'inizio di un nuovo sistema:
@lilypond[verbatim,quote,relative=2,ragged-right]
-cis1~ cis~
+cis1~ 1~
\break
cis
@end lilypond
e8 e g a a16( bes) a8 g
\improvisationOn
e8 ~
- e2 ~ e8 f4 f8 ~
- f2
+ 2 ~ 8 f4 f8 ~
+ 2
\improvisationOff
a16( bes) a8 g e
}
Guide, node Updating translation committishes..
@end ignore
-@c \version "2.17.30"
+@c \version "2.19.2"
@c Translators: Federico Bruni
@c Translation checkers: Luca Rossetto Casel
essere legata alla nota successiva, che deve essere della stessa altezza.
@lilypond[quote,verbatim,relative=2]
-a2~ a4~ a16 r r8
+a2~ 4~ 16 r r8
@end lilypond
Le legature di valore si usano per unire due note a cavallo di una
@lilypond[verbatim,quote]
\relative c' {
- r8 c~ c2 r4 |
- r8^"non" c2~ c8 r4
+ r8 c~ 2 r4 |
+ r8^"non" c2~ 8 r4
}
@end lilypond
@lilypond[quote, verbatim, relative=1]
\tieDotted
-c2~ c
+c2~ 2
\tieDashed
-c2~ c
+c2~ 2
\tieHalfDashed
-c2~ c
+c2~ 2
\tieHalfSolid
-c2~ c
+c2~ 2
\tieSolid
-c2~ c
+c2~ 2
@end lilypond
Si possono specificare modelli di tratteggiatura personalizzati:
@lilypond[quote, verbatim, relative=1]
\tieDashPattern #0.3 #0.75
-c2~ c
+c2~ 2
\tieDashPattern #0.7 #1.5
-c2~ c
+c2~ 2
\tieSolid
-c2~ c
+c2~ 2
@end lilypond
Le definizioni dei modelli di tratteggiatura delle legature di valore hanno la
Guide, node Updating translation committishes..
@end ignore
-@c \version "2.17.28"
+@c \version "2.19.2"
@c Translators: Federico Bruni
@c Translation checkers: Luca Rossetto Casel
\new Voice = "prima"
{ \voiceOne r8 r16 g e8. f16 g8[ c,] f e16 d }
\new Voice= "seconda"
- { \voiceTwo d16 c d8~ d16 b c8~ c16 b c8~ c16 b8. }
+ { \voiceTwo d16 c d8~ 16 b c8~ 16 b c8~ 16 b8. }
>>
@end lilypond
<<
{ r8 r16 g e8. f16 g8[ c,] f e16 d }
\\
- { d16 c d8~ d16 b c8~ c16 b c8~ c16 b8. }
+ { d16 c d8~ 16 b c8~ 16 b c8~ 16 b8. }
>>
@end lilypond
\parallelMusic #'(voiceA voiceB voiceC) {
% Battuta 1
r8 g'16 c'' e'' g' c'' e'' r8 g'16 c'' e'' g' c'' e'' |
- r16 e'8.~ e'4 r16 e'8.~ e'4 |
+ r16 e'8.~ 4 r16 e'8.~ 4 |
c'2 c'2 |
% Battuta 2
r8 a'16 d'' f'' a' d'' f'' r8 a'16 d'' f'' a' d'' f'' |
- r16 d'8.~ d'4 r16 d'8.~ d'4 |
+ r16 d'8.~ 4 r16 d'8.~ 4 |
c'2 c'2 |
}
\parallelMusic #'(voiceA voiceB voiceC) {
% Battuta 1
r8 g16 c e g, c e r8 g,16 c e g, c e |
- r16 e8.~ e4 r16 e8.~ e4 |
+ r16 e8.~ 4 r16 e8.~ 4 |
c2 c |
% Battuta 2
r8 a,16 d f a, d f r8 a,16 d f a, d f |
- r16 d8.~ d4 r16 d8.~ d4 |
+ r16 d8.~ 4 r16 d8.~ 4 |
c2 c |
}
Guide, node Updating translation committishes..
@end ignore
-@c \version "2.17.30"
+@c \version "2.19.2"
@c Translators: Federico Bruni
@c Translation checkers:
R1*16
\instrumentSwitch "contrabassoon"
c,,2 g \break
- c,1 ~ | c1
+ c,1 ~ | 1
}
@end lilypond
Guide, node Updating translation committishes..
@end ignore
-@c \version "2.17.28"
+@c \version "2.19.2"
@ignore
Tutorial guidelines: (different from policy.txt!)
付加することによって作成されます。
@lilypond[verbatim,quote,relative=2]
-g4~ g c2~ | c4~ c8 a~ a2 |
+g4~ 4 c2~ | 4~ 8 a~ 2 |
@end lilypond
スラーとタイはネストさせることができます。
@lilypond[verbatim,quote,relative=2]
-c4~( c8 d~ d4 e)
+c4~( c8 d~ 4 e)
@end lilypond
@seealso
@lilypond[verbatim,quote,relative=2]
<<
- { a4 g2 f4~ f4 } \\
+ { a4 g2 f4~ 4 } \\
{ r4 g4 f2 f4 }
>>
@end lilypond
@lilypond[verbatim,quote,relative=2]
<<
- { a4 g2 f4~ f4 } \\
+ { a4 g2 f4~ 4 } \\
{ s4 g4 f2 f4 }
>>
@end lilypond
@lilypond[verbatim,quote,relative=2]
<<
\new Staff <<
- { a4 g2 f4~ f4 } \\
+ { a4 g2 f4~ 4 } \\
{ s4 g4 f2 f4 }
>>
\new Staff <<
\clef bass
{ <c g>1 ~ <c g>4 } \\
- { e,,4 d e2 ~ e4}
+ { e,,4 d e2 ~ 4}
>>
>>
@end lilypond
\clef "bass"
\key c \major
\time 6/8
- c4.~ c8 d b | c8([ d]) b c d b | c8
+ c4.~ 8 d b | c8([ d]) b c d b | c8
}
\addlyrics {
Lar -- go_al fac -- | to -- tum del -- la cit -- | tÃ
\key f \major
\time 6/8
\partial 8
- c8 | c8([ bes]) a a([ g]) f | f'4. b, | c4.~ c4
+ c8 | c8([ bes]) a a([ g]) f | f'4. b, | c4.~ 4
}
\addlyrics {
Let | flee -- cy flocks the | hills a -- | dorn, __
Guide, node Updating translation committishes..
@end ignore
-@c \version "2.17.29"
+@c \version "2.19.2"
@c Translators: Yoshiki Sawada
@c Translation status: post-GDP
c16 d e f
% Voice "1" Voice "2" Voice "3"
<< { g4 f e } \\ { r8 e4 d c8 ~ } >> |
- << { d2 e2 } \\ { c8 b16 a b8 g ~ g2 } \\ { s4 b4 c2 } >> |
+ << { d2 e2 } \\ { c8 b16 a b8 g ~ 2 } \\ { s4 b4 c2 } >> |
}
@end lilypond
{ d2 e }
\\
% Voice 2 continues
- { c8 b16 a b8 g~ g2 }
+ { c8 b16 a b8 g~ 2 }
\\
{
\voiceThreeStyle
@lilypond[quote,ragged-right,verbatim]
\relative c' {
% Default behavior or behavior after \oneVoice
- c4 d8~ d e4( f | g4 a) b-> c |
+ c4 d8~ 8 e4( f | g4 a) b-> c |
}
@end lilypond
@lilypond[quote,ragged-right,verbatim]
\relative c' {
\voiceOne
- c4 d8~ d e4( f | g4 a) b-> c |
+ c4 d8~ 8 e4( f | g4 a) b-> c |
\oneVoice
- c,4 d8~ d e4( f | g4 a) b-> c |
+ c,4 d8~ 8 e4( f | g4 a) b-> c |
}
@end lilypond
@lilypond[quote,ragged-right,verbatim]
\relative c' {
\voiceTwo
- c4 d8~ d e4( f | g4 a) b-> c |
+ c4 d8~ 8 e4( f | g4 a) b-> c |
\oneVoice
- c,4 d8~ d e4( f | g4 a) b-> c |
+ c,4 d8~ 8 e4( f | g4 a) b-> c |
}
@end lilypond
\new Voice {
% Set stems, etc., down
\voiceTwo
- r8 e4 d c8~ | c8 b16 a b8 g~ g2 |
+ r8 e4 d c8~ | 8 b16 a b8 g~ 2 |
}
% Initiate third voice
\new Voice {
\voiceTwo
r8 e4 d c8~ |
<<
- { c8 b16 a b8 g~ g2 | }
+ { c8 b16 a b8 g~ 2 | }
\new Voice {
\voiceThree
s4 b c2 |
\new Voice {
% Set stems, etc, down
\voiceTwo
- s4 r8 e4 d c8~ | c8 b16 a b8 g~ g2 |
+ s4 r8 e4 d c8~ | 8 b16 a b8 g~ 2 |
}
% Initiate third voice
\new Voice {
global = { \key f \major \time 6/8 \partial 8 }
SopOneMusic = \relative c'' {
- c8 | c8([ bes)] a a([ g)] f | f'4. b, | c4.~ c4
+ c8 | c8([ bes)] a a([ g)] f | f'4. b, | c4.~ 4
}
SopOneLyrics = \lyricmode {
Let | flee -- cy flocks the | hills a -- dorn, __
d2 c |
}
ManualOneVoiceTwoMusic = \relative c' {
- ees16 d ees8~ ees16 f ees d c8 d~ d c~ |
- c8 c4 b8 c8. g16 c b c d |
+ ees16 d ees8~ 16 f ees d c8 d~ d c~ |
+ 8 c4 b8 c8. g16 c b c d |
}
ManualTwoMusic = \relative c' {
- c16 b c8~ c16 b c g a8 g~ g16 g aes ees |
- f16 ees f d g aes g f ees d ees8~ ees16 f ees d |
+ c16 b c8~ 16 b c g a8 g~ 16 g aes ees |
+ f16 ees f d g aes g f ees d ees8~ 16 f ees d |
}
PedalOrganMusic = \relative c {
- r8 c16 d ees d ees8~ ees16 a, b g c b c8 |
+ r8 c16 d ees d ees8~ 16 a, b g c b c8 |
r16 g ees f g f g8 c,2 |
}
Guide, node Updating translation committishes..
@end ignore
-@c \version "2.17.20"
+@c \version "2.19.2"
@c Translators: Yoshiki Sawada
@c Translation status: post-GDP
{
\time 4/2
<<
- { c'1 ~ c'2. e'8 f' }
+ { c'1 ~ 2. e'8 f' }
\\
{ e''8 e'' e'' e'' e'' e'' e'' e'' f''2 g'' }
>>
<<
- { c'1 ~ c'2. e'8 f' }
+ { c'1 ~ 2. e'8 f' }
\\
{ e''8 e'' e'' e'' e'' e'' e'' e'' f''2 g'' }
>>
{
\time 4/2
<<
- { c'1 ~ c'2. e'8 f' }
+ { c'1 ~ 2. e'8 f' }
\\
{
\override Beam.positions = #'(-1 . -1)
}
>>
<<
- { c'1 ~ c'2. e'8 f' }
+ { c'1 ~ 2. e'8 f' }
\\
{ e''8 e'' e'' e'' e'' e'' e'' e'' f''2 g'' }
>>
{ c,8 d fis bes a } % メイン ボイスの続き
\new Voice {
\voiceTwo
- c,8~ c2
+ c,8~ 2
}
\new Voice {
\voiceThree
{ c,8 d fis bes a } % メイン ボイスの続き
\new Voice {
\voiceTwo
- c,8~ c2
+ c,8~ 2
}
\new Voice {
\voiceThree
{ c,8 d fis bes a } % メイン ボイスの続き
\new Voice {
\voiceTwo
- c,8~ c2
+ c,8~ 2
}
\new Voice {
\voiceThree
{ c,8 d fis bes a } % メイン ボイスの続き
\new Voice {
\voiceTwo
- c,8~ c2
+ c,8~ 2
}
\new Voice {
\voiceThree
2 つのボイスを使い、そのうちの 1 つにタイで結んだ音符を置きます:
@lilypond[quote,fragment,relative=2]
-<< { b8~ b\noBeam } \\ { b8[ g] } >>
+<< { b8~ 8\noBeam } \\ { b8[ g] } >>
@end lilypond
@noindent
<<
{
\tweak Stem.transparent ##t
- b8~ b\noBeam
+ b8~ 8\noBeam
}
\\
{ b8[ g] }
{
\tweak Stem.transparent ##t
\tweak Stem.length #8
- b8~ b\noBeam
+ b8~ 8\noBeam
}
\\
{ b8[ g] }
\single \hide Stem
\single \hide Flag
\tweak Stem.length #8
- b8~ b\noBeam
+ b8~ 8\noBeam
}
\\
{ b8[ g] }
Guide, node Updating translation committishes..
@end ignore
-@c \version "2.17.30"
+@c \version "2.19.2"
@c Translators: Yoshiki Sawada
@c Translation status: post-GDP
@lilypond[verbatim,quote,relative=1]
<<
- { e1 ~ e }
+ { e1 ~ 1 }
\\
{ r4 <g c,> <g c,> <g c,> }
>>
<<
{
\shape #'((0 . 0.5) (0 . 0.5) (0 . 0.5) (0 . 0.5)) Tie
- e1~ e
+ e1~ 1
}
\\
{ r4 <g c,> <g c,> <g c,> }
Guide, node Updating translation committishes..
@end ignore
-@c \version "2.17.30"
+@c \version "2.19.2"
@c Translators: Yoshiki Sawada
@c Translation status: post-GDP
c4-.^"Allegro" d( e)
f4-.\f g a^\fermata
\mark \default
- c8_.\<\( c16 c~ c2\!
+ c8_.\<\( c16 c~ 2\!
c'2.\prall\)
}
c4-.^"Allegro" d( e)
f4-.\f g a^\fermata
\mark \default
- c8_.\<\( c16 c~ c2\!
+ c8_.\<\( c16 c~ 2\!
c'2.\prall\)
}
@lilypond[quote,verbatim]
guitar = \relative c' {
- r8 <gis-2 cis-3 b-0>~ q4 q8~ q q4
+ r8 <gis-2 cis-3 b-0>~ q4 q8~ 8 q4
}
\new StaffGroup <<
ties = \relative c' {
\repeat volta 2 {
e2. f4~
- f2 g2~
+ 2 g2~
}
\alternative {
{ g4 f2. }
ties = \relative c' {
\repeat volta 2 {
e2. f4~
- f2 g2~ }
+ 2 g2~ }
\alternative {
{ g4 f2. }
{ g4\repeatTie c,2. }
Guide, node Updating translation committishes..
@end ignore
-@c \version "2.17.15"
+@c \version "2.19.2"
@c Translators: Yoshiki Sawada
\set Staff.midiInstrument = #"flute"
\new Voice \relative c''' {
r2 g\mp g fis~
- fis4 g8 fis e2~
- e4 d8 cis d2
+ 4 g8 fis e2~
+ 4 d8 cis d2
}
}
\new Staff {
\set Staff.midiMaximumVolume = #0.9
\new Voice \relative c''' {
r2 g\mp g fis~
- fis4 g8 fis e2~
- e4 d8 cis d2
+ 4 g8 fis e2~
+ 4 d8 cis d2
}
}
\new Staff {
\set Staff.midiInstrument = #"flute"
\new Voice \relative c''' {
r2 g\mp g fis ~
- fis4 g8 fis e2 ~
- e4 d8 cis d2
+ 4 g8 fis e2 ~
+ 4 d8 cis d2
}
}
\new Staff {
Guide, node Updating translation committishes..
@end ignore
-@c \version "2.17.30"
+@c \version "2.19.2"
@c Translators: Yoshiki Sawada
@c Translation status: post-GDP
\drummode {
\time 2/4
rb8 rb cb cb16 rb-> ~ |
- rb16 rb8 rb16 cb8 cb |
+ 16 rb8 rb16 cb8 cb |
}
}
@end lilypond
version that you are working on. See TRANSLATION for details.
@end ignore
-@c \version "2.17.18"
+@c \version "2.19.2"
@c Translators: Yoshiki Sawada
@c Translation status: post-GDP
新しいシステム (訳者: 譜 1 行分のこと) の開始点でのみ譜刻されます:
@lilypond[verbatim,quote,relative=2]
-cis1 ~ cis ~
+cis1 ~ 1 ~
\break
cis
@end lilypond
e8 e g a a16( bes) a8 g
\improvisationOn
e8 ~
- e2 ~ e8 f4 f8 ~
- f2
+ 2 ~ 8 f4 f8 ~
+ 2
\improvisationOff
a16( bes) a8 g e
}
version that you are working on. See TRANSLATION for details.
@end ignore
-@c \version "2.17.30"
+@c \version "2.19.2"
@c Translators: Yoshiki Sawada
@c Translation status: post-GDP
タイはチルド記号 @code{~} を使って入力します:
@lilypond[quote,verbatim,relative=2]
-a2 ~ a
+a2 ~ 2
@end lilypond
タイは、音符が小節線をまたがる場合か、リズムを表すためにドットを@c
@c KEEP LY
@lilypond[verbatim,quote]
\relative c' {
- r8 c8 ~ c2 r4 |
- r8^"こうすべきではありません" c2 ~ c8 r4
+ r8 c8 ~ 2 r4 |
+ r8^"こうすべきではありません" c2 ~ 8 r4
}
@end lilypond
@lilypond[quote, verbatim, relative=1]
\tieDotted
-c2 ~ c
+c2 ~ 2
\tieDashed
-c2 ~ c
+c2 ~ 2
\tieHalfDashed
-c2 ~ c
+c2 ~ 2
\tieHalfSolid
-c2 ~ c
+c2 ~ 2
\tieSolid
-c2 ~ c
+c2 ~ 2
@end lilypond
破線パターンのカスタマイズを指定することができます:
@lilypond[quote, verbatim, relative=1]
\tieDashPattern #0.3 #0.75
-c2 ~ c
+c2 ~ 2
\tieDashPattern #0.7 #1.5
-c2 ~ c
+c2 ~ 2
\tieSolid
-c2 ~ c
+c2 ~ 2
@end lilypond
タイの破線パターン定義の構造は、スラーの破線パターン定義と同じです。@c
version that you are working on. See TRANSLATION for details.
@end ignore
-@c \version "2.17.28"
+@c \version "2.19.2"
@c Translators: Yoshiki Sawada
\new Voice = "first"
{ \voiceOne r8 r16 g e8. f16 g8[ c,] f e16 d }
\new Voice= "second"
- { \voiceTwo d16 c d8~ d16 b c8~ c16 b c8~ c16 b8. }
+ { \voiceTwo d16 c d8~ 16 b c8~ 16 b c8~ 16 b8. }
>>
@end lilypond
<<
{ r8 r16 g e8. f16 g8[ c,] f e16 d }
\\
- { d16 c d8~ d16 b c8~ c16 b c8~ c16 b8. }
+ { d16 c d8~ 16 b c8~ 16 b c8~ 16 b8. }
>>
@end lilypond
\parallelMusic #'(voiceA voiceB voiceC) {
% Bar 1
r8 g'16 c'' e'' g' c'' e'' r8 g'16 c'' e'' g' c'' e'' |
- r16 e'8.~ e'4 r16 e'8.~ e'4 |
+ r16 e'8.~ 4 r16 e'8.~ 4 |
c'2 c'2 |
% Bar 2
r8 a'16 d'' f'' a' d'' f'' r8 a'16 d'' f'' a' d'' f'' |
- r16 d'8.~ d'4 r16 d'8.~ d'4 |
+ r16 d'8.~ 4 r16 d'8.~ 4 |
c'2 c'2 |
}
\parallelMusic #'(voiceA voiceB voiceC) {
% Bar 1
r8 g16 c e g, c e r8 g,16 c e g, c e |
- r16 e8.~ e4 r16 e8.~ e4 |
+ r16 e8.~ 4 r16 e8.~ 4 |
c2 c |
% Bar 2
r8 a,16 d f a, d f r8 a,16 d f a, d f |
- r16 d8.~ d4 r16 d8.~ d4 |
+ r16 d8.~ 4 r16 d8.~ 4 |
c2 c |
}
version that you are working on. See TRANSLATION for details.
@end ignore
-@c \version "2.17.30"
+@c \version "2.19.2"
@c Translators: Yoshiki Sawada
R1*16
\instrumentSwitch "contrabassoon"
c,,2 g \break
- c,1 ~ | c1
+ c,1 ~ | 1
}
@end lilypond
Guide, node Updating translation committishes..
@end ignore
-@c \version "2.17.30"
+@c \version "2.19.2"
@c Translators: Yoshiki Sawada
@c Translation status: post-GDP
\new Voice = "melody" {
\time 3/4
f4 g2 ~ |
- g4 e2 ~ |
- e8
+ 4 e2 ~ |
+ 8
}
\new Lyrics \lyricsto "melody" {
Ky -- ri -- e __
\time 3/4
\set melismaBusyProperties = #'()
c4 d ( e )
- g8 [ f ] f4 ~ f
+ g8 [ f ] f4 ~ 4
}
\new Lyrics \lyricsto "melody" {
Ky -- ri -- e e -- le -- i -- son
\time 3/4
\set melismaBusyProperties = #'()
c4 d ( e )
- g8 [ f ] ~ f4 ~ f
+ g8 [ f ] ~ 4 ~ f
}
\new Lyrics \lyricsto "melody" {
Ky -- ri -- _ e __ _ _ _
Guide, node Updating translation committishes..
@end ignore
-@c \version "2.17.28"
+@c \version "2.19.2"
@ignore
Tutorial guidelines: (different from policy.txt!)
first note being tied.
@lilypond[verbatim,quote,relative=2]
-g4~ g c2~ | c4~ c8 a~ a2 |
+g4~ 4 c2~ | 4~ 8 a~ 2 |
@end lilypond
@node Slurs
larger groups of notes. Slurs and ties can be nested.
@lilypond[verbatim,quote,relative=2]
-c4~( c8 d~ d4 e)
+c4~( c8 d~ 4 e)
@end lilypond
\clef "bass"
\key c \major
\time 6/8
- c4.~ c8 d b | c8([ d]) b c d b | c8
+ c4.~ 8 d b | c8([ d]) b c d b | c8
}
\addlyrics {
Lar -- go_al fac -- | to -- tum del -- la cit -- | tà
\key f \major
\time 6/8
\partial 8
- c8 | c8([ bes]) a a([ g]) f | f'4. b, | c4.~ c4
+ c8 | c8([ bes]) a a([ g]) f | f'4. b, | c4.~ 4
}
\addlyrics {
Let | flee -- cy flocks the | hills a -- | dorn, __
Guide, node Updating translation committishes..
@end ignore
-@c \version "2.17.29"
+@c \version "2.19.2"
@node Fundamental concepts
@chapter Fundamental concepts
c16 d e f
% Voice "1" Voice "2" Voice "3"
<< { g4 f e } \\ { r8 e4 d c8~ } >> |
- << { d2 e } \\ { c8 b16 a b8 g~ g2 } \\ { s4 b c2 } >> |
+ << { d2 e } \\ { c8 b16 a b8 g~ 2 } \\ { s4 b c2 } >> |
}
@end lilypond
{ d2 e }
\\
% Voice 2 continues
- { c8 b16 a b8 g~ g2 }
+ { c8 b16 a b8 g~ 2 }
\\
{
\voiceThreeStyle
@lilypond[quote,ragged-right,verbatim]
\relative c' {
% Default behavior or behavior after \oneVoice
- c4 d8~ d e4( f | g4 a) b-> c |
+ c4 d8~ 8 e4( f | g4 a) b-> c |
}
@end lilypond
@lilypond[quote,ragged-right,verbatim]
\relative c' {
\voiceOne
- c4 d8~ d e4( f | g4 a) b-> c |
+ c4 d8~ 8 e4( f | g4 a) b-> c |
\oneVoice
- c,4 d8~ d e4( f | g4 a) b-> c |
+ c,4 d8~ 8 e4( f | g4 a) b-> c |
}
@end lilypond
@lilypond[quote,ragged-right,verbatim]
\relative c' {
\voiceTwo
- c4 d8~ d e4( f | g4 a) b-> c |
+ c4 d8~ 8 e4( f | g4 a) b-> c |
\oneVoice
- c,4 d8~ d e4( f | g4 a) b-> c |
+ c,4 d8~ 8 e4( f | g4 a) b-> c |
}
@end lilypond
\new Voice {
% Set stems, etc., down
\voiceTwo
- r8 e4 d c8~ | c8 b16 a b8 g~ g2 |
+ r8 e4 d c8~ | 8 b16 a b8 g~ 2 |
}
% Initiate third voice
\new Voice {
\voiceTwo
r8 e4 d c8~ |
<<
- { c8 b16 a b8 g~ g2 | }
+ { c8 b16 a b8 g~ 2 | }
\new Voice {
\voiceThree
s4 b c2 |
\new Voice {
% Set stems, etc, down
\voiceTwo
- s4 r8 e4 d c8~ | c8 b16 a b8 g~ g2 |
+ s4 r8 e4 d c8~ | 8 b16 a b8 g~ 2 |
}
% Initiate third voice
\new Voice {
global = { \key f \major \time 6/8 \partial 8 }
SopOneMusic = \relative c'' {
- c8 | c8([ bes)] a a([ g)] f | f'4. b, | c4.~ c4
+ c8 | c8([ bes)] a a([ g)] f | f'4. b, | c4.~ 4
}
SopOneLyrics = \lyricmode {
Let | flee -- cy flocks the | hills a -- dorn, __
d2 c |
}
ManualOneVoiceTwoMusic = \relative c' {
- ees16 d ees8~ ees16 f ees d c8 d~ d c~ |
- c8 c4 b8 c8. g16 c b c d |
+ ees16 d ees8~ 16 f ees d c8 d~ d c~ |
+ 8 c4 b8 c8. g16 c b c d |
}
ManualTwoMusic = \relative c' {
- c16 b c8~ c16 b c g a8 g~ g16 g aes ees |
- f16 ees f d g aes g f ees d ees8~ ees16 f ees d |
+ c16 b c8~ 16 b c g a8 g~ 16 g aes ees |
+ f16 ees f d g aes g f ees d ees8~ 16 f ees d |
}
PedalOrganMusic = \relative c {
- r8 c16 d ees d ees8~ ees16 a, b g c b c8 |
+ r8 c16 d ees d ees8~ 16 a, b g c b c8 |
r16 g ees f g f g8 c,2 |
}
Guide, node Updating translation committishes..
@end ignore
-@c \version "2.17.20"
+@c \version "2.19.2"
@node Tweaking output
@chapter Tweaking output
{
\time 4/2
<<
- { c'1 ~ c'2. e'8 f' }
+ { c'1 ~ 2. e'8 f' }
\\
{ e''8 e'' e'' e'' e'' e'' e'' e'' f''2 g'' }
>>
<<
- { c'1 ~ c'2. e'8 f' }
+ { c'1 ~ 2. e'8 f' }
\\
{ e''8 e'' e'' e'' e'' e'' e'' e'' f''2 g'' }
>>
{
\time 4/2
<<
- { c'1 ~ c'2. e'8 f' }
+ { c'1 ~ 2. e'8 f' }
\\
{
\override Beam.positions = #'(-1 . -1)
}
>>
<<
- { c'1 ~ c'2. e'8 f' }
+ { c'1 ~ 2. e'8 f' }
\\
{ e''8 e'' e'' e'' e'' e'' e'' e'' f''2 g'' }
>>
{ c,8 d fis bes a } % continuation of main voice
\new Voice {
\voiceTwo
- c,8~ c2
+ c,8~ 2
}
\new Voice {
\voiceThree
{ c,8 d fis bes a } % continuation of main voice
\new Voice {
\voiceTwo
- c,8~ c2
+ c,8~ 2
}
\new Voice {
\voiceThree
{ c,8 d fis bes a } % continuation of main voice
\new Voice {
\voiceTwo
- c,8~ c2
+ c,8~ 2
}
\new Voice {
\voiceThree
{ c,8 d fis bes a } % continuation of main voice
\new Voice {
\voiceTwo
- c,8~ c2
+ c,8~ 2
}
\new Voice {
\voiceThree
with the tied notes in one of them
@lilypond[quote,fragment,relative=2]
-<< { b8~ b\noBeam } \\ { b8[ g] } >>
+<< { b8~ 8\noBeam } \\ { b8[ g] } >>
@end lilypond
@noindent
<<
{
\tweak Stem.transparent ##t
- b8~ b\noBeam
+ b8~ 8\noBeam
}
\\
{ b8[ g] }
{
\tweak Stem.transparent ##t
\tweak Stem.length #8
- b8~ b\noBeam
+ b8~ 8\noBeam
}
\\
{ b8[ g] }
\single \hide Stem
\single \hide Flag
\tweak Stem.length #8
- b8~ b\noBeam
+ b8~ 8\noBeam
}
\\
{ b8[ g] }
-\version "2.17.30"
+\version "2.19.2"
\include "example-header.ily"
\paper {
% the \scaleDurations command below makes 5 notes last the
% duration of a dotted quarter
e8 c4 \scaleDurations 3/2 { \tuplet 5/4{e16[ d e d e]} } e8 f4 | % 2
- g2. ~ g4. | % 3
+ g2. ~ 4. | % 3
f8 d4 f4. \scaleDurations 3/2 { \tuplet 6/4{ g16[ f e f e f]}} % 4
g8 g4 g4. e4. | % 5
fis8 d4 e8\startGroup g4\stopGroup f8[ e d] | % 6
c2. c8\startGroup b8 \slash c\stopGroup | % 1
a2. c4. | d2. e4. | % 2-3
f2. f8 e d | % 4
- c2. ~ c4. | r2. r4. | % 5-6
+ c2. ~ 4. | r2. r4. | % 5-6
g'4. g g8 f e | % 7
}
-\version "2.17.6"
+\version "2.19.2"
%\include "example-header.ily"
\global
\halsdown
\repeat volta 2 {
- es16 d es8~ es16 f es d c8 d~ d c
+ es16 d es8~ 16 f es d c8 d~ d c
c8 c4 h8 c8. \staffdown g16 \staffup c h c d
- es16 d es8~ es16 f es d c8 d16 es f as g f~
- f16 e f8~ f16 g f es d es d8~ d16 es f d
+ es16 d es8~ 16 f es d c8 d16 es f as g f~
+ 16 e f8~ 16 g f es d es d8~ 16 es f d
%% Takt 5 ==============================================
g8 f es16 g as es f es f d g as g f
- e8 f16 g as g as e f g f8~ f16 f es d
+ e8 f16 g as g as e f g f8~ 16 f es d
}
- es16 d es8~ es16 f es des c8 \staffdown b~ b16 b c g
- as16 g as f b c b as g f g8~ g16 b \staffup c d
- es16 d es8~ es16 f es d c8 d16 es f as g f
+ es16 d es8~ 16 f es des c8 \staffdown b~ 16 b c g
+ as16 g as f b c b as g f g8~ 16 b \staffup c d
+ es16 d es8~ 16 f es d c8 d16 es f as g f
%% Takt 10 =============================================
es16 d es8 d g~g g4 fis8
g16 d es c \staffdown d h c a h a h c d h g h
- c16 h c \staffup d es d es8~ es d4 c8~
- c16 h c8~ c h c16 \staffdown g as8 g4\fermata
+ c16 h c \staffup d es d es8~ 8 d4 c8~
+ 16 h c8~ 8 h c16 \staffdown g as8 g4\fermata
}
}
\new Voice \relative c' {
\global
\repeat volta 2 {
- c16 h c8~ c16 h c g a8 g~ g16 g as es
- f16 es f d g as g f es d \tieDown es8~ es16 \tieNeutral f es d
+ c16 h c8~ 16 h c g a8 g~ 16 g as es
+ f16 es f d g as g f es d \tieDown es8~ 16 \tieNeutral f es d
c16 h c g' c h c c, f8. g16 as!4~
- as16 g as b c h c8 d8. c16 h c d h
+ 16 g as b c h c8 d8. c16 h c d h
%% Takt 5 ==============================================
- es16 d es d~ d8 c~c c4 h8
- c4~ c8. b16 as b as8 g16 as g f
+ es16 d es d~ 8 c~c c4 h8
+ c4~ 8. b16 as b as8 g16 as g f
}
- \halsdown es16 f g as b des c b as g f8~ f es
+ \halsdown es16 f g as b des c b as g f8~ 8 es
es8 es4 d8 es8. b16 es d es f
- es16 f g8 c16 d c b a g f8~ f4
+ es16 f g8 c16 d c b a g f8~ 4
%% Takt 10 =============================================
g16 fis g a b a b g c b c a d es d c
h8 c16 a h g a fis g8 d16 es f es f8~
- f16 d es h c h c8 r16 f g d es g as fis
- g16 d f! es f as g f e8. f16~ f d e8\fermata
+ 16 d es h c h c8 r16 f g d es g as fis
+ g16 d f! es f as g f e8. f16~ 16 d e8\fermata
}
}
\clef "bass"
\relative c {
\repeat volta 2 {
- r8 c16 d es d es8~ es16 a, h g c h c8
+ r8 c16 d es d es8~ 16 a, h g c h c8
r16 g as f g f g8 c,2
- r8 c'16 d es d es8~ es16 c f es d c d8
- c8 f16 g as g as8~ as16 d, fis d g fis g8
+ r8 c'16 d es d es8~ 16 c f es d c d8
+ c8 f16 g as g as8~ 16 d, fis d g fis g8
%% Takt 5 ==============================================
r8 a16 h c h c8
r16 g as f g f g8
r16 g as e f e f8 r16 e f h, c h c8
}
- r8 es16 f g f g8~ g16 c, d! b es d es8
+ r8 es16 f g f g8~ 16 c, d! b es d es8
r16 b c as b as b8 es,2
- r8 c'16 d es d es8~ es16 c f es d c d8
+ r8 c'16 d es d es8~ 16 c f es d c d8
%% Takt 10 =============================================
c8 es16 f! g fis g8 r16 d es c d c d8
g,1
%%%
%%% Nicolas Sceaux <nicolas.sceaux@free.fr>
-\version "2.16.0"
+\version "2.19.2"
\header {
title = "Giulio Cesare in Egitto"
subtitle = "Sesto: Svegliatevi nel core, furie d'un alma offesa (excerpt)"
sesto = {
R1*6 |
r4 r8 g' c'' ees''16[ d''] c''8 c'' |
- c'' g' ees''4 ~ ees''8 d''16 ees'' f''8 aes' |
+ c'' g' ees''4 ~ 8 d''16 ees'' f''8 aes' |
aes' g' r c'' c'' b'16[ c''] d''8 g' |
%{
c'' c'' r c'' f' f''16[ ees''] d''8 c'' |
b'16[ a'] g'8 r4 ees''8 ees''16 d'' c''8 bes' |
aes' g' r g' aes' f' d'' b' |
- f''2 ~ f''8 d'' b' g' |
+ f''2 ~ 8 d'' b' g' |
ees'4 r8 d'' ees'' d''16[ c''] b'4 |
%%25
c'' r8 g' c'' g' ees' g' |
c'4 r8 g' aes' f' d'' b' |
- f''2 ~ f''8 d'' b' g' |
+ f''2 ~ 8 d'' b' g' |
ees'4 r8 g'' ees'' d''16[ c''] b'4 |
c''2 r |
%%30
violinoI = {
r4 r8 g' c'' ees''16 d'' c''8 c'' |
- c'' c' ees''4 ~ ees''8 d''16 ees'' f''8 aes' |
+ c'' c' ees''4 ~ 8 d''16 ees'' f''8 aes' |
aes' g' r c'' c''8.^\trill b'32 c'' d''8 g' |
f'4. d''8 ees'' d''16 c'' b'4 |
%%5
c''16 g'' f'' g'' ees'' g'' f'' g'' ees'' g'' f'' g'' ees'' g'' f'' g'' |
c'' g'' f'' g'' ees'' g'' f'' g'' aes''8 g''16 f'' f''4^\trill |
ees'' r8 g'_\p c'' ees''16 d'' c''8 c'' |
- c'' g' ees''4 ~ ees''8 d''16 ees'' f''8 aes' |
+ c'' g' ees''4 ~ 8 d''16 ees'' f''8 aes' |
aes' g' r c'' c'' b'16 c'' d''8 g' |
%{
%%10
c'' ees'' ees'' f'' g'' ees'' f'' g'' aes'' f'' g'' ees'' f'' d'' ees'' c'' |
\tag #'violin { g'' g' g'' g'' } \tag #'reduction { g'' d'' g'' g'' } g'' b' g'' g'' g'' f'' ees'' d'' c''8 bes' |
aes' g' r g' aes' f' d'' b' |
- f''2 ~ f''8 d'' b' g' |
+ f''2 ~ 8 d'' b' g' |
ees'16 c' g' ees' c'' g' g'' d'' g'4 r |
%%25
c'''16 ees''' d''' ees''' c''' ees''' d''' ees''' g'' c''' b'' c''' g'' c''' b'' c''' |
ees'' g'' f'' g'' ees'' g'' f'' g'' \tag #'violin { aes'8 f' } \tag #'reduction { c''8 aes' } d'' b' |
- f''2 ~ f''8 d'' b' g' |
+ f''2 ~ 8 d'' b' g' |
ees'4^\fermata r r2 |
r4 r8 c'_\f c'' ees''16 d'' c''8 c'' |
%%30
- c'' c' ees''4 ~ ees''8 d''16 ees'' f''8 aes' |
+ c'' c' ees''4 ~ 8 d''16 ees'' f''8 aes' |
aes' g' r g' aes' f' d'' b' |
- f''2 ~ f''8 d'' b' g' |
+ f''2 ~ 8 d'' b' g' |
c''16 g'' f'' g'' ees'' g'' f'' g'' c'' g'' f'' g'' ees'' g'' f'' g'' |
b'8 c''16 d'' ees''8 d'' c''4^\fermata r
%}
violinoII = {
r4 r8 g' c'' ees''16 d'' c''8 c'' |
- c'' c' ees''4 ~ ees''8 d''16 ees'' f''8 aes' |
+ c'' c' ees''4 ~ 8 d''16 ees'' f''8 aes' |
aes' g' r c'' c''8.^\trill b'32 c'' d''8 g' |
f'4. d''8 ees'' d''16 c'' b'4 |
%%5
c''16 ees'' d'' ees'' c'' ees'' d'' ees'' c'' ees'' d'' ees'' c'' ees'' d'' ees'' |
c'' ees'' d'' ees'' c'' ees'' d'' ees'' d''8[ ees''] ees'' d'' |
ees''4 r8 g' c'' ees''16 d'' c''8 c'' |
- c'' g' ees''4 ~ ees''8 d''16 ees'' f''8 aes' |
+ c'' g' ees''4 ~ 8 d''16 ees'' f''8 aes' |
aes' g' r c'' c'' b'16 c'' d''8 g' |
%{
%%10
aes' c'' c'' d'' ees'' c'' d'' ees'' f'' d'' ees'' c'' d'' b' c'' a' |
\tag #'violin { b' d' d' b' } \tag #'reduction { b' g' d'' b' } b' g' b' d'' g'' f'' ees'' d'' c''8 bes' |
d' ees' r g' aes' f' d'' b' |
- f''2 ~ f''8 d'' b' g' |
+ f''2 ~ 8 d'' b' g' |
ees'16 c' g' ees' c'' g' g'' d'' g'4 r |
%%25
ees''16 g'' f'' g'' ees'' g'' f'' g'' ees'' ees'' d'' ees'' c'' ees'' d'' ees'' |
g' ees'' d'' ees'' c'' ees'' d'' ees'' \tag #'violin { c''8 aes' } \tag #'reduction { aes'8 f' } f' d' |
- f''2 ~ f''8 d'' b' g' |
+ f''2 ~ 8 d'' b' g' |
ees'4^\fermata r r2 |
r4 r8 c' c'' ees''16 d'' c''8 c'' |
%%30
- c'' c' ees''4 ~ ees''8 d''16 ees'' f''8 aes' |
+ c'' c' ees''4 ~ 8 d''16 ees'' f''8 aes' |
aes' g' r g' aes' f' d'' b' |
- f''2 ~ f''8 d'' b' g' |
+ f''2 ~ 8 d'' b' g' |
c''16 ees'' d'' ees'' c'' ees'' d'' ees'' c'' ees'' d'' ees'' c'' ees'' d'' ees'' |
d'8 ees'16 f' g'8 b' c''4^\fermata r
%}
-\version "2.17.30"
+\version "2.19.2"
#(define (glissando::calc-extra-dy grob)
(let* ((original (ly:grob-original grob))
s4 e,4 s2
s2 s8 < e'-3 >4. ~
e4 \hideNotes \grace { b8 \glissando s4 } \unHideNotes < e-2 >4\5 e,2 ~
- e2 < e'\6\harmonic >
+ 2 < e'\6\harmonic >
}
\score {
@c Translation checker:
@c Translation checker committish:
-@c \version "2.17.28"
+@c \version "2.19.2"
@ignore
Tutorial guidelines: (different from policy.txt!)
wordt.
@lilypond[verbatim,quote,relative=2]
-g4~ g c2~ | c4~ c8 a~ a2 |
+g4~ 4 c2~ | 4~ 8 a~ 2 |
@end lilypond
@subheading Legatobogen
overbindingen kunnen worden genest.
@lilypond[verbatim,quote,relative=2]
-c4~( c8 d~ d4 e)
+c4~( c8 d~ 4 e)
@end lilypond
\clef "bass"
\key c \major
\time 6/8
- c4.~ c8 d b | c8([ d]) b c d b | c8
+ c4.~ 8 d b | c8([ d]) b c d b | c8
}
\addlyrics {
Lar -- go_al fac -- | to -- tum del -- la cit -- | tà
\key f \major
\time 6/8
\partial 8
- c8 | c8([ bes]) a a([ g]) f | f'4. b, | c4.~ c4
+ c8 | c8([ bes]) a a([ g]) f | f'4. b, | c4.~ 4
}
\addlyrics {
Let | flee -- cy flocks the | hills a -- | dorn, __
@c Translation checker:
@c Translation checker committish:
-@c \version "2.17.29"
+@c \version "2.19.2"
@node Fundamentele concepten
@translationof Fundamental concepts
c16 d e f
% Voice "1" Voice "2" Voice "3"
<< { g4 f e } \\ { r8 e4 d c8~ } >> |
- << { d2 e } \\ { c8 b16 a b8 g~ g2 } \\ { s4 b c2 } >> |
+ << { d2 e } \\ { c8 b16 a b8 g~ 2 } \\ { s4 b c2 } >> |
}
@end lilypond
{ d2 e }
\\
% Voice 2 continues
- { c8 b16 a b8 g~ g2 }
+ { c8 b16 a b8 g~ 2 }
\\
{
\voiceThreeStyle
@lilypond[quote,ragged-right,verbatim]
\relative c' {
% Default behavior or behavior after \oneVoice
- c4 d8~ d e4( f | g4 a) b-> c |
+ c4 d8~ 8 e4( f | g4 a) b-> c |
}
@end lilypond
@lilypond[quote,ragged-right,verbatim]
\relative c' {
\voiceOne
- c4 d8~ d e4( f | g4 a) b-> c |
+ c4 d8~ 8 e4( f | g4 a) b-> c |
\oneVoice
- c,4 d8~ d e4( f | g4 a) b-> c |
+ c,4 d8~ 8 e4( f | g4 a) b-> c |
}
@end lilypond
@lilypond[quote,ragged-right,verbatim]
\relative c' {
\voiceTwo
- c4 d8~ d e4( f | g4 a) b-> c |
+ c4 d8~ 8 e4( f | g4 a) b-> c |
\oneVoice
- c,4 d8~ d e4( f | g4 a) b-> c |
+ c,4 d8~ 8 e4( f | g4 a) b-> c |
}
@end lilypond
\new Voice {
% Set stems, etc., down
\voiceTwo
- r8 e4 d c8~ | c8 b16 a b8 g~ g2 |
+ r8 e4 d c8~ | 8 b16 a b8 g~ 2 |
}
% Initiate third voice
\new Voice {
\voiceTwo
r8 e4 d c8~ |
<<
- { c8 b16 a b8 g~ g2 | }
+ { c8 b16 a b8 g~ 2 | }
\new Voice {
\voiceThree
s4 b c2 |
\new Voice {
% Set stems, etc, down
\voiceTwo
- s4 r8 e4 d c8~ | c8 b16 a b8 g~ g2 |
+ s4 r8 e4 d c8~ | 8 b16 a b8 g~ 2 |
}
% Initiate third voice
\new Voice {
global = { \key f \major \time 6/8 \partial 8 }
SopOneMusic = \relative c'' {
- c8 | c8([ bes)] a a([ g)] f | f'4. b, | c4.~ c4
+ c8 | c8([ bes)] a a([ g)] f | f'4. b, | c4.~ 4
}
SopOneLyrics = \lyricmode {
Let | flee -- cy flocks the | hills a -- dorn, __
d2 c |
}
ManualOneVoiceTwoMusic = \relative c' {
- ees16 d ees8~ ees16 f ees d c8 d~ d c~ |
- c8 c4 b8 c8. g16 c b c d |
+ ees16 d ees8~ 16 f ees d c8 d~ d c~ |
+ 8 c4 b8 c8. g16 c b c d |
}
ManualTwoMusic = \relative c' {
- c16 b c8~ c16 b c g a8 g~ g16 g aes ees |
- f16 ees f d g aes g f ees d ees8~ ees16 f ees d |
+ c16 b c8~ 16 b c g a8 g~ 16 g aes ees |
+ f16 ees f d g aes g f ees d ees8~ 16 f ees d |
}
PedalOrganMusic = \relative c {
- r8 c16 d ees d ees8~ ees16 a, b g c b c8 |
+ r8 c16 d ees d ees8~ 16 a, b g c b c8 |
r16 g ees f g f g8 c,2 |
}
Guide, node Updating translation committishes..
@end ignore
-@c \version "2.17.20"
+@c \version "2.19.2"
@node Tweaking output
@chapter Tweaking output
{
\time 4/2
<<
- { c'1 ~ c'2. e'8 f' }
+ { c'1 ~ 2. e'8 f' }
\\
{ e''8 e'' e'' e'' e'' e'' e'' e'' f''2 g'' }
>>
<<
- { c'1 ~ c'2. e'8 f' }
+ { c'1 ~ 2. e'8 f' }
\\
{ e''8 e'' e'' e'' e'' e'' e'' e'' f''2 g'' }
>>
{
\time 4/2
<<
- { c'1 ~ c'2. e'8 f' }
+ { c'1 ~ 2. e'8 f' }
\\
{
\override Beam.positions = #'(-1 . -1)
}
>>
<<
- { c'1 ~ c'2. e'8 f' }
+ { c'1 ~ 2. e'8 f' }
\\
{ e''8 e'' e'' e'' e'' e'' e'' e'' f''2 g'' }
>>
{ c,8 d fis bes a } % continuation of main voice
\new Voice {
\voiceTwo
- c,8~ c2
+ c,8~ 2
}
\new Voice {
\voiceThree
{ c,8 d fis bes a } % continuation of main voice
\new Voice {
\voiceTwo
- c,8~ c2
+ c,8~ 2
}
\new Voice {
\voiceThree
{ c,8 d fis bes a } % continuation of main voice
\new Voice {
\voiceTwo
- c,8~ c2
+ c,8~ 2
}
\new Voice {
\voiceThree
{ c,8 d fis bes a } % continuation of main voice
\new Voice {
\voiceTwo
- c,8~ c2
+ c,8~ 2
}
\new Voice {
\voiceThree
with the tied notes in one of them
@lilypond[quote,fragment,relative=2]
-<< { b8~ b\noBeam } \\ { b8[ g] } >>
+<< { b8~ 8\noBeam } \\ { b8[ g] } >>
@end lilypond
@noindent
<<
{
\tweak Stem.transparent ##t
- b8~ b\noBeam
+ b8~ 8\noBeam
}
\\
{ b8[ g] }
{
\tweak Stem.transparent ##t
\tweak Stem.length #8
- b8~ b\noBeam
+ b8~ 8\noBeam
}
\\
{ b8[ g] }
\single \hide Stem
\single \hide Flag
\tweak Stem.length #8
- b8~ b\noBeam
+ b8~ 8\noBeam
}
\\
{ b8[ g] }
Guide, node Updating translation committishes..
@end ignore
-@c \version "2.17.30"
+@c \version "2.19.2"
@node Changing defaults
@chapter Changing defaults
@lilypond[verbatim,quote,relative=1]
<<
- { e1~ e }
+ { e1~ 1 }
\\
{ r4 <g c,> <g c,> <g c,> }
>>
<<
{
\shape #'((0 . 0.5) (0 . 0.5) (0 . 0.5) (0 . 0.5)) Tie
- e1~ e
+ e1~ 1
}
\\
{ r4 <g c,> <g c,> <g c,> }
Guide, node Updating translation committishes..
@end ignore
-@c \version "2.17.30"
+@c \version "2.19.2"
@node Fretted string instruments
@section Fretted string instruments
c4-.^"Allegro" d( e)
f4-.\f g a^\fermata
\mark \default
- c8_.\<\( c16 c~ c2\!
+ c8_.\<\( c16 c~ 2\!
c'2.\prall\)
}
c4-.^"Allegro" d( e)
f4-.\f g a^\fermata
\mark \default
- c8_.\<\( c16 c~ c2\!
+ c8_.\<\( c16 c~ 2\!
c'2.\prall\)
}
@lilypond[quote,verbatim]
guitar = \relative c' {
- r8 <gis-2 cis-3 b-0>~ q4 q8~ q q4
+ r8 <gis-2 cis-3 b-0>~ q4 q8~ 8 q4
}
\new StaffGroup <<
ties = \relative c' {
\repeat volta 2 {
e2. f4~
- f2 g2~
+ 2 g2~
}
\alternative {
{ g4 f2. }
ties = \relative c' {
\repeat volta 2 {
e2. f4~
- f2 g2~ }
+ 2 g2~ }
\alternative {
{ g4 f2. }
{ g4\repeatTie c,2. }
Guide, node Updating translation committishes..
@end ignore
-@c \version "2.17.6"
+@c \version "2.19.2"
@node General input and output
@chapter General input and output
\set Staff.midiInstrument = #"flute"
\new Voice \relative c''' {
r2 g\mp g fis~
- fis4 g8 fis e2~
- e4 d8 cis d2
+ 4 g8 fis e2~
+ 4 d8 cis d2
}
}
\new Staff {
\set Staff.midiMaximumVolume = #0.9
\new Voice \relative c''' {
r2 g\mp g fis~
- fis4 g8 fis e2~
- e4 d8 cis d2
+ 4 g8 fis e2~
+ 4 d8 cis d2
}
}
\new Staff {
\set Staff.midiInstrument = #"flute"
\new Voice \relative c''' {
r2 g\mp g fis~
- fis4 g8 fis e2~
- e4 d8 cis d2
+ 4 g8 fis e2~
+ 4 d8 cis d2
}
}
\new Staff {
Guide, node Updating translation committishes..
@end ignore
-@c \version "2.17.18"
+@c \version "2.19.2"
@node Pitches
new system:
@lilypond[verbatim,quote,relative=2,ragged-right]
-cis1~ cis~
+cis1~ 1~
\break
cis
@end lilypond
e8 e g a a16( bes) a8 g
\improvisationOn
e8 ~
- e2 ~ e8 f4 f8 ~
- f2
+ 2 ~ 8 f4 f8 ~
+ 2
\improvisationOff
a16( bes) a8 g e
}
Guide, node Updating translation committishes..
@end ignore
-@c \version "2.19.0"
+@c \version "2.19.2"
@node Rhythms
@section Rhythms
should be tied to the following note, which must be at the same pitch.
@lilypond[quote,verbatim,relative=2]
-a2~ a4~ a16 r r8
+a2~ 4~ 16 r r8
@end lilypond
Ties can make use of the @q{last explicit pitch} interpretation of
@lilypond[verbatim,quote]
\relative c' {
- r8 c~ c2 r4 |
- r8^"not" c2~ c8 r4
+ r8 c~ 2 r4 |
+ r8^"not" c2~ 8 r4
}
@end lilypond
@lilypond[quote, verbatim, relative=1]
\tieDotted
-c2~ c
+c2~ 2
\tieDashed
-c2~ c
+c2~ 2
\tieHalfDashed
-c2~ c
+c2~ 2
\tieHalfSolid
-c2~ c
+c2~ 2
\tieSolid
-c2~ c
+c2~ 2
@end lilypond
Custom dash patterns can be specified:
@lilypond[quote, verbatim, relative=1]
\tieDashPattern #0.3 #0.75
-c2~ c
+c2~ 2
\tieDashPattern #0.7 #1.5
-c2~ c
+c2~ 2
\tieSolid
-c2~ c
+c2~ 2
@end lilypond
Dash pattern definitions for ties have the same structure as dash
Guide, node Updating translation committishes..
@end ignore
-@c \version "2.17.28"
+@c \version "2.19.2"
@node Simultaneous notes
\new Voice = "first"
{ \voiceOne r8 r16 g e8. f16 g8[ c,] f e16 d }
\new Voice= "second"
- { \voiceTwo d16 c d8~ d16 b c8~ c16 b c8~ c16 b8. }
+ { \voiceTwo d16 c d8~ 16 b c8~ 16 b c8~ 16 b8. }
>>
@end lilypond
<<
{ r8 r16 g e8. f16 g8[ c,] f e16 d }
\\
- { d16 c d8~ d16 b c8~ c16 b c8~ c16 b8. }
+ { d16 c d8~ 16 b c8~ 16 b c8~ 16 b8. }
>>
@end lilypond
\parallelMusic #'(voiceA voiceB voiceC) {
% Bar 1
r8 g'16 c'' e'' g' c'' e'' r8 g'16 c'' e'' g' c'' e'' |
- r16 e'8.~ e'4 r16 e'8.~ e'4 |
+ r16 e'8.~ 4 r16 e'8.~ 4 |
c'2 c'2 |
% Bar 2
r8 a'16 d'' f'' a' d'' f'' r8 a'16 d'' f'' a' d'' f'' |
- r16 d'8.~ d'4 r16 d'8.~ d'4 |
+ r16 d'8.~ 4 r16 d'8.~ 4 |
c'2 c'2 |
}
\parallelMusic #'(voiceA voiceB voiceC) {
% Bar 1
r8 g16 c e g, c e r8 g,16 c e g, c e |
- r16 e8.~ e4 r16 e8.~ e4 |
+ r16 e8.~ 4 r16 e8.~ 4 |
c2 c |
% Bar 2
r8 a,16 d f a, d f r8 a,16 d f a, d f |
- r16 d8.~ d4 r16 d8.~ d4 |
+ r16 d8.~ 4 r16 d8.~ 4 |
c2 c |
}
Guide, node Updating translation committishes..
@end ignore
-@c \version "2.17.30"
+@c \version "2.19.2"
@node Staff notation
@section Staff notation
R1*16
\instrumentSwitch "contrabassoon"
c,,2 g \break
- c,1 ~ | c1
+ c,1 ~ | 1
}
@end lilypond
Guide, node Updating translation committishes..
@end ignore
-@c \version "2.17.30"
+@c \version "2.19.2"
@node Vocal music
@section Vocal music
\new Voice = "melody" {
\time 3/4
f4 g2 ~ |
- g4 e2 ~ |
- e8
+ 4 e2 ~ |
+ 8
}
\new Lyrics \lyricsto "melody" {
Ky -- ri -- e __
\time 3/4
\set melismaBusyProperties = #'()
c4 d ( e )
- g8 [ f ] f4 ~ f
+ g8 [ f ] f4 ~ 4
}
\new Lyrics \lyricsto "melody" {
Ky -- ri -- e e -- le -- i -- son
\time 3/4
\set melismaBusyProperties = #'()
c4 d ( e )
- g8 [ f ] ~ f4 ~ f
+ g8 [ f ] ~ 4 ~ f
}
\new Lyrics \lyricsto "melody" {
Ky -- ri -- _ e __ _ _ _
%
% This file is in the public domain.
%% Note: this file works from version 2.17.27
-\version "2.17.27"
+\version "2.19.2"
\header {
lsrtags = "contemporary-notation, expressive-marks, symbols-and-glyphs"
des16_\markup \with-dimensions #'(2 . 7) #'(0 . 0)
\with-color #white
\filled-box #'(2 . 7) #'(0 . 2) #0
- r8. des4 ~ des16->\sff
+ r8. des4 ~ 16->\sff
}
>>
}
%% and then run scripts/auxiliar/makelsr.py
%%
%% This file is in the public domain.
-\version "2.16.0"
+\version "2.19.2"
\header {
lsrtags = "contexts-and-engravers, midi, real-music"
\time 2/2
r2 g-"Flute" ~
g fis ~
- fis4 g8 fis e2 ~
- e4 d8 cis d2
+ 4 g8 fis e2 ~
+ 4 d8 cis d2
}
\new Voice \relative c'' {
\set midiInstrument = #"clarinet"
%% and then run scripts/auxiliar/makelsr.py
%%
%% This file is in the public domain.
-\version "2.17.6"
+\version "2.19.2"
\header {
lsrtags = "headword"
r16 d16 |
d4 bes,4 a,4 f4 |
g8 f16 g16 a8 a,8 d4 d'4 ~ |
- d'8 c'8 b4 c'8 c'16 bes16 a4 |
+ 8 c'8 b4 c'8 c'16 bes16 a4 |
bes8 bes16 a16 g4 a8 a,4 a16 g16 |
fis8 d8 e8 fis8 g8 g,4 g16 f16 |
e8 c8 d8 e8 f8 f,4 a,8 |
%% and then run scripts/auxiliar/makelsr.py
%%
%% This file is in the public domain.
-\version "2.17.6"
+\version "2.19.2"
\header {
lsrtags = "pitches"
\relative c'' {
\override Accidental.hide-tied-accidental-after-break = ##t
- cis1~ cis~
+ cis1~ 1~
\break
cis
}
%% and then run scripts/auxiliar/makelsr.py
%%
%% This file is in the public domain.
-\version "2.17.6"
+\version "2.19.2"
\header {
lsrtags = "fretted-strings, specific-notation, tweaks-and-overrides"
b4.~^\markup { \fret-diagram #"6-x;5-2;4-4;3-2;2-2;1-4;" } b4. a8\break
% HERE IS THE SECOND METHOD
<<
- { a8 b4.~ b4. a8}
+ { a8 b4.~ 4. a8}
{ s4 s4 s4^\markup { \fret-diagram #"6-x;5-2;4-4;3-2;2-2;1-4;" }
}
>>
%
% This file is in the public domain.
%% Note: this file works from version 2.17.30
-\version "2.17.30"
+\version "2.19.2"
\header {
lsrtags = "rhythms, simultaneous-notes, tweaks-and-overrides"
{
\once \hide Stem
\once \override Stem.length = #8
- b8 ~ b\noBeam
+ b8 ~ 8\noBeam
\once \hide Stem
\once \override Stem.length = #8
- g8 ~ g\noBeam
+ g8 ~ 8\noBeam
}
\\
{
-\version "2.17.27"
+\version "2.19.2"
\header {
lsrtags = "contemporary-notation, expressive-marks, symbols-and-glyphs"
des16_\markup \with-dimensions #'(2 . 7) #'(0 . 0)
\with-color #white
\filled-box #'(2 . 7) #'(0 . 2) #0
- r8. des4 ~ des16->\sff
+ r8. des4 ~ 16->\sff
}
>>
}
-\version "2.17.30"
+\version "2.19.2"
\header {
lsrtags = "rhythms, simultaneous-notes, tweaks-and-overrides"
{
\once \hide Stem
\once \override Stem.length = #8
- b8 ~ b\noBeam
+ b8 ~ 8\noBeam
\once \hide Stem
\once \override Stem.length = #8
- g8 ~ g\noBeam
+ g8 ~ 8\noBeam
}
\\
{
-\version "2.17.30"
+\version "2.19.2"
\header {
lsrtags = "headword"
\time 15/4
<<
{ \shift d2 \glissando ^\markup \colmark { \quatre \dubetc \pvib \norm } \shifta e1 \glissando d2 } \\
- { d2 \open \mf \< ~ d1 ~ d2 \ff ~ d1 \> ~ d2 ^\markup \colmark { " " " " \svib } ~ d4 \pp}
+ { d2 \open \mf \< ~ d1 ~ 2 \ff ~ d1 \> ~ d2 ^\markup \colmark { " " " " \svib } ~ d4 \pp}
>>
\break
%% and then run scripts/auxiliar/makelsr.py
%%
%% This file is in the public domain.
-\version "2.17.11"
+\version "2.19.2"
\header {
lsrtags = "headword"
c'''32 ) \!
g''8 (
~
- g''32 [
+ 32 [
a''64
g''64 ) ]
%% and then run scripts/auxiliar/makelsr.py
%%
%% This file is in the public domain.
-\version "2.17.11"
+\version "2.19.2"
\header {
lsrtags = "headword"
\trillFlat
af''4.~ \startTrillSpan
af''8.~ |
- af''4.~ af''8.~ |
+ 4.~ 8.~ |
\oneVoice
<af'' d''>8.[ a''8. \p \< bf''8.]~ |
- bf''8.[ b''8. c'''8.]~
+ 8.[ b''8. c'''8.]~
\bar "||"
\key ef \major
c'''8.[ cs'''8.] \f \stopTrillSpan
\override Voice.TrillSpanner.direction = #DOWN
d''4.~ \f \startTrillSpan
d''8.~ |
- d''4.~ d''8.~ |
- d''8. \stopTrillSpan
+ 4.~ 8.~ |
+ 8. \stopTrillSpan
\trillFlat
d''4.~ \startTrillSpan |
- d''4.~ d''8.~ |
- d''4.~ d''8.~ |
- d''4.~ d''8.~ \stopTrillSpan |
+ d''4.~ 8.~ |
+ 4.~ 8.~ |
+ 4.~ 8.~ \stopTrillSpan |
\trillFlat
d''4.~ \startTrillSpan
d''8. ~ |
- d''4.~ d''8.~ |
+ 4.~ 8.~ |
\once \override NoteColumn.ignore-collision = ##t
\hideNotes
d''8. \stopTrillSpan
\override Voice.TrillSpanner.direction = #UP
f'4.~ \startTrillSpan
f'8.~ |
- f'4.~ f'8.~ |
- f'8. \stopTrillSpan
+ 4.~ 8.~ |
+ 8. \stopTrillSpan
}
\new Voice {
\voiceTwo
%% and then run scripts/auxiliar/makelsr.py
%%
%% This file is in the public domain.
-\version "2.16.0"
+\version "2.19.2"
\header {
lsrtags = "chords, really-simple, template"
\time 4/4
f4 e8[ c] d4 g
- a2 ~ a
+ a2 ~ 2
}
harmonies = \chordmode {
%
% This file is in the public domain.
%% Note: this file works from version 2.17.30
-\version "2.17.30"
+\version "2.19.2"
\header {
lsrtags = "headword"
\time 15/4
<<
{ \shift d2 \glissando ^\markup \colmark { \quatre \dubetc \pvib \norm } \shifta e1 \glissando d2 } \\
- { d2 \open \mf \< ~ d1 ~ d2 \ff ~ d1 \> ~ d2 ^\markup \colmark { " " " " \svib } ~ d4 \pp}
+ { d2 \open \mf \< ~ d1 ~ 2 \ff ~ d1 \> ~ d2 ^\markup \colmark { " " " " \svib } ~ d4 \pp}
>>
\break
%% and then run scripts/auxiliar/makelsr.py
%%
%% This file is in the public domain.
-\version "2.16.0"
+\version "2.19.2"
\header {
lsrtags = "expressive-marks, vocal-music"
\new Voice = "lower"
{ \voiceTwo
a1 ~
- a
+ 1
a ~
- a4 \bar "|."
+ 4 \bar "|."
}
>>
}
%% and then run scripts/auxiliar/makelsr.py
%%
%% This file is in the public domain.
-\version "2.17.6"
+\version "2.19.2"
\header {
lsrtags = "headword"
\autoBeamOff
r4^\markup { \small Baritono } r a
\appoggiatura a8 e'2. ~
- e4 d8[ cis d e]
+ 4 d8[ cis d e]
e4 g, r8 g
bes2 a8 e
g4 f r
-\version "2.17.6"
+\version "2.19.2"
\header {
texidoc = "The second and third notes should not get accidentals,
mus = \relative c' {
f1~
- f2~f4 % ~ f8
+ 2~4 % ~ f8
fis8 gis8 ~
\break
gis1
\override Accidental.hide-tied-accidental-after-break = ##t
f1~
- f2~f4 % ~ f8
+ 2~4 % ~ f8
fis8 gis8 ~
\break
gis1
-\version "2.16.0"
+\version "2.19.2"
\header {
texidoc = "When a beam goes over a rest, beamlets should be as necessary
\relative c' {
c8[ r16 c32 c32]
c32[ r16 c32 c8]
- c32[ r16 c64 c64 ~ c16.. c64]
+ c32[ r16 c64 c64 ~ 16.. c64]
c32[ c32 r16 c8]
c16[ r32 c32 r16 c16]
c16[ r16 c32 r32 c16]
}
-\version "2.16.0"
+\version "2.19.2"
\paper{ ragged-right=##t }
\remove "Note_heads_engraver"
\consists "Completion_heads_engraver"
} {
- \relative c'' { r2 d1 ~ d1 d2 }
+ \relative c'' { r2 d1 ~ 1 d2 }
}
-\version "2.17.15"
+\version "2.19.2"
\header
{
"
}
\relative c' {
- \slashedGrace c16~ c1
+ \slashedGrace c16~ 1
}
}
-\version "2.16.0"
+\version "2.19.2"
\layout {
ragged-right = ##t
\relative c'' {
\time 3/4
- d4~ d4 r4
+ d4~ 4 r4
\grace es8
d4
-\version "2.19.0"
+\version "2.19.2"
\header {
texidoc = "@code{make-relative} is a Scheme utility macro mainly
\ph d a d' fis' c''
\oneVoice R1*21 \voiceTwo | \skip 1*21 | R1*21 |
\ph c, c g bes e'
- c,2~ c, | r16 c8. ~ c4 ~ c2
+ c,2~ 2 | r16 c8. ~ 4 ~ 2
| r8 f16 a c' f' c' a c' a f a f d f d |
- c,2~ c, | r16 b,8. ~ b,4 ~ b,2
+ c,2~ 2 | r16 b,8. ~ 4 ~ 2
| r8 g'16 b' d'' f'' d'' b' d'' b' g' b' d' f' e' d' |
c,1\fermata | c1 | <e' g' c''>1\fermata \bar "|." |
}
\ph d, a' d fis c'
\oneVoice R1*21 \voiceTwo | \skip 1*21 | R1*21 |
\ph c, c' g' bes e
- c2~ c | r16 c'8. ~ c4 ~ c2
+ c2~ 2 | r16 c'8. ~ 4 ~ 2
| r8 f16 a c f c' a c a f a f d f d |
- c,,2~ c | r16 b'8. ~ b4 ~ b2
+ c,,2~ 2 | r16 b'8. ~ 4 ~ 2
| r8 g'16 b d f d b d b g b d f e d |
c,,1\fermata | c'1 | <e' g c>1\fermata \bar "|." |
}
<<\relative c'' \new Voice = A {
\autoBeamOff
c8[ c] c2.
- c1~c4 c2.
+ c1~4 c2.
c4 ( d e) d
c1
d4 f8 a16[ g fis g] f[ d] |
g4. r8 gis gis |
a4 a16.[ b32] c4 fis,8 |
- g4.~ g8-\fermata g8 g |
+ g4.~ 8-\fermata g8 g |
as4 as8 g4 g8 |
fis4 fis8 r8 g g |
a!4 a8 g4 g8 |
-\version "2.17.11"
+\version "2.19.2"
\include "mozart-hrn3-defs.ily"
allegro = \relative c' {
d8.[ c16 d8. e16]
c4 r r2
R1*3
- c,2 ~ c8[ e g c]
+ c,2 ~ 8[ e g c]
c[ b ] b4 r2
c,8[ ( e) g c] e[( g) e c]
c[( b)] b4 r2
g'[( d) ] d4 r4 d
d8[ ( c)] c4.( d16[ e] d8[ c)]
c8[(\trill b)] b4 r2 |
- d2( ~ d8[ e16 d] c8[ b)] |
+ d2( ~ 8[ e16 d] c8[ b)] |
b[( a)] a4 r8 a[ a a]
a4( cis e g)
\appoggiatura g16
a[( \< b c cis\!\> ] d4 c\!)
ais8[( b)] r8 b\cresc b[( c)] r c
cis[ ( d)] r4 r2
- g,1\!\f ~ g2 ~ g8[ a16 b] c[( d) e c]
+ g,1\!\f ~ g2 ~ 8[ a16 b] c[( d) e c]
%% 64
f4-. d-. b-. g-.
R1
R1*15
\mark "D"
bes2\mf d4 f
- g,2~ g8[ g' es c]|
+ g,2~ 8[ g' es c]|
bes4( a4.) c8[( d es)]
cis4( d) r8 bes[ (c d)]
es2 ( d4) r
c8[( g' es c)] bes4( c)
c4.( cis8 d4) r
R1*2
- es1~es1|
+ es1~1|
e!
d
c
c4 r r2
\mark "F"
R1*3
- c,2~ c8[ e g c]
+ c,2~ 8[ e g c]
c8[( b)] b4 r2
c,8[ e g c ] e[ ( g) e c]
c[( b)] b4 r2
c2 (bes a) a8[(b c cis)]
- d2( ~ d8[ e16 d] \appoggiatura d16
+ d2( ~ 8[ e16 d] \appoggiatura d16
c8[ b16 c)]
\appoggiatura c16
b8[( a16 g)] g4 r2 |
\mark "G"
d[( c) g'( e)] d[( c) a'( f)]
e[( d)] d4 r d8[ d]
- d4(~ d16[ e d e)] g8[( f) e d] |
+ d4(~ 16[ e d e)] g8[( f) e d] |
c4 r r2
R1
c1 ~
- c |
+ 1 |
c8[-. c-.] r c-. cis[( d)] r d-.\cresc |
dis[( e)] r e-. e[( f)] r f-. |
g4-.\f e-. c-. bes-. |
g-.\ff e-. c-. r |
- a'2 ~ a8[_\markup { \bold \italic "sempre " \dynamic "f" } b16 c] d[( e d e)]
+ a'2 ~ 8[_\markup { \bold \italic "sempre " \dynamic "f" } b16 c] d[( e d e)]
f4. ( d8) f8[ ( d) f d]
c[ (e] g2) \appoggiatura f16
-\version "2.17.6"
+\version "2.19.2"
\include "mozart-hrn3-defs.ily"
romanze = \relative c' {
f'4.(\p d8) b4 r8 g
g'4.( e8) c4 r8 cis |
% 39
- d4(~ d16[ e d e)] f8[ ( d) f( d)]
+ d4(~ 16[ e d e)] f8[ ( d) f( d)]
c2( b4) r
R1*4
e4. ( g8) c,4 ( cis)
\revert DynamicLineSpanner.staff-padding
R1*3
r8 c[\p c c] c2~
- c8[ c' c c] c2~
- c8[ \< e( g f] e[ d\!\> c bes]
+ 8[ c' c c] c2~
+ 8[ \< e( g f] e[ d\!\> c bes]
\mark "D"
a4\!) r r2
R1*3
-\version "2.16.0"
+\version "2.19.2"
\include "mozart-hrn3-defs.ily"
e4 r8 r4 r8
g4. e4 c8
g2.~
- g8[ a b] c[ d e ]
+ 8[ a b] c[ d e ]
e4.( d8) r r
R2.*4
e2.~ |
- e8[ d c] c[ b a]
+ 8[ d c] c[ b a]
d2.~
- d8[ c b] b[ a g]
+ 8[ c b] b[ a g]
g'4( e8) b4( cis8)
\mark "B"
d4 r8 r4 r8
r8 g[\f g] g[( b) b-.]
b[( d) d-.] d[( g) g-.]
g2.~
- g8[ \> a g] f[ e d]
+ 8[ \> a g] f[ e d]
<<
\rondotheme
r4 r8 r4 c8
\mark "D"
c4 f8 c4 a8
- a4.~a4 a8
+ a4.~4 a8
bes4 c8 d4 bes8
- g4. ~ g8 r r
+ g4. ~ 8 r r
R2.*3
r4 r8 r4 c8
a4. c
- f ~ f8.[ e16( d c)]
+ f ~ 8.[ e16( d c)]
bes4 g8 e4 g8
- c,4. ~ c8 r r
+ c,4. ~ 8 r r
R2.*3|
r4 r8 r4 c'8
b4( c8) b4( c8)
- bes4. ~ bes4 g8
+ bes4. ~ 4 g8
a4 ( c8) f4 ( b,8)
d4. ( c8) r r
R2.*3|
r4 r8 r4 c8
b4( c8) b4( c8)
- bes4. ~ bes4 g8
+ bes4. ~ 4 g8
a4 c8 f[ ( d) b!]
d4. ( c8) r r
\mark "E"
R2.*9 |
\lipbreaker
c,8[ c' c] c4.~
- c8[ c d] e[ e fis]
+ 8[ c d] e[ e fis]
g4 r8 r4 r8
R2.
r8 g,[ g] g[ g g] |
- es'4. ~ es8[ d c]
+ es'4. ~ 8[ d c]
b4 r8 r4 r8
R2. |
r8 g[ g] g[ g g]
- es'4. ~ es8[ d c]
+ es'4. ~ 8[ d c]
b4.\cresc c4. d4. e4.
\mark "F"
f2.\f ~ |
"
}
-\version "2.16.0"
+\version "2.19.2"
vone =
vtwo =
\relative c' {
\time 2/4
- f8[ f]~ f8[ f] |
+ f8[ f]~ 8[ f] |
f8[ f] f8[ f]
}
"
}
-vone = \relative a' { d4 r8 d8 d8 r8 d8 r8 d2 ~ d2 ~ d4 }
+vone = \relative a' { d4 r8 d8 d8 r8 d8 r8 d2 ~ 2 ~ 4 }
vtwo = \relative g' { g4. g8 r2 g4 r4 r2 g4 }
-\version "2.16.0"
+\version "2.19.2"
\paper { ragged-right = ##t }
\layout { ragged-right = ##t }
-\version "2.16.0"
+\version "2.19.2"
vone = \relative a' {
g2 g g g4 g f' c c( c) c c c ~ c
}
vtwo = \relative a' {
f2 f4 f f2 g4 g c, f f f f f~ f ~ f
- f4 f2. ~ f4
+ f4 f2. ~ 4
}
-\version "2.17.6"
+\version "2.19.2"
\header {
texidoc = "Nested properties may be overridden using Scheme list
syntax. This test performs two property overrides: the first
\once \override TextSpanner.bound-details.left.text = #"foo"
c4\startTextSpan
\once \override Tie.details.note-head-gap = #1
- c4 ~ c c\stopTextSpan
+ c4 ~ 4 c\stopTextSpan
\once \override TextSpanner.bound-details.left.text = #"foo"
c4\startTextSpan
\once \override Tie.details.note-head-gap = #1
- c4 ~ c c\stopTextSpan
+ c4 ~ 4 c\stopTextSpan
}
-\version "2.16.0"
+\version "2.19.2"
\header {
texidoc = "Voices from different cues must not be tied together. In
}
cueI = \relative c'' {
- a1 ~ | a | a |
+ a1 ~ | 1 | a |
}
\addQuote "cueI" { \cueI }
-\version "2.16.0"
+\version "2.19.2"
\header {
texidoc = "Measure repeats may be nested with beat repeats."
}
\set Score.skipBars = ##t
\time 4/4
% riff
- \repeat "percent" 2 { r8. a16 g8. a16 bes8. a16 f8 d | a c8 ~ c8 d8 ~ d8 r8 r4 }
+ \repeat "percent" 2 { r8. a16 g8. a16 bes8. a16 f8 d | a c8 ~ 8 d8 ~ 8 r8 r4 }
R1*2
\repeat "percent" 2 { \repeat "percent" 4 { c8 es } }
-\version "2.17.2"
+\version "2.19.2"
\header {
texidoc = "Scripts avoid ties.
r2. c4~-> | c-> r2. |
r2. c4-> | c-> r2. |
r2. c4~-> | c r2. |
- r2. c4~ | c-> r2. | \break
+ r2. c4~ | 4-> r2. | \break
r2. <g-- c-> >4--~ | <g-- c>-> ~ <g c---_>-> r2 |
- r2. c4~ | c-> ~ c-> r2 |
+ r2. c4~ | 4-> ~ c-> r2 |
r2. c4~-> | c ~ c-> r2 |
r2. c4~-> | c-> ~ c r2 |
r2. c4-> |
-\version "2.17.28"
+\version "2.19.2"
\header{
texidoc="
\new Voice \relative c' {
c'8[( c c c] g2 ~ | \break
g1) | \break
- \slurDown c8[( c] g4 ~ g2 ~ | \break
- g2 ~ g2)
+ \slurDown c8[( c] g4 ~ 2 ~ | \break
+ g2 ~ 2)
}
\relative c'' {
a4( c b4 e, ~ | \break
- e1 ~ | e1)
+ e1 ~ | 1)
}
}
}
-\version "2.17.28"
+\version "2.19.2"
\layout {
ragged-right = ##t
% #(define debug-slur-scoring #t)
\grace e=''16( d8.[) c16]
d=''8.[ \grace f16( e16)]
s2
- << {c=''8.([ es16] bes4~bes )}
+ << {c=''8.([ es16] bes4~4 )}
\\
{r8 <as es> r <f des> r }
>>
-\version "2.16.0"
+\version "2.19.2"
\header {
texidoc = "Symbols that need on-staffline info (like dots and ties)
}
\relative c' {
\time 5/8
- f4 ~ f4
+ f4 ~ 4
f4 f4.
}
-\version "2.16.0"
+\version "2.19.2"
\header{
texidoc="
ragged-right = ##t
}
\context Voice \relative c {
- b''4 ~ b8(b8) e4 e,
+ b''4 ~ 8(b8) e4 e,
}
-\version "2.16.0"
+\version "2.19.2"
\header {
texidoc = "In a TabStaff, the chord repetition function needs
}
Guitar = \relative c' {
- r8 < gis-6 cis-6 b-0 > ~ q4 q8 ~ q q4
+ r8 < gis-6 cis-6 b-0 > ~ q4 q8 ~ 8 q4
}
\score {
-\version "2.17.30"
+\version "2.19.2"
\header {
texidoc = "In a TabStaff, the chord repetition function needs
\tabChordRepetition
Guitar = \relative c' {
- r8 < gis\4 cis\3 b\2 > ~ q4 q8 ~ q q4
+ r8 < gis\4 cis\3 b\2 > ~ q4 q8 ~ 8 q4
}
\score {
-\version "2.17.11"
+\version "2.19.2"
\header{ texidoc = "As default, tablature staves show only the fret numbers, because
in most situations, they are combined with normal staves.
c4^"test" d( e) |
f4\f g a^\fermata |
R2.*3 |
- c8\<\( c16 c ~ c2\! |
+ c8\<\( c16 c ~ 2\! |
\mark \default
c'2.\) |
\ottava #1
-\version "2.17.30"
+\version "2.19.2"
\header{ texidoc = "In tablature, notes that are tied to are invisible
except after a line break or within a second volta;
}
firstpart = \relative c {
- f2 ~ f4 e
+ f2 ~ 4 e
g8 g ~ g g ~ g g~ g g ~
- g1
+ 1
}
secondpart = \relative c' {
- c1 ~ \break c2 ~ c
+ c1 ~ \break c2 ~ 2
}
thirdpart = \relative c' {
-\version "2.16.0"
+\version "2.19.2"
\header {
texidoc = "
}
music = {
- c'4 ~ c'4 ( d'2 ) |
- c'4 ~ c'4 \glissando d'2 |
- c'4 ~ c'4 d'2 |
+ c'4 ~ 4 ( d'2 ) |
+ c'4 ~ 4 \glissando d'2 |
+ c'4 ~ 4 d'2 |
c'4 \glissando d'2. |
}
-\version "2.17.6"
+\version "2.19.2"
\header {
texidoc = "The @code{\\removeWithTag} and @code{\\keepWithTag}
<<
\tag #'flood \new Voice { \voiceOne \repeat unfold 16 { c'''8 cis'''8 } }
\tag #'highball \new Voice { \voiceThree \repeat unfold 8 { a'4( as') } }
- \tag #'buffoon \new Voice { \voiceFour \repeat unfold 2 { f1~ f } }
+ \tag #'buffoon \new Voice { \voiceFour \repeat unfold 2 { f1~ 1 } }
>>
demo =
-\version "2.17.6"
+\version "2.19.2"
\header {texidoc = "@cindex Tie, dotted, dashed
The appearance of ties may be changed from solid to dotted or dashed.
"
\relative c'{
- c2 ~ c |
+ c2 ~ 2 |
\tieDotted
- c2 ~ c |
+ c2 ~ 2 |
\tieDashed
- c2 ~ c |
+ c2 ~ 2 |
\tieHalfDashed
- c2 ~ c |
+ c2 ~ 2 |
\tieHalfSolid
- c2 ~ c |
+ c2 ~ 2 |
\tieDashPattern #0.4 #2.0
- c2 ~ c |
+ c2 ~ 2 |
\once \override Tie.dash-definition = #'((0 0.25 1 1)
(0.3 0.7 0.4 0.75)
(0.75 1.0 1.0 1.0))
- c2 ~ c |
+ c2 ~ 2 |
\tieSolid
- c2 ~ c |
+ c2 ~ 2 |
}
texidoc = "Ties avoid collisions with dots."
}
-\version "2.16.0"
+\version "2.19.2"
\paper { ragged-right = ##T }
\relative c'' {
\time 12/8
d4*3/2~ d8[ e] r8
- d4.~ d8 e f
+ d4.~ 8 e f
}
-\version "2.16.0"
+\version "2.19.2"
\header {
texidoc = "Tying a grace to a following grace or main note works."
}
\layout { ragged-right= ##t }
\context Voice \relative c'' {
- c4 \grace { c8 ~ c16 ~ } c4
+ c4 \grace { c8 ~ 16 ~ } c4
}
}
-\version "2.17.6"
+\version "2.19.2"
\paper {
ragged-right = ##t
{
\override Tie.staff-position = #-5.5
- c'4 ~ c'
+ c'4 ~ 4
\override Tie.staff-position = #-6.5
- c'4 ~ c'
+ c'4 ~ 4
\override Tie.staff-position = #-7.5
- c'4 ~ c'
+ c'4 ~ 4
\revert Tie.staff-position
\override Tie.direction = #UP
- c'4 ~ c'
+ c'4 ~ 4
}
ragged-right = ##t
}
-\version "2.16.0"
+\version "2.19.2"
frag =
\relative c'' {
- c16 c2...~ c16 ~ c2... |
- c4~c8 c8~c16 c16~c32 c16.~[ c64]~ c64[ c8..] |
+ c16 c2...~ 16 ~ 2... |
+ c4~8 c8~16 c16~32 c16.~[ c64]~ 64[ c8..] |
}
-\version "2.16.0"
+\version "2.19.2"
#(ly:set-option 'warning-as-error #f)
#(ly:expect-warning (_ "unterminated tie"))
}
\relative c' {
- c1~ c |
+ c1~ 1 |
c1~ <e c> |
c1~ d |
<c e>1~ c |
\transpose a' e' \relative c'' { a16[ g fis! g] f![ d] } |
g4. r8 gis gis |
a4 a16.[ b32] c8[( a]) fis8 |
- g4.~ g8-\fermata
+ g4.~ 8-\fermata
}
projects / lilypond.git / commitdiff